16625 lines
838 KiB
Plaintext
16625 lines
838 KiB
Plaintext
The Project Gutenberg EBook of Dracula, by Bram Stoker
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This eBook is for the use of anyone anywhere at no cost and with
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almost no restrictions whatsoever. You may copy it, give it away or
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re-use it under the terms of the Project Gutenberg License included
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with this eBook or online at www.gutenberg.net
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Title: Dracula
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Author: Bram Stoker
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Release Date: May 9, 2008 [EBook #345]
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Language: English
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Character set encoding: ASCII
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*** START OF THIS PROJECT GUTENBERG EBOOK DRACULA ***
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DRACULA
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by
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Bram Stoker
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1897 edition
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TABLE OF CONTENTS
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CHAPTER
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1 Jonathan Harker's Journal
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2 Jonathan Harker's Journal
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3 Jonathan Harker's Journal
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4 Jonathan Harker's Journal
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5 Letter From Miss Mina Murray To Miss Lucy Westenra
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6 Mina Murray's Journal
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7 Cutting From "The Dailygraph", 8 August
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8 Mina Murray's Journal
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9 Letter, Mina Harker To Lucy Westenra
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10 Letter, Dr. Seward To Hon. Arthur Holmwood
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11 Lucy Westenra's Diary
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12 Dr. Seward's Diary
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13 Dr. Seward's Diary
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14 Mina Harker's Journal
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15 Dr. Seward's Diary
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16 Dr. Seward's Diary
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17 Dr. Seward's Diary
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18 Dr. Seward's Diary
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19 Jonathan Harker's Journal
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20 Jonathan Harker's Journal
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21 Dr. Seward's Diary
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22 Jonathan Harker's Journal
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23 Dr. Seward's Diary
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24 Dr. Seward's Phonograph Diary
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25 Dr. Seward's Diary
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26 Dr. Seward's Diary
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27 Mina Harker's Journal
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CHAPTER 1
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Jonathan Harker's Journal
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3 May. Bistritz.--Left Munich at 8:35 P.M., on 1st May, arriving at
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Vienna early next morning; should have arrived at 6:46, but train was
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an hour late. Buda-Pesth seems a wonderful place, from the glimpse
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which I got of it from the train and the little I could walk through
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the streets. I feared to go very far from the station, as we had
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arrived late and would start as near the correct time as possible.
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The impression I had was that we were leaving the West and entering the
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East; the most western of splendid bridges over the Danube, which is
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here of noble width and depth, took us among the traditions of Turkish
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rule.
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We left in pretty good time, and came after nightfall to Klausenburgh.
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Here I stopped for the night at the Hotel Royale. I had for dinner,
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or rather supper, a chicken done up some way with red pepper, which
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was very good but thirsty. (Mem. get recipe for Mina.) I asked the
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waiter, and he said it was called "paprika hendl," and that, as it was
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a national dish, I should be able to get it anywhere along the
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Carpathians.
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I found my smattering of German very useful here, indeed, I don't know
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how I should be able to get on without it.
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Having had some time at my disposal when in London, I had visited the
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British Museum, and made search among the books and maps in the
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library regarding Transylvania; it had struck me that some
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foreknowledge of the country could hardly fail to have some importance
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in dealing with a nobleman of that country.
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I find that the district he named is in the extreme east of the
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country, just on the borders of three states, Transylvania, Moldavia,
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and Bukovina, in the midst of the Carpathian mountains; one of the
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wildest and least known portions of Europe.
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I was not able to light on any map or work giving the exact locality
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of the Castle Dracula, as there are no maps of this country as yet to
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compare with our own Ordance Survey Maps; but I found that Bistritz,
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the post town named by Count Dracula, is a fairly well-known place. I
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shall enter here some of my notes, as they may refresh my memory when
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I talk over my travels with Mina.
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In the population of Transylvania there are four distinct
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nationalities: Saxons in the South, and mixed with them the Wallachs,
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who are the descendants of the Dacians; Magyars in the West, and
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Szekelys in the East and North. I am going among the latter, who
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claim to be descended from Attila and the Huns. This may be so, for
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when the Magyars conquered the country in the eleventh century they
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found the Huns settled in it.
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I read that every known superstition in the world is gathered into the
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horseshoe of the Carpathians, as if it were the centre of some sort of
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imaginative whirlpool; if so my stay may be very interesting. (Mem.,
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I must ask the Count all about them.)
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I did not sleep well, though my bed was comfortable enough, for I had
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all sorts of queer dreams. There was a dog howling all night under my
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window, which may have had something to do with it; or it may have
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been the paprika, for I had to drink up all the water in my carafe,
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and was still thirsty. Towards morning I slept and was wakened by the
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continuous knocking at my door, so I guess I must have been sleeping
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soundly then.
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I had for breakfast more paprika, and a sort of porridge of maize
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flour which they said was "mamaliga", and egg-plant stuffed with
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forcemeat, a very excellent dish, which they call "impletata". (Mem.,
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get recipe for this also.)
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I had to hurry breakfast, for the train started a little before eight,
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or rather it ought to have done so, for after rushing to the station
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at 7:30 I had to sit in the carriage for more than an hour before we
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began to move.
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It seems to me that the further east you go the more unpunctual are
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the trains. What ought they to be in China?
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All day long we seemed to dawdle through a country which was full of
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beauty of every kind. Sometimes we saw little towns or castles on the
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top of steep hills such as we see in old missals; sometimes we ran by
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rivers and streams which seemed from the wide stony margin on each
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side of them to be subject to great floods. It takes a lot of water,
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and running strong, to sweep the outside edge of a river clear.
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At every station there were groups of people, sometimes crowds, and in
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all sorts of attire. Some of them were just like the peasants at home
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or those I saw coming through France and Germany, with short jackets,
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and round hats, and home-made trousers; but others were very
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picturesque.
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The women looked pretty, except when you got near them, but they were
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very clumsy about the waist. They had all full white sleeves of some
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kind or other, and most of them had big belts with a lot of strips of
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something fluttering from them like the dresses in a ballet, but of
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course there were petticoats under them.
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The strangest figures we saw were the Slovaks, who were more barbarian
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than the rest, with their big cow-boy hats, great baggy dirty-white
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trousers, white linen shirts, and enormous heavy leather belts, nearly
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a foot wide, all studded over with brass nails. They wore high boots,
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with their trousers tucked into them, and had long black hair and
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heavy black moustaches. They are very picturesque, but do not look
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prepossessing. On the stage they would be set down at once as some
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old Oriental band of brigands. They are, however, I am told, very
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harmless and rather wanting in natural self-assertion.
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It was on the dark side of twilight when we got to Bistritz, which is
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a very interesting old place. Being practically on the frontier--for
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the Borgo Pass leads from it into Bukovina--it has had a very stormy
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existence, and it certainly shows marks of it. Fifty years ago a
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series of great fires took place, which made terrible havoc on five
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separate occasions. At the very beginning of the seventeenth century
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it underwent a siege of three weeks and lost 13,000 people, the
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casualties of war proper being assisted by famine and disease.
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Count Dracula had directed me to go to the Golden Krone Hotel, which I
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found, to my great delight, to be thoroughly old-fashioned, for of
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course I wanted to see all I could of the ways of the country.
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I was evidently expected, for when I got near the door I faced a
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cheery-looking elderly woman in the usual peasant dress--white
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undergarment with a long double apron, front, and back, of coloured
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stuff fitting almost too tight for modesty. When I came close she
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bowed and said, "The Herr Englishman?"
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"Yes," I said, "Jonathan Harker."
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She smiled, and gave some message to an elderly man in white
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shirtsleeves, who had followed her to the door.
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He went, but immediately returned with a letter:
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"My friend.--Welcome to the Carpathians. I am anxiously expecting
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you. Sleep well tonight. At three tomorrow the diligence will
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start for Bukovina; a place on it is kept for you. At the Borgo
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Pass my carriage will await you and will bring you to me. I trust
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that your journey from London has been a happy one, and that you
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will enjoy your stay in my beautiful land.--Your friend, Dracula."
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4 May--I found that my landlord had got a letter from the Count,
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directing him to secure the best place on the coach for me; but on
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making inquiries as to details he seemed somewhat reticent, and
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pretended that he could not understand my German.
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This could not be true, because up to then he had understood it
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perfectly; at least, he answered my questions exactly as if he did.
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He and his wife, the old lady who had received me, looked at each
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other in a frightened sort of way. He mumbled out that the money had
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been sent in a letter, and that was all he knew. When I asked him if
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he knew Count Dracula, and could tell me anything of his castle, both
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he and his wife crossed themselves, and, saying that they knew nothing
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at all, simply refused to speak further. It was so near the time of
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starting that I had no time to ask anyone else, for it was all very
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mysterious and not by any means comforting.
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Just before I was leaving, the old lady came up to my room and said in
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a hysterical way: "Must you go? Oh! Young Herr, must you go?" She
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was in such an excited state that she seemed to have lost her grip of
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what German she knew, and mixed it all up with some other language
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which I did not know at all. I was just able to follow her by asking
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many questions. When I told her that I must go at once, and that I
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was engaged on important business, she asked again:
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"Do you know what day it is?" I answered that it was the fourth of
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May. She shook her head as she said again:
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"Oh, yes! I know that! I know that, but do you know what day it is?"
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On my saying that I did not understand, she went on:
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"It is the eve of St. George's Day. Do you not know that tonight,
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when the clock strikes midnight, all the evil things in the world will
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have full sway? Do you know where you are going, and what you are
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going to?" She was in such evident distress that I tried to comfort
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her, but without effect. Finally, she went down on her knees and
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implored me not to go; at least to wait a day or two before starting.
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It was all very ridiculous but I did not feel comfortable. However,
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there was business to be done, and I could allow nothing to interfere
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with it.
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I tried to raise her up, and said, as gravely as I could, that I
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thanked her, but my duty was imperative, and that I must go.
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She then rose and dried her eyes, and taking a crucifix from her neck
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offered it to me.
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I did not know what to do, for, as an English Churchman, I have been
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taught to regard such things as in some measure idolatrous, and yet it
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seemed so ungracious to refuse an old lady meaning so well and in such
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a state of mind.
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She saw, I suppose, the doubt in my face, for she put the rosary round
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my neck and said, "For your mother's sake," and went out of the room.
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I am writing up this part of the diary whilst I am waiting for the
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coach, which is, of course, late; and the crucifix is still round my
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neck.
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Whether it is the old lady's fear, or the many ghostly traditions of
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this place, or the crucifix itself, I do not know, but I am not
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feeling nearly as easy in my mind as usual.
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If this book should ever reach Mina before I do, let it bring my
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goodbye. Here comes the coach!
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5 May. The Castle.--The gray of the morning has passed, and the sun
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is high over the distant horizon, which seems jagged, whether with
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trees or hills I know not, for it is so far off that big things and
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little are mixed.
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I am not sleepy, and, as I am not to be called till I awake, naturally
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I write till sleep comes.
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There are many odd things to put down, and, lest who reads them may
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fancy that I dined too well before I left Bistritz, let me put down my
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dinner exactly.
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I dined on what they called "robber steak"--bits of bacon, onion, and
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beef, seasoned with red pepper, and strung on sticks, and roasted over
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the fire, in simple style of the London cat's meat!
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The wine was Golden Mediasch, which produces a queer sting on the
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tongue, which is, however, not disagreeable.
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I had only a couple of glasses of this, and nothing else.
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When I got on the coach, the driver had not taken his seat, and I saw
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him talking to the landlady.
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They were evidently talking of me, for every now and then they looked
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at me, and some of the people who were sitting on the bench outside
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the door--came and listened, and then looked at me, most of them
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pityingly. I could hear a lot of words often repeated, queer words,
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for there were many nationalities in the crowd, so I quietly got my
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polyglot dictionary from my bag and looked them out.
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I must say they were not cheering to me, for amongst them were
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"Ordog"--Satan, "Pokol"--hell, "stregoica"--witch, "vrolok" and
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"vlkoslak"--both mean the same thing, one being Slovak and the other
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Servian for something that is either werewolf or vampire. (Mem., I
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must ask the Count about these superstitions.)
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When we started, the crowd round the inn door, which had by this time
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swelled to a considerable size, all made the sign of the cross and
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pointed two fingers towards me.
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With some difficulty, I got a fellow passenger to tell me what they
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meant. He would not answer at first, but on learning that I was
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English, he explained that it was a charm or guard against the evil
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eye.
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This was not very pleasant for me, just starting for an unknown place
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to meet an unknown man. But everyone seemed so kind-hearted, and so
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sorrowful, and so sympathetic that I could not but be touched.
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I shall never forget the last glimpse which I had of the inn yard and
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its crowd of picturesque figures, all crossing themselves, as they
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stood round the wide archway, with its background of rich foliage of
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oleander and orange trees in green tubs clustered in the centre of the
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yard.
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Then our driver, whose wide linen drawers covered the whole front of
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the boxseat,--"gotza" they call them--cracked his big whip over his
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four small horses, which ran abreast, and we set off on our journey.
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I soon lost sight and recollection of ghostly fears in the beauty of
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the scene as we drove along, although had I known the language, or
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rather languages, which my fellow-passengers were speaking, I might
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not have been able to throw them off so easily. Before us lay a green
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sloping land full of forests and woods, with here and there steep
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hills, crowned with clumps of trees or with farmhouses, the blank
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gable end to the road. There was everywhere a bewildering mass of
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fruit blossom--apple, plum, pear, cherry. And as we drove by I could
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see the green grass under the trees spangled with the fallen petals.
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In and out amongst these green hills of what they call here the
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"Mittel Land" ran the road, losing itself as it swept round the grassy
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curve, or was shut out by the straggling ends of pine woods, which
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here and there ran down the hillsides like tongues of flame. The road
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was rugged, but still we seemed to fly over it with a feverish haste.
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I could not understand then what the haste meant, but the driver was
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evidently bent on losing no time in reaching Borgo Prund. I was told
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that this road is in summertime excellent, but that it had not yet
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been put in order after the winter snows. In this respect it is
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different from the general run of roads in the Carpathians, for it is
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an old tradition that they are not to be kept in too good order. Of
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old the Hospadars would not repair them, lest the Turk should think
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that they were preparing to bring in foreign troops, and so hasten the
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war which was always really at loading point.
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Beyond the green swelling hills of the Mittel Land rose mighty slopes
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of forest up to the lofty steeps of the Carpathians themselves. Right
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and left of us they towered, with the afternoon sun falling full upon
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them and bringing out all the glorious colours of this beautiful
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range, deep blue and purple in the shadows of the peaks, green and
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brown where grass and rock mingled, and an endless perspective of
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jagged rock and pointed crags, till these were themselves lost in the
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distance, where the snowy peaks rose grandly. Here and there seemed
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mighty rifts in the mountains, through which, as the sun began to
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sink, we saw now and again the white gleam of falling water. One of
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my companions touched my arm as we swept round the base of a hill and
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opened up the lofty, snow-covered peak of a mountain, which seemed, as
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we wound on our serpentine way, to be right before us.
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"Look! Isten szek!"--"God's seat!"--and he crossed himself reverently.
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As we wound on our endless way, and the sun sank lower and lower
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behind us, the shadows of the evening began to creep round us. This
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was emphasized by the fact that the snowy mountain-top still held the
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sunset, and seemed to glow out with a delicate cool pink. Here and
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there we passed Cszeks and slovaks, all in picturesque attire, but I
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noticed that goitre was painfully prevalent. By the roadside were
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many crosses, and as we swept by, my companions all crossed
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themselves. Here and there was a peasant man or woman kneeling before
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a shrine, who did not even turn round as we approached, but seemed in
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the self-surrender of devotion to have neither eyes nor ears for the
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outer world. There were many things new to me. For instance,
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hay-ricks in the trees, and here and there very beautiful masses of
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weeping birch, their white stems shining like silver through the
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delicate green of the leaves.
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Now and again we passed a leiter-wagon--the ordinary peasants's
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cart--with its long, snakelike vertebra, calculated to suit the
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inequalities of the road. On this were sure to be seated quite a
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group of homecoming peasants, the Cszeks with their white, and the
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Slovaks with their coloured sheepskins, the latter carrying
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lance-fashion their long staves, with axe at end. As the evening fell
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it began to get very cold, and the growing twilight seemed to merge
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into one dark mistiness the gloom of the trees, oak, beech, and pine,
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though in the valleys which ran deep between the spurs of the hills,
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as we ascended through the Pass, the dark firs stood out here and
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there against the background of late-lying snow. Sometimes, as the
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road was cut through the pine woods that seemed in the darkness to be
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closing down upon us, great masses of greyness which here and there
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bestrewed the trees, produced a peculiarly weird and solemn effect,
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which carried on the thoughts and grim fancies engendered earlier in
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the evening, when the falling sunset threw into strange relief the
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ghost-like clouds which amongst the Carpathians seem to wind
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ceaselessly through the valleys. Sometimes the hills were so steep
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that, despite our driver's haste, the horses could only go slowly. I
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wished to get down and walk up them, as we do at home, but the driver
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would not hear of it. "No, no," he said. "You must not walk here.
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The dogs are too fierce." And then he added, with what he evidently
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meant for grim pleasantry--for he looked round to catch the approving
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smile of the rest--"And you may have enough of such matters before you
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go to sleep." The only stop he would make was a moment's pause to
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light his lamps.
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When it grew dark there seemed to be some excitement amongst the
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passengers, and they kept speaking to him, one after the other, as
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though urging him to further speed. He lashed the horses unmercifully
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with his long whip, and with wild cries of encouragement urged them on
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to further exertions. Then through the darkness I could see a sort of
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patch of grey light ahead of us, as though there were a cleft in the
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hills. The excitement of the passengers grew greater. The crazy
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coach rocked on its great leather springs, and swayed like a boat
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tossed on a stormy sea. I had to hold on. The road grew more level,
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and we appeared to fly along. Then the mountains seemed to come
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nearer to us on each side and to frown down upon us. We were entering
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on the Borgo Pass. One by one several of the passengers offered me
|
|
gifts, which they pressed upon me with an earnestness which would take
|
|
no denial. These were certainly of an odd and varied kind, but each
|
|
was given in simple good faith, with a kindly word, and a blessing,
|
|
and that same strange mixture of fear-meaning movements which I had
|
|
seen outside the hotel at Bistritz--the sign of the cross and the
|
|
guard against the evil eye. Then, as we flew along, the driver leaned
|
|
forward, and on each side the passengers, craning over the edge of the
|
|
coach, peered eagerly into the darkness. It was evident that
|
|
something very exciting was either happening or expected, but though I
|
|
asked each passenger, no one would give me the slightest explanation.
|
|
This state of excitement kept on for some little time. And at last we
|
|
saw before us the Pass opening out on the eastern side. There were
|
|
dark, rolling clouds overhead, and in the air the heavy, oppressive
|
|
sense of thunder. It seemed as though the mountain range had
|
|
separated two atmospheres, and that now we had got into the thunderous
|
|
one. I was now myself looking out for the conveyance which was to
|
|
take me to the Count. Each moment I expected to see the glare of
|
|
lamps through the blackness, but all was dark. The only light was the
|
|
flickering rays of our own lamps, in which the steam from our
|
|
hard-driven horses rose in a white cloud. We could see now the sandy
|
|
road lying white before us, but there was on it no sign of a vehicle.
|
|
The passengers drew back with a sigh of gladness, which seemed to mock
|
|
my own disappointment. I was already thinking what I had best do,
|
|
when the driver, looking at his watch, said to the others something
|
|
which I could hardly hear, it was spoken so quietly and in so low a
|
|
tone, I thought it was "An hour less than the time." Then turning to
|
|
me, he spoke in German worse than my own.
|
|
|
|
"There is no carriage here. The Herr is not expected after all. He
|
|
will now come on to Bukovina, and return tomorrow or the next day,
|
|
better the next day." Whilst he was speaking the horses began to
|
|
neigh and snort and plunge wildly, so that the driver had to hold them
|
|
up. Then, amongst a chorus of screams from the peasants and a
|
|
universal crossing of themselves, a caleche, with four horses, drove
|
|
up behind us, overtook us, and drew up beside the coach. I could see
|
|
from the flash of our lamps as the rays fell on them, that the horses
|
|
were coal-black and splendid animals. They were driven by a tall man,
|
|
with a long brown beard and a great black hat, which seemed to hide
|
|
his face from us. I could only see the gleam of a pair of very bright
|
|
eyes, which seemed red in the lamplight, as he turned to us.
|
|
|
|
He said to the driver, "You are early tonight, my friend."
|
|
|
|
The man stammered in reply, "The English Herr was in a hurry."
|
|
|
|
To which the stranger replied, "That is why, I suppose, you wished him
|
|
to go on to Bukovina. You cannot deceive me, my friend. I know too
|
|
much, and my horses are swift."
|
|
|
|
As he spoke he smiled, and the lamplight fell on a hard-looking mouth,
|
|
with very red lips and sharp-looking teeth, as white as ivory. One of
|
|
my companions whispered to another the line from Burger's "Lenore".
|
|
|
|
"Denn die Todten reiten Schnell." ("For the dead travel fast.")
|
|
|
|
The strange driver evidently heard the words, for he looked up with a
|
|
gleaming smile. The passenger turned his face away, at the same time
|
|
putting out his two fingers and crossing himself. "Give me the Herr's
|
|
luggage," said the driver, and with exceeding alacrity my bags were
|
|
handed out and put in the caleche. Then I descended from the side of
|
|
the coach, as the caleche was close alongside, the driver helping me
|
|
with a hand which caught my arm in a grip of steel. His strength must
|
|
have been prodigious.
|
|
|
|
Without a word he shook his reins, the horses turned, and we swept
|
|
into the darkness of the pass. As I looked back I saw the steam from
|
|
the horses of the coach by the light of the lamps, and projected
|
|
against it the figures of my late companions crossing themselves.
|
|
Then the driver cracked his whip and called to his horses, and off
|
|
they swept on their way to Bukovina. As they sank into the darkness I
|
|
felt a strange chill, and a lonely feeling come over me. But a cloak
|
|
was thrown over my shoulders, and a rug across my knees, and the
|
|
driver said in excellent German--"The night is chill, mein Herr, and
|
|
my master the Count bade me take all care of you. There is a flask of
|
|
slivovitz (the plum brandy of the country) underneath the seat, if you
|
|
should require it."
|
|
|
|
I did not take any, but it was a comfort to know it was there all the
|
|
same. I felt a little strangely, and not a little frightened. I
|
|
think had there been any alternative I should have taken it, instead
|
|
of prosecuting that unknown night journey. The carriage went at a
|
|
hard pace straight along, then we made a complete turn and went along
|
|
another straight road. It seemed to me that we were simply going over
|
|
and over the same ground again, and so I took note of some salient
|
|
point, and found that this was so. I would have liked to have asked
|
|
the driver what this all meant, but I really feared to do so, for I
|
|
thought that, placed as I was, any protest would have had no effect in
|
|
case there had been an intention to delay.
|
|
|
|
By-and-by, however, as I was curious to know how time was passing, I
|
|
struck a match, and by its flame looked at my watch. It was within a
|
|
few minutes of midnight. This gave me a sort of shock, for I suppose
|
|
the general superstition about midnight was increased by my recent
|
|
experiences. I waited with a sick feeling of suspense.
|
|
|
|
Then a dog began to howl somewhere in a farmhouse far down the road, a
|
|
long, agonized wailing, as if from fear. The sound was taken up by
|
|
another dog, and then another and another, till, borne on the wind
|
|
which now sighed softly through the Pass, a wild howling began, which
|
|
seemed to come from all over the country, as far as the imagination
|
|
could grasp it through the gloom of the night.
|
|
|
|
At the first howl the horses began to strain and rear, but the driver
|
|
spoke to them soothingly, and they quieted down, but shivered and
|
|
sweated as though after a runaway from sudden fright. Then, far off
|
|
in the distance, from the mountains on each side of us began a louder
|
|
and a sharper howling, that of wolves, which affected both the horses
|
|
and myself in the same way. For I was minded to jump from the caleche
|
|
and run, whilst they reared again and plunged madly, so that the
|
|
driver had to use all his great strength to keep them from bolting.
|
|
In a few minutes, however, my own ears got accustomed to the sound,
|
|
and the horses so far became quiet that the driver was able to descend
|
|
and to stand before them.
|
|
|
|
He petted and soothed them, and whispered something in their ears, as
|
|
I have heard of horse-tamers doing, and with extraordinary effect, for
|
|
under his caresses they became quite manageable again, though they
|
|
still trembled. The driver again took his seat, and shaking his
|
|
reins, started off at a great pace. This time, after going to the far
|
|
side of the Pass, he suddenly turned down a narrow roadway which ran
|
|
sharply to the right.
|
|
|
|
Soon we were hemmed in with trees, which in places arched right over
|
|
the roadway till we passed as through a tunnel. And again great
|
|
frowning rocks guarded us boldly on either side. Though we were in
|
|
shelter, we could hear the rising wind, for it moaned and whistled
|
|
through the rocks, and the branches of the trees crashed together as
|
|
we swept along. It grew colder and colder still, and fine, powdery
|
|
snow began to fall, so that soon we and all around us were covered
|
|
with a white blanket. The keen wind still carried the howling of the
|
|
dogs, though this grew fainter as we went on our way. The baying of
|
|
the wolves sounded nearer and nearer, as though they were closing
|
|
round on us from every side. I grew dreadfully afraid, and the horses
|
|
shared my fear. The driver, however, was not in the least disturbed.
|
|
He kept turning his head to left and right, but I could not see
|
|
anything through the darkness.
|
|
|
|
Suddenly, away on our left I saw a faint flickering blue flame. The
|
|
driver saw it at the same moment. He at once checked the horses, and,
|
|
jumping to the ground, disappeared into the darkness. I did not know
|
|
what to do, the less as the howling of the wolves grew closer. But
|
|
while I wondered, the driver suddenly appeared again, and without a
|
|
word took his seat, and we resumed our journey. I think I must have
|
|
fallen asleep and kept dreaming of the incident, for it seemed to be
|
|
repeated endlessly, and now looking back, it is like a sort of awful
|
|
nightmare. Once the flame appeared so near the road, that even in the
|
|
darkness around us I could watch the driver's motions. He went
|
|
rapidly to where the blue flame arose, it must have been very faint,
|
|
for it did not seem to illumine the place around it at all, and
|
|
gathering a few stones, formed them into some device.
|
|
|
|
Once there appeared a strange optical effect. When he stood between
|
|
me and the flame he did not obstruct it, for I could see its ghostly
|
|
flicker all the same. This startled me, but as the effect was only
|
|
momentary, I took it that my eyes deceived me straining through the
|
|
darkness. Then for a time there were no blue flames, and we sped
|
|
onwards through the gloom, with the howling of the wolves around us,
|
|
as though they were following in a moving circle.
|
|
|
|
At last there came a time when the driver went further afield than he
|
|
had yet gone, and during his absence, the horses began to tremble
|
|
worse than ever and to snort and scream with fright. I could not see
|
|
any cause for it, for the howling of the wolves had ceased altogether.
|
|
But just then the moon, sailing through the black clouds, appeared
|
|
behind the jagged crest of a beetling, pine-clad rock, and by its
|
|
light I saw around us a ring of wolves, with white teeth and lolling
|
|
red tongues, with long, sinewy limbs and shaggy hair. They were a
|
|
hundred times more terrible in the grim silence which held them than
|
|
even when they howled. For myself, I felt a sort of paralysis of
|
|
fear. It is only when a man feels himself face to face with such
|
|
horrors that he can understand their true import.
|
|
|
|
All at once the wolves began to howl as though the moonlight had had
|
|
some peculiar effect on them. The horses jumped about and reared, and
|
|
looked helplessly round with eyes that rolled in a way painful to
|
|
see. But the living ring of terror encompassed them on every side,
|
|
and they had perforce to remain within it. I called to the coachman
|
|
to come, for it seemed to me that our only chance was to try to break
|
|
out through the ring and to aid his approach, I shouted and beat the
|
|
side of the caleche, hoping by the noise to scare the wolves from the
|
|
side, so as to give him a chance of reaching the trap. How he came
|
|
there, I know not, but I heard his voice raised in a tone of imperious
|
|
command, and looking towards the sound, saw him stand in the roadway.
|
|
As he swept his long arms, as though brushing aside some impalpable
|
|
obstacle, the wolves fell back and back further still. Just then a
|
|
heavy cloud passed across the face of the moon, so that we were again
|
|
in darkness.
|
|
|
|
When I could see again the driver was climbing into the caleche, and
|
|
the wolves disappeared. This was all so strange and uncanny that a
|
|
dreadful fear came upon me, and I was afraid to speak or move. The
|
|
time seemed interminable as we swept on our way, now in almost
|
|
complete darkness, for the rolling clouds obscured the moon.
|
|
|
|
We kept on ascending, with occasional periods of quick descent, but in
|
|
the main always ascending. Suddenly, I became conscious of the fact
|
|
that the driver was in the act of pulling up the horses in the
|
|
courtyard of a vast ruined castle, from whose tall black windows came
|
|
no ray of light, and whose broken battlements showed a jagged line
|
|
against the sky.
|
|
|
|
|
|
|
|
|
|
CHAPTER 2
|
|
|
|
|
|
Jonathan Harker's Journal Continued
|
|
|
|
5 May.--I must have been asleep, for certainly if I had been fully
|
|
awake I must have noticed the approach of such a remarkable place. In
|
|
the gloom the courtyard looked of considerable size, and as several
|
|
dark ways led from it under great round arches, it perhaps seemed
|
|
bigger than it really is. I have not yet been able to see it by
|
|
daylight.
|
|
|
|
When the caleche stopped, the driver jumped down and held out his hand
|
|
to assist me to alight. Again I could not but notice his prodigious
|
|
strength. His hand actually seemed like a steel vice that could have
|
|
crushed mine if he had chosen. Then he took my traps, and placed them
|
|
on the ground beside me as I stood close to a great door, old and
|
|
studded with large iron nails, and set in a projecting doorway of
|
|
massive stone. I could see even in the dim light that the stone was
|
|
massively carved, but that the carving had been much worn by time and
|
|
weather. As I stood, the driver jumped again into his seat and shook
|
|
the reins. The horses started forward, and trap and all disappeared
|
|
down one of the dark openings.
|
|
|
|
I stood in silence where I was, for I did not know what to do. Of
|
|
bell or knocker there was no sign. Through these frowning walls and
|
|
dark window openings it was not likely that my voice could penetrate.
|
|
The time I waited seemed endless, and I felt doubts and fears crowding
|
|
upon me. What sort of place had I come to, and among what kind of
|
|
people? What sort of grim adventure was it on which I had embarked?
|
|
Was this a customary incident in the life of a solicitor's clerk sent
|
|
out to explain the purchase of a London estate to a foreigner?
|
|
Solicitor's clerk! Mina would not like that. Solicitor, for just
|
|
before leaving London I got word that my examination was successful,
|
|
and I am now a full-blown solicitor! I began to rub my eyes and pinch
|
|
myself to see if I were awake. It all seemed like a horrible
|
|
nightmare to me, and I expected that I should suddenly awake, and find
|
|
myself at home, with the dawn struggling in through the windows, as I
|
|
had now and again felt in the morning after a day of overwork. But my
|
|
flesh answered the pinching test, and my eyes were not to be
|
|
deceived. I was indeed awake and among the Carpathians. All I could
|
|
do now was to be patient, and to wait the coming of morning.
|
|
|
|
Just as I had come to this conclusion I heard a heavy step approaching
|
|
behind the great door, and saw through the chinks the gleam of a
|
|
coming light. Then there was the sound of rattling chains and the
|
|
clanking of massive bolts drawn back. A key was turned with the loud
|
|
grating noise of long disuse, and the great door swung back.
|
|
|
|
Within, stood a tall old man, clean shaven save for a long white
|
|
moustache, and clad in black from head to foot, without a single speck
|
|
of colour about him anywhere. He held in his hand an antique silver
|
|
lamp, in which the flame burned without a chimney or globe of any
|
|
kind, throwing long quivering shadows as it flickered in the draught
|
|
of the open door. The old man motioned me in with his right hand with
|
|
a courtly gesture, saying in excellent English, but with a strange
|
|
intonation.
|
|
|
|
"Welcome to my house! Enter freely and of your own free will!" He
|
|
made no motion of stepping to meet me, but stood like a statue, as
|
|
though his gesture of welcome had fixed him into stone. The instant,
|
|
however, that I had stepped over the threshold, he moved impulsively
|
|
forward, and holding out his hand grasped mine with a strength which
|
|
made me wince, an effect which was not lessened by the fact that it
|
|
seemed cold as ice, more like the hand of a dead than a living man.
|
|
Again he said,
|
|
|
|
"Welcome to my house! Enter freely. Go safely, and leave something
|
|
of the happiness you bring!" The strength of the handshake was so
|
|
much akin to that which I had noticed in the driver, whose face I had
|
|
not seen, that for a moment I doubted if it were not the same person
|
|
to whom I was speaking. So to make sure, I said interrogatively,
|
|
"Count Dracula?"
|
|
|
|
He bowed in a courtly way as he replied, "I am Dracula, and I bid you
|
|
welcome, Mr. Harker, to my house. Come in, the night air is chill,
|
|
and you must need to eat and rest." As he was speaking, he put the lamp
|
|
on a bracket on the wall, and stepping out, took my luggage. He had
|
|
carried it in before I could forestall him. I protested, but he
|
|
insisted.
|
|
|
|
"Nay, sir, you are my guest. It is late, and my people are not
|
|
available. Let me see to your comfort myself." He insisted on carrying
|
|
my traps along the passage, and then up a great winding stair, and
|
|
along another great passage, on whose stone floor our steps rang
|
|
heavily. At the end of this he threw open a heavy door, and I
|
|
rejoiced to see within a well-lit room in which a table was spread for
|
|
supper, and on whose mighty hearth a great fire of logs, freshly
|
|
replenished, flamed and flared.
|
|
|
|
The Count halted, putting down my bags, closed the door, and crossing
|
|
the room, opened another door, which led into a small octagonal room
|
|
lit by a single lamp, and seemingly without a window of any sort.
|
|
Passing through this, he opened another door, and motioned me to
|
|
enter. It was a welcome sight. For here was a great bedroom well
|
|
lighted and warmed with another log fire, also added to but lately,
|
|
for the top logs were fresh, which sent a hollow roar up the wide
|
|
chimney. The Count himself left my luggage inside and withdrew,
|
|
saying, before he closed the door.
|
|
|
|
"You will need, after your journey, to refresh yourself by making your
|
|
toilet. I trust you will find all you wish. When you are ready, come
|
|
into the other room, where you will find your supper prepared."
|
|
|
|
The light and warmth and the Count's courteous welcome seemed to have
|
|
dissipated all my doubts and fears. Having then reached my normal
|
|
state, I discovered that I was half famished with hunger. So making a
|
|
hasty toilet, I went into the other room.
|
|
|
|
I found supper already laid out. My host, who stood on one side of
|
|
the great fireplace, leaning against the stonework, made a graceful
|
|
wave of his hand to the table, and said,
|
|
|
|
"I pray you, be seated and sup how you please. You will I trust,
|
|
excuse me that I do not join you, but I have dined already, and I do
|
|
not sup."
|
|
|
|
I handed to him the sealed letter which Mr. Hawkins had entrusted to
|
|
me. He opened it and read it gravely. Then, with a charming smile,
|
|
he handed it to me to read. One passage of it, at least, gave me a
|
|
thrill of pleasure.
|
|
|
|
"I must regret that an attack of gout, from which malady I am a
|
|
constant sufferer, forbids absolutely any travelling on my part for
|
|
some time to come. But I am happy to say I can send a sufficient
|
|
substitute, one in whom I have every possible confidence. He is a
|
|
young man, full of energy and talent in his own way, and of a very
|
|
faithful disposition. He is discreet and silent, and has grown into
|
|
manhood in my service. He shall be ready to attend on you when you
|
|
will during his stay, and shall take your instructions in all
|
|
matters."
|
|
|
|
The count himself came forward and took off the cover of a dish, and I
|
|
fell to at once on an excellent roast chicken. This, with some cheese
|
|
and a salad and a bottle of old tokay, of which I had two glasses, was
|
|
my supper. During the time I was eating it the Count asked me many
|
|
questions as to my journey, and I told him by degrees all I had
|
|
experienced.
|
|
|
|
By this time I had finished my supper, and by my host's desire had
|
|
drawn up a chair by the fire and begun to smoke a cigar which he
|
|
offered me, at the same time excusing himself that he did not smoke.
|
|
I had now an opportunity of observing him, and found him of a very
|
|
marked physiognomy.
|
|
|
|
His face was a strong, a very strong, aquiline, with high bridge of
|
|
the thin nose and peculiarly arched nostrils, with lofty domed
|
|
forehead, and hair growing scantily round the temples but profusely
|
|
elsewhere. His eyebrows were very massive, almost meeting over the
|
|
nose, and with bushy hair that seemed to curl in its own profusion.
|
|
The mouth, so far as I could see it under the heavy moustache, was
|
|
fixed and rather cruel-looking, with peculiarly sharp white teeth.
|
|
These protruded over the lips, whose remarkable ruddiness showed
|
|
astonishing vitality in a man of his years. For the rest, his ears
|
|
were pale, and at the tops extremely pointed. The chin was broad and
|
|
strong, and the cheeks firm though thin. The general effect was one
|
|
of extraordinary pallor.
|
|
|
|
Hitherto I had noticed the backs of his hands as they lay on his knees
|
|
in the firelight, and they had seemed rather white and fine. But
|
|
seeing them now close to me, I could not but notice that they were
|
|
rather coarse, broad, with squat fingers. Strange to say, there were
|
|
hairs in the centre of the palm. The nails were long and fine, and
|
|
cut to a sharp point. As the Count leaned over me and his hands
|
|
touched me, I could not repress a shudder. It may have been that his
|
|
breath was rank, but a horrible feeling of nausea came over me, which,
|
|
do what I would, I could not conceal.
|
|
|
|
The Count, evidently noticing it, drew back. And with a grim sort of
|
|
smile, which showed more than he had yet done his protruberant teeth,
|
|
sat himself down again on his own side of the fireplace. We were both
|
|
silent for a while, and as I looked towards the window I saw the first
|
|
dim streak of the coming dawn. There seemed a strange stillness over
|
|
everything. But as I listened, I heard as if from down below in the
|
|
valley the howling of many wolves. The Count's eyes gleamed, and he
|
|
said.
|
|
|
|
"Listen to them, the children of the night. What music they make!"
|
|
Seeing, I suppose, some expression in my face strange to him, he
|
|
added, "Ah, sir, you dwellers in the city cannot enter into the
|
|
feelings of the hunter." Then he rose and said.
|
|
|
|
"But you must be tired. Your bedroom is all ready, and tomorrow you
|
|
shall sleep as late as you will. I have to be away till the
|
|
afternoon, so sleep well and dream well!" With a courteous bow, he
|
|
opened for me himself the door to the octagonal room, and I entered my
|
|
bedroom.
|
|
|
|
I am all in a sea of wonders. I doubt. I fear. I think strange
|
|
things, which I dare not confess to my own soul. God keep me, if only
|
|
for the sake of those dear to me!
|
|
|
|
|
|
7 May.--It is again early morning, but I have rested and enjoyed the
|
|
last twenty-four hours. I slept till late in the day, and awoke of my
|
|
own accord. When I had dressed myself I went into the room where we
|
|
had supped, and found a cold breakfast laid out, with coffee kept hot
|
|
by the pot being placed on the hearth. There was a card on the table,
|
|
on which was written--"I have to be absent for a while. Do not wait
|
|
for me. D." I set to and enjoyed a hearty meal. When I had done, I
|
|
looked for a bell, so that I might let the servants know I had
|
|
finished, but I could not find one. There are certainly odd
|
|
deficiencies in the house, considering the extraordinary evidences of
|
|
wealth which are round me. The table service is of gold, and so
|
|
beautifully wrought that it must be of immense value. The curtains
|
|
and upholstery of the chairs and sofas and the hangings of my bed are
|
|
of the costliest and most beautiful fabrics, and must have been of
|
|
fabulous value when they were made, for they are centuries old, though
|
|
in excellent order. I saw something like them in Hampton Court, but
|
|
they were worn and frayed and moth-eaten. But still in none of the
|
|
rooms is there a mirror. There is not even a toilet glass on my
|
|
table, and I had to get the little shaving glass from my bag before I
|
|
could either shave or brush my hair. I have not yet seen a servant
|
|
anywhere, or heard a sound near the castle except the howling of
|
|
wolves. Some time after I had finished my meal, I do not know whether
|
|
to call it breakfast or dinner, for it was between five and six
|
|
o'clock when I had it, I looked about for something to read, for I did
|
|
not like to go about the castle until I had asked the Count's
|
|
permission. There was absolutely nothing in the room, book,
|
|
newspaper, or even writing materials, so I opened another door in the
|
|
room and found a sort of library. The door opposite mine I tried, but
|
|
found locked.
|
|
|
|
In the library I found, to my great delight, a vast number of English
|
|
books, whole shelves full of them, and bound volumes of magazines and
|
|
newspapers. A table in the centre was littered with English magazines
|
|
and newspapers, though none of them were of very recent date. The
|
|
books were of the most varied kind, history, geography, politics,
|
|
political economy, botany, geology, law, all relating to England and
|
|
English life and customs and manners. There were even such books of
|
|
reference as the London Directory, the "Red" and "Blue" books,
|
|
Whitaker's Almanac, the Army and Navy Lists, and it somehow gladdened
|
|
my heart to see it, the Law List.
|
|
|
|
Whilst I was looking at the books, the door opened, and the Count
|
|
entered. He saluted me in a hearty way, and hoped that I had had a
|
|
good night's rest. Then he went on.
|
|
|
|
"I am glad you found your way in here, for I am sure there is much
|
|
that will interest you. These companions," and he laid his hand on
|
|
some of the books, "have been good friends to me, and for some years
|
|
past, ever since I had the idea of going to London, have given me
|
|
many, many hours of pleasure. Through them I have come to know your
|
|
great England, and to know her is to love her. I long to go through
|
|
the crowded streets of your mighty London, to be in the midst of the
|
|
whirl and rush of humanity, to share its life, its change, its death,
|
|
and all that makes it what it is. But alas! As yet I only know your
|
|
tongue through books. To you, my friend, I look that I know it to
|
|
speak."
|
|
|
|
"But, Count," I said, "You know and speak English thoroughly!" He
|
|
bowed gravely.
|
|
|
|
"I thank you, my friend, for your all too-flattering estimate, but yet
|
|
I fear that I am but a little way on the road I would travel. True, I
|
|
know the grammar and the words, but yet I know not how to speak them."
|
|
|
|
"Indeed," I said, "You speak excellently."
|
|
|
|
"Not so," he answered. "Well, I know that, did I move and speak in
|
|
your London, none there are who would not know me for a stranger. That
|
|
is not enough for me. Here I am noble. I am a Boyar. The common
|
|
people know me, and I am master. But a stranger in a strange land, he
|
|
is no one. Men know him not, and to know not is to care not for. I
|
|
am content if I am like the rest, so that no man stops if he sees me,
|
|
or pauses in his speaking if he hears my words, 'Ha, ha! A stranger!'
|
|
I have been so long master that I would be master still, or at least
|
|
that none other should be master of me. You come to me not alone as
|
|
agent of my friend Peter Hawkins, of Exeter, to tell me all about my
|
|
new estate in London. You shall, I trust, rest here with me a while,
|
|
so that by our talking I may learn the English intonation. And I
|
|
would that you tell me when I make error, even of the smallest, in my
|
|
speaking. I am sorry that I had to be away so long today, but you
|
|
will, I know forgive one who has so many important affairs in hand."
|
|
|
|
Of course I said all I could about being willing, and asked if I might
|
|
come into that room when I chose. He answered, "Yes, certainly," and
|
|
added.
|
|
|
|
"You may go anywhere you wish in the castle, except where the doors
|
|
are locked, where of course you will not wish to go. There is reason
|
|
that all things are as they are, and did you see with my eyes and know
|
|
with my knowledge, you would perhaps better understand." I said I was
|
|
sure of this, and then he went on.
|
|
|
|
"We are in Transylvania, and Transylvania is not England. Our ways
|
|
are not your ways, and there shall be to you many strange things. Nay,
|
|
from what you have told me of your experiences already, you know
|
|
something of what strange things there may be."
|
|
|
|
This led to much conversation, and as it was evident that he wanted to
|
|
talk, if only for talking's sake, I asked him many questions regarding
|
|
things that had already happened to me or come within my notice.
|
|
Sometimes he sheered off the subject, or turned the conversation by
|
|
pretending not to understand, but generally he answered all I asked
|
|
most frankly. Then as time went on, and I had got somewhat bolder, I
|
|
asked him of some of the strange things of the preceding night, as for
|
|
instance, why the coachman went to the places where he had seen the
|
|
blue flames. He then explained to me that it was commonly believed
|
|
that on a certain night of the year, last night, in fact, when all
|
|
evil spirits are supposed to have unchecked sway, a blue flame is seen
|
|
over any place where treasure has been concealed.
|
|
|
|
"That treasure has been hidden," he went on, "in the region through
|
|
which you came last night, there can be but little doubt. For it was
|
|
the ground fought over for centuries by the Wallachian, the Saxon, and
|
|
the Turk. Why, there is hardly a foot of soil in all this region that
|
|
has not been enriched by the blood of men, patriots or invaders. In
|
|
the old days there were stirring times, when the Austrian and the
|
|
Hungarian came up in hordes, and the patriots went out to meet them,
|
|
men and women, the aged and the children too, and waited their coming
|
|
on the rocks above the passes, that they might sweep destruction on
|
|
them with their artificial avalanches. When the invader was
|
|
triumphant he found but little, for whatever there was had been
|
|
sheltered in the friendly soil."
|
|
|
|
"But how," said I, "can it have remained so long undiscovered, when
|
|
there is a sure index to it if men will but take the trouble to look?"
|
|
The Count smiled, and as his lips ran back over his gums, the long,
|
|
sharp, canine teeth showed out strangely. He answered:
|
|
|
|
"Because your peasant is at heart a coward and a fool! Those flames
|
|
only appear on one night, and on that night no man of this land will,
|
|
if he can help it, stir without his doors. And, dear sir, even if he
|
|
did he would not know what to do. Why, even the peasant that you tell
|
|
me of who marked the place of the flame would not know where to look
|
|
in daylight even for his own work. Even you would not, I dare be
|
|
sworn, be able to find these places again?"
|
|
|
|
"There you are right," I said. "I know no more than the dead where
|
|
even to look for them." Then we drifted into other matters.
|
|
|
|
"Come," he said at last, "tell me of London and of the house which you
|
|
have procured for me." With an apology for my remissness, I went into
|
|
my own room to get the papers from my bag. Whilst I was placing them
|
|
in order I heard a rattling of china and silver in the next room, and
|
|
as I passed through, noticed that the table had been cleared and the
|
|
lamp lit, for it was by this time deep into the dark. The lamps were
|
|
also lit in the study or library, and I found the Count lying on the
|
|
sofa, reading, of all things in the world, an English Bradshaw's
|
|
Guide. When I came in he cleared the books and papers from the table,
|
|
and with him I went into plans and deeds and figures of all sorts. He
|
|
was interested in everything, and asked me a myriad questions about
|
|
the place and its surroundings. He clearly had studied beforehand all
|
|
he could get on the subject of the neighbourhood, for he evidently at
|
|
the end knew very much more than I did. When I remarked this, he
|
|
answered.
|
|
|
|
"Well, but, my friend, is it not needful that I should? When I go
|
|
there I shall be all alone, and my friend Harker Jonathan, nay, pardon
|
|
me. I fall into my country's habit of putting your patronymic first,
|
|
my friend Jonathan Harker will not be by my side to correct and aid
|
|
me. He will be in Exeter, miles away, probably working at papers of
|
|
the law with my other friend, Peter Hawkins. So!"
|
|
|
|
We went thoroughly into the business of the purchase of the estate at
|
|
Purfleet. When I had told him the facts and got his signature to the
|
|
necessary papers, and had written a letter with them ready to post to
|
|
Mr. Hawkins, he began to ask me how I had come across so suitable a
|
|
place. I read to him the notes which I had made at the time, and
|
|
which I inscribe here.
|
|
|
|
"At Purfleet, on a byroad, I came across just such a place as seemed
|
|
to be required, and where was displayed a dilapidated notice that the
|
|
place was for sale. It was surrounded by a high wall, of ancient
|
|
structure, built of heavy stones, and has not been repaired for a
|
|
large number of years. The closed gates are of heavy old oak and
|
|
iron, all eaten with rust.
|
|
|
|
"The estate is called Carfax, no doubt a corruption of the old Quatre
|
|
Face, as the house is four sided, agreeing with the cardinal points of
|
|
the compass. It contains in all some twenty acres, quite surrounded
|
|
by the solid stone wall above mentioned. There are many trees on it,
|
|
which make it in places gloomy, and there is a deep, dark-looking pond
|
|
or small lake, evidently fed by some springs, as the water is clear
|
|
and flows away in a fair-sized stream. The house is very large and of
|
|
all periods back, I should say, to mediaeval times, for one part is of
|
|
stone immensely thick, with only a few windows high up and heavily
|
|
barred with iron. It looks like part of a keep, and is close to an
|
|
old chapel or church. I could not enter it, as I had not the key of
|
|
the door leading to it from the house, but I have taken with my Kodak
|
|
views of it from various points. The house had been added to, but in
|
|
a very straggling way, and I can only guess at the amount of ground it
|
|
covers, which must be very great. There are but few houses close at
|
|
hand, one being a very large house only recently added to and formed
|
|
into a private lunatic asylum. It is not, however, visible from the
|
|
grounds."
|
|
|
|
When I had finished, he said, "I am glad that it is old and big. I
|
|
myself am of an old family, and to live in a new house would kill me.
|
|
A house cannot be made habitable in a day, and after all, how few days
|
|
go to make up a century. I rejoice also that there is a chapel of old
|
|
times. We Transylvanian nobles love not to think that our bones may
|
|
lie amongst the common dead. I seek not gaiety nor mirth, not the
|
|
bright voluptuousness of much sunshine and sparkling waters which
|
|
please the young and gay. I am no longer young, and my heart, through
|
|
weary years of mourning over the dead, is not attuned to mirth. Moreover,
|
|
the walls of my castle are broken. The shadows are many, and the wind
|
|
breathes cold through the broken battlements and casements. I love
|
|
the shade and the shadow, and would be alone with my thoughts when I
|
|
may." Somehow his words and his look did not seem to accord, or else
|
|
it was that his cast of face made his smile look malignant and
|
|
saturnine.
|
|
|
|
Presently, with an excuse, he left me, asking me to pull my papers
|
|
together. He was some little time away, and I began to look at some
|
|
of the books around me. One was an atlas, which I found opened
|
|
naturally to England, as if that map had been much used. On looking
|
|
at it I found in certain places little rings marked, and on examining
|
|
these I noticed that one was near London on the east side, manifestly
|
|
where his new estate was situated. The other two were Exeter, and
|
|
Whitby on the Yorkshire coast.
|
|
|
|
It was the better part of an hour when the Count returned. "Aha!" he
|
|
said. "Still at your books? Good! But you must not work always.
|
|
Come! I am informed that your supper is ready." He took my arm, and
|
|
we went into the next room, where I found an excellent supper ready on
|
|
the table. The Count again excused himself, as he had dined out on
|
|
his being away from home. But he sat as on the previous night, and
|
|
chatted whilst I ate. After supper I smoked, as on the last evening,
|
|
and the Count stayed with me, chatting and asking questions on every
|
|
conceivable subject, hour after hour. I felt that it was getting very
|
|
late indeed, but I did not say anything, for I felt under obligation
|
|
to meet my host's wishes in every way. I was not sleepy, as the long
|
|
sleep yesterday had fortified me, but I could not help experiencing
|
|
that chill which comes over one at the coming of the dawn, which is
|
|
like, in its way, the turn of the tide. They say that people who are
|
|
near death die generally at the change to dawn or at the turn of the
|
|
tide. Anyone who has when tired, and tied as it were to his post,
|
|
experienced this change in the atmosphere can well believe it. All at
|
|
once we heard the crow of the cock coming up with preternatural
|
|
shrillness through the clear morning air.
|
|
|
|
Count Dracula, jumping to his feet, said, "Why there is the morning
|
|
again! How remiss I am to let you stay up so long. You must make
|
|
your conversation regarding my dear new country of England less
|
|
interesting, so that I may not forget how time flies by us," and with
|
|
a courtly bow, he quickly left me.
|
|
|
|
I went into my room and drew the curtains, but there was little to
|
|
notice. My window opened into the courtyard, all I could see was the
|
|
warm grey of quickening sky. So I pulled the curtains again, and have
|
|
written of this day.
|
|
|
|
|
|
8 May.--I began to fear as I wrote in this book that I was getting too
|
|
diffuse. But now I am glad that I went into detail from the first,
|
|
for there is something so strange about this place and all in it that
|
|
I cannot but feel uneasy. I wish I were safe out of it, or that I had
|
|
never come. It may be that this strange night existence is telling on
|
|
me, but would that that were all! If there were any one to talk to I
|
|
could bear it, but there is no one. I have only the Count to speak
|
|
with, and he--I fear I am myself the only living soul within the
|
|
place. Let me be prosaic so far as facts can be. It will help me to
|
|
bear up, and imagination must not run riot with me. If it does I am
|
|
lost. Let me say at once how I stand, or seem to.
|
|
|
|
I only slept a few hours when I went to bed, and feeling that I could
|
|
not sleep any more, got up. I had hung my shaving glass by the
|
|
window, and was just beginning to shave. Suddenly I felt a hand on my
|
|
shoulder, and heard the Count's voice saying to me, "Good morning." I
|
|
started, for it amazed me that I had not seen him, since the
|
|
reflection of the glass covered the whole room behind me. In starting
|
|
I had cut myself slightly, but did not notice it at the moment. Having
|
|
answered the Count's salutation, I turned to the glass again to see
|
|
how I had been mistaken. This time there could be no error, for the
|
|
man was close to me, and I could see him over my shoulder. But there
|
|
was no reflection of him in the mirror! The whole room behind me was
|
|
displayed, but there was no sign of a man in it, except myself.
|
|
|
|
This was startling, and coming on the top of so many strange things,
|
|
was beginning to increase that vague feeling of uneasiness which I
|
|
always have when the Count is near. But at the instant I saw that the
|
|
cut had bled a little, and the blood was trickling over my chin. I
|
|
laid down the razor, turning as I did so half round to look for some
|
|
sticking plaster. When the Count saw my face, his eyes blazed with a
|
|
sort of demoniac fury, and he suddenly made a grab at my throat. I
|
|
drew away and his hand touched the string of beads which held the
|
|
crucifix. It made an instant change in him, for the fury passed so
|
|
quickly that I could hardly believe that it was ever there.
|
|
|
|
"Take care," he said, "take care how you cut yourself. It is more
|
|
dangerous that you think in this country." Then seizing the shaving
|
|
glass, he went on, "And this is the wretched thing that has done the
|
|
mischief. It is a foul bauble of man's vanity. Away with it!" And
|
|
opening the window with one wrench of his terrible hand, he flung out
|
|
the glass, which was shattered into a thousand pieces on the stones of
|
|
the courtyard far below. Then he withdrew without a word. It is very
|
|
annoying, for I do not see how I am to shave, unless in my watch-case
|
|
or the bottom of the shaving pot, which is fortunately of metal.
|
|
|
|
When I went into the dining room, breakfast was prepared, but I could
|
|
not find the Count anywhere. So I breakfasted alone. It is strange
|
|
that as yet I have not seen the Count eat or drink. He must be a very
|
|
peculiar man! After breakfast I did a little exploring in the
|
|
castle. I went out on the stairs, and found a room looking towards
|
|
the South.
|
|
|
|
The view was magnificent, and from where I stood there was every
|
|
opportunity of seeing it. The castle is on the very edge of a
|
|
terrific precipice. A stone falling from the window would fall a
|
|
thousand feet without touching anything! As far as the eye can reach
|
|
is a sea of green tree tops, with occasionally a deep rift where there
|
|
is a chasm. Here and there are silver threads where the rivers wind
|
|
in deep gorges through the forests.
|
|
|
|
But I am not in heart to describe beauty, for when I had seen the view
|
|
I explored further. Doors, doors, doors everywhere, and all locked
|
|
and bolted. In no place save from the windows in the castle walls is
|
|
there an available exit. The castle is a veritable prison, and I am a
|
|
prisoner!
|
|
|
|
|
|
|
|
|
|
CHAPTER 3
|
|
|
|
|
|
Jonathan Harker's Journal Continued
|
|
|
|
When I found that I was a prisoner a sort of wild feeling came over
|
|
me. I rushed up and down the stairs, trying every door and peering
|
|
out of every window I could find, but after a little the conviction of
|
|
my helplessness overpowered all other feelings. When I look back
|
|
after a few hours I think I must have been mad for the time, for I
|
|
behaved much as a rat does in a trap. When, however, the conviction
|
|
had come to me that I was helpless I sat down quietly, as quietly as I
|
|
have ever done anything in my life, and began to think over what was
|
|
best to be done. I am thinking still, and as yet have come to no
|
|
definite conclusion. Of one thing only am I certain. That it is no
|
|
use making my ideas known to the Count. He knows well that I am
|
|
imprisoned, and as he has done it himself, and has doubtless his own
|
|
motives for it, he would only deceive me if I trusted him fully with
|
|
the facts. So far as I can see, my only plan will be to keep my
|
|
knowledge and my fears to myself, and my eyes open. I am, I know,
|
|
either being deceived, like a baby, by my own fears, or else I am in
|
|
desperate straits, and if the latter be so, I need, and shall need,
|
|
all my brains to get through.
|
|
|
|
I had hardly come to this conclusion when I heard the great door below
|
|
shut, and knew that the Count had returned. He did not come at once
|
|
into the library, so I went cautiously to my own room and found him
|
|
making the bed. This was odd, but only confirmed what I had all along
|
|
thought, that there are no servants in the house. When later I saw
|
|
him through the chink of the hinges of the door laying the table in
|
|
the dining room, I was assured of it. For if he does himself all
|
|
these menial offices, surely it is proof that there is no one else in
|
|
the castle, it must have been the Count himself who was the driver of
|
|
the coach that brought me here. This is a terrible thought, for if
|
|
so, what does it mean that he could control the wolves, as he did, by
|
|
only holding up his hand for silence? How was it that all the people
|
|
at Bistritz and on the coach had some terrible fear for me? What
|
|
meant the giving of the crucifix, of the garlic, of the wild rose, of
|
|
the mountain ash?
|
|
|
|
Bless that good, good woman who hung the crucifix round my neck! For
|
|
it is a comfort and a strength to me whenever I touch it. It is odd
|
|
that a thing which I have been taught to regard with disfavour and as
|
|
idolatrous should in a time of loneliness and trouble be of help. Is
|
|
it that there is something in the essence of the thing itself, or that
|
|
it is a medium, a tangible help, in conveying memories of sympathy and
|
|
comfort? Some time, if it may be, I must examine this matter and try
|
|
to make up my mind about it. In the meantime I must find out all I
|
|
can about Count Dracula, as it may help me to understand. Tonight he
|
|
may talk of himself, if I turn the conversation that way. I must be
|
|
very careful, however, not to awake his suspicion.
|
|
|
|
|
|
Midnight.--I have had a long talk with the Count. I asked him a few
|
|
questions on Transylvania history, and he warmed up to the subject
|
|
wonderfully. In his speaking of things and people, and especially of
|
|
battles, he spoke as if he had been present at them all. This he
|
|
afterwards explained by saying that to a Boyar the pride of his house
|
|
and name is his own pride, that their glory is his glory, that their
|
|
fate is his fate. Whenever he spoke of his house he always said "we",
|
|
and spoke almost in the plural, like a king speaking. I wish I could
|
|
put down all he said exactly as he said it, for to me it was most
|
|
fascinating. It seemed to have in it a whole history of the country.
|
|
He grew excited as he spoke, and walked about the room pulling his
|
|
great white moustache and grasping anything on which he laid his hands
|
|
as though he would crush it by main strength. One thing he said which
|
|
I shall put down as nearly as I can, for it tells in its way the story
|
|
of his race.
|
|
|
|
"We Szekelys have a right to be proud, for in our veins flows the
|
|
blood of many brave races who fought as the lion fights, for lordship.
|
|
Here, in the whirlpool of European races, the Ugric tribe bore down
|
|
from Iceland the fighting spirit which Thor and Wodin gave them, which
|
|
their Berserkers displayed to such fell intent on the seaboards of
|
|
Europe, aye, and of Asia and Africa too, till the peoples thought that
|
|
the werewolves themselves had come. Here, too, when they came, they
|
|
found the Huns, whose warlike fury had swept the earth like a living
|
|
flame, till the dying peoples held that in their veins ran the blood
|
|
of those old witches, who, expelled from Scythia had mated with the
|
|
devils in the desert. Fools, fools! What devil or what witch was
|
|
ever so great as Attila, whose blood is in these veins?" He held up
|
|
his arms. "Is it a wonder that we were a conquering race, that we
|
|
were proud, that when the Magyar, the Lombard, the Avar, the Bulgar,
|
|
or the Turk poured his thousands on our frontiers, we drove them back?
|
|
Is it strange that when Arpad and his legions swept through the
|
|
Hungarian fatherland he found us here when he reached the frontier,
|
|
that the Honfoglalas was completed there? And when the Hungarian
|
|
flood swept eastward, the Szekelys were claimed as kindred by the
|
|
victorious Magyars, and to us for centuries was trusted the guarding
|
|
of the frontier of Turkeyland. Aye, and more than that, endless duty
|
|
of the frontier guard, for as the Turks say, 'water sleeps, and the
|
|
enemy is sleepless.' Who more gladly than we throughout the Four
|
|
Nations received the 'bloody sword,' or at its warlike call flocked
|
|
quicker to the standard of the King? When was redeemed that great
|
|
shame of my nation, the shame of Cassova, when the flags of the
|
|
Wallach and the Magyar went down beneath the Crescent? Who was it but
|
|
one of my own race who as Voivode crossed the Danube and beat the Turk
|
|
on his own ground? This was a Dracula indeed! Woe was it that his
|
|
own unworthy brother, when he had fallen, sold his people to the Turk
|
|
and brought the shame of slavery on them! Was it not this Dracula,
|
|
indeed, who inspired that other of his race who in a later age again
|
|
and again brought his forces over the great river into Turkeyland,
|
|
who, when he was beaten back, came again, and again, though he had to
|
|
come alone from the bloody field where his troops were being
|
|
slaughtered, since he knew that he alone could ultimately triumph!
|
|
They said that he thought only of himself. Bah! What good are
|
|
peasants without a leader? Where ends the war without a brain and
|
|
heart to conduct it? Again, when, after the battle of Mohacs, we
|
|
threw off the Hungarian yoke, we of the Dracula blood were amongst
|
|
their leaders, for our spirit would not brook that we were not free.
|
|
Ah, young sir, the Szekelys, and the Dracula as their heart's blood,
|
|
their brains, and their swords, can boast a record that mushroom
|
|
growths like the Hapsburgs and the Romanoffs can never reach. The
|
|
warlike days are over. Blood is too precious a thing in these days of
|
|
dishonourable peace, and the glories of the great races are as a tale
|
|
that is told."
|
|
|
|
It was by this time close on morning, and we went to bed. (Mem., this
|
|
diary seems horribly like the beginning of the "Arabian Nights," for
|
|
everything has to break off at cockcrow, or like the ghost of Hamlet's
|
|
father.)
|
|
|
|
|
|
12 May.--Let me begin with facts, bare, meager facts, verified by
|
|
books and figures, and of which there can be no doubt. I must not
|
|
confuse them with experiences which will have to rest on my own
|
|
observation, or my memory of them. Last evening when the Count came
|
|
from his room he began by asking me questions on legal matters and on
|
|
the doing of certain kinds of business. I had spent the day wearily
|
|
over books, and, simply to keep my mind occupied, went over some of
|
|
the matters I had been examined in at Lincoln's Inn. There was a
|
|
certain method in the Count's inquiries, so I shall try to put them
|
|
down in sequence. The knowledge may somehow or some time be useful to
|
|
me.
|
|
|
|
First, he asked if a man in England might have two solicitors or more.
|
|
I told him he might have a dozen if he wished, but that it would not
|
|
be wise to have more than one solicitor engaged in one transaction, as
|
|
only one could act at a time, and that to change would be certain to
|
|
militate against his interest. He seemed thoroughly to understand,
|
|
and went on to ask if there would be any practical difficulty in having
|
|
one man to attend, say, to banking, and another to look after
|
|
shipping, in case local help were needed in a place far from the home
|
|
of the banking solicitor. I asked to explain more fully, so that I
|
|
might not by any chance mislead him, so he said,
|
|
|
|
"I shall illustrate. Your friend and mine, Mr. Peter Hawkins, from
|
|
under the shadow of your beautiful cathedral at Exeter, which is far
|
|
from London, buys for me through your good self my place at London.
|
|
Good! Now here let me say frankly, lest you should think it strange
|
|
that I have sought the services of one so far off from London instead
|
|
of some one resident there, that my motive was that no local interest
|
|
might be served save my wish only, and as one of London residence
|
|
might, perhaps, have some purpose of himself or friend to serve, I
|
|
went thus afield to seek my agent, whose labours should be only to my
|
|
interest. Now, suppose I, who have much of affairs, wish to ship
|
|
goods, say, to Newcastle, or Durham, or Harwich, or Dover, might it
|
|
not be that it could with more ease be done by consigning to one in
|
|
these ports?"
|
|
|
|
I answered that certainly it would be most easy, but that we
|
|
solicitors had a system of agency one for the other, so that local
|
|
work could be done locally on instruction from any solicitor, so that
|
|
the client, simply placing himself in the hands of one man, could have
|
|
his wishes carried out by him without further trouble.
|
|
|
|
"But," said he, "I could be at liberty to direct myself. Is it not
|
|
so?"
|
|
|
|
"Of course," I replied, and "Such is often done by men of business,
|
|
who do not like the whole of their affairs to be known by any one
|
|
person."
|
|
|
|
"Good!" he said, and then went on to ask about the means of making
|
|
consignments and the forms to be gone through, and of all sorts of
|
|
difficulties which might arise, but by forethought could be guarded
|
|
against. I explained all these things to him to the best of my
|
|
ability, and he certainly left me under the impression that he would
|
|
have made a wonderful solicitor, for there was nothing that he did not
|
|
think of or foresee. For a man who was never in the country, and who
|
|
did not evidently do much in the way of business, his knowledge and
|
|
acumen were wonderful. When he had satisfied himself on these points
|
|
of which he had spoken, and I had verified all as well as I could by
|
|
the books available, he suddenly stood up and said, "Have you written
|
|
since your first letter to our friend Mr. Peter Hawkins, or to any
|
|
other?"
|
|
|
|
It was with some bitterness in my heart that I answered that I had
|
|
not, that as yet I had not seen any opportunity of sending letters to
|
|
anybody.
|
|
|
|
"Then write now, my young friend," he said, laying a heavy hand on my
|
|
shoulder, "write to our friend and to any other, and say, if it will
|
|
please you, that you shall stay with me until a month from now."
|
|
|
|
"Do you wish me to stay so long?" I asked, for my heart grew cold at
|
|
the thought.
|
|
|
|
"I desire it much, nay I will take no refusal. When your master,
|
|
employer, what you will, engaged that someone should come on his
|
|
behalf, it was understood that my needs only were to be consulted. I
|
|
have not stinted. Is it not so?"
|
|
|
|
What could I do but bow acceptance? It was Mr. Hawkins' interest, not
|
|
mine, and I had to think of him, not myself, and besides, while Count
|
|
Dracula was speaking, there was that in his eyes and in his bearing
|
|
which made me remember that I was a prisoner, and that if I wished it
|
|
I could have no choice. The Count saw his victory in my bow, and his
|
|
mastery in the trouble of my face, for he began at once to use them,
|
|
but in his own smooth, resistless way.
|
|
|
|
"I pray you, my good young friend, that you will not discourse of
|
|
things other than business in your letters. It will doubtless please
|
|
your friends to know that you are well, and that you look forward to
|
|
getting home to them. Is it not so?" As he spoke he handed me three
|
|
sheets of note paper and three envelopes. They were all of the
|
|
thinnest foreign post, and looking at them, then at him, and noticing
|
|
his quiet smile, with the sharp, canine teeth lying over the red
|
|
underlip, I understood as well as if he had spoken that I should be
|
|
more careful what I wrote, for he would be able to read it. So I
|
|
determined to write only formal notes now, but to write fully to Mr.
|
|
Hawkins in secret, and also to Mina, for to her I could write
|
|
shorthand, which would puzzle the Count, if he did see it. When I had
|
|
written my two letters I sat quiet, reading a book whilst the Count
|
|
wrote several notes, referring as he wrote them to some books on his
|
|
table. Then he took up my two and placed them with his own, and put
|
|
by his writing materials, after which, the instant the door had closed
|
|
behind him, I leaned over and looked at the letters, which were face
|
|
down on the table. I felt no compunction in doing so for under the
|
|
circumstances I felt that I should protect myself in every way I
|
|
could.
|
|
|
|
One of the letters was directed to Samuel F. Billington, No. 7, The
|
|
Crescent, Whitby, another to Herr Leutner, Varna. The third was to
|
|
Coutts & Co., London, and the fourth to Herren Klopstock & Billreuth,
|
|
bankers, Buda Pesth. The second and fourth were unsealed. I was just
|
|
about to look at them when I saw the door handle move. I sank back in
|
|
my seat, having just had time to resume my book before the Count,
|
|
holding still another letter in his hand, entered the room. He took
|
|
up the letters on the table and stamped them carefully, and then
|
|
turning to me, said,
|
|
|
|
"I trust you will forgive me, but I have much work to do in private
|
|
this evening. You will, I hope, find all things as you wish." At the
|
|
door he turned, and after a moment's pause said, "Let me advise you,
|
|
my dear young friend. Nay, let me warn you with all seriousness, that
|
|
should you leave these rooms you will not by any chance go to sleep in
|
|
any other part of the castle. It is old, and has many memories, and
|
|
there are bad dreams for those who sleep unwisely. Be warned! Should
|
|
sleep now or ever overcome you, or be like to do, then haste to your
|
|
own chamber or to these rooms, for your rest will then be safe. But
|
|
if you be not careful in this respect, then," He finished his speech
|
|
in a gruesome way, for he motioned with his hands as if he were washing
|
|
them. I quite understood. My only doubt was as to whether any dream
|
|
could be more terrible than the unnatural, horrible net of gloom and
|
|
mystery which seemed closing around me.
|
|
|
|
|
|
Later.--I endorse the last words written, but this time there is no
|
|
doubt in question. I shall not fear to sleep in any place where he is
|
|
not. I have placed the crucifix over the head of my bed, I imagine
|
|
that my rest is thus freer from dreams, and there it shall remain.
|
|
|
|
When he left me I went to my room. After a little while, not hearing
|
|
any sound, I came out and went up the stone stair to where I could
|
|
look out towards the South. There was some sense of freedom in the
|
|
vast expanse, inaccessible though it was to me, as compared with the
|
|
narrow darkness of the courtyard. Looking out on this, I felt that I
|
|
was indeed in prison, and I seemed to want a breath of fresh air,
|
|
though it were of the night. I am beginning to feel this nocturnal
|
|
existence tell on me. It is destroying my nerve. I start at my own
|
|
shadow, and am full of all sorts of horrible imaginings. God knows
|
|
that there is ground for my terrible fear in this accursed place! I
|
|
looked out over the beautiful expanse, bathed in soft yellow moonlight
|
|
till it was almost as light as day. In the soft light the distant
|
|
hills became melted, and the shadows in the valleys and gorges of
|
|
velvety blackness. The mere beauty seemed to cheer me. There was
|
|
peace and comfort in every breath I drew. As I leaned from the window
|
|
my eye was caught by something moving a storey below me, and somewhat
|
|
to my left, where I imagined, from the order of the rooms, that the
|
|
windows of the Count's own room would look out. The window at which I
|
|
stood was tall and deep, stone-mullioned, and though weatherworn, was
|
|
still complete. But it was evidently many a day since the case had
|
|
been there. I drew back behind the stonework, and looked carefully
|
|
out.
|
|
|
|
What I saw was the Count's head coming out from the window. I did not
|
|
see the face, but I knew the man by the neck and the movement of his
|
|
back and arms. In any case I could not mistake the hands which I had
|
|
had some many opportunities of studying. I was at first interested
|
|
and somewhat amused, for it is wonderful how small a matter will
|
|
interest and amuse a man when he is a prisoner. But my very feelings
|
|
changed to repulsion and terror when I saw the whole man slowly emerge
|
|
from the window and begin to crawl down the castle wall over the
|
|
dreadful abyss, face down with his cloak spreading out around him like
|
|
great wings. At first I could not believe my eyes. I thought it was
|
|
some trick of the moonlight, some weird effect of shadow, but I kept
|
|
looking, and it could be no delusion. I saw the fingers and toes
|
|
grasp the corners of the stones, worn clear of the mortar by the
|
|
stress of years, and by thus using every projection and inequality
|
|
move downwards with considerable speed, just as a lizard moves along a
|
|
wall.
|
|
|
|
What manner of man is this, or what manner of creature, is it in the
|
|
semblance of man? I feel the dread of this horrible place
|
|
overpowering me. I am in fear, in awful fear, and there is no escape
|
|
for me. I am encompassed about with terrors that I dare not think of.
|
|
|
|
|
|
15 May.--Once more I have seen the count go out in his lizard fashion.
|
|
He moved downwards in a sidelong way, some hundred feet down, and a
|
|
good deal to the left. He vanished into some hole or window. When
|
|
his head had disappeared, I leaned out to try and see more, but
|
|
without avail. The distance was too great to allow a proper angle of
|
|
sight. I knew he had left the castle now, and thought to use the
|
|
opportunity to explore more than I had dared to do as yet. I went
|
|
back to the room, and taking a lamp, tried all the doors. They were
|
|
all locked, as I had expected, and the locks were comparatively new.
|
|
But I went down the stone stairs to the hall where I had entered
|
|
originally. I found I could pull back the bolts easily enough and
|
|
unhook the great chains. But the door was locked, and the key was
|
|
gone! That key must be in the Count's room. I must watch should his
|
|
door be unlocked, so that I may get it and escape. I went on to make
|
|
a thorough examination of the various stairs and passages, and to try
|
|
the doors that opened from them. One or two small rooms near the hall
|
|
were open, but there was nothing to see in them except old furniture,
|
|
dusty with age and moth-eaten. At last, however, I found one door at
|
|
the top of the stairway which, though it seemed locked, gave a little
|
|
under pressure. I tried it harder, and found that it was not really
|
|
locked, but that the resistance came from the fact that the hinges had
|
|
fallen somewhat, and the heavy door rested on the floor. Here was an
|
|
opportunity which I might not have again, so I exerted myself, and
|
|
with many efforts forced it back so that I could enter. I was now in
|
|
a wing of the castle further to the right than the rooms I knew and a
|
|
storey lower down. From the windows I could see that the suite of
|
|
rooms lay along to the south of the castle, the windows of the end
|
|
room looking out both west and south. On the latter side, as well as
|
|
to the former, there was a great precipice. The castle was built on
|
|
the corner of a great rock, so that on three sides it was quite
|
|
impregnable, and great windows were placed here where sling, or bow,
|
|
or culverin could not reach, and consequently light and comfort,
|
|
impossible to a position which had to be guarded, were secured. To
|
|
the west was a great valley, and then, rising far away, great jagged
|
|
mountain fastnesses, rising peak on peak, the sheer rock studded with
|
|
mountain ash and thorn, whose roots clung in cracks and crevices and
|
|
crannies of the stone. This was evidently the portion of the castle
|
|
occupied by the ladies in bygone days, for the furniture had more an
|
|
air of comfort than any I had seen.
|
|
|
|
The windows were curtainless, and the yellow moonlight, flooding in
|
|
through the diamond panes, enabled one to see even colours, whilst it
|
|
softened the wealth of dust which lay over all and disguised in some
|
|
measure the ravages of time and moth. My lamp seemed to be of little
|
|
effect in the brilliant moonlight, but I was glad to have it with me,
|
|
for there was a dread loneliness in the place which chilled my heart
|
|
and made my nerves tremble. Still, it was better than living alone in
|
|
the rooms which I had come to hate from the presence of the Count, and
|
|
after trying a little to school my nerves, I found a soft quietude
|
|
come over me. Here I am, sitting at a little oak table where in old
|
|
times possibly some fair lady sat to pen, with much thought and many
|
|
blushes, her ill-spelt love letter, and writing in my diary in
|
|
shorthand all that has happened since I closed it last. It is the
|
|
nineteenth century up-to-date with a vengeance. And yet, unless my
|
|
senses deceive me, the old centuries had, and have, powers of their
|
|
own which mere "modernity" cannot kill.
|
|
|
|
|
|
Later: The morning of 16 May.--God preserve my sanity, for to this I
|
|
am reduced. Safety and the assurance of safety are things of the
|
|
past. Whilst I live on here there is but one thing to hope for, that
|
|
I may not go mad, if, indeed, I be not mad already. If I be sane,
|
|
then surely it is maddening to think that of all the foul things that
|
|
lurk in this hateful place the Count is the least dreadful to me, that
|
|
to him alone I can look for safety, even though this be only whilst I
|
|
can serve his purpose. Great God! Merciful God, let me be calm, for
|
|
out of that way lies madness indeed. I begin to get new lights on
|
|
certain things which have puzzled me. Up to now I never quite knew
|
|
what Shakespeare meant when he made Hamlet say, "My tablets! Quick,
|
|
my tablets! 'tis meet that I put it down," etc., For now, feeling as
|
|
though my own brain were unhinged or as if the shock had come which
|
|
must end in its undoing, I turn to my diary for repose. The habit of
|
|
entering accurately must help to soothe me.
|
|
|
|
The Count's mysterious warning frightened me at the time. It frightens
|
|
me more not when I think of it, for in the future he has a fearful
|
|
hold upon me. I shall fear to doubt what he may say!
|
|
|
|
When I had written in my diary and had fortunately replaced the book
|
|
and pen in my pocket I felt sleepy. The Count's warning came into my
|
|
mind, but I took pleasure in disobeying it. The sense of sleep was
|
|
upon me, and with it the obstinacy which sleep brings as outrider. The
|
|
soft moonlight soothed, and the wide expanse without gave a sense of
|
|
freedom which refreshed me. I determined not to return tonight to the
|
|
gloom-haunted rooms, but to sleep here, where, of old, ladies had sat
|
|
and sung and lived sweet lives whilst their gentle breasts were sad
|
|
for their menfolk away in the midst of remorseless wars. I drew a
|
|
great couch out of its place near the corner, so that as I lay, I
|
|
could look at the lovely view to east and south, and unthinking of and
|
|
uncaring for the dust, composed myself for sleep. I suppose I must
|
|
have fallen asleep. I hope so, but I fear, for all that followed was
|
|
startlingly real, so real that now sitting here in the broad, full
|
|
sunlight of the morning, I cannot in the least believe that it was all
|
|
sleep.
|
|
|
|
I was not alone. The room was the same, unchanged in any way since I
|
|
came into it. I could see along the floor, in the brilliant
|
|
moonlight, my own footsteps marked where I had disturbed the long
|
|
accumulation of dust. In the moonlight opposite me were three young
|
|
women, ladies by their dress and manner. I thought at the time that I
|
|
must be dreaming when I saw them, they threw no shadow on the floor.
|
|
They came close to me, and looked at me for some time, and then
|
|
whispered together. Two were dark, and had high aquiline noses, like
|
|
the Count, and great dark, piercing eyes, that seemed to be almost red
|
|
when contrasted with the pale yellow moon. The other was fair, as
|
|
fair as can be, with great masses of golden hair and eyes like pale
|
|
sapphires. I seemed somehow to know her face, and to know it in
|
|
connection with some dreamy fear, but I could not recollect at the
|
|
moment how or where. All three had brilliant white teeth that shone
|
|
like pearls against the ruby of their voluptuous lips. There was
|
|
something about them that made me uneasy, some longing and at the same
|
|
time some deadly fear. I felt in my heart a wicked, burning desire
|
|
that they would kiss me with those red lips. It is not good to note
|
|
this down, lest some day it should meet Mina's eyes and cause her
|
|
pain, but it is the truth. They whispered together, and then they all
|
|
three laughed, such a silvery, musical laugh, but as hard as though
|
|
the sound never could have come through the softness of human lips.
|
|
It was like the intolerable, tingling sweetness of waterglasses when
|
|
played on by a cunning hand. The fair girl shook her head
|
|
coquettishly, and the other two urged her on.
|
|
|
|
One said, "Go on! You are first, and we shall follow. Yours is the
|
|
right to begin."
|
|
|
|
The other added, "He is young and strong. There are kisses for us
|
|
all."
|
|
|
|
I lay quiet, looking out from under my eyelashes in an agony of
|
|
delightful anticipation. The fair girl advanced and bent over me till
|
|
I could feel the movement of her breath upon me. Sweet it was in one
|
|
sense, honey-sweet, and sent the same tingling through the nerves as
|
|
her voice, but with a bitter underlying the sweet, a bitter
|
|
offensiveness, as one smells in blood.
|
|
|
|
I was afraid to raise my eyelids, but looked out and saw perfectly
|
|
under the lashes. The girl went on her knees, and bent over me,
|
|
simply gloating. There was a deliberate voluptuousness which was both
|
|
thrilling and repulsive, and as she arched her neck she actually
|
|
licked her lips like an animal, till I could see in the moonlight the
|
|
moisture shining on the scarlet lips and on the red tongue as it
|
|
lapped the white sharp teeth. Lower and lower went her head as the
|
|
lips went below the range of my mouth and chin and seemed to fasten on
|
|
my throat. Then she paused, and I could hear the churning sound of
|
|
her tongue as it licked her teeth and lips, and I could feel the hot
|
|
breath on my neck. Then the skin of my throat began to tingle as
|
|
one's flesh does when the hand that is to tickle it approaches nearer,
|
|
nearer. I could feel the soft, shivering touch of the lips on the
|
|
super sensitive skin of my throat, and the hard dents of two sharp
|
|
teeth, just touching and pausing there. I closed my eyes in
|
|
languorous ecstasy and waited, waited with beating heart.
|
|
|
|
But at that instant, another sensation swept through me as quick as
|
|
lightning. I was conscious of the presence of the Count, and of his
|
|
being as if lapped in a storm of fury. As my eyes opened
|
|
involuntarily I saw his strong hand grasp the slender neck of the fair
|
|
woman and with giant's power draw it back, the blue eyes transformed
|
|
with fury, the white teeth champing with rage, and the fair cheeks
|
|
blazing red with passion. But the Count! Never did I imagine such
|
|
wrath and fury, even to the demons of the pit. His eyes were
|
|
positively blazing. The red light in them was lurid, as if the flames
|
|
of hell fire blazed behind them. His face was deathly pale, and the
|
|
lines of it were hard like drawn wires. The thick eyebrows that met
|
|
over the nose now seemed like a heaving bar of white-hot metal. With
|
|
a fierce sweep of his arm, he hurled the woman from him, and then
|
|
motioned to the others, as though he were beating them back. It was
|
|
the same imperious gesture that I had seen used to the wolves. In a
|
|
voice which, though low and almost in a whisper seemed to cut through
|
|
the air and then ring in the room he said,
|
|
|
|
"How dare you touch him, any of you? How dare you cast eyes on him
|
|
when I had forbidden it? Back, I tell you all! This man belongs to
|
|
me! Beware how you meddle with him, or you'll have to deal with me."
|
|
|
|
The fair girl, with a laugh of ribald coquetry, turned to answer him.
|
|
"You yourself never loved. You never love!" On this the other women
|
|
joined, and such a mirthless, hard, soulless laughter rang through the
|
|
room that it almost made me faint to hear. It seemed like the
|
|
pleasure of fiends.
|
|
|
|
Then the Count turned, after looking at my face attentively, and said
|
|
in a soft whisper, "Yes, I too can love. You yourselves can tell it
|
|
from the past. Is it not so? Well, now I promise you that when I am
|
|
done with him you shall kiss him at your will. Now go! Go! I must
|
|
awaken him, for there is work to be done."
|
|
|
|
"Are we to have nothing tonight?" said one of them, with a low laugh,
|
|
as she pointed to the bag which he had thrown upon the floor, and
|
|
which moved as though there were some living thing within it. For
|
|
answer he nodded his head. One of the women jumped forward and opened
|
|
it. If my ears did not deceive me there was a gasp and a low wail, as
|
|
of a half smothered child. The women closed round, whilst I was
|
|
aghast with horror. But as I looked, they disappeared, and with them
|
|
the dreadful bag. There was no door near them, and they could not
|
|
have passed me without my noticing. They simply seemed to fade into
|
|
the rays of the moonlight and pass out through the window, for I could
|
|
see outside the dim, shadowy forms for a moment before they entirely
|
|
faded away.
|
|
|
|
Then the horror overcame me, and I sank down unconscious.
|
|
|
|
|
|
|
|
|
|
CHAPTER 4
|
|
|
|
|
|
Jonathan Harker's Journal Continued
|
|
|
|
I awoke in my own bed. If it be that I had not dreamt, the Count must
|
|
have carried me here. I tried to satisfy myself on the subject, but
|
|
could not arrive at any unquestionable result. To be sure, there were
|
|
certain small evidences, such as that my clothes were folded and laid
|
|
by in a manner which was not my habit. My watch was still unwound,
|
|
and I am rigorously accustomed to wind it the last thing before going
|
|
to bed, and many such details. But these things are no proof, for
|
|
they may have been evidences that my mind was not as usual, and, for
|
|
some cause or another, I had certainly been much upset. I must watch
|
|
for proof. Of one thing I am glad. If it was that the Count carried
|
|
me here and undressed me, he must have been hurried in his task, for
|
|
my pockets are intact. I am sure this diary would have been a mystery
|
|
to him which he would not have brooked. He would have taken or
|
|
destroyed it. As I look round this room, although it has been to me
|
|
so full of fear, it is now a sort of sanctuary, for nothing can be
|
|
more dreadful than those awful women, who were, who are, waiting to
|
|
suck my blood.
|
|
|
|
|
|
18 May.--I have been down to look at that room again in daylight, for
|
|
I must know the truth. When I got to the doorway at the top of the
|
|
stairs I found it closed. It had been so forcibly driven against the
|
|
jamb that part of the woodwork was splintered. I could see that the
|
|
bolt of the lock had not been shot, but the door is fastened from the
|
|
inside. I fear it was no dream, and must act on this surmise.
|
|
|
|
|
|
19 May.--I am surely in the toils. Last night the Count asked me in
|
|
the suavest tones to write three letters, one saying that my work here
|
|
was nearly done, and that I should start for home within a few days,
|
|
another that I was starting on the next morning from the time of the
|
|
letter, and the third that I had left the castle and arrived at
|
|
Bistritz. I would fain have rebelled, but felt that in the present
|
|
state of things it would be madness to quarrel openly with the Count
|
|
whilst I am so absolutely in his power. And to refuse would be to
|
|
excite his suspicion and to arouse his anger. He knows that I know
|
|
too much, and that I must not live, lest I be dangerous to him. My
|
|
only chance is to prolong my opportunities. Something may occur which
|
|
will give me a chance to escape. I saw in his eyes something of that
|
|
gathering wrath which was manifest when he hurled that fair woman from
|
|
him. He explained to me that posts were few and uncertain, and that
|
|
my writing now would ensure ease of mind to my friends. And he
|
|
assured me with so much impressiveness that he would countermand the
|
|
later letters, which would be held over at Bistritz until due time in
|
|
case chance would admit of my prolonging my stay, that to oppose him
|
|
would have been to create new suspicion. I therefore pretended to
|
|
fall in with his views, and asked him what dates I should put on the
|
|
letters.
|
|
|
|
He calculated a minute, and then said, "The first should be June 12,
|
|
the second June 19, and the third June 29."
|
|
|
|
I know now the span of my life. God help me!
|
|
|
|
|
|
28 May.--There is a chance of escape, or at any rate of being able to
|
|
send word home. A band of Szgany have come to the castle, and are
|
|
encamped in the courtyard. These are gipsies. I have notes of them
|
|
in my book. They are peculiar to this part of the world, though
|
|
allied to the ordinary gipsies all the world over. There are
|
|
thousands of them in Hungary and Transylvania, who are almost outside
|
|
all law. They attach themselves as a rule to some great noble or
|
|
boyar, and call themselves by his name. They are fearless and without
|
|
religion, save superstition, and they talk only their own varieties of
|
|
the Romany tongue.
|
|
|
|
I shall write some letters home, and shall try to get them to have
|
|
them posted. I have already spoken to them through my window to begin
|
|
acquaintanceship. They took their hats off and made obeisance and
|
|
many signs, which however, I could not understand any more than I
|
|
could their spoken language . . .
|
|
|
|
I have written the letters. Mina's is in shorthand, and I simply ask
|
|
Mr. Hawkins to communicate with her. To her I have explained my
|
|
situation, but without the horrors which I may only surmise. It would
|
|
shock and frighten her to death were I to expose my heart to her.
|
|
Should the letters not carry, then the Count shall not yet know my
|
|
secret or the extent of my knowledge. . . .
|
|
|
|
|
|
I have given the letters. I threw them through the bars of my window
|
|
with a gold piece, and made what signs I could to have them posted.
|
|
The man who took them pressed them to his heart and bowed, and then
|
|
put them in his cap. I could do no more. I stole back to the study,
|
|
and began to read. As the Count did not come in, I have written
|
|
here . . .
|
|
|
|
|
|
The Count has come. He sat down beside me, and said in his smoothest
|
|
voice as he opened two letters, "The Szgany has given me these, of
|
|
which, though I know not whence they come, I shall, of course, take
|
|
care. See!"--He must have looked at it.--"One is from you, and to my
|
|
friend Peter Hawkins. The other,"--here he caught sight of the
|
|
strange symbols as he opened the envelope, and the dark look came into
|
|
his face, and his eyes blazed wickedly,--"The other is a vile thing,
|
|
an outrage upon friendship and hospitality! It is not signed. Well!
|
|
So it cannot matter to us." And he calmly held letter and envelope in
|
|
the flame of the lamp till they were consumed.
|
|
|
|
Then he went on, "The letter to Hawkins, that I shall, of course send
|
|
on, since it is yours. Your letters are sacred to me. Your pardon,
|
|
my friend, that unknowingly I did break the seal. Will you not cover
|
|
it again?" He held out the letter to me, and with a courteous bow
|
|
handed me a clean envelope.
|
|
|
|
I could only redirect it and hand it to him in silence. When he went
|
|
out of the room I could hear the key turn softly. A minute later I
|
|
went over and tried it, and the door was locked.
|
|
|
|
When, an hour or two after, the Count came quietly into the room, his
|
|
coming awakened me, for I had gone to sleep on the sofa. He was very
|
|
courteous and very cheery in his manner, and seeing that I had been
|
|
sleeping, he said, "So, my friend, you are tired? Get to bed. There
|
|
is the surest rest. I may not have the pleasure of talk tonight,
|
|
since there are many labours to me, but you will sleep, I pray."
|
|
|
|
I passed to my room and went to bed, and, strange to say, slept
|
|
without dreaming. Despair has its own calms.
|
|
|
|
31 May.--This morning when I woke I thought I would provide myself
|
|
with some papers and envelopes from my bag and keep them in my pocket,
|
|
so that I might write in case I should get an opportunity, but again a
|
|
surprise, again a shock!
|
|
|
|
Every scrap of paper was gone, and with it all my notes, my memoranda,
|
|
relating to railways and travel, my letter of credit, in fact all that
|
|
might be useful to me were I once outside the castle. I sat and
|
|
pondered awhile, and then some thought occurred to me, and I made
|
|
search of my portmanteau and in the wardrobe where I had placed my
|
|
clothes.
|
|
|
|
The suit in which I had travelled was gone, and also my overcoat and
|
|
rug. I could find no trace of them anywhere. This looked like some
|
|
new scheme of villainy . . .
|
|
|
|
|
|
17 June.--This morning, as I was sitting on the edge of my bed
|
|
cudgelling my brains, I heard without a crackling of whips and
|
|
pounding and scraping of horses' feet up the rocky path beyond the
|
|
courtyard. With joy I hurried to the window, and saw drive into the
|
|
yard two great leiter-wagons, each drawn by eight sturdy horses, and
|
|
at the head of each pair a Slovak, with his wide hat, great
|
|
nail-studded belt, dirty sheepskin, and high boots. They had also
|
|
their long staves in hand. I ran to the door, intending to descend
|
|
and try and join them through the main hall, as I thought that way
|
|
might be opened for them. Again a shock, my door was fastened on the
|
|
outside.
|
|
|
|
Then I ran to the window and cried to them. They looked up at me
|
|
stupidly and pointed, but just then the "hetman" of the Szgany came
|
|
out, and seeing them pointing to my window, said something, at which
|
|
they laughed.
|
|
|
|
Henceforth no effort of mine, no piteous cry or agonized entreaty,
|
|
would make them even look at me. They resolutely turned away. The
|
|
leiter-wagons contained great, square boxes, with handles of thick
|
|
rope. These were evidently empty by the ease with which the Slovaks
|
|
handled them, and by their resonance as they were roughly moved.
|
|
|
|
When they were all unloaded and packed in a great heap in one corner
|
|
of the yard, the Slovaks were given some money by the Szgany, and
|
|
spitting on it for luck, lazily went each to his horse's head.
|
|
Shortly afterwards, I heard the crackling of their whips die away in
|
|
the distance.
|
|
|
|
|
|
24 June.--Last night the Count left me early, and locked himself into
|
|
his own room. As soon as I dared I ran up the winding stair, and
|
|
looked out of the window, which opened South. I thought I would watch
|
|
for the Count, for there is something going on. The Szgany are
|
|
quartered somewhere in the castle and are doing work of some kind. I
|
|
know it, for now and then, I hear a far-away muffled sound as of
|
|
mattock and spade, and, whatever it is, it must be the end of some
|
|
ruthless villainy.
|
|
|
|
I had been at the window somewhat less than half an hour, when I saw
|
|
something coming out of the Count's window. I drew back and watched
|
|
carefully, and saw the whole man emerge. It was a new shock to me to
|
|
find that he had on the suit of clothes which I had worn whilst
|
|
travelling here, and slung over his shoulder the terrible bag which I
|
|
had seen the women take away. There could be no doubt as to his
|
|
quest, and in my garb, too! This, then, is his new scheme of evil,
|
|
that he will allow others to see me, as they think, so that he may
|
|
both leave evidence that I have been seen in the towns or villages
|
|
posting my own letters, and that any wickedness which he may do shall
|
|
by the local people be attributed to me.
|
|
|
|
It makes me rage to think that this can go on, and whilst I am shut up
|
|
here, a veritable prisoner, but without that protection of the law
|
|
which is even a criminal's right and consolation.
|
|
|
|
I thought I would watch for the Count's return, and for a long time
|
|
sat doggedly at the window. Then I began to notice that there were
|
|
some quaint little specks floating in the rays of the moonlight. They
|
|
were like the tiniest grains of dust, and they whirled round and
|
|
gathered in clusters in a nebulous sort of way. I watched them with a
|
|
sense of soothing, and a sort of calm stole over me. I leaned back in
|
|
the embrasure in a more comfortable position, so that I could enjoy
|
|
more fully the aerial gambolling.
|
|
|
|
Something made me start up, a low, piteous howling of dogs somewhere
|
|
far below in the valley, which was hidden from my sight. Louder it
|
|
seemed to ring in my ears, and the floating moats of dust to take new
|
|
shapes to the sound as they danced in the moonlight. I felt myself
|
|
struggling to awake to some call of my instincts. Nay, my very soul
|
|
was struggling, and my half-remembered sensibilities were striving to
|
|
answer the call. I was becoming hypnotised!
|
|
|
|
Quicker and quicker danced the dust. The moonbeams seemed to quiver
|
|
as they went by me into the mass of gloom beyond. More and more they
|
|
gathered till they seemed to take dim phantom shapes. And then I
|
|
started, broad awake and in full possession of my senses, and ran
|
|
screaming from the place.
|
|
|
|
The phantom shapes, which were becoming gradually materialised from
|
|
the moonbeams, were those three ghostly women to whom I was doomed.
|
|
|
|
I fled, and felt somewhat safer in my own room, where there was no
|
|
moonlight, and where the lamp was burning brightly.
|
|
|
|
When a couple of hours had passed I heard something stirring in the
|
|
Count's room, something like a sharp wail quickly suppressed. And
|
|
then there was silence, deep, awful silence, which chilled me. With a
|
|
beating heart, I tried the door, but I was locked in my prison, and
|
|
could do nothing. I sat down and simply cried.
|
|
|
|
As I sat I heard a sound in the courtyard without, the agonised cry of
|
|
a woman. I rushed to the window, and throwing it up, peered between
|
|
the bars.
|
|
|
|
There, indeed, was a woman with dishevelled hair, holding her hands
|
|
over her heart as one distressed with running. She was leaning
|
|
against the corner of the gateway. When she saw my face at the window
|
|
she threw herself forward, and shouted in a voice laden with menace,
|
|
"Monster, give me my child!"
|
|
|
|
She threw herself on her knees, and raising up her hands, cried the
|
|
same words in tones which wrung my heart. Then she tore her hair and
|
|
beat her breast, and abandoned herself to all the violences of
|
|
extravagant emotion. Finally, she threw herself forward, and though I
|
|
could not see her, I could hear the beating of her naked hands against
|
|
the door.
|
|
|
|
Somewhere high overhead, probably on the tower, I heard the voice of
|
|
the Count calling in his harsh, metallic whisper. His call seemed to
|
|
be answered from far and wide by the howling of wolves. Before many
|
|
minutes had passed a pack of them poured, like a pent-up dam when
|
|
liberated, through the wide entrance into the courtyard.
|
|
|
|
There was no cry from the woman, and the howling of the wolves was but
|
|
short. Before long they streamed away singly, licking their lips.
|
|
|
|
I could not pity her, for I knew now what had become of her child, and
|
|
she was better dead.
|
|
|
|
What shall I do? What can I do? How can I escape from this dreadful
|
|
thing of night, gloom, and fear?
|
|
|
|
|
|
25 June.--No man knows till he has suffered from the night how sweet
|
|
and dear to his heart and eye the morning can be. When the sun grew
|
|
so high this morning that it struck the top of the great gateway
|
|
opposite my window, the high spot which it touched seemed to me as if
|
|
the dove from the ark had lighted there. My fear fell from me as if
|
|
it had been a vaporous garment which dissolved in the warmth.
|
|
|
|
I must take action of some sort whilst the courage of the day is upon
|
|
me. Last night one of my post-dated letters went to post, the first
|
|
of that fatal series which is to blot out the very traces of my
|
|
existence from the earth.
|
|
|
|
Let me not think of it. Action!
|
|
|
|
It has always been at night-time that I have been molested or
|
|
threatened, or in some way in danger or in fear. I have not yet seen
|
|
the Count in the daylight. Can it be that he sleeps when others wake,
|
|
that he may be awake whilst they sleep? If I could only get into his
|
|
room! But there is no possible way. The door is always locked, no
|
|
way for me.
|
|
|
|
Yes, there is a way, if one dares to take it. Where his body has gone
|
|
why may not another body go? I have seen him myself crawl from his
|
|
window. Why should not I imitate him, and go in by his window? The
|
|
chances are desperate, but my need is more desperate still. I shall
|
|
risk it. At the worst it can only be death, and a man's death is not
|
|
a calf's, and the dreaded Hereafter may still be open to me. God help
|
|
me in my task! Goodbye, Mina, if I fail. Goodbye, my faithful friend
|
|
and second father. Goodbye, all, and last of all Mina!
|
|
|
|
|
|
Same day, later.--I have made the effort, and God helping me, have
|
|
come safely back to this room. I must put down every detail in order.
|
|
I went whilst my courage was fresh straight to the window on the south
|
|
side, and at once got outside on this side. The stones are big and
|
|
roughly cut, and the mortar has by process of time been washed away
|
|
between them. I took off my boots, and ventured out on the desperate
|
|
way. I looked down once, so as to make sure that a sudden glimpse of
|
|
the awful depth would not overcome me, but after that kept my eyes
|
|
away from it. I know pretty well the direction and distance of the
|
|
Count's window, and made for it as well as I could, having regard to
|
|
the opportunities available. I did not feel dizzy, I suppose I was
|
|
too excited, and the time seemed ridiculously short till I found
|
|
myself standing on the window sill and trying to raise up the sash. I
|
|
was filled with agitation, however, when I bent down and slid feet
|
|
foremost in through the window. Then I looked around for the Count,
|
|
but with surprise and gladness, made a discovery. The room was
|
|
empty! It was barely furnished with odd things, which seemed to have
|
|
never been used.
|
|
|
|
The furniture was something the same style as that in the south rooms,
|
|
and was covered with dust. I looked for the key, but it was not in
|
|
the lock, and I could not find it anywhere. The only thing I found
|
|
was a great heap of gold in one corner, gold of all kinds, Roman, and
|
|
British, and Austrian, and Hungarian, and Greek and Turkish money,
|
|
covered with a film of dust, as though it had lain long in the ground.
|
|
None of it that I noticed was less than three hundred years old.
|
|
There were also chains and ornaments, some jewelled, but all of them
|
|
old and stained.
|
|
|
|
At one corner of the room was a heavy door. I tried it, for, since I
|
|
could not find the key of the room or the key of the outer door, which
|
|
was the main object of my search, I must make further examination, or
|
|
all my efforts would be in vain. It was open, and led through a stone
|
|
passage to a circular stairway, which went steeply down.
|
|
|
|
I descended, minding carefully where I went for the stairs were dark,
|
|
being only lit by loopholes in the heavy masonry. At the bottom there
|
|
was a dark, tunnel-like passage, through which came a deathly, sickly
|
|
odour, the odour of old earth newly turned. As I went through the
|
|
passage the smell grew closer and heavier. At last I pulled open a
|
|
heavy door which stood ajar, and found myself in an old ruined chapel,
|
|
which had evidently been used as a graveyard. The roof was broken,
|
|
and in two places were steps leading to vaults, but the ground had
|
|
recently been dug over, and the earth placed in great wooden boxes,
|
|
manifestly those which had been brought by the Slovaks.
|
|
|
|
There was nobody about, and I made a search over every inch of the
|
|
ground, so as not to lose a chance. I went down even into the vaults,
|
|
where the dim light struggled, although to do so was a dread to my
|
|
very soul. Into two of these I went, but saw nothing except fragments
|
|
of old coffins and piles of dust. In the third, however, I made a
|
|
discovery.
|
|
|
|
There, in one of the great boxes, of which there were fifty in all, on
|
|
a pile of newly dug earth, lay the Count! He was either dead or
|
|
asleep. I could not say which, for eyes were open and stony, but
|
|
without the glassiness of death, and the cheeks had the warmth of life
|
|
through all their pallor. The lips were as red as ever. But there
|
|
was no sign of movement, no pulse, no breath, no beating of the heart.
|
|
|
|
I bent over him, and tried to find any sign of life, but in vain. He
|
|
could not have lain there long, for the earthy smell would have passed
|
|
away in a few hours. By the side of the box was its cover, pierced
|
|
with holes here and there. I thought he might have the keys on him,
|
|
but when I went to search I saw the dead eyes, and in them dead though
|
|
they were, such a look of hate, though unconscious of me or my
|
|
presence, that I fled from the place, and leaving the Count's room by
|
|
the window, crawled again up the castle wall. Regaining my room, I
|
|
threw myself panting upon the bed and tried to think.
|
|
|
|
|
|
29 June.--Today is the date of my last letter, and the Count has taken
|
|
steps to prove that it was genuine, for again I saw him leave the
|
|
castle by the same window, and in my clothes. As he went down the
|
|
wall, lizard fashion, I wished I had a gun or some lethal weapon, that
|
|
I might destroy him. But I fear that no weapon wrought along by man's
|
|
hand would have any effect on him. I dared not wait to see him
|
|
return, for I feared to see those weird sisters. I came back to the
|
|
library, and read there till I fell asleep.
|
|
|
|
I was awakened by the Count, who looked at me as grimly as a man could
|
|
look as he said, "Tomorrow, my friend, we must part. You return to
|
|
your beautiful England, I to some work which may have such an end that
|
|
we may never meet. Your letter home has been despatched. Tomorrow I
|
|
shall not be here, but all shall be ready for your journey. In the
|
|
morning come the Szgany, who have some labours of their own here, and
|
|
also come some Slovaks. When they have gone, my carriage shall come
|
|
for you, and shall bear you to the Borgo Pass to meet the diligence
|
|
from Bukovina to Bistritz. But I am in hopes that I shall see more of
|
|
you at Castle Dracula."
|
|
|
|
I suspected him, and determined to test his sincerity. Sincerity! It
|
|
seems like a profanation of the word to write it in connection with
|
|
such a monster, so I asked him point-blank, "Why may I not go
|
|
tonight?"
|
|
|
|
"Because, dear sir, my coachman and horses are away on a mission."
|
|
|
|
"But I would walk with pleasure. I want to get away at once."
|
|
|
|
He smiled, such a soft, smooth, diabolical smile that I knew there was
|
|
some trick behind his smoothness. He said, "And your baggage?"
|
|
|
|
"I do not care about it. I can send for it some other time."
|
|
|
|
The Count stood up, and said, with a sweet courtesy which made me rub
|
|
my eyes, it seemed so real, "You English have a saying which is close
|
|
to my heart, for its spirit is that which rules our boyars, 'Welcome
|
|
the coming, speed the parting guest.' Come with me, my dear young
|
|
friend. Not an hour shall you wait in my house against your will,
|
|
though sad am I at your going, and that you so suddenly desire it.
|
|
Come!" With a stately gravity, he, with the lamp, preceded me down
|
|
the stairs and along the hall. Suddenly he stopped. "Hark!"
|
|
|
|
Close at hand came the howling of many wolves. It was almost as if
|
|
the sound sprang up at the rising of his hand, just as the music of a
|
|
great orchestra seems to leap under the baton of the conductor. After
|
|
a pause of a moment, he proceeded, in his stately way, to the door,
|
|
drew back the ponderous bolts, unhooked the heavy chains, and began to
|
|
draw it open.
|
|
|
|
To my intense astonishment I saw that it was unlocked. Suspiciously,
|
|
I looked all round, but could see no key of any kind.
|
|
|
|
As the door began to open, the howling of the wolves without grew
|
|
louder and angrier. Their red jaws, with champing teeth, and their
|
|
blunt-clawed feet as they leaped, came in through the opening door. I
|
|
knew than that to struggle at the moment against the Count was
|
|
useless. With such allies as these at his command, I could do
|
|
nothing.
|
|
|
|
But still the door continued slowly to open, and only the Count's body
|
|
stood in the gap. Suddenly it struck me that this might be the moment
|
|
and means of my doom. I was to be given to the wolves, and at my own
|
|
instigation. There was a diabolical wickedness in the idea great
|
|
enough for the Count, and as the last chance I cried out, "Shut the
|
|
door! I shall wait till morning." And I covered my face with my
|
|
hands to hide my tears of bitter disappointment.
|
|
|
|
With one sweep of his powerful arm, the Count threw the door shut, and
|
|
the great bolts clanged and echoed through the hall as they shot back
|
|
into their places.
|
|
|
|
In silence we returned to the library, and after a minute or two I went
|
|
to my own room. The last I saw of Count Dracula was his kissing his
|
|
hand to me, with a red light of triumph in his eyes, and with a smile
|
|
that Judas in hell might be proud of.
|
|
|
|
When I was in my room and about to lie down, I thought I heard a
|
|
whispering at my door. I went to it softly and listened. Unless my
|
|
ears deceived me, I heard the voice of the Count.
|
|
|
|
"Back! Back to your own place! Your time is not yet come. Wait!
|
|
Have patience! Tonight is mine. Tomorrow night is yours!"
|
|
|
|
There was a low, sweet ripple of laughter, and in a rage I threw open
|
|
the door, and saw without the three terrible women licking their lips.
|
|
As I appeared, they all joined in a horrible laugh, and ran away.
|
|
|
|
I came back to my room and threw myself on my knees. It is then so
|
|
near the end? Tomorrow! Tomorrow! Lord, help me, and those to whom
|
|
I am dear!
|
|
|
|
|
|
30 June.--These may be the last words I ever write in this diary. I
|
|
slept till just before the dawn, and when I woke threw myself on my
|
|
knees, for I determined that if Death came he should find me ready.
|
|
|
|
At last I felt that subtle change in the air, and knew that the
|
|
morning had come. Then came the welcome cockcrow, and I felt that I
|
|
was safe. With a glad heart, I opened the door and ran down the hall.
|
|
I had seen that the door was unlocked, and now escape was before me.
|
|
With hands that trembled with eagerness, I unhooked the chains and
|
|
threw back the massive bolts.
|
|
|
|
But the door would not move. Despair seized me. I pulled and pulled
|
|
at the door, and shook it till, massive as it was, it rattled in its
|
|
casement. I could see the bolt shot. It had been locked after I left
|
|
the Count.
|
|
|
|
Then a wild desire took me to obtain the key at any risk, and I
|
|
determined then and there to scale the wall again, and gain the
|
|
Count's room. He might kill me, but death now seemed the happier
|
|
choice of evils. Without a pause I rushed up to the east window, and
|
|
scrambled down the wall, as before, into the Count's room. It was
|
|
empty, but that was as I expected. I could not see a key anywhere,
|
|
but the heap of gold remained. I went through the door in the corner
|
|
and down the winding stair and along the dark passage to the old
|
|
chapel. I knew now well enough where to find the monster I sought.
|
|
|
|
The great box was in the same place, close against the wall, but the
|
|
lid was laid on it, not fastened down, but with the nails ready in
|
|
their places to be hammered home.
|
|
|
|
I knew I must reach the body for the key, so I raised the lid, and
|
|
laid it back against the wall. And then I saw something which filled
|
|
my very soul with horror. There lay the Count, but looking as if his
|
|
youth had been half restored. For the white hair and moustache were
|
|
changed to dark iron-grey. The cheeks were fuller, and the white skin
|
|
seemed ruby-red underneath. The mouth was redder than ever, for on
|
|
the lips were gouts of fresh blood, which trickled from the corners of
|
|
the mouth and ran down over the chin and neck. Even the deep, burning
|
|
eyes seemed set amongst swollen flesh, for the lids and pouches
|
|
underneath were bloated. It seemed as if the whole awful creature
|
|
were simply gorged with blood. He lay like a filthy leech, exhausted
|
|
with his repletion.
|
|
|
|
I shuddered as I bent over to touch him, and every sense in me
|
|
revolted at the contact, but I had to search, or I was lost. The
|
|
coming night might see my own body a banquet in a similar war to those
|
|
horrid three. I felt all over the body, but no sign could I find of
|
|
the key. Then I stopped and looked at the Count. There was a mocking
|
|
smile on the bloated face which seemed to drive me mad. This was the
|
|
being I was helping to transfer to London, where, perhaps, for
|
|
centuries to come he might, amongst its teeming millions, satiate his
|
|
lust for blood, and create a new and ever-widening circle of
|
|
semi-demons to batten on the helpless.
|
|
|
|
The very thought drove me mad. A terrible desire came upon me to rid
|
|
the world of such a monster. There was no lethal weapon at hand, but
|
|
I seized a shovel which the workmen had been using to fill the cases,
|
|
and lifting it high, struck, with the edge downward, at the hateful
|
|
face. But as I did so the head turned, and the eyes fell upon me,
|
|
with all their blaze of basilisk horror. The sight seemed to paralyze
|
|
me, and the shovel turned in my hand and glanced from the face, merely
|
|
making a deep gash above the forehead. The shovel fell from my hand
|
|
across the box, and as I pulled it away the flange of the blade caught
|
|
the edge of the lid which fell over again, and hid the horrid thing
|
|
from my sight. The last glimpse I had was of the bloated face,
|
|
blood-stained and fixed with a grin of malice which would have held
|
|
its own in the nethermost hell.
|
|
|
|
I thought and thought what should be my next move, but my brain seemed
|
|
on fire, and I waited with a despairing feeling growing over me. As I
|
|
waited I heard in the distance a gipsy song sung by merry voices
|
|
coming closer, and through their song the rolling of heavy wheels and
|
|
the cracking of whips. The Szgany and the Slovaks of whom the Count
|
|
had spoken were coming. With a last look around and at the box which
|
|
contained the vile body, I ran from the place and gained the Count's
|
|
room, determined to rush out at the moment the door should be opened.
|
|
With strained ears, I listened, and heard downstairs the grinding of
|
|
the key in the great lock and the falling back of the heavy door.
|
|
There must have been some other means of entry, or some one had a key
|
|
for one of the locked doors.
|
|
|
|
Then there came the sound of many feet tramping and dying away in some
|
|
passage which sent up a clanging echo. I turned to run down again
|
|
towards the vault, where I might find the new entrance, but at the
|
|
moment there seemed to come a violent puff of wind, and the door to
|
|
the winding stair blew to with a shock that set the dust from the
|
|
lintels flying. When I ran to push it open, I found that it was
|
|
hopelessly fast. I was again a prisoner, and the net of doom was
|
|
closing round me more closely.
|
|
|
|
As I write there is in the passage below a sound of many tramping feet
|
|
and the crash of weights being set down heavily, doubtless the boxes,
|
|
with their freight of earth. There was a sound of hammering. It is
|
|
the box being nailed down. Now I can hear the heavy feet tramping
|
|
again along the hall, with many other idle feet coming behind them.
|
|
|
|
The door is shut, the chains rattle. There is a grinding of the key
|
|
in the lock. I can hear the key withdrawn, then another door opens
|
|
and shuts. I hear the creaking of lock and bolt.
|
|
|
|
Hark! In the courtyard and down the rocky way the roll of heavy
|
|
wheels, the crack of whips, and the chorus of the Szgany as they pass
|
|
into the distance.
|
|
|
|
I am alone in the castle with those horrible women. Faugh! Mina is a
|
|
woman, and there is nought in common. They are devils of the Pit!
|
|
|
|
I shall not remain alone with them. I shall try to scale the castle
|
|
wall farther than I have yet attempted. I shall take some of the gold
|
|
with me, lest I want it later. I may find a way from this dreadful
|
|
place.
|
|
|
|
And then away for home! Away to the quickest and nearest train! Away
|
|
from the cursed spot, from this cursed land, where the devil and his
|
|
children still walk with earthly feet!
|
|
|
|
At least God's mercy is better than that of those monsters, and the
|
|
precipice is steep and high. At its foot a man may sleep, as a man.
|
|
Goodbye, all. Mina!
|
|
|
|
|
|
|
|
|
|
CHAPTER 5
|
|
|
|
|
|
LETTER FROM MISS MINA MURRAY TO MISS LUCY WESTENRA
|
|
|
|
9 May.
|
|
|
|
My dearest Lucy,
|
|
|
|
Forgive my long delay in writing, but I have been simply overwhelmed
|
|
with work. The life of an assistant schoolmistress is sometimes
|
|
trying. I am longing to be with you, and by the sea, where we can
|
|
talk together freely and build our castles in the air. I have been
|
|
working very hard lately, because I want to keep up with Jonathan's
|
|
studies, and I have been practicing shorthand very assiduously.
|
|
When we are married I shall be able to be useful to Jonathan, and if
|
|
I can stenograph well enough I can take down what he wants to say in
|
|
this way and write it out for him on the typewriter, at which also I
|
|
am practicing very hard.
|
|
|
|
He and I sometimes write letters in shorthand, and he is
|
|
keeping a stenographic journal of his travels abroad. When
|
|
I am with you I shall keep a diary in the same way. I don't
|
|
mean one of those two-pages-to-the-week-with-Sunday-squeezed-
|
|
in-a-corner diaries, but a sort of journal which I can write
|
|
in whenever I feel inclined.
|
|
|
|
I do not suppose there will be much of interest to other people, but
|
|
it is not intended for them. I may show it to Jonathan some day if
|
|
there is in it anything worth sharing, but it is really an exercise
|
|
book. I shall try to do what I see lady journalists do,
|
|
interviewing and writing descriptions and trying to remember
|
|
conversations. I am told that, with a little practice, one can
|
|
remember all that goes on or that one hears said during a day.
|
|
|
|
However, we shall see. I will tell you of my little plans when we
|
|
meet. I have just had a few hurried lines from Jonathan from
|
|
Transylvania. He is well, and will be returning in about a week. I
|
|
am longing to hear all his news. It must be nice to see strange
|
|
countries. I wonder if we, I mean Jonathan and I, shall ever see
|
|
them together. There is the ten o'clock bell ringing. Goodbye.
|
|
|
|
Your loving
|
|
|
|
Mina
|
|
|
|
|
|
Tell me all the news when you write. You have not told me
|
|
anything for a long time. I hear rumours, and especially
|
|
of a tall, handsome, curly-haired man???
|
|
|
|
|
|
|
|
LETTER, LUCY WESTENRA TO MINA MURRAY
|
|
|
|
|
|
17, Chatham Street
|
|
|
|
Wednesday
|
|
|
|
My dearest Mina,
|
|
|
|
|
|
I must say you tax me very unfairly with being a bad correspondent.
|
|
I wrote you twice since we parted, and your last letter was only
|
|
your second. Besides, I have nothing to tell you. There is really
|
|
nothing to interest you.
|
|
|
|
Town is very pleasant just now, and we go a great deal to
|
|
picture-galleries and for walks and rides in the park. As
|
|
to the tall, curly-haired man, I suppose it was the one who
|
|
was with me at the last Pop. Someone has evidently been
|
|
telling tales.
|
|
|
|
That was Mr. Holmwood. He often comes to see us, and he and
|
|
Mamma get on very well together, they have so many things
|
|
to talk about in common.
|
|
|
|
We met some time ago a man that would just do for you, if you were
|
|
not already engaged to Jonathan. He is an excellent parti, being
|
|
handsome, well off, and of good birth. He is a doctor and really
|
|
clever. Just fancy! He is only nine-and twenty, and he has an
|
|
immense lunatic asylum all under his own care. Mr. Holmwood
|
|
introduced him to me, and he called here to see us, and often comes
|
|
now. I think he is one of the most resolute men I ever saw, and yet
|
|
the most calm. He seems absolutely imperturbable. I can fancy what
|
|
a wonderful power he must have over his patients. He has a curious
|
|
habit of looking one straight in the face, as if trying to read
|
|
one's thoughts. He tries this on very much with me, but I flatter
|
|
myself he has got a tough nut to crack. I know that from my glass.
|
|
|
|
Do you ever try to read your own face? I do, and I can
|
|
tell you it is not a bad study, and gives you more trouble
|
|
than you can well fancy if you have never tried it.
|
|
|
|
He says that I afford him a curious psychological study, and
|
|
I humbly think I do. I do not, as you know, take sufficient
|
|
interest in dress to be able to describe the new fashions.
|
|
Dress is a bore. That is slang again, but never mind. Arthur
|
|
says that every day.
|
|
|
|
There, it is all out, Mina, we have told all our secrets to
|
|
each other since we were children. We have slept together
|
|
and eaten together, and laughed and cried together, and
|
|
now, though I have spoken, I would like to speak more. Oh,
|
|
Mina, couldn't you guess? I love him. I am blushing as I
|
|
write, for although I think he loves me, he has not told me
|
|
so in words. But, oh, Mina, I love him. I love him! There,
|
|
that does me good.
|
|
|
|
I wish I were with you, dear, sitting by the fire undressing, as we
|
|
used to sit, and I would try to tell you what I feel. I do not know
|
|
how I am writing this even to you. I am afraid to stop, or I should
|
|
tear up the letter, and I don't want to stop, for I do so want to
|
|
tell you all. Let me hear from you at once, and tell me all that you
|
|
think about it. Mina, pray for my happiness.
|
|
|
|
Lucy
|
|
|
|
|
|
P.S.--I need not tell you this is a secret.
|
|
Goodnight again. L.
|
|
|
|
|
|
|
|
|
|
LETTER, LUCY WESTENRA TO MINA MURRAY
|
|
|
|
24 May
|
|
|
|
My dearest Mina,
|
|
|
|
Thanks, and thanks, and thanks again for your sweet letter. It
|
|
was so nice to be able to tell you and to have your sympathy.
|
|
|
|
My dear, it never rains but it pours. How true the old proverbs
|
|
are. Here am I, who shall be twenty in September, and yet I never
|
|
had a proposal till today, not a real proposal, and today I had
|
|
three. Just fancy! Three proposals in one day! Isn't it awful! I
|
|
feel sorry, really and truly sorry, for two of the poor fellows.
|
|
Oh, Mina, I am so happy that I don't know what to do with myself.
|
|
And three proposals! But, for goodness' sake, don't tell any of the
|
|
girls, or they would be getting all sorts of extravagant ideas, and
|
|
imagining themselves injured and slighted if in their very first day
|
|
at home they did not get six at least. Some girls are so vain! You
|
|
and I, Mina dear, who are engaged and are going to settle down soon
|
|
soberly into old married women, can despise vanity. Well, I must
|
|
tell you about the three, but you must keep it a secret, dear, from
|
|
every one except, of course, Jonathan. You will tell him, because I
|
|
would, if I were in your place, certainly tell Arthur. A woman
|
|
ought to tell her husband everything. Don't you think so, dear? And
|
|
I must be fair. Men like women, certainly their wives, to be quite
|
|
as fair as they are. And women, I am afraid, are not always quite
|
|
as fair as they should be.
|
|
|
|
Well, my dear, number One came just before lunch. I told you of
|
|
him, Dr. John Seward, the lunatic asylum man, with the strong jaw
|
|
and the good forehead. He was very cool outwardly, but was nervous
|
|
all the same. He had evidently been schooling himself as to all
|
|
sorts of little things, and remembered them, but he almost managed
|
|
to sit down on his silk hat, which men don't generally do when they
|
|
are cool, and then when he wanted to appear at ease he kept playing
|
|
with a lancet in a way that made me nearly scream. He spoke to me,
|
|
Mina, very straightforwardly. He told me how dear I was to him,
|
|
though he had known me so little, and what his life would be with me
|
|
to help and cheer him. He was going to tell me how unhappy he would
|
|
be if I did not care for him, but when he saw me cry he said he was
|
|
a brute and would not add to my present trouble. Then he broke off
|
|
and asked if I could love him in time, and when I shook my head his
|
|
hands trembled, and then with some hesitation he asked me if I cared
|
|
already for any one else. He put it very nicely, saying that he did
|
|
not want to wring my confidence from me, but only to know, because
|
|
if a woman's heart was free a man might have hope. And then, Mina,
|
|
I felt a sort of duty to tell him that there was some one. I only
|
|
told him that much, and then he stood up, and he looked very strong
|
|
and very grave as he took both my hands in his and said he hoped I
|
|
would be happy, and that If I ever wanted a friend I must count him
|
|
one of my best.
|
|
|
|
Oh, Mina dear, I can't help crying, and you must excuse this letter
|
|
being all blotted. Being proposed to is all very nice and all that
|
|
sort of thing, but it isn't at all a happy thing when you have to
|
|
see a poor fellow, whom you know loves you honestly, going away and
|
|
looking all broken hearted, and to know that, no matter what he may
|
|
say at the moment, you are passing out of his life. My dear, I must
|
|
stop here at present, I feel so miserable, though I am so happy.
|
|
|
|
Evening.
|
|
|
|
Arthur has just gone, and I feel in better spirits than when I
|
|
left off, so I can go on telling you about the day.
|
|
|
|
Well, my dear, number Two came after lunch. He is such a nice
|
|
fellow, an American from Texas, and he looks so young and so fresh
|
|
that it seems almost impossible that he has been to so many places
|
|
and has such adventures. I sympathize with poor Desdemona when she
|
|
had such a stream poured in her ear, even by a black man. I suppose
|
|
that we women are such cowards that we think a man will save us from
|
|
fears, and we marry him. I know now what I would do if I were a man
|
|
and wanted to make a girl love me. No, I don't, for there was Mr.
|
|
Morris telling us his stories, and Arthur never told any, and
|
|
yet . . .
|
|
|
|
My dear, I am somewhat previous. Mr. Quincy P. Morris found me
|
|
alone. It seems that a man always does find a girl alone. No, he
|
|
doesn't, for Arthur tried twice to make a chance, and I helping him
|
|
all I could, I am not ashamed to say it now. I must tell you
|
|
beforehand that Mr. Morris doesn't always speak slang, that is to
|
|
say, he never does so to strangers or before them, for he is really
|
|
well educated and has exquisite manners, but he found out that it
|
|
amused me to hear him talk American slang, and whenever I was
|
|
present, and there was no one to be shocked, he said such funny
|
|
things. I am afraid, my dear, he has to invent it all, for it fits
|
|
exactly into whatever else he has to say. But this is a way slang
|
|
has. I do not know myself if I shall ever speak slang. I do not
|
|
know if Arthur likes it, as I have never heard him use any as yet.
|
|
|
|
Well, Mr. Morris sat down beside me and looked as happy and jolly as
|
|
he could, but I could see all the same that he was very nervous. He
|
|
took my hand in his, and said ever so sweetly . . .
|
|
|
|
"Miss Lucy, I know I ain't good enough to regulate the fixin's of
|
|
your little shoes, but I guess if you wait till you find a man that
|
|
is you will go join them seven young women with the lamps when you
|
|
quit. Won't you just hitch up alongside of me and let us go down
|
|
the long road together, driving in double harness?"
|
|
|
|
Well, he did look so good humoured and so jolly that it didn't seem
|
|
half so hard to refuse him as it did poor Dr. Seward. So I said, as
|
|
lightly as I could, that I did not know anything of hitching, and
|
|
that I wasn't broken to harness at all yet. Then he said that he
|
|
had spoken in a light manner, and he hoped that if he had made a
|
|
mistake in doing so on so grave, so momentous, and occasion for him,
|
|
I would forgive him. He really did look serious when he was saying
|
|
it, and I couldn't help feeling a sort of exultation that he was
|
|
number Two in one day. And then, my dear, before I could say a word
|
|
he began pouring out a perfect torrent of love-making, laying his
|
|
very heart and soul at my feet. He looked so earnest over it that I
|
|
shall never again think that a man must be playful always, and never
|
|
earnest, because he is merry at times. I suppose he saw something
|
|
in my face which checked him, for he suddenly stopped, and said with
|
|
a sort of manly fervour that I could have loved him for if I had
|
|
been free . . .
|
|
|
|
"Lucy, you are an honest hearted girl, I know. I should not be here
|
|
speaking to you as I am now if I did not believe you clean grit,
|
|
right through to the very depths of your soul. Tell me, like one
|
|
good fellow to another, is there any one else that you care for?
|
|
And if there is I'll never trouble you a hair's breadth again, but
|
|
will be, if you will let me, a very faithful friend."
|
|
|
|
My dear Mina, why are men so noble when we women are so little
|
|
worthy of them? Here was I almost making fun of this great hearted,
|
|
true gentleman. I burst into tears, I am afraid, my dear, you will
|
|
think this a very sloppy letter in more ways than one, and I really
|
|
felt very badly.
|
|
|
|
Why can't they let a girl marry three men, or as many as
|
|
want her, and save all this trouble? But this is heresy,
|
|
and I must not say it. I am glad to say that, though I was
|
|
crying, I was able to look into Mr. Morris' brave eyes, and
|
|
I told him out straight . . .
|
|
|
|
"Yes, there is some one I love, though he has not told me
|
|
yet that he even loves me." I was right to speak to him so
|
|
frankly, for quite a light came into his face, and he put
|
|
out both his hands and took mine, I think I put them into
|
|
his, and said in a hearty way . . .
|
|
|
|
"That's my brave girl. It's better worth being late for a chance of
|
|
winning you than being in time for any other girl in the world.
|
|
Don't cry, my dear. If it's for me, I'm a hard nut to crack, and I
|
|
take it standing up. If that other fellow doesn't know his
|
|
happiness, well, he'd better look for it soon, or he'll have to deal
|
|
with me. Little girl, your honesty and pluck have made me a friend,
|
|
and that's rarer than a lover, it's more selfish anyhow. My dear,
|
|
I'm going to have a pretty lonely walk between this and Kingdom
|
|
Come. Won't you give me one kiss? It'll be something to keep off
|
|
the darkness now and then. You can, you know, if you like, for that
|
|
other good fellow, or you could not love him, hasn't spoken yet."
|
|
|
|
That quite won me, Mina, for it was brave and sweet of him,
|
|
and noble too, to a rival, wasn't it? And he so sad, so I
|
|
leant over and kissed him.
|
|
|
|
He stood up with my two hands in his, and as he looked down into my
|
|
face, I am afraid I was blushing very much, he said, "Little girl, I
|
|
hold your hand, and you've kissed me, and if these things don't make
|
|
us friends nothing ever will. Thank you for your sweet honesty to
|
|
me, and goodbye."
|
|
|
|
He wrung my hand, and taking up his hat, went straight out of the
|
|
room without looking back, without a tear or a quiver or a pause,
|
|
and I am crying like a baby.
|
|
|
|
Oh, why must a man like that be made unhappy when there are lots of
|
|
girls about who would worship the very ground he trod on? I know I
|
|
would if I were free, only I don't want to be free. My dear, this
|
|
quite upset me, and I feel I cannot write of happiness just at once,
|
|
after telling you of it, and I don't wish to tell of the number
|
|
Three until it can be all happy. Ever your loving . . .
|
|
|
|
Lucy
|
|
|
|
|
|
P.S.--Oh, about number Three, I needn't tell you of number
|
|
Three, need I? Besides, it was all so confused. It seemed
|
|
only a moment from his coming into the room till both his
|
|
arms were round me, and he was kissing me. I am very, very
|
|
happy, and I don't know what I have done to deserve it. I
|
|
must only try in the future to show that I am not ungrateful
|
|
to God for all His goodness to me in sending to me such a
|
|
lover, such a husband, and such a friend.
|
|
|
|
Goodbye.
|
|
|
|
|
|
|
|
DR. SEWARD'S DIARY (Kept in phonograph)
|
|
|
|
25 May.--Ebb tide in appetite today. Cannot eat, cannot rest, so
|
|
diary instead. Since my rebuff of yesterday I have a sort of empty
|
|
feeling. Nothing in the world seems of sufficient importance to be
|
|
worth the doing. As I knew that the only cure for this sort of thing
|
|
was work, I went amongst the patients. I picked out one who has
|
|
afforded me a study of much interest. He is so quaint that I am
|
|
determined to understand him as well as I can. Today I seemed to get
|
|
nearer than ever before to the heart of his mystery.
|
|
|
|
I questioned him more fully than I had ever done, with a view to
|
|
making myself master of the facts of his hallucination. In my manner
|
|
of doing it there was, I now see, something of cruelty. I seemed to
|
|
wish to keep him to the point of his madness, a thing which I avoid
|
|
with the patients as I would the mouth of hell.
|
|
|
|
(Mem., Under what circumstances would I not avoid the pit of hell?)
|
|
Omnia Romae venalia sunt. Hell has its price! If there be anything
|
|
behind this instinct it will be valuable to trace it afterwards
|
|
accurately, so I had better commence to do so, therefore . . .
|
|
|
|
R. M, Renfield, age 59. Sanguine temperament, great physical
|
|
strength, morbidly excitable, periods of gloom, ending in some fixed
|
|
idea which I cannot make out. I presume that the sanguine temperament
|
|
itself and the disturbing influence end in a mentally-accomplished
|
|
finish, a possibly dangerous man, probably dangerous if unselfish. In
|
|
selfish men caution is as secure an armour for their foes as for
|
|
themselves. What I think of on this point is, when self is the fixed
|
|
point the centripetal force is balanced with the centrifugal. When
|
|
duty, a cause, etc., is the fixed point, the latter force is
|
|
paramount, and only accident or a series of accidents can balance it.
|
|
|
|
|
|
|
|
LETTER, QUINCEY P. MORRIS TO HON. ARTHUR HOLMOOD
|
|
|
|
25 May.
|
|
|
|
My dear Art,
|
|
|
|
We've told yarns by the campfire in the prairies, and dressed one
|
|
another's wounds after trying a landing at the Marquesas, and drunk
|
|
healths on the shore of Titicaca. There are more yarns to be told,
|
|
and other wounds to be healed, and another health to be drunk.
|
|
Won't you let this be at my campfire tomorrow night? I have no
|
|
hesitation in asking you, as I know a certain lady is engaged to a
|
|
certain dinner party, and that you are free. There will only be one
|
|
other, our old pal at the Korea, Jack Seward. He's coming, too, and
|
|
we both want to mingle our weeps over the wine cup, and to drink a
|
|
health with all our hearts to the happiest man in all the wide
|
|
world, who has won the noblest heart that God has made and best
|
|
worth winning. We promise you a hearty welcome, and a loving
|
|
greeting, and a health as true as your own right hand. We shall
|
|
both swear to leave you at home if you drink too deep to a certain
|
|
pair of eyes. Come!
|
|
|
|
Yours, as ever and always,
|
|
|
|
Quincey P. Morris
|
|
|
|
|
|
|
|
|
|
|
|
TELEGRAM FROM ARTHUR HOLMWOOD TO QUINCEY P. MORRIS
|
|
|
|
26 May
|
|
|
|
|
|
Count me in every time. I bear messages which will make both
|
|
your ears tingle.
|
|
|
|
Art
|
|
|
|
|
|
|
|
|
|
CHAPTER 6
|
|
|
|
|
|
MINA MURRAY'S JOURNAL
|
|
|
|
24 July. Whitby.--Lucy met me at the station, looking sweeter and
|
|
lovelier than ever, and we drove up to the house at the Crescent in
|
|
which they have rooms. This is a lovely place. The little river, the
|
|
Esk, runs through a deep valley, which broadens out as it comes near
|
|
the harbour. A great viaduct runs across, with high piers, through
|
|
which the view seems somehow further away than it really is. The
|
|
valley is beautifully green, and it is so steep that when you are on
|
|
the high land on either side you look right across it, unless you are
|
|
near enough to see down. The houses of the old town--the side away
|
|
from us, are all red-roofed, and seem piled up one over the other
|
|
anyhow, like the pictures we see of Nuremberg. Right over the town is
|
|
the ruin of Whitby Abbey, which was sacked by the Danes, and which is
|
|
the scene of part of "Marmion," where the girl was built up in the
|
|
wall. It is a most noble ruin, of immense size, and full of beautiful
|
|
and romantic bits. There is a legend that a white lady is seen in one
|
|
of the windows. Between it and the town there is another church, the
|
|
parish one, round which is a big graveyard, all full of tombstones.
|
|
This is to my mind the nicest spot in Whitby, for it lies right over
|
|
the town, and has a full view of the harbour and all up the bay to
|
|
where the headland called Kettleness stretches out into the sea. It
|
|
descends so steeply over the harbour that part of the bank has fallen
|
|
away, and some of the graves have been destroyed.
|
|
|
|
In one place part of the stonework of the graves stretches out over
|
|
the sandy pathway far below. There are walks, with seats beside them,
|
|
through the churchyard, and people go and sit there all day long
|
|
looking at the beautiful view and enjoying the breeze.
|
|
|
|
I shall come and sit here often myself and work. Indeed, I am writing
|
|
now, with my book on my knee, and listening to the talk of three old
|
|
men who are sitting beside me. They seem to do nothing all day but
|
|
sit here and talk.
|
|
|
|
The harbour lies below me, with, on the far side, one long granite
|
|
wall stretching out into the sea, with a curve outwards at the end of
|
|
it, in the middle of which is a lighthouse. A heavy seawall runs
|
|
along outside of it. On the near side, the seawall makes an elbow
|
|
crooked inversely, and its end too has a lighthouse. Between the two
|
|
piers there is a narrow opening into the harbour, which then suddenly
|
|
widens.
|
|
|
|
It is nice at high water, but when the tide is out it shoals away to
|
|
nothing, and there is merely the stream of the Esk, running between
|
|
banks of sand, with rocks here and there. Outside the harbour on this
|
|
side there rises for about half a mile a great reef, the sharp of
|
|
which runs straight out from behind the south lighthouse. At the end
|
|
of it is a buoy with a bell, which swings in bad weather, and sends in
|
|
a mournful sound on the wind.
|
|
|
|
They have a legend here that when a ship is lost bells are heard out at
|
|
sea. I must ask the old man about this. He is coming this way . . .
|
|
|
|
He is a funny old man. He must be awfully old, for his face is
|
|
gnarled and twisted like the bark of a tree. He tells me that he is
|
|
nearly a hundred, and that he was a sailor in the Greenland fishing
|
|
fleet when Waterloo was fought. He is, I am afraid, a very sceptical
|
|
person, for when I asked him about the bells at sea and the White Lady
|
|
at the abbey he said very brusquely,
|
|
|
|
"I wouldn't fash masel' about them, miss. Them things be all wore
|
|
out. Mind, I don't say that they never was, but I do say that they
|
|
wasn't in my time. They be all very well for comers and trippers, an'
|
|
the like, but not for a nice young lady like you. Them feet-folks
|
|
from York and Leeds that be always eatin' cured herrin's and drinkin'
|
|
tea an' lookin' out to buy cheap jet would creed aught. I wonder
|
|
masel' who'd be bothered tellin' lies to them, even the newspapers,
|
|
which is full of fool-talk."
|
|
|
|
I thought he would be a good person to learn interesting things from,
|
|
so I asked him if he would mind telling me something about the whale
|
|
fishing in the old days. He was just settling himself to begin when
|
|
the clock struck six, whereupon he laboured to get up, and said,
|
|
|
|
"I must gang ageeanwards home now, miss. My grand-daughter doesn't
|
|
like to be kept waitin' when the tea is ready, for it takes me time to
|
|
crammle aboon the grees, for there be a many of 'em, and miss, I lack
|
|
belly-timber sairly by the clock."
|
|
|
|
He hobbled away, and I could see him hurrying, as well as he could,
|
|
down the steps. The steps are a great feature on the place. They
|
|
lead from the town to the church, there are hundreds of them, I do not
|
|
know how many, and they wind up in a delicate curve. The slope is so
|
|
gentle that a horse could easily walk up and down them.
|
|
|
|
I think they must originally have had something to do with the abbey.
|
|
I shall go home too. Lucy went out, visiting with her mother, and as
|
|
they were only duty calls, I did not go.
|
|
|
|
|
|
1 August.--I came up here an hour ago with Lucy, and we had a most
|
|
interesting talk with my old friend and the two others who always come
|
|
and join him. He is evidently the Sir Oracle of them, and I should
|
|
think must have been in his time a most dictatorial person.
|
|
|
|
He will not admit anything, and down faces everybody. If he can't
|
|
out-argue them he bullies them, and then takes their silence for
|
|
agreement with his views.
|
|
|
|
Lucy was looking sweetly pretty in her white lawn frock. She has got
|
|
a beautiful colour since she has been here.
|
|
|
|
I noticed that the old men did not lose any time in coming and sitting
|
|
near her when we sat down. She is so sweet with old people, I think
|
|
they all fell in love with her on the spot. Even my old man succumbed
|
|
and did not contradict her, but gave me double share instead. I got
|
|
him on the subject of the legends, and he went off at once into a sort
|
|
of sermon. I must try to remember it and put it down.
|
|
|
|
"It be all fool-talk, lock, stock, and barrel, that's what it be and
|
|
nowt else. These bans an' wafts an' boh-ghosts an' bar-guests an'
|
|
bogles an' all anent them is only fit to set bairns an' dizzy women
|
|
a'belderin'. They be nowt but air-blebs. They, an' all grims an' signs
|
|
an' warnin's, be all invented by parsons an' illsome berk-bodies an'
|
|
railway touters to skeer an' scunner hafflin's, an' to get folks to do
|
|
somethin' that they don't other incline to. It makes me ireful to
|
|
think o' them. Why, it's them that, not content with printin' lies on
|
|
paper an' preachin' them out of pulpits, does want to be cuttin' them
|
|
on the tombstones. Look here all around you in what airt ye will. All
|
|
them steans, holdin' up their heads as well as they can out of their
|
|
pride, is acant, simply tumblin' down with the weight o' the lies
|
|
wrote on them, 'Here lies the body' or 'Sacred to the memory' wrote on
|
|
all of them, an' yet in nigh half of them there bean't no bodies at
|
|
all, an' the memories of them bean't cared a pinch of snuff about,
|
|
much less sacred. Lies all of them, nothin' but lies of one kind or
|
|
another! My gog, but it'll be a quare scowderment at the Day of
|
|
Judgment when they come tumblin' up in their death-sarks, all jouped
|
|
together an' trying' to drag their tombsteans with them to prove how
|
|
good they was, some of them trimmlin' an' dithering, with their hands
|
|
that dozzened an' slippery from lyin' in the sea that they can't even
|
|
keep their gurp o' them."
|
|
|
|
I could see from the old fellow's self-satisfied air and the way in
|
|
which he looked round for the approval of his cronies that he was
|
|
"showing off," so I put in a word to keep him going.
|
|
|
|
"Oh, Mr. Swales, you can't be serious. Surely these tombstones are
|
|
not all wrong?"
|
|
|
|
"Yabblins! There may be a poorish few not wrong, savin' where they
|
|
make out the people too good, for there be folk that do think a
|
|
balm-bowl be like the sea, if only it be their own. The whole thing
|
|
be only lies. Now look you here. You come here a stranger, an' you
|
|
see this kirkgarth."
|
|
|
|
I nodded, for I thought it better to assent, though I did not quite
|
|
understand his dialect. I knew it had something to do with the
|
|
church.
|
|
|
|
He went on, "And you consate that all these steans be aboon folk that
|
|
be haped here, snod an' snog?" I assented again. "Then that be just
|
|
where the lie comes in. Why, there be scores of these laybeds that be
|
|
toom as old Dun's 'baccabox on Friday night."
|
|
|
|
He nudged one of his companions, and they all laughed. "And, my gog!
|
|
How could they be otherwise? Look at that one, the aftest abaft the
|
|
bier-bank, read it!"
|
|
|
|
I went over and read, "Edward Spencelagh, master mariner, murdered by
|
|
pirates off the coast of Andres, April, 1854, age 30." When I came
|
|
back Mr. Swales went on,
|
|
|
|
"Who brought him home, I wonder, to hap him here? Murdered off the
|
|
coast of Andres! An' you consated his body lay under! Why, I could
|
|
name ye a dozen whose bones lie in the Greenland seas above," he
|
|
pointed northwards, "or where the currants may have drifted them.
|
|
There be the steans around ye. Ye can, with your young eyes, read the
|
|
small print of the lies from here. This Braithwaite Lowery, I knew
|
|
his father, lost in the Lively off Greenland in '20, or Andrew
|
|
Woodhouse, drowned in the same seas in 1777, or John Paxton, drowned
|
|
off Cape Farewell a year later, or old John Rawlings, whose
|
|
grandfather sailed with me, drowned in the Gulf of Finland in '50. Do
|
|
ye think that all these men will have to make a rush to Whitby when
|
|
the trumpet sounds? I have me antherums aboot it! I tell ye that
|
|
when they got here they'd be jommlin' and jostlin' one another that
|
|
way that it 'ud be like a fight up on the ice in the old days, when
|
|
we'd be at one another from daylight to dark, an' tryin' to tie up our
|
|
cuts by the aurora borealis." This was evidently local pleasantry, for
|
|
the old man cackled over it, and his cronies joined in with gusto.
|
|
|
|
"But," I said, "surely you are not quite correct, for you start on the
|
|
assumption that all the poor people, or their spirits, will have to
|
|
take their tombstones with them on the Day of Judgment. Do you think
|
|
that will be really necessary?"
|
|
|
|
"Well, what else be they tombstones for? Answer me that, miss!"
|
|
|
|
"To please their relatives, I suppose."
|
|
|
|
"To please their relatives, you suppose!" This he said with intense
|
|
scorn. "How will it pleasure their relatives to know that lies is
|
|
wrote over them, and that everybody in the place knows that they be
|
|
lies?"
|
|
|
|
He pointed to a stone at our feet which had been laid down as a slab,
|
|
on which the seat was rested, close to the edge of the cliff. "Read
|
|
the lies on that thruff-stone," he said.
|
|
|
|
The letters were upside down to me from where I sat, but Lucy was more
|
|
opposite to them, so she leant over and read, "Sacred to the memory of
|
|
George Canon, who died, in the hope of a glorious resurrection, on
|
|
July 29, 1873, falling from the rocks at Kettleness. This tomb was
|
|
erected by his sorrowing mother to her dearly beloved son. 'He was the
|
|
only son of his mother, and she was a widow.' Really, Mr. Swales, I
|
|
don't see anything very funny in that!" She spoke her comment very
|
|
gravely and somewhat severely.
|
|
|
|
"Ye don't see aught funny! Ha-ha! But that's because ye don't gawm
|
|
the sorrowin' mother was a hell-cat that hated him because he was
|
|
acrewk'd, a regular lamiter he was, an' he hated her so that he
|
|
committed suicide in order that she mightn't get an insurance she put
|
|
on his life. He blew nigh the top of his head off with an old musket
|
|
that they had for scarin' crows with. 'Twarn't for crows then, for it
|
|
brought the clegs and the dowps to him. That's the way he fell off
|
|
the rocks. And, as to hopes of a glorious resurrection, I've often
|
|
heard him say masel' that he hoped he'd go to hell, for his mother was
|
|
so pious that she'd be sure to go to heaven, an' he didn't want to
|
|
addle where she was. Now isn't that stean at any rate," he hammered
|
|
it with his stick as he spoke, "a pack of lies? And won't it make
|
|
Gabriel keckle when Geordie comes pantin' ut the grees with the
|
|
tompstean balanced on his hump, and asks to be took as evidence!"
|
|
|
|
I did not know what to say, but Lucy turned the conversation as she
|
|
said, rising up, "Oh, why did you tell us of this? It is my favourite
|
|
seat, and I cannot leave it, and now I find I must go on sitting over
|
|
the grave of a suicide."
|
|
|
|
"That won't harm ye, my pretty, an' it may make poor Geordie gladsome
|
|
to have so trim a lass sittin' on his lap. That won't hurt ye. Why,
|
|
I've sat here off an' on for nigh twenty years past, an' it hasn't
|
|
done me no harm. Don't ye fash about them as lies under ye, or that
|
|
doesn' lie there either! It'll be time for ye to be getting scart
|
|
when ye see the tombsteans all run away with, and the place as bare as
|
|
a stubble-field. There's the clock, and I must gang. My service to
|
|
ye, ladies!" And off he hobbled.
|
|
|
|
Lucy and I sat awhile, and it was all so beautiful before us that we
|
|
took hands as we sat, and she told me all over again about Arthur and
|
|
their coming marriage. That made me just a little heart-sick, for I
|
|
haven't heard from Jonathan for a whole month.
|
|
|
|
|
|
The same day. I came up here alone, for I am very sad. There was no
|
|
letter for me. I hope there cannot be anything the matter with
|
|
Jonathan. The clock has just struck nine. I see the lights scattered
|
|
all over the town, sometimes in rows where the streets are, and
|
|
sometimes singly. They run right up the Esk and die away in the curve
|
|
of the valley. To my left the view is cut off by a black line of roof
|
|
of the old house next to the abbey. The sheep and lambs are bleating
|
|
in the fields away behind me, and there is a clatter of donkeys' hoofs
|
|
up the paved road below. The band on the pier is playing a harsh
|
|
waltz in good time, and further along the quay there is a Salvation
|
|
Army meeting in a back street. Neither of the bands hears the other,
|
|
but up here I hear and see them both. I wonder where Jonathan is and
|
|
if he is thinking of me! I wish he were here.
|
|
|
|
|
|
|
|
DR. SEWARD'S DIARY
|
|
|
|
5 June.--The case of Renfield grows more interesting the more I get to
|
|
understand the man. He has certain qualities very largely developed,
|
|
selfishness, secrecy, and purpose.
|
|
|
|
I wish I could get at what is the object of the latter. He seems to
|
|
have some settled scheme of his own, but what it is I do not know.
|
|
His redeeming quality is a love of animals, though, indeed, he has
|
|
such curious turns in it that I sometimes imagine he is only
|
|
abnormally cruel. His pets are of odd sorts.
|
|
|
|
Just now his hobby is catching flies. He has at present such a
|
|
quantity that I have had myself to expostulate. To my astonishment,
|
|
he did not break out into a fury, as I expected, but took the matter
|
|
in simple seriousness. He thought for a moment, and then said, "May I
|
|
have three days? I shall clear them away." Of course, I said that
|
|
would do. I must watch him.
|
|
|
|
|
|
18 June.--He has turned his mind now to spiders, and has got several
|
|
very big fellows in a box. He keeps feeding them his flies, and the
|
|
number of the latter is becoming sensibly diminished, although he has
|
|
used half his food in attracting more flies from outside to his room.
|
|
|
|
|
|
1 July.--His spiders are now becoming as great a nuisance as his
|
|
flies, and today I told him that he must get rid of them.
|
|
|
|
He looked very sad at this, so I said that he must some of them, at
|
|
all events. He cheerfully acquiesced in this, and I gave him the same
|
|
time as before for reduction.
|
|
|
|
He disgusted me much while with him, for when a horrid blowfly,
|
|
bloated with some carrion food, buzzed into the room, he caught it,
|
|
held it exultantly for a few moments between his finger and thumb, and
|
|
before I knew what he was going to do, put it in his mouth and ate it.
|
|
|
|
I scolded him for it, but he argued quietly that it was very good and
|
|
very wholesome, that it was life, strong life, and gave life to him.
|
|
This gave me an idea, or the rudiment of one. I must watch how he
|
|
gets rid of his spiders.
|
|
|
|
He has evidently some deep problem in his mind, for he keeps a little
|
|
notebook in which he is always jotting down something. Whole pages of
|
|
it are filled with masses of figures, generally single numbers added
|
|
up in batches, and then the totals added in batches again, as though
|
|
he were focussing some account, as the auditors put it.
|
|
|
|
|
|
8 July.--There is a method in his madness, and the rudimentary idea in
|
|
my mind is growing. It will be a whole idea soon, and then, oh,
|
|
unconscious cerebration, you will have to give the wall to your
|
|
conscious brother.
|
|
|
|
I kept away from my friend for a few days, so that I might notice if
|
|
there were any change. Things remain as they were except that he has
|
|
parted with some of his pets and got a new one.
|
|
|
|
He has managed to get a sparrow, and has already partially tamed it.
|
|
His means of taming is simple, for already the spiders have
|
|
diminished. Those that do remain, however, are well fed, for he still
|
|
brings in the flies by tempting them with his food.
|
|
|
|
19 July--We are progressing. My friend has now a whole colony of
|
|
sparrows, and his flies and spiders are almost obliterated. When I
|
|
came in he ran to me and said he wanted to ask me a great favour, a
|
|
very, very great favour. And as he spoke, he fawned on me like a dog.
|
|
|
|
I asked him what it was, and he said, with a sort of rapture in his
|
|
voice and bearing, "A kitten, a nice, little, sleek playful kitten,
|
|
that I can play with, and teach, and feed, and feed, and feed!"
|
|
|
|
I was not unprepared for this request, for I had noticed how his pets
|
|
went on increasing in size and vivacity, but I did not care that his
|
|
pretty family of tame sparrows should be wiped out in the same manner
|
|
as the flies and spiders. So I said I would see about it, and asked
|
|
him if he would not rather have a cat than a kitten.
|
|
|
|
His eagerness betrayed him as he answered, "Oh, yes, I would like a
|
|
cat! I only asked for a kitten lest you should refuse me a cat. No
|
|
one would refuse me a kitten, would they?"
|
|
|
|
I shook my head, and said that at present I feared it would not be
|
|
possible, but that I would see about it. His face fell, and I could
|
|
see a warning of danger in it, for there was a sudden fierce, sidelong
|
|
look which meant killing. The man is an undeveloped homicidal
|
|
maniac. I shall test him with his present craving and see how it will
|
|
work out, then I shall know more.
|
|
|
|
|
|
10 pm.--I have visited him again and found him sitting in a corner
|
|
brooding. When I came in he threw himself on his knees before me and
|
|
implored me to let him have a cat, that his salvation depended upon
|
|
it.
|
|
|
|
I was firm, however, and told him that he could not have it, whereupon
|
|
he went without a word, and sat down, gnawing his fingers, in the
|
|
corner where I had found him. I shall see him in the morning early.
|
|
|
|
|
|
20 July.--Visited Renfield very early, before attendant went his
|
|
rounds. Found him up and humming a tune. He was spreading out his
|
|
sugar, which he had saved, in the window, and was manifestly beginning
|
|
his fly catching again, and beginning it cheerfully and with a good
|
|
grace.
|
|
|
|
I looked around for his birds, and not seeing them, asked him where
|
|
they were. He replied, without turning round, that they had all flown
|
|
away. There were a few feathers about the room and on his pillow a
|
|
drop of blood. I said nothing, but went and told the keeper to report
|
|
to me if there were anything odd about him during the day.
|
|
|
|
|
|
11 am.--The attendant has just been to see me to say that Renfield has
|
|
been very sick and has disgorged a whole lot of feathers. "My belief
|
|
is, doctor," he said, "that he has eaten his birds, and that he just
|
|
took and ate them raw!"
|
|
|
|
|
|
11 pm.--I gave Renfield a strong opiate tonight, enough to make even
|
|
him sleep, and took away his pocketbook to look at it. The thought
|
|
that has been buzzing about my brain lately is complete, and the
|
|
theory proved.
|
|
|
|
My homicidal maniac is of a peculiar kind. I shall have to invent a
|
|
new classification for him, and call him a zoophagous (life-eating)
|
|
maniac. What he desires is to absorb as many lives as he can, and he
|
|
has laid himself out to achieve it in a cumulative way. He gave many
|
|
flies to one spider and many spiders to one bird, and then wanted a
|
|
cat to eat the many birds. What would have been his later steps?
|
|
|
|
It would almost be worth while to complete the experiment. It might
|
|
be done if there were only a sufficient cause. Men sneered at
|
|
vivisection, and yet look at its results today! Why not advance
|
|
science in its most difficult and vital aspect, the knowledge of the
|
|
brain?
|
|
|
|
Had I even the secret of one such mind, did I hold the key to the
|
|
fancy of even one lunatic, I might advance my own branch of science to
|
|
a pitch compared with which Burdon-Sanderson's physiology or Ferrier's
|
|
brain knowledge would be as nothing. If only there were a sufficient
|
|
cause! I must not think too much of this, or I may be tempted. A
|
|
good cause might turn the scale with me, for may not I too be of an
|
|
exceptional brain, congenitally?
|
|
|
|
How well the man reasoned. Lunatics always do within their own scope.
|
|
I wonder at how many lives he values a man, or if at only one. He has
|
|
closed the account most accurately, and today begun a new record. How
|
|
many of us begin a new record with each day of our lives?
|
|
|
|
To me it seems only yesterday that my whole life ended with my new
|
|
hope, and that truly I began a new record. So it shall be until the
|
|
Great Recorder sums me up and closes my ledger account with a balance
|
|
to profit or loss.
|
|
|
|
Oh, Lucy, Lucy, I cannot be angry with you, nor can I be angry with my
|
|
friend whose happiness is yours, but I must only wait on hopeless and
|
|
work. Work! Work!
|
|
|
|
If I could have as strong a cause as my poor mad friend there, a good,
|
|
unselfish cause to make me work, that would be indeed happiness.
|
|
|
|
|
|
|
|
MINA MURRAY'S JOURNAL
|
|
|
|
26 July.--I am anxious, and it soothes me to express myself here. It
|
|
is like whispering to one's self and listening at the same time. And
|
|
there is also something about the shorthand symbols that makes it
|
|
different from writing. I am unhappy about Lucy and about Jonathan.
|
|
I had not heard from Jonathan for some time, and was very concerned,
|
|
but yesterday dear Mr. Hawkins, who is always so kind, sent me a
|
|
letter from him. I had written asking him if he had heard, and he
|
|
said the enclosed had just been received. It is only a line dated
|
|
from Castle Dracula, and says that he is just starting for home. That
|
|
is not like Jonathan. I do not understand it, and it makes me uneasy.
|
|
|
|
Then, too, Lucy, although she is so well, has lately taken to her old
|
|
habit of walking in her sleep. Her mother has spoken to me about it,
|
|
and we have decided that I am to lock the door of our room every
|
|
night.
|
|
|
|
Mrs. Westenra has got an idea that sleep-walkers always go out on
|
|
roofs of houses and along the edges of cliffs and then get suddenly
|
|
wakened and fall over with a despairing cry that echoes all over the
|
|
place.
|
|
|
|
Poor dear, she is naturally anxious about Lucy, and she tells me that
|
|
her husband, Lucy's father, had the same habit, that he would get up
|
|
in the night and dress himself and go out, if he were not stopped.
|
|
|
|
Lucy is to be married in the autumn, and she is already planning out
|
|
her dresses and how her house is to be arranged. I sympathise with
|
|
her, for I do the same, only Jonathan and I will start in life in a
|
|
very simple way, and shall have to try to make both ends meet.
|
|
|
|
Mr. Holmwood, he is the Hon. Arthur Holmwood, only son of Lord
|
|
Godalming, is coming up here very shortly, as soon as he can leave
|
|
town, for his father is not very well, and I think dear Lucy is
|
|
counting the moments till he comes.
|
|
|
|
She wants to take him up in the seat on the churchyard cliff and show
|
|
him the beauty of Whitby. I daresay it is the waiting which disturbs
|
|
her. She will be all right when he arrives.
|
|
|
|
|
|
27 July.--No news from Jonathan. I am getting quite uneasy about him,
|
|
though why I should I do not know, but I do wish that he would write,
|
|
if it were only a single line.
|
|
|
|
Lucy walks more than ever, and each night I am awakened by her moving
|
|
about the room. Fortunately, the weather is so hot that she cannot
|
|
get cold. But still, the anxiety and the perpetually being awakened
|
|
is beginning to tell on me, and I am getting nervous and wakeful
|
|
myself. Thank God, Lucy's health keeps up. Mr. Holmwood has been
|
|
suddenly called to Ring to see his father, who has been taken
|
|
seriously ill. Lucy frets at the postponement of seeing him, but it
|
|
does not touch her looks. She is a trifle stouter, and her cheeks are
|
|
a lovely rose-pink. She has lost the anemic look which she had. I
|
|
pray it will all last.
|
|
|
|
|
|
3 August.--Another week gone by, and no news from Jonathan, not even
|
|
to Mr. Hawkins, from whom I have heard. Oh, I do hope he is not ill.
|
|
He surely would have written. I look at that last letter of his, but
|
|
somehow it does not satisfy me. It does not read like him, and yet it
|
|
is his writing. There is no mistake of that.
|
|
|
|
Lucy has not walked much in her sleep the last week, but there is an
|
|
odd concentration about her which I do not understand, even in her
|
|
sleep she seems to be watching me. She tries the door, and finding it
|
|
locked, goes about the room searching for the key.
|
|
|
|
|
|
6 August.--Another three days, and no news. This suspense is getting
|
|
dreadful. If I only knew where to write to or where to go to, I
|
|
should feel easier. But no one has heard a word of Jonathan since
|
|
that last letter. I must only pray to God for patience.
|
|
|
|
Lucy is more excitable than ever, but is otherwise well. Last night
|
|
was very threatening, and the fishermen say that we are in for a
|
|
storm. I must try to watch it and learn the weather signs.
|
|
|
|
Today is a gray day, and the sun as I write is hidden in thick clouds,
|
|
high over Kettleness. Everything is gray except the green grass,
|
|
which seems like emerald amongst it, gray earthy rock, gray clouds,
|
|
tinged with the sunburst at the far edge, hang over the gray sea, into
|
|
which the sandpoints stretch like gray figures. The sea is tumbling
|
|
in over the shallows and the sandy flats with a roar, muffled in the
|
|
sea-mists drifting inland. The horizon is lost in a gray mist. All
|
|
vastness, the clouds are piled up like giant rocks, and there is a
|
|
'brool' over the sea that sounds like some passage of doom. Dark
|
|
figures are on the beach here and there, sometimes half shrouded in
|
|
the mist, and seem 'men like trees walking'. The fishing boats are
|
|
racing for home, and rise and dip in the ground swell as they sweep
|
|
into the harbour, bending to the scuppers. Here comes old Mr. Swales.
|
|
He is making straight for me, and I can see, by the way he lifts his
|
|
hat, that he wants to talk.
|
|
|
|
I have been quite touched by the change in the poor old man. When he
|
|
sat down beside me, he said in a very gentle way, "I want to say
|
|
something to you, miss."
|
|
|
|
I could see he was not at ease, so I took his poor old wrinkled hand in
|
|
mine and asked him to speak fully.
|
|
|
|
So he said, leaving his hand in mine, "I'm afraid, my deary, that I
|
|
must have shocked you by all the wicked things I've been sayin' about
|
|
the dead, and such like, for weeks past, but I didn't mean them, and I
|
|
want ye to remember that when I'm gone. We aud folks that be daffled,
|
|
and with one foot abaft the krok-hooal, don't altogether like to think
|
|
of it, and we don't want to feel scart of it, and that's why I've took
|
|
to makin' light of it, so that I'd cheer up my own heart a bit. But,
|
|
Lord love ye, miss, I ain't afraid of dyin', not a bit, only I don't
|
|
want to die if I can help it. My time must be nigh at hand now, for I
|
|
be aud, and a hundred years is too much for any man to expect. And
|
|
I'm so nigh it that the Aud Man is already whettin' his scythe. Ye
|
|
see, I can't get out o' the habit of caffin' about it all at once.
|
|
The chafts will wag as they be used to. Some day soon the Angel of
|
|
Death will sound his trumpet for me. But don't ye dooal an' greet, my
|
|
deary!"--for he saw that I was crying--"if he should come this very
|
|
night I'd not refuse to answer his call. For life be, after all, only
|
|
a waitin' for somethin' else than what we're doin', and death be all
|
|
that we can rightly depend on. But I'm content, for it's comin' to
|
|
me, my deary, and comin' quick. It may be comin' while we be lookin'
|
|
and wonderin'. Maybe it's in that wind out over the sea that's
|
|
bringin' with it loss and wreck, and sore distress, and sad hearts.
|
|
Look! Look!" he cried suddenly. "There's something in that wind and
|
|
in the hoast beyont that sounds, and looks, and tastes, and smells
|
|
like death. It's in the air. I feel it comin'. Lord, make me answer
|
|
cheerful, when my call comes!" He held up his arms devoutly, and
|
|
raised his hat. His mouth moved as though he were praying. After a
|
|
few minutes' silence, he got up, shook hands with me, and blessed me,
|
|
and said goodbye, and hobbled off. It all touched me, and upset me
|
|
very much.
|
|
|
|
I was glad when the coastguard came along, with his spyglass under his
|
|
arm. He stopped to talk with me, as he always does, but all the time
|
|
kept looking at a strange ship.
|
|
|
|
"I can't make her out," he said. "She's a Russian, by the look of
|
|
her. But she's knocking about in the queerest way. She doesn't know
|
|
her mind a bit. She seems to see the storm coming, but can't decide
|
|
whether to run up north in the open, or to put in here. Look there
|
|
again! She is steered mighty strangely, for she doesn't mind the hand
|
|
on the wheel, changes about with every puff of wind. We'll hear more
|
|
of her before this time tomorrow."
|
|
|
|
|
|
|
|
|
|
CHAPTER 7
|
|
|
|
|
|
CUTTING FROM "THE DAILYGRAPH", 8 AUGUST
|
|
|
|
|
|
(PASTED IN MINA MURRAY'S JOURNAL)
|
|
|
|
|
|
From a correspondent.
|
|
|
|
Whitby.
|
|
|
|
One of the greatest and suddenest storms on record has just been
|
|
experienced here, with results both strange and unique. The weather
|
|
had been somewhat sultry, but not to any degree uncommon in the
|
|
month of August. Saturday evening was as fine as was ever known,
|
|
and the great body of holiday-makers laid out yesterday for visits
|
|
to Mulgrave Woods, Robin Hood's Bay, Rig Mill, Runswick, Staithes,
|
|
and the various trips in the neighborhood of Whitby. The steamers
|
|
Emma and Scarborough made trips up and down the coast, and there was
|
|
an unusual amount of 'tripping' both to and from Whitby. The day
|
|
was unusually fine till the afternoon, when some of the gossips who
|
|
frequent the East Cliff churchyard, and from the commanding eminence
|
|
watch the wide sweep of sea visible to the north and east, called
|
|
attention to a sudden show of 'mares tails' high in the sky to the
|
|
northwest. The wind was then blowing from the south-west in the
|
|
mild degree which in barometrical language is ranked 'No. 2, light
|
|
breeze.'
|
|
|
|
The coastguard on duty at once made report, and one old fisherman,
|
|
who for more than half a century has kept watch on weather signs
|
|
from the East Cliff, foretold in an emphatic manner the coming of a
|
|
sudden storm. The approach of sunset was so very beautiful, so
|
|
grand in its masses of splendidly coloured clouds, that there was
|
|
quite an assemblage on the walk along the cliff in the old
|
|
churchyard to enjoy the beauty. Before the sun dipped below the
|
|
black mass of Kettleness, standing boldly athwart the western sky,
|
|
its downward way was marked by myriad clouds of every sunset colour,
|
|
flame, purple, pink, green, violet, and all the tints of gold, with
|
|
here and there masses not large, but of seemingly absolute
|
|
blackness, in all sorts of shapes, as well outlined as colossal
|
|
silhouettes. The experience was not lost on the painters, and
|
|
doubtless some of the sketches of the 'Prelude to the Great Storm'
|
|
will grace the R. A and R. I. walls in May next.
|
|
|
|
More than one captain made up his mind then and there that his
|
|
'cobble' or his 'mule', as they term the different classes of boats,
|
|
would remain in the harbour till the storm had passed. The wind
|
|
fell away entirely during the evening, and at midnight there was a
|
|
dead calm, a sultry heat, and that prevailing intensity which, on
|
|
the approach of thunder, affects persons of a sensitive nature.
|
|
|
|
There were but few lights in sight at sea, for even the coasting
|
|
steamers, which usually hug the shore so closely, kept well to
|
|
seaward, and but few fishing boats were in sight. The only sail
|
|
noticeable was a foreign schooner with all sails set, which was
|
|
seemingly going westwards. The foolhardiness or ignorance of her
|
|
officers was a prolific theme for comment whilst she remained in
|
|
sight, and efforts were made to signal her to reduce sail in the
|
|
face of her danger. Before the night shut down she was seen with
|
|
sails idly flapping as she gently rolled on the undulating swell of
|
|
the sea.
|
|
|
|
"As idle as a painted ship upon a painted ocean."
|
|
|
|
Shortly before ten o'clock the stillness of the air grew quite
|
|
oppressive, and the silence was so marked that the bleating of a
|
|
sheep inland or the barking of a dog in the town was distinctly
|
|
heard, and the band on the pier, with its lively French air, was
|
|
like a dischord in the great harmony of nature's silence. A little
|
|
after midnight came a strange sound from over the sea, and high
|
|
overhead the air began to carry a strange, faint, hollow booming.
|
|
|
|
Then without warning the tempest broke. With a rapidity which, at
|
|
the time, seemed incredible, and even afterwards is impossible to
|
|
realize, the whole aspect of nature at once became convulsed. The
|
|
waves rose in growing fury, each over-topping its fellow, till in a
|
|
very few minutes the lately glassy sea was like a roaring and
|
|
devouring monster. White-crested waves beat madly on the level
|
|
sands and rushed up the shelving cliffs. Others broke over the
|
|
piers, and with their spume swept the lanthorns of the lighthouses
|
|
which rise from the end of either pier of Whitby Harbour.
|
|
|
|
The wind roared like thunder, and blew with such force that it was
|
|
with difficulty that even strong men kept their feet, or clung with
|
|
grim clasp to the iron stanchions. It was found necessary to clear
|
|
the entire pier from the mass of onlookers, or else the fatalities
|
|
of the night would have increased manifold. To add to the
|
|
difficulties and dangers of the time, masses of sea-fog came
|
|
drifting inland. White, wet clouds, which swept by in ghostly
|
|
fashion, so dank and damp and cold that it needed but little effort
|
|
of imagination to think that the spirits of those lost at sea were
|
|
touching their living brethren with the clammy hands of death, and
|
|
many a one shuddered as the wreaths of sea-mist swept by.
|
|
|
|
At times the mist cleared, and the sea for some distance could be
|
|
seen in the glare of the lightning, which came thick and fast,
|
|
followed by such peals of thunder that the whole sky overhead seemed
|
|
trembling under the shock of the footsteps of the storm.
|
|
|
|
Some of the scenes thus revealed were of immeasurable grandeur and
|
|
of absorbing interest. The sea, running mountains high, threw
|
|
skywards with each wave mighty masses of white foam, which the
|
|
tempest seemed to snatch at and whirl away into space. Here and
|
|
there a fishing boat, with a rag of sail, running madly for shelter
|
|
before the blast, now and again the white wings of a storm-tossed
|
|
seabird. On the summit of the East Cliff the new searchlight was
|
|
ready for experiment, but had not yet been tried. The officers in
|
|
charge of it got it into working order, and in the pauses of
|
|
onrushing mist swept with it the surface of the sea. Once or twice
|
|
its service was most effective, as when a fishing boat, with gunwale
|
|
under water, rushed into the harbour, able, by the guidance of the
|
|
sheltering light, to avoid the danger of dashing against the piers.
|
|
As each boat achieved the safety of the port there was a shout of
|
|
joy from the mass of people on the shore, a shout which for a moment
|
|
seemed to cleave the gale and was then swept away in its rush.
|
|
|
|
Before long the searchlight discovered some distance away a schooner
|
|
with all sails set, apparently the same vessel which had been
|
|
noticed earlier in the evening. The wind had by this time backed to
|
|
the east, and there was a shudder amongst the watchers on the cliff
|
|
as they realized the terrible danger in which she now was.
|
|
|
|
Between her and the port lay the great flat reef on which so many
|
|
good ships have from time to time suffered, and, with the wind
|
|
blowing from its present quarter, it would be quite impossible that
|
|
she should fetch the entrance of the harbour.
|
|
|
|
It was now nearly the hour of high tide, but the waves were so great
|
|
that in their troughs the shallows of the shore were almost visible,
|
|
and the schooner, with all sails set, was rushing with such speed
|
|
that, in the words of one old salt, "she must fetch up somewhere, if
|
|
it was only in hell". Then came another rush of sea-fog, greater
|
|
than any hitherto, a mass of dank mist, which seemed to close on all
|
|
things like a gray pall, and left available to men only the organ of
|
|
hearing, for the roar of the tempest, and the crash of the thunder,
|
|
and the booming of the mighty billows came through the damp oblivion
|
|
even louder than before. The rays of the searchlight were kept fixed
|
|
on the harbour mouth across the East Pier, where the shock was
|
|
expected, and men waited breathless.
|
|
|
|
The wind suddenly shifted to the northeast, and the remnant of the
|
|
sea fog melted in the blast. And then, mirabile dictu, between the
|
|
piers, leaping from wave to wave as it rushed at headlong speed,
|
|
swept the strange schooner before the blast, with all sail set, and
|
|
gained the safety of the harbour. The searchlight followed her, and
|
|
a shudder ran through all who saw her, for lashed to the helm was a
|
|
corpse, with drooping head, which swung horribly to and fro at each
|
|
motion of the ship. No other form could be seen on the deck at all.
|
|
|
|
A great awe came on all as they realised that the ship, as if by a
|
|
miracle, had found the harbour, unsteered save by the hand of a dead
|
|
man! However, all took place more quickly than it takes to write
|
|
these words. The schooner paused not, but rushing across the
|
|
harbour, pitched herself on that accumulation of sand and gravel
|
|
washed by many tides and many storms into the southeast corner of
|
|
the pier jutting under the East Cliff, known locally as Tate Hill
|
|
Pier.
|
|
|
|
There was of course a considerable concussion as the vessel drove up
|
|
on the sand heap. Every spar, rope, and stay was strained, and some
|
|
of the 'top-hammer' came crashing down. But, strangest of all, the
|
|
very instant the shore was touched, an immense dog sprang up on deck
|
|
from below, as if shot up by the concussion, and running forward,
|
|
jumped from the bow on the sand.
|
|
|
|
Making straight for the steep cliff, where the churchyard hangs over
|
|
the laneway to the East Pier so steeply that some of the flat
|
|
tombstones, thruffsteans or through-stones, as they call them in
|
|
Whitby vernacular, actually project over where the sustaining cliff
|
|
has fallen away, it disappeared in the darkness, which seemed
|
|
intensified just beyond the focus of the searchlight.
|
|
|
|
It so happened that there was no one at the moment on Tate Hill
|
|
Pier, as all those whose houses are in close proximity were either
|
|
in bed or were out on the heights above. Thus the coastguard on
|
|
duty on the eastern side of the harbour, who at once ran down to the
|
|
little pier, was the first to climb aboard. The men working the
|
|
searchlight, after scouring the entrance of the harbour without
|
|
seeing anything, then turned the light on the derelict and kept it
|
|
there. The coastguard ran aft, and when he came beside the wheel,
|
|
bent over to examine it, and recoiled at once as though under some
|
|
sudden emotion. This seemed to pique general curiosity, and quite a
|
|
number of people began to run.
|
|
|
|
It is a good way round from the West Cliff by the Draw-bridge to
|
|
Tate Hill Pier, but your correspondent is a fairly good runner, and
|
|
came well ahead of the crowd. When I arrived, however, I found
|
|
already assembled on the pier a crowd, whom the coastguard and
|
|
police refused to allow to come on board. By the courtesy of the
|
|
chief boatman, I was, as your correspondent, permitted to climb on
|
|
deck, and was one of a small group who saw the dead seaman whilst
|
|
actually lashed to the wheel.
|
|
|
|
It was no wonder that the coastguard was surprised, or even awed,
|
|
for not often can such a sight have been seen. The man was simply
|
|
fastened by his hands, tied one over the other, to a spoke of the
|
|
wheel. Between the inner hand and the wood was a crucifix, the set
|
|
of beads on which it was fastened being around both wrists and
|
|
wheel, and all kept fast by the binding cords. The poor fellow may
|
|
have been seated at one time, but the flapping and buffeting of the
|
|
sails had worked through the rudder of the wheel and had dragged him
|
|
to and fro, so that the cords with which he was tied had cut the
|
|
flesh to the bone.
|
|
|
|
Accurate note was made of the state of things, and a doctor, Surgeon
|
|
J. M. Caffyn, of 33, East Elliot Place, who came immediately after
|
|
me, declared, after making examination, that the man must have been
|
|
dead for quite two days.
|
|
|
|
In his pocket was a bottle, carefully corked, empty save for
|
|
a little roll of paper, which proved to be the addendum to
|
|
the log.
|
|
|
|
The coastguard said the man must have tied up his own hands,
|
|
fastening the knots with his teeth. The fact that a coastguard was
|
|
the first on board may save some complications later on, in the
|
|
Admiralty Court, for coastguards cannot claim the salvage which is
|
|
the right of the first civilian entering on a derelict. Already,
|
|
however, the legal tongues are wagging, and one young law student is
|
|
loudly asserting that the rights of the owner are already completely
|
|
sacrificed, his property being held in contravention of the statues
|
|
of mortmain, since the tiller, as emblemship, if not proof, of
|
|
delegated possession, is held in a dead hand.
|
|
|
|
It is needless to say that the dead steersman has been reverently
|
|
removed from the place where he held his honourable watch and ward
|
|
till death, a steadfastness as noble as that of the young
|
|
Casabianca, and placed in the mortuary to await inquest.
|
|
|
|
Already the sudden storm is passing, and its fierceness is
|
|
abating. Crowds are scattering backward, and the sky is
|
|
beginning to redden over the Yorkshire wolds.
|
|
|
|
I shall send, in time for your next issue, further details
|
|
of the derelict ship which found her way so miraculously
|
|
into harbour in the storm.
|
|
|
|
|
|
9 August.--The sequel to the strange arrival of the derelict in the
|
|
storm last night is almost more startling than the thing itself. It
|
|
turns out that the schooner is Russian from Varna, and is called the
|
|
Demeter. She is almost entirely in ballast of silver sand, with
|
|
only a small amount of cargo, a number of great wooden boxes filled
|
|
with mould.
|
|
|
|
This cargo was consigned to a Whitby solicitor, Mr. S.F. Billington,
|
|
of 7, The Crescent, who this morning went aboard and took formal
|
|
possession of the goods consigned to him.
|
|
|
|
The Russian consul, too, acting for the charter-party, took formal
|
|
possession of the ship, and paid all harbour dues, etc.
|
|
|
|
Nothing is talked about here today except the strange coincidence.
|
|
The officials of the Board of Trade have been most exacting in
|
|
seeing that every compliance has been made with existing
|
|
regulations. As the matter is to be a 'nine days wonder', they are
|
|
evidently determined that there shall be no cause of other
|
|
complaint.
|
|
|
|
A good deal of interest was abroad concerning the dog which landed
|
|
when the ship struck, and more than a few of the members of the
|
|
S.P.C.A., which is very strong in Whitby, have tried to befriend the
|
|
animal. To the general disappointment, however, it was not to be
|
|
found. It seems to have disappeared entirely from the town. It may
|
|
be that it was frightened and made its way on to the moors, where it
|
|
is still hiding in terror.
|
|
|
|
There are some who look with dread on such a possibility, lest later
|
|
on it should in itself become a danger, for it is evidently a fierce
|
|
brute. Early this morning a large dog, a half-bred mastiff
|
|
belonging to a coal merchant close to Tate Hill Pier, was found dead
|
|
in the roadway opposite its master's yard. It had been fighting,
|
|
and manifestly had had a savage opponent, for its throat was torn
|
|
away, and its belly was slit open as if with a savage claw.
|
|
|
|
Later.--By the kindness of the Board of Trade inspector, I have been
|
|
permitted to look over the log book of the Demeter, which was in
|
|
order up to within three days, but contained nothing of special
|
|
interest except as to facts of missing men. The greatest interest,
|
|
however, is with regard to the paper found in the bottle, which was
|
|
today produced at the inquest. And a more strange narrative than
|
|
the two between them unfold it has not been my lot to come across.
|
|
|
|
As there is no motive for concealment, I am permitted to use them,
|
|
and accordingly send you a transcript, simply omitting technical
|
|
details of seamanship and supercargo. It almost seems as though the
|
|
captain had been seized with some kind of mania before he had got
|
|
well into blue water, and that this had developed persistently
|
|
throughout the voyage. Of course my statement must be taken cum
|
|
grano, since I am writing from the dictation of a clerk of the
|
|
Russian consul, who kindly translated for me, time being short.
|
|
|
|
|
|
|
|
LOG OF THE "DEMETER" Varna to Whitby
|
|
|
|
|
|
Written 18 July, things so strange happening, that I shall
|
|
keep accurate note henceforth till we land.
|
|
|
|
|
|
On 6 July we finished taking in cargo, silver sand and boxes
|
|
of earth. At noon set sail. East wind, fresh. Crew, five
|
|
hands . . . two mates, cook, and myself, (captain).
|
|
|
|
|
|
On 11 July at dawn entered Bosphorus. Boarded by Turkish
|
|
Customs officers. Backsheesh. All correct. Under way at
|
|
4 p.m.
|
|
|
|
|
|
On 12 July through Dardanelles. More Customs officers and
|
|
flagboat of guarding squadron. Backsheesh again. Work of
|
|
officers thorough, but quick. Want us off soon. At dark
|
|
passed into Archipelago.
|
|
|
|
|
|
On 13 July passed Cape Matapan. Crew dissatisfied about
|
|
something. Seemed scared, but would not speak out.
|
|
|
|
|
|
On 14 July was somewhat anxious about crew. Men all steady
|
|
fellows, who sailed with me before. Mate could not make out what
|
|
was wrong. They only told him there was SOMETHING, and crossed
|
|
themselves. Mate lost temper with one of them that day and struck
|
|
him. Expected fierce quarrel, but all was quiet.
|
|
|
|
|
|
On 16 July mate reported in the morning that one of the
|
|
crew, Petrofsky, was missing. Could not account for it.
|
|
Took larboard watch eight bells last night, was relieved by
|
|
Amramoff, but did not go to bunk. Men more downcast than
|
|
ever. All said they expected something of the kind, but
|
|
would not say more than there was SOMETHING aboard. Mate
|
|
getting very impatient with them. Feared some trouble
|
|
ahead.
|
|
|
|
|
|
On 17 July, yesterday, one of the men, Olgaren, came to my cabin,
|
|
and in an awestruck way confided to me that he thought there was a
|
|
strange man aboard the ship. He said that in his watch he had
|
|
been sheltering behind the deckhouse, as there was a rain storm,
|
|
when he saw a tall, thin man, who was not like any of the crew,
|
|
come up the companionway, and go along the deck forward and
|
|
disappear. He followed cautiously, but when he got to bows found
|
|
no one, and the hatchways were all closed. He was in a panic of
|
|
superstitious fear, and I am afraid the panic may spread. To
|
|
allay it, I shall today search the entire ship carefully from stem
|
|
to stern.
|
|
|
|
|
|
Later in the day I got together the whole crew, and told them, as
|
|
they evidently thought there was some one in the ship, we would
|
|
search from stem to stern. First mate angry, said it was folly,
|
|
and to yield to such foolish ideas would demoralise the men, said
|
|
he would engage to keep them out of trouble with the handspike. I
|
|
let him take the helm, while the rest began a thorough search, all
|
|
keeping abreast, with lanterns. We left no corner unsearched. As
|
|
there were only the big wooden boxes, there were no odd corners
|
|
where a man could hide. Men much relieved when search over, and
|
|
went back to work cheerfully. First mate scowled, but said
|
|
nothing.
|
|
|
|
|
|
22 July.--Rough weather last three days, and all hands busy
|
|
with sails, no time to be frightened. Men seem to have
|
|
forgotten their dread. Mate cheerful again, and all on
|
|
good terms. Praised men for work in bad weather. Passed
|
|
Gibraltar and out through Straits. All well.
|
|
|
|
|
|
24 July.--There seems some doom over this ship. Already a hand
|
|
short, and entering the Bay of Biscay with wild weather ahead, and
|
|
yet last night another man lost, disappeared. Like the first, he
|
|
came off his watch and was not seen again. Men all in a panic of
|
|
fear, sent a round robin, asking to have double watch, as they
|
|
fear to be alone. Mate angry. Fear there will be some trouble,
|
|
as either he or the men will do some violence.
|
|
|
|
|
|
28 July.--Four days in hell, knocking about in a sort of
|
|
maelstrom, and the wind a tempest. No sleep for any one.
|
|
Men all worn out. Hardly know how to set a watch, since no
|
|
one fit to go on. Second mate volunteered to steer and
|
|
watch, and let men snatch a few hours sleep. Wind abating,
|
|
seas still terrific, but feel them less, as ship is
|
|
steadier.
|
|
|
|
|
|
29 July.--Another tragedy. Had single watch tonight, as crew too
|
|
tired to double. When morning watch came on deck could find no
|
|
one except steersman. Raised outcry, and all came on deck.
|
|
Thorough search, but no one found. Are now without second mate,
|
|
and crew in a panic. Mate and I agreed to go armed henceforth and
|
|
wait for any sign of cause.
|
|
|
|
|
|
30 July.--Last night. Rejoiced we are nearing England. Weather
|
|
fine, all sails set. Retired worn out, slept soundly, awakened by
|
|
mate telling me that both man of watch and steersman missing.
|
|
Only self and mate and two hands left to work ship.
|
|
|
|
1 August.--Two days of fog, and not a sail sighted. Had hoped
|
|
when in the English Channel to be able to signal for help or get
|
|
in somewhere. Not having power to work sails, have to run before
|
|
wind. Dare not lower, as could not raise them again. We seem to
|
|
be drifting to some terrible doom. Mate now more demoralised than
|
|
either of men. His stronger nature seems to have worked inwardly
|
|
against himself. Men are beyond fear, working stolidly and
|
|
patiently, with minds made up to worst. They are Russian, he
|
|
Roumanian.
|
|
|
|
2 August, midnight.--Woke up from few minutes sleep by hearing a
|
|
cry, seemingly outside my port. Could see nothing in fog. Rushed
|
|
on deck, and ran against mate. Tells me he heard cry and ran, but
|
|
no sign of man on watch. One more gone. Lord, help us! Mate
|
|
says we must be past Straits of Dover, as in a moment of fog
|
|
lifting he saw North Foreland, just as he heard the man cry out.
|
|
If so we are now off in the North Sea, and only God can guide us
|
|
in the fog, which seems to move with us, and God seems to have
|
|
deserted us.
|
|
|
|
|
|
3 August.--At midnight I went to relieve the man at the
|
|
wheel and when I got to it found no one there. The wind
|
|
was steady, and as we ran before it there was no yawing. I
|
|
dared not leave it, so shouted for the mate. After a few
|
|
seconds, he rushed up on deck in his flannels. He looked
|
|
wild-eyed and haggard, and I greatly fear his reason has
|
|
given way. He came close to me and whispered hoarsely,
|
|
with his mouth to my ear, as though fearing the very air
|
|
might hear. "It is here. I know it now. On the watch
|
|
last night I saw It, like a man, tall and thin, and ghastly
|
|
pale. It was in the bows, and looking out. I crept behind
|
|
It, and gave it my knife, but the knife went through It,
|
|
empty as the air." And as he spoke he took the knife and
|
|
drove it savagely into space. Then he went on, "But It is
|
|
here, and I'll find It. It is in the hold, perhaps in one
|
|
of those boxes. I'll unscrew them one by one and see. You
|
|
work the helm." And with a warning look and his finger on
|
|
his lip, he went below. There was springing up a choppy
|
|
wind, and I could not leave the helm. I saw him come out
|
|
on deck again with a tool chest and lantern, and go down
|
|
the forward hatchway. He is mad, stark, raving mad, and
|
|
it's no use my trying to stop him. He can't hurt those big
|
|
boxes, they are invoiced as clay, and to pull them about is
|
|
as harmless a thing as he can do. So here I stay and mind
|
|
the helm, and write these notes. I can only trust in God
|
|
and wait till the fog clears. Then, if I can't steer to
|
|
any harbour with the wind that is, I shall cut down sails,
|
|
and lie by, and signal for help . . .
|
|
|
|
It is nearly all over now. Just as I was beginning to hope
|
|
that the mate would come out calmer, for I heard him
|
|
knocking away at something in the hold, and work is good
|
|
for him, there came up the hatchway a sudden, startled
|
|
scream, which made my blood run cold, and up on the deck he
|
|
came as if shot from a gun, a raging madman, with his eyes
|
|
rolling and his face convulsed with fear. "Save me! Save
|
|
me!" he cried, and then looked round on the blanket of fog.
|
|
His horror turned to despair, and in a steady voice he
|
|
said, "You had better come too, captain, before it is too
|
|
late. He is there! I know the secret now. The sea will
|
|
save me from Him, and it is all that is left!" Before I
|
|
could say a word, or move forward to seize him, he sprang
|
|
on the bulwark and deliberately threw himself into the sea.
|
|
I suppose I know the secret too, now. It was this madman
|
|
who had got rid of the men one by one, and now he has
|
|
followed them himself. God help me! How am I to account
|
|
for all these horrors when I get to port? When I get to
|
|
port! Will that ever be?
|
|
|
|
|
|
4 August.--Still fog, which the sunrise cannot pierce, I
|
|
know there is sunrise because I am a sailor, why else I
|
|
know not. I dared not go below, I dared not leave the
|
|
helm, so here all night I stayed, and in the dimness of the
|
|
night I saw it, Him! God, forgive me, but the mate was
|
|
right to jump overboard. It was better to die like a man.
|
|
To die like a sailor in blue water, no man can object. But
|
|
I am captain, and I must not leave my ship. But I shall
|
|
baffle this fiend or monster, for I shall tie my hands to
|
|
the wheel when my strength begins to fail, and along with
|
|
them I shall tie that which He, It, dare not touch. And
|
|
then, come good wind or foul, I shall save my soul, and my
|
|
honour as a captain. I am growing weaker, and the night is
|
|
coming on. If He can look me in the face again, I may not
|
|
have time to act. . . If we are wrecked, mayhap this bottle
|
|
may be found, and those who find it may understand. If
|
|
not . . . well, then all men shall know that I have been
|
|
true to my trust. God and the Blessed Virgin and the
|
|
Saints help a poor ignorant soul trying to do his duty . . .
|
|
|
|
|
|
Of course the verdict was an open one. There is no evidence
|
|
to adduce, and whether or not the man himself committed the
|
|
murders there is now none to say. The folk here hold almost
|
|
universally that the captain is simply a hero, and he is to be
|
|
given a public funeral. Already it is arranged that his body
|
|
is to be taken with a train of boats up the Esk for a piece
|
|
and then brought back to Tate Hill Pier and up the abbey steps,
|
|
for he is to be buried in the churchyard on the cliff. The
|
|
owners of more than a hundred boats have already given in their
|
|
names as wishing to follow him to the grave.
|
|
|
|
No trace has ever been found of the great dog, at which there is
|
|
much mourning, for, with public opinion in its present state, he
|
|
would, I believe, be adopted by the town. Tomorrow will see the
|
|
funeral, and so will end this one more 'mystery of the sea'.
|
|
|
|
|
|
|
|
MINA MURRAY'S JOURNAL
|
|
|
|
8 August.--Lucy was very restless all night, and I too, could not
|
|
sleep. The storm was fearful, and as it boomed loudly among the
|
|
chimney pots, it made me shudder. When a sharp puff came it seemed to
|
|
be like a distant gun. Strangely enough, Lucy did not wake, but she
|
|
got up twice and dressed herself. Fortunately, each time I awoke in
|
|
time and managed to undress her without waking her, and got her back to
|
|
bed. It is a very strange thing, this sleep-walking, for as soon as
|
|
her will is thwarted in any physical way, her intention, if there be
|
|
any, disappears, and she yields herself almost exactly to the routine
|
|
of her life.
|
|
|
|
Early in the morning we both got up and went down to the harbour to see
|
|
if anything had happened in the night. There were very few people
|
|
about, and though the sun was bright, and the air clear and fresh, the
|
|
big, grim-looking waves, that seemed dark themselves because the foam
|
|
that topped them was like snow, forced themselves in through the mouth
|
|
of the harbour, like a bullying man going through a crowd. Somehow I
|
|
felt glad that Jonathan was not on the sea last night, but on land.
|
|
But, oh, is he on land or sea? Where is he, and how? I am getting
|
|
fearfully anxious about him. If I only knew what to do, and could do
|
|
anything!
|
|
|
|
|
|
10 August.--The funeral of the poor sea captain today was most
|
|
touching. Every boat in the harbour seemed to be there, and the coffin
|
|
was carried by captains all the way from Tate Hill Pier up to the
|
|
churchyard. Lucy came with me, and we went early to our old seat,
|
|
whilst the cortege of boats went up the river to the Viaduct and came
|
|
down again. We had a lovely view, and saw the procession nearly all
|
|
the way. The poor fellow was laid to rest near our seat so that we
|
|
stood on it, when the time came and saw everything.
|
|
|
|
Poor Lucy seemed much upset. She was restless and uneasy all the time,
|
|
and I cannot but think that her dreaming at night is telling on her.
|
|
She is quite odd in one thing. She will not admit to me that there is
|
|
any cause for restlessness, or if there be, she does not understand it
|
|
herself.
|
|
|
|
There is an additional cause in that poor Mr. Swales was found dead
|
|
this morning on our seat, his neck being broken. He had evidently, as
|
|
the doctor said, fallen back in the seat in some sort of fright, for
|
|
there was a look of fear and horror on his face that the men said made
|
|
them shudder. Poor dear old man!
|
|
|
|
Lucy is so sweet and sensitive that she feels influences more acutely
|
|
than other people do. Just now she was quite upset by a little thing
|
|
which I did not much heed, though I am myself very fond of animals.
|
|
|
|
One of the men who came up here often to look for the boats was
|
|
followed by his dog. The dog is always with him. They are both quiet
|
|
persons, and I never saw the man angry, nor heard the dog bark. During
|
|
the service the dog would not come to its master, who was on the seat
|
|
with us, but kept a few yards off, barking and howling. Its master
|
|
spoke to it gently, and then harshly, and then angrily. But it would
|
|
neither come nor cease to make a noise. It was in a fury, with its
|
|
eyes savage, and all its hair bristling out like a cat's tail when puss
|
|
is on the war path.
|
|
|
|
Finally the man too got angry, and jumped down and kicked the dog, and
|
|
then took it by the scruff of the neck and half dragged and half threw
|
|
it on the tombstone on which the seat is fixed. The moment it touched
|
|
the stone the poor thing began to tremble. It did not try to get away,
|
|
but crouched down, quivering and cowering, and was in such a pitiable
|
|
state of terror that I tried, though without effect, to comfort it.
|
|
|
|
Lucy was full of pity, too, but she did not attempt to touch the dog,
|
|
but looked at it in an agonised sort of way. I greatly fear that she
|
|
is of too super sensitive a nature to go through the world without
|
|
trouble. She will be dreaming of this tonight, I am sure. The whole
|
|
agglomeration of things, the ship steered into port by a dead man, his
|
|
attitude, tied to the wheel with a crucifix and beads, the touching
|
|
funeral, the dog, now furious and now in terror, will all afford
|
|
material for her dreams.
|
|
|
|
I think it will be best for her to go to bed tired out physically, so I
|
|
shall take her for a long walk by the cliffs to Robin Hood's Bay and
|
|
back. She ought not to have much inclination for sleep-walking then.
|
|
|
|
|
|
|
|
|
|
CHAPTER 8
|
|
|
|
|
|
MINA MURRAY'S JOURNAL
|
|
|
|
Same day, 11 o'clock P.M.--Oh, but I am tired! If it were not that I
|
|
had made my diary a duty I should not open it tonight. We had a lovely
|
|
walk. Lucy, after a while, was in gay spirits, owing, I think, to some
|
|
dear cows who came nosing towards us in a field close to the
|
|
lighthouse, and frightened the wits out of us. I believe we forgot
|
|
everything, except of course, personal fear, and it seemed to wipe the
|
|
slate clean and give us a fresh start. We had a capital 'severe tea'
|
|
at Robin Hood's Bay in a sweet little old-fashioned inn, with a bow
|
|
window right over the seaweed-covered rocks of the strand. I believe
|
|
we should have shocked the 'New Woman' with our appetites. Men are
|
|
more tolerant, bless them! Then we walked home with some, or rather
|
|
many, stoppages to rest, and with our hearts full of a constant dread
|
|
of wild bulls.
|
|
|
|
Lucy was really tired, and we intended to creep off to bed as soon as
|
|
we could. The young curate came in, however, and Mrs. Westenra asked
|
|
him to stay for supper. Lucy and I had both a fight for it with the
|
|
dusty miller. I know it was a hard fight on my part, and I am quite
|
|
heroic. I think that some day the bishops must get together and see
|
|
about breeding up a new class of curates, who don't take supper, no
|
|
matter how hard they may be pressed to, and who will know when girls
|
|
are tired.
|
|
|
|
Lucy is asleep and breathing softly. She has more colour in her cheeks
|
|
than usual, and looks, oh so sweet. If Mr. Holmwood fell in love with
|
|
her seeing her only in the drawing room, I wonder what he would say if
|
|
he saw her now. Some of the 'New Women' writers will some day start an
|
|
idea that men and women should be allowed to see each other asleep
|
|
before proposing or accepting. But I suppose the 'New Woman' won't
|
|
condescend in future to accept. She will do the proposing herself. And
|
|
a nice job she will make of it too! There's some consolation in that.
|
|
I am so happy tonight, because dear Lucy seems better. I really
|
|
believe she has turned the corner, and that we are over her troubles
|
|
with dreaming. I should be quite happy if I only knew if Jonathan . . .
|
|
God bless and keep him.
|
|
|
|
|
|
11 August.--Diary again. No sleep now, so I may as well write. I am
|
|
too agitated to sleep. We have had such an adventure, such an
|
|
agonizing experience. I fell asleep as soon as I had closed my diary.
|
|
. . . Suddenly I became broad awake, and sat up, with a horrible sense
|
|
of fear upon me, and of some feeling of emptiness around me. The room
|
|
was dark, so I could not see Lucy's bed. I stole across and felt for
|
|
her. The bed was empty. I lit a match and found that she was not in
|
|
the room. The door was shut, but not locked, as I had left it. I feared
|
|
to wake her mother, who has been more than usually ill lately, so threw
|
|
on some clothes and got ready to look for her. As I was leaving the
|
|
room it struck me that the clothes she wore might give me some clue to
|
|
her dreaming intention. Dressing-gown would mean house, dress outside.
|
|
Dressing-gown and dress were both in their places. "Thank God," I said
|
|
to myself, "she cannot be far, as she is only in her nightdress."
|
|
|
|
I ran downstairs and looked in the sitting room. Not there! Then I
|
|
looked in all the other rooms of the house, with an ever-growing fear
|
|
chilling my heart. Finally, I came to the hall door and found it open.
|
|
It was not wide open, but the catch of the lock had not caught. The
|
|
people of the house are careful to lock the door every night, so I
|
|
feared that Lucy must have gone out as she was. There was no time to
|
|
think of what might happen. A vague over-mastering fear obscured all
|
|
details.
|
|
|
|
I took a big, heavy shawl and ran out. The clock was striking one as I
|
|
was in the Crescent, and there was not a soul in sight. I ran along
|
|
the North Terrace, but could see no sign of the white figure which I
|
|
expected. At the edge of the West Cliff above the pier I looked across
|
|
the harbour to the East Cliff, in the hope or fear, I don't know which,
|
|
of seeing Lucy in our favourite seat.
|
|
|
|
There was a bright full moon, with heavy black, driving clouds, which
|
|
threw the whole scene into a fleeting diorama of light and shade as
|
|
they sailed across. For a moment or two I could see nothing, as the
|
|
shadow of a cloud obscured St. Mary's Church and all around it. Then
|
|
as the cloud passed I could see the ruins of the abbey coming into
|
|
view, and as the edge of a narrow band of light as sharp as a sword-cut
|
|
moved along, the church and churchyard became gradually visible.
|
|
Whatever my expectation was, it was not disappointed, for there, on our
|
|
favourite seat, the silver light of the moon struck a half-reclining
|
|
figure, snowy white. The coming of the cloud was too quick for me to
|
|
see much, for shadow shut down on light almost immediately, but it
|
|
seemed to me as though something dark stood behind the seat where the
|
|
white figure shone, and bent over it. What it was, whether man or
|
|
beast, I could not tell.
|
|
|
|
I did not wait to catch another glance, but flew down the steep steps
|
|
to the pier and along by the fish-market to the bridge, which was the
|
|
only way to reach the East Cliff. The town seemed as dead, for not a
|
|
soul did I see. I rejoiced that it was so, for I wanted no witness of
|
|
poor Lucy's condition. The time and distance seemed endless, and my
|
|
knees trembled and my breath came laboured as I toiled up the endless
|
|
steps to the abbey. I must have gone fast, and yet it seemed to me as
|
|
if my feet were weighted with lead, and as though every joint in my
|
|
body were rusty.
|
|
|
|
When I got almost to the top I could see the seat and the white figure,
|
|
for I was now close enough to distinguish it even through the spells of
|
|
shadow. There was undoubtedly something, long and black, bending over
|
|
the half-reclining white figure. I called in fright, "Lucy! Lucy!"
|
|
and something raised a head, and from where I was I could see a white
|
|
face and red, gleaming eyes.
|
|
|
|
Lucy did not answer, and I ran on to the entrance of the churchyard.
|
|
As I entered, the church was between me and the seat, and for a minute
|
|
or so I lost sight of her. When I came in view again the cloud had
|
|
passed, and the moonlight struck so brilliantly that I could see Lucy
|
|
half reclining with her head lying over the back of the seat. She was
|
|
quite alone, and there was not a sign of any living thing about.
|
|
|
|
When I bent over her I could see that she was still asleep. Her lips
|
|
were parted, and she was breathing, not softly as usual with her, but
|
|
in long, heavy gasps, as though striving to get her lungs full at every
|
|
breath. As I came close, she put up her hand in her sleep and pulled
|
|
the collar of her nightdress close around her, as though she felt the
|
|
cold. I flung the warm shawl over her, and drew the edges tight around
|
|
her neck, for I dreaded lest she should get some deadly chill from the
|
|
night air, unclad as she was. I feared to wake her all at once, so, in
|
|
order to have my hands free to help her, I fastened the shawl at her
|
|
throat with a big safety pin. But I must have been clumsy in my
|
|
anxiety and pinched or pricked her with it, for by-and-by, when her
|
|
breathing became quieter, she put her hand to her throat again and
|
|
moaned. When I had her carefully wrapped up I put my shoes on her
|
|
feet, and then began very gently to wake her.
|
|
|
|
At first she did not respond, but gradually she became more and more
|
|
uneasy in her sleep, moaning and sighing occasionally. At last, as
|
|
time was passing fast, and for many other reasons, I wished to get her
|
|
home at once, I shook her forcibly, till finally she opened her eyes
|
|
and awoke. She did not seem surprised to see me, as, of course, she
|
|
did not realize all at once where she was.
|
|
|
|
Lucy always wakes prettily, and even at such a time, when her body must
|
|
have been chilled with cold, and her mind somewhat appalled at waking
|
|
unclad in a churchyard at night, she did not lose her grace. She
|
|
trembled a little, and clung to me. When I told her to come at once
|
|
with me home, she rose without a word, with the obedience of a child.
|
|
As we passed along, the gravel hurt my feet, and Lucy noticed me wince.
|
|
She stopped and wanted to insist upon my taking my shoes, but I would
|
|
not. However, when we got to the pathway outside the chruchyard, where
|
|
there was a puddle of water, remaining from the storm, I daubed my feet
|
|
with mud, using each foot in turn on the other, so that as we went
|
|
home, no one, in case we should meet any one, should notice my bare
|
|
feet.
|
|
|
|
Fortune favoured us, and we got home without meeting a soul. Once we
|
|
saw a man, who seemed not quite sober, passing along a street in front
|
|
of us. But we hid in a door till he had disappeared up an opening such
|
|
as there are here, steep little closes, or 'wynds', as they call them
|
|
in Scotland. My heart beat so loud all the time sometimes I thought I
|
|
should faint. I was filled with anxiety about Lucy, not only for her
|
|
health, lest she should suffer from the exposure, but for her
|
|
reputation in case the story should get wind. When we got in, and had
|
|
washed our feet, and had said a prayer of thankfulness together, I
|
|
tucked her into bed. Before falling asleep she asked, even implored,
|
|
me not to say a word to any one, even her mother, about her
|
|
sleep-walking adventure.
|
|
|
|
I hesitated at first, to promise, but on thinking of the state of her
|
|
mother's health, and how the knowledge of such a thing would fret her,
|
|
and think too, of how such a story might become distorted, nay,
|
|
infallibly would, in case it should leak out, I thought it wiser to do
|
|
so. I hope I did right. I have locked the door, and the key is tied
|
|
to my wrist, so perhaps I shall not be again disturbed. Lucy is
|
|
sleeping soundly. The reflex of the dawn is high and far over the
|
|
sea . . .
|
|
|
|
|
|
Same day, noon.--All goes well. Lucy slept till I woke her and seemed
|
|
not to have even changed her side. The adventure of the night does not
|
|
seem to have harmed her, on the contrary, it has benefited her, for she
|
|
looks better this morning than she has done for weeks. I was sorry to
|
|
notice that my clumsiness with the safety-pin hurt her. Indeed, it
|
|
might have been serious, for the skin of her throat was pierced. I
|
|
must have pinched up a piece of loose skin and have transfixed it, for
|
|
there are two little red points like pin-pricks, and on the band of her
|
|
nightdress was a drop of blood. When I apologised and was concerned
|
|
about it, she laughed and petted me, and said she did not even feel it.
|
|
Fortunately it cannot leave a scar, as it is so tiny.
|
|
|
|
|
|
Same day, night.--We passed a happy day. The air was clear, and the
|
|
sun bright, and there was a cool breeze. We took our lunch to Mulgrave
|
|
Woods, Mrs. Westenra driving by the road and Lucy and I walking by the
|
|
cliff-path and joining her at the gate. I felt a little sad myself,
|
|
for I could not but feel how absolutely happy it would have been had
|
|
Jonathan been with me. But there! I must only be patient. In the
|
|
evening we strolled in the Casino Terrace, and heard some good music by
|
|
Spohr and Mackenzie, and went to bed early. Lucy seems more restful
|
|
than she has been for some time, and fell asleep at once. I shall lock
|
|
the door and secure the key the same as before, though I do not expect
|
|
any trouble tonight.
|
|
|
|
|
|
12 August.--My expectations were wrong, for twice during the night I
|
|
was wakened by Lucy trying to get out. She seemed, even in her sleep,
|
|
to be a little impatient at finding the door shut, and went back to bed
|
|
under a sort of protest. I woke with the dawn, and heard the birds
|
|
chirping outside of the window. Lucy woke, too, and I was glad to see,
|
|
was even better than on the previous morning. All her old gaiety of
|
|
manner seemed to have come back, and she came and snuggled in beside me
|
|
and told me all about Arthur. I told her how anxious I was about
|
|
Jonathan, and then she tried to comfort me. Well, she succeeded
|
|
somewhat, for, though sympathy can't alter facts, it can make them more
|
|
bearable.
|
|
|
|
|
|
13 August.--Another quiet day, and to bed with the key on my wrist as
|
|
before. Again I awoke in the night, and found Lucy sitting up in bed,
|
|
still asleep, pointing to the window. I got up quietly, and pulling
|
|
aside the blind, looked out. It was brilliant moonlight, and the soft
|
|
effect of the light over the sea and sky, merged together in one great
|
|
silent mystery, was beautiful beyond words. Between me and the
|
|
moonlight flitted a great bat, coming and going in great whirling
|
|
circles. Once or twice it came quite close, but was, I suppose,
|
|
frightened at seeing me, and flitted away across the harbour towards
|
|
the abbey. When I came back from the window Lucy had lain down again,
|
|
and was sleeping peacefully. She did not stir again all night.
|
|
|
|
|
|
14 August.--On the East Cliff, reading and writing all day. Lucy seems
|
|
to have become as much in love with the spot as I am, and it is hard to
|
|
get her away from it when it is time to come home for lunch or tea or
|
|
dinner. This afternoon she made a funny remark. We were coming home
|
|
for dinner, and had come to the top of the steps up from the West Pier
|
|
and stopped to look at the view, as we generally do. The setting sun,
|
|
low down in the sky, was just dropping behind Kettleness. The red
|
|
light was thrown over on the East Cliff and the old abbey, and seemed
|
|
to bathe everything in a beautiful rosy glow. We were silent for a
|
|
while, and suddenly Lucy murmured as if to herself . . .
|
|
|
|
"His red eyes again! They are just the same." It was such an odd
|
|
expression, coming apropos of nothing, that it quite startled me. I
|
|
slewed round a little, so as to see Lucy well without seeming to stare
|
|
at her, and saw that she was in a half dreamy state, with an odd look
|
|
on her face that I could not quite make out, so I said nothing, but
|
|
followed her eyes. She appeared to be looking over at our own seat,
|
|
whereon was a dark figure seated alone. I was quite a little startled
|
|
myself, for it seemed for an instant as if the stranger had great eyes
|
|
like burning flames, but a second look dispelled the illusion. The red
|
|
sunlight was shining on the windows of St. Mary's Church behind our
|
|
seat, and as the sun dipped there was just sufficient change in the
|
|
refraction and reflection to make it appear as if the light moved. I
|
|
called Lucy's attention to the peculiar effect, and she became herself
|
|
with a start, but she looked sad all the same. It may have been that
|
|
she was thinking of that terrible night up there. We never refer to
|
|
it, so I said nothing, and we went home to dinner. Lucy had a headache
|
|
and went early to bed. I saw her asleep, and went out for a little
|
|
stroll myself.
|
|
|
|
I walked along the cliffs to the westward, and was full of sweet
|
|
sadness, for I was thinking of Jonathan. When coming home, it was then
|
|
bright moonlight, so bright that, though the front of our part of the
|
|
Crescent was in shadow, everything could be well seen, I threw a glance
|
|
up at our window, and saw Lucy's head leaning out. I opened my
|
|
handkerchief and waved it. She did not notice or make any movement
|
|
whatever. Just then, the moonlight crept round an angle of the
|
|
building, and the light fell on the window. There distinctly was Lucy
|
|
with her head lying up against the side of the window sill and her eyes
|
|
shut. She was fast asleep, and by her, seated on the window sill, was
|
|
something that looked like a good-sized bird. I was afraid she might
|
|
get a chill, so I ran upstairs, but as I came into the room she was
|
|
moving back to her bed, fast asleep, and breathing heavily. She was
|
|
holding her hand to her throat, as though to protect if from the cold.
|
|
|
|
I did not wake her, but tucked her up warmly. I have taken care that
|
|
the door is locked and the window securely fastened.
|
|
|
|
She looks so sweet as she sleeps, but she is paler than is her wont,
|
|
and there is a drawn, haggard look under her eyes which I do not like.
|
|
I fear she is fretting about something. I wish I could find out what it
|
|
is.
|
|
|
|
|
|
15 August.--Rose later than usual. Lucy was languid and tired, and
|
|
slept on after we had been called. We had a happy surprise at
|
|
breakfast. Arthur's father is better, and wants the marriage to come
|
|
off soon. Lucy is full of quiet joy, and her mother is glad and sorry
|
|
at once. Later on in the day she told me the cause. She is grieved to
|
|
lose Lucy as her very own, but she is rejoiced that she is soon to have
|
|
some one to protect her. Poor dear, sweet lady! She confided to me
|
|
that she has got her death warrant. She has not told Lucy, and made me
|
|
promise secrecy. Her doctor told her that within a few months, at
|
|
most, she must die, for her heart is weakening. At any time, even now,
|
|
a sudden shock would be almost sure to kill her. Ah, we were wise to
|
|
keep from her the affair of the dreadful night of Lucy's sleep-walking.
|
|
|
|
|
|
17 August.--No diary for two whole days. I have not had the heart to
|
|
write. Some sort of shadowy pall seems to be coming over our
|
|
happiness. No news from Jonathan, and Lucy seems to be growing weaker,
|
|
whilst her mother's hours are numbering to a close. I do not
|
|
understand Lucy's fading away as she is doing. She eats well and
|
|
sleeps well, and enjoys the fresh air, but all the time the roses in
|
|
her cheeks are fading, and she gets weaker and more languid day by day.
|
|
At night I hear her gasping as if for air.
|
|
|
|
I keep the key of our door always fastened to my wrist at night, but
|
|
she gets up and walks about the room, and sits at the open window.
|
|
Last night I found her leaning out when I woke up, and when I tried to
|
|
wake her I could not.
|
|
|
|
She was in a faint. When I managed to restore her, she was weak as
|
|
water, and cried silently between long, painful struggles for breath.
|
|
When I asked her how she came to be at the window she shook her head
|
|
and turned away.
|
|
|
|
I trust her feeling ill may not be from that unlucky prick of the
|
|
safety-pin. I looked at her throat just now as she lay asleep, and the
|
|
tiny wounds seem not to have healed. They are still open, and, if
|
|
anything, larger than before, and the edges of them are faintly white.
|
|
They are like little white dots with red centres. Unless they heal
|
|
within a day or two, I shall insist on the doctor seeing about them.
|
|
|
|
|
|
|
|
LETTER, SAMUEL F. BILLINGTON & SON, SOLICITORS WHITBY,
|
|
TO MESSRS. CARTER, PATERSON & CO., LONDON.
|
|
|
|
17 August
|
|
|
|
"Dear Sirs,--Herewith please receive invoice of goods sent by Great
|
|
Northern Railway. Same are to be delivered at Carfax, near
|
|
Purfleet, immediately on receipt at goods station King's Cross. The
|
|
house is at present empty, but enclosed please find keys, all of
|
|
which are labelled.
|
|
|
|
"You will please deposit the boxes, fifty in number, which form the
|
|
consignment, in the partially ruined building forming part of the
|
|
house and marked 'A' on rough diagrams enclosed. Your agent will
|
|
easily recognize the locality, as it is the ancient chapel of the
|
|
mansion. The goods leave by the train at 9:30 tonight, and will be
|
|
due at King's Cross at 4:30 tomorrow afternoon. As our client
|
|
wishes the delivery made as soon as possible, we shall be obliged by
|
|
your having teams ready at King's Cross at the time named and
|
|
forthwith conveying the goods to destination. In order to obviate
|
|
any delays possible through any routine requirements as to payment
|
|
in your departments, we enclose cheque herewith for ten pounds,
|
|
receipt of which please acknowledge. Should the charge be less than
|
|
this amount, you can return balance, if greater, we shall at once
|
|
send cheque for difference on hearing from you. You are to leave
|
|
the keys on coming away in the main hall of the house, where the
|
|
proprietor may get them on his entering the house by means of his
|
|
duplicate key.
|
|
|
|
"Pray do not take us as exceeding the bounds of business courtesy
|
|
in pressing you in all ways to use the utmost expedition.
|
|
|
|
"We are, dear Sirs,
|
|
Faithfully yours,
|
|
SAMUEL F. BILLINGTON & SON"
|
|
|
|
|
|
|
|
LETTER, MESSRS. CARTER, PATERSON & CO., LONDON,
|
|
TO MESSRS. BILLINGTON & SON, WHITBY.
|
|
|
|
21 August.
|
|
|
|
"Dear Sirs,--We beg to acknowledge 10 pounds received and to return
|
|
cheque of 1 pound, 17s, 9d, amount of overplus, as shown in
|
|
receipted account herewith. Goods are delivered in exact accordance
|
|
with instructions, and keys left in parcel in main hall, as
|
|
directed.
|
|
|
|
"We are, dear Sirs,
|
|
Yours respectfully,
|
|
Pro CARTER, PATERSON & CO."
|
|
|
|
|
|
|
|
MINA MURRAY'S JOURNAL.
|
|
|
|
18 August.--I am happy today, and write sitting on the seat in the
|
|
churchyard. Lucy is ever so much better. Last night she slept well
|
|
all night, and did not disturb me once.
|
|
|
|
The roses seem coming back already to her cheeks, though she is still
|
|
sadly pale and wan-looking. If she were in any way anemic I could
|
|
understand it, but she is not. She is in gay spirits and full of life
|
|
and cheerfulness. All the morbid reticence seems to have passed from
|
|
her, and she has just reminded me, as if I needed any reminding, of
|
|
that night, and that it was here, on this very seat, I found her
|
|
asleep.
|
|
|
|
As she told me she tapped playfully with the heel of her boot on the
|
|
stone slab and said,
|
|
|
|
"My poor little feet didn't make much noise then! I daresay poor old
|
|
Mr. Swales would have told me that it was because I didn't want to wake
|
|
up Geordie."
|
|
|
|
As she was in such a communicative humour, I asked her if she had
|
|
dreamed at all that night.
|
|
|
|
Before she answered, that sweet, puckered look came into her forehead,
|
|
which Arthur, I call him Arthur from her habit, says he loves, and
|
|
indeed, I don't wonder that he does. Then she went on in a
|
|
half-dreaming kind of way, as if trying to recall it to herself.
|
|
|
|
"I didn't quite dream, but it all seemed to be real. I only wanted to
|
|
be here in this spot. I don't know why, for I was afraid of something,
|
|
I don't know what. I remember, though I suppose I was asleep, passing
|
|
through the streets and over the bridge. A fish leaped as I went by,
|
|
and I leaned over to look at it, and I heard a lot of dogs howling. The
|
|
whole town seemed as if it must be full of dogs all howling at once, as
|
|
I went up the steps. Then I had a vague memory of something long and
|
|
dark with red eyes, just as we saw in the sunset, and something very
|
|
sweet and very bitter all around me at once. And then I seemed sinking
|
|
into deep green water, and there was a singing in my ears, as I have
|
|
heard there is to drowning men, and then everything seemed passing away
|
|
from me. My soul seemed to go out from my body and float about the
|
|
air. I seem to remember that once the West Lighthouse was right under
|
|
me, and then there was a sort of agonizing feeling, as if I were in an
|
|
earthquake, and I came back and found you shaking my body. I saw you
|
|
do it before I felt you."
|
|
|
|
Then she began to laugh. It seemed a little uncanny to me, and I
|
|
listened to her breathlessly. I did not quite like it, and thought it
|
|
better not to keep her mind on the subject, so we drifted on to another
|
|
subject, and Lucy was like her old self again. When we got home the
|
|
fresh breeze had braced her up, and her pale cheeks were really more
|
|
rosy. Her mother rejoiced when she saw her, and we all spent a very
|
|
happy evening together.
|
|
|
|
|
|
19 August.--Joy, joy, joy! Although not all joy. At last, news of
|
|
Jonathan. The dear fellow has been ill, that is why he did not write.
|
|
I am not afraid to think it or to say it, now that I know. Mr. Hawkins
|
|
sent me on the letter, and wrote himself, oh so kindly. I am to leave
|
|
in the morning and go over to Jonathan, and to help to nurse him if
|
|
necessary, and to bring him home. Mr. Hawkins says it would not be a
|
|
bad thing if we were to be married out there. I have cried over the
|
|
good Sister's letter till I can feel it wet against my bosom, where it
|
|
lies. It is of Jonathan, and must be near my heart, for he is in my
|
|
heart. My journey is all mapped out, and my luggage ready. I am only
|
|
taking one change of dress. Lucy will bring my trunk to London and
|
|
keep it till I send for it, for it may be that . . . I must write no
|
|
more. I must keep it to say to Jonathan, my husband. The letter that
|
|
he has seen and touched must comfort me till we meet.
|
|
|
|
|
|
|
|
LETTER, SISTER AGATHA, HOSPITAL OF ST. JOSEPH AND
|
|
STE. MARY BUDA-PESTH, TO MISS WILLHELMINA MURRAY
|
|
|
|
12 August,
|
|
|
|
"Dear Madam.
|
|
|
|
"I write by desire of Mr. Jonathan Harker, who is himself not strong
|
|
enough to write, though progressing well, thanks to God and St.
|
|
Joseph and Ste. Mary. He has been under our care for nearly six
|
|
weeks, suffering from a violent brain fever. He wishes me to convey
|
|
his love, and to say that by this post I write for him to Mr. Peter
|
|
Hawkins, Exeter, to say, with his dutiful respects, that he is sorry
|
|
for his delay, and that all of his work is completed. He will
|
|
require some few weeks' rest in our sanatorium in the hills, but
|
|
will then return. He wishes me to say that he has not sufficient
|
|
money with him, and that he would like to pay for his staying here,
|
|
so that others who need shall not be wanting for help.
|
|
|
|
"Believe me,
|
|
|
|
"Yours, with sympathy
|
|
and all blessings.
|
|
Sister Agatha
|
|
|
|
"P.S.--My patient being asleep, I open this to let you know
|
|
something more. He has told me all about you, and that you are
|
|
shortly to be his wife. All blessings to you both! He has had some
|
|
fearful shock, so says our doctor, and in his delirium his ravings
|
|
have been dreadful, of wolves and poison and blood, of ghosts and
|
|
demons, and I fear to say of what. Be careful of him always that
|
|
there may be nothing to excite him of this kind for a long time to
|
|
come. The traces of such an illness as his do not lightly die away.
|
|
We should have written long ago, but we knew nothing of his friends,
|
|
and there was nothing on him, nothing that anyone could understand.
|
|
He came in the train from Klausenburg, and the guard was told by the
|
|
station master there that he rushed into the station shouting for a
|
|
ticket for home. Seeing from his violent demeanour that he was
|
|
English, they gave him a ticket for the furthest station on the way
|
|
thither that the train reached.
|
|
|
|
"Be assured that he is well cared for. He has won all hearts by his
|
|
sweetness and gentleness. He is truly getting on well, and I have
|
|
no doubt will in a few weeks be all himself. But be careful of him
|
|
for safety's sake. There are, I pray God and St. Joseph and Ste.
|
|
Mary, many, many, happy years for you both."
|
|
|
|
|
|
|
|
DR. SEWARD'S DIARY
|
|
|
|
19 August.--Strange and sudden change in Renfield last night. About
|
|
eight o'clock he began to get excited and sniff about as a dog does
|
|
when setting. The attendant was struck by his manner, and knowing my
|
|
interest in him, encouraged him to talk. He is usually respectful to
|
|
the attendant and at times servile, but tonight, the man tells me, he
|
|
was quite haughty. Would not condescend to talk with him at all.
|
|
|
|
All he would say was, "I don't want to talk to you. You don't count
|
|
now. The master is at hand."
|
|
|
|
The attendant thinks it is some sudden form of religious mania which
|
|
has seized him. If so, we must look out for squalls, for a strong man
|
|
with homicidal and religious mania at once might be dangerous. The
|
|
combination is a dreadful one.
|
|
|
|
At nine o'clock I visited him myself. His attitude to me was the same
|
|
as that to the attendant. In his sublime self-feeling the difference
|
|
between myself and the attendant seemed to him as nothing. It looks
|
|
like religious mania, and he will soon think that he himself is God.
|
|
|
|
These infinitesimal distinctions between man and man are too paltry for
|
|
an Omnipotent Being. How these madmen give themselves away! The real
|
|
God taketh heed lest a sparrow fall. But the God created from human
|
|
vanity sees no difference between an eagle and a sparrow. Oh, if men
|
|
only knew!
|
|
|
|
For half an hour or more Renfield kept getting excited in greater and
|
|
greater degree. I did not pretend to be watching him, but I kept
|
|
strict observation all the same. All at once that shifty look came
|
|
into his eyes which we always see when a madman has seized an idea, and
|
|
with it the shifty movement of the head and back which asylum
|
|
attendants come to know so well. He became quite quiet, and went and
|
|
sat on the edge of his bed resignedly, and looked into space with
|
|
lack-luster eyes.
|
|
|
|
I thought I would find out if his apathy were real or only assumed, and
|
|
tried to lead him to talk of his pets, a theme which had never failed
|
|
to excite his attention.
|
|
|
|
At first he made no reply, but at length said testily, "Bother them
|
|
all! I don't care a pin about them."
|
|
|
|
"What?" I said. "You don't mean to tell me you don't care about
|
|
spiders?" (Spiders at present are his hobby and the notebook is filling
|
|
up with columns of small figures.)
|
|
|
|
To this he answered enigmatically, "The Bride maidens rejoice the eyes
|
|
that wait the coming of the bride. But when the bride draweth nigh,
|
|
then the maidens shine not to the eyes that are filled."
|
|
|
|
He would not explain himself, but remained obstinately seated on his
|
|
bed all the time I remained with him.
|
|
|
|
I am weary tonight and low in spirits. I cannot but think of Lucy, and
|
|
how different things might have been. If I don't sleep at once,
|
|
chloral, the modern Morpheus! I must be careful not to let it grow
|
|
into a habit. No, I shall take none tonight! I have thought of Lucy,
|
|
and I shall not dishonour her by mixing the two. If need be, tonight
|
|
shall be sleepless.
|
|
|
|
|
|
Later.--Glad I made the resolution, gladder that I kept to it. I had
|
|
lain tossing about, and had heard the clock strike only twice, when the
|
|
night watchman came to me, sent up from the ward, to say that Renfield
|
|
had escaped. I threw on my clothes and ran down at once. My patient
|
|
is too dangerous a person to be roaming about. Those ideas of his
|
|
might work out dangerously with strangers.
|
|
|
|
The attendant was waiting for me. He said he had seen him not ten
|
|
minutes before, seemingly asleep in his bed, when he had looked through
|
|
the observation trap in the door. His attention was called by the
|
|
sound of the window being wrenched out. He ran back and saw his feet
|
|
disappear through the window, and had at once sent up for me. He was
|
|
only in his night gear, and cannot be far off.
|
|
|
|
The attendant thought it would be more useful to watch where he should
|
|
go than to follow him, as he might lose sight of him whilst getting out
|
|
of the building by the door. He is a bulky man, and couldn't get
|
|
through the window.
|
|
|
|
I am thin, so, with his aid, I got out, but feet foremost, and as we
|
|
were only a few feet above ground landed unhurt.
|
|
|
|
The attendant told me the patient had gone to the left, and had taken a
|
|
straight line, so I ran as quickly as I could. As I got through the
|
|
belt of trees I saw a white figure scale the high wall which separates
|
|
our grounds from those of the deserted house.
|
|
|
|
I ran back at once, told the watchman to get three or four men
|
|
immediately and follow me into the grounds of Carfax, in case our
|
|
friend might be dangerous. I got a ladder myself, and crossing the
|
|
wall, dropped down on the other side. I could see Renfield's figure
|
|
just disappearing behind the angle of the house, so I ran after him. On
|
|
the far side of the house I found him pressed close against the old
|
|
iron-bound oak door of the chapel.
|
|
|
|
He was talking, apparently to some one, but I was afraid to go near
|
|
enough to hear what he was saying, lest I might frighten him, and he
|
|
should run off.
|
|
|
|
Chasing an errant swarm of bees is nothing to following a naked
|
|
lunatic, when the fit of escaping is upon him! After a few minutes,
|
|
however, I could see that he did not take note of anything around him,
|
|
and so ventured to draw nearer to him, the more so as my men had now
|
|
crossed the wall and were closing him in. I heard him say . . .
|
|
|
|
"I am here to do your bidding, Master. I am your slave, and you will
|
|
reward me, for I shall be faithful. I have worshipped you long and afar
|
|
off. Now that you are near, I await your commands, and you will not
|
|
pass me by, will you, dear Master, in your distribution of good
|
|
things?"
|
|
|
|
He is a selfish old beggar anyhow. He thinks of the loaves and fishes
|
|
even when he believes his is in a real Presence. His manias make a
|
|
startling combination. When we closed in on him he fought like a
|
|
tiger. He is immensely strong, for he was more like a wild beast than
|
|
a man.
|
|
|
|
I never saw a lunatic in such a paroxysm of rage before, and I hope I
|
|
shall not again. It is a mercy that we have found out his strength and
|
|
his danger in good time. With strength and determination like his, he
|
|
might have done wild work before he was caged.
|
|
|
|
He is safe now, at any rate. Jack Sheppard himself couldn't get free
|
|
from the strait waistcoat that keeps him restrained, and he's chained
|
|
to the wall in the padded room.
|
|
|
|
His cries are at times awful, but the silences that follow are more
|
|
deadly still, for he means murder in every turn and movement.
|
|
|
|
Just now he spoke coherent words for the first time. "I shall be
|
|
patient, Master. It is coming, coming, coming!"
|
|
|
|
So I took the hint, and came too. I was too excited to sleep, but this
|
|
diary has quieted me, and I feel I shall get some sleep tonight.
|
|
|
|
|
|
|
|
|
|
CHAPTER 9
|
|
|
|
|
|
LETTER, MINA HARKER TO LUCY WESTENRA
|
|
|
|
|
|
Buda-Pesth, 24 August.
|
|
|
|
"My dearest Lucy,
|
|
|
|
"I know you will be anxious to hear all that has happened
|
|
since we parted at the railway station at Whitby.
|
|
|
|
"Well, my dear, I got to Hull all right, and caught the boat to
|
|
Hamburg, and then the train on here. I feel that I can hardly
|
|
recall anything of the journey, except that I knew I was coming to
|
|
Jonathan, and that as I should have to do some nursing, I had better
|
|
get all the sleep I could. I found my dear one, oh, so thin and
|
|
pale and weak-looking. All the resolution has gone out of his dear
|
|
eyes, and that quiet dignity which I told you was in his face has
|
|
vanished. He is only a wreck of himself, and he does not remember
|
|
anything that has happened to him for a long time past. At least,
|
|
he wants me to believe so, and I shall never ask.
|
|
|
|
"He has had some terrible shock, and I fear it might tax his poor
|
|
brain if he were to try to recall it. Sister Agatha, who is a good
|
|
creature and a born nurse, tells me that he wanted her to tell me
|
|
what they were, but she would only cross herself, and say she would
|
|
never tell. That the ravings of the sick were the secrets of God,
|
|
and that if a nurse through her vocation should hear them, she
|
|
should respect her trust.
|
|
|
|
"She is a sweet, good soul, and the next day, when she saw I was
|
|
troubled, she opened up the subject my poor dear raved about, added,
|
|
'I can tell you this much, my dear. That it was not about anything
|
|
which he has done wrong himself, and you, as his wife to be, have no
|
|
cause to be concerned. He has not forgotten you or what he owes to
|
|
you. His fear was of great and terrible things, which no mortal can
|
|
treat of.'
|
|
|
|
"I do believe the dear soul thought I might be jealous lest my poor
|
|
dear should have fallen in love with any other girl. The idea of my
|
|
being jealous about Jonathan! And yet, my dear, let me whisper, I
|
|
felt a thrill of joy through me when I knew that no other woman was
|
|
a cause for trouble. I am now sitting by his bedside, where I can
|
|
see his face while he sleeps. He is waking!
|
|
|
|
"When he woke he asked me for his coat, as he wanted to get
|
|
something from the pocket. I asked Sister Agatha, and she brought
|
|
all his things. I saw amongst them was his notebook, and was
|
|
going to ask him to let me look at it, for I knew that I might find
|
|
some clue to his trouble, but I suppose he must have seen my wish in
|
|
my eyes, for he sent me over to the window, saying he wanted to be
|
|
quite alone for a moment.
|
|
|
|
"Then he called me back, and he said to me very solemnly,
|
|
'Wilhelmina', I knew then that he was in deadly earnest, for he has
|
|
never called me by that name since he asked me to marry him, 'You
|
|
know, dear, my ideas of the trust between husband and wife. There
|
|
should be no secret, no concealment. I have had a great shock, and
|
|
when I try to think of what it is I feel my head spin round, and I
|
|
do not know if it was real of the dreaming of a madman. You know I
|
|
had brain fever, and that is to be mad. The secret is here, and I
|
|
do not want to know it. I want to take up my life here, with our
|
|
marriage.' For, my dear, we had decided to be married as soon as
|
|
the formalities are complete. 'Are you willing, Wilhelmina, to
|
|
share my ignorance? Here is the book. Take it and keep it, read it
|
|
if you will, but never let me know unless, indeed, some solemn duty
|
|
should come upon me to go back to the bitter hours, asleep or awake,
|
|
sane or mad, recorded here.' He fell back exhausted, and I put the
|
|
book under his pillow, and kissed him. I have asked Sister Agatha
|
|
to beg the Superior to let our wedding be this afternoon, and am
|
|
waiting her reply . . ."
|
|
|
|
|
|
"She has come and told me that the Chaplain of the English mission
|
|
church has been sent for. We are to be married in an hour, or as
|
|
soon after as Jonathan awakes."
|
|
|
|
"Lucy, the time has come and gone. I feel very solemn, but very,
|
|
very happy. Jonathan woke a little after the hour, and all was
|
|
ready, and he sat up in bed, propped up with pillows. He answered
|
|
his 'I will' firmly and strong. I could hardly speak. My heart was
|
|
so full that even those words seemed to choke me.
|
|
|
|
"The dear sisters were so kind. Please, God, I shall never, never
|
|
forget them, nor the grave and sweet responsibilities I have taken
|
|
upon me. I must tell you of my wedding present. When the chaplain
|
|
and the sisters had left me alone with my husband--oh, Lucy, it is
|
|
the first time I have written the words 'my husband'--left me alone
|
|
with my husband, I took the book from under his pillow, and wrapped
|
|
it up in white paper, and tied it with a little bit of pale blue
|
|
ribbon which was round my neck, and sealed it over the knot with
|
|
sealing wax, and for my seal I used my wedding ring. Then I kissed
|
|
it and showed it to my husband, and told him that I would keep it
|
|
so, and then it would be an outward and visible sign for us all our
|
|
lives that we trusted each other, that I would never open it unless
|
|
it were for his own dear sake or for the sake of some stern duty.
|
|
Then he took my hand in his, and oh, Lucy, it was the first time he
|
|
took his wife's hand, and said that it was the dearest thing in all
|
|
the wide world, and that he would go through all the past again to
|
|
win it, if need be. The poor dear meant to have said a part of the
|
|
past, but he cannot think of time yet, and I shall not wonder if at
|
|
first he mixes up not only the month, but the year.
|
|
|
|
"Well, my dear, what could I say? I could only tell him that I was
|
|
the happiest woman in all the wide world, and that I had nothing to
|
|
give him except myself, my life, and my trust, and that with these
|
|
went my love and duty for all the days of my life. And, my dear,
|
|
when he kissed me, and drew me to him with his poor weak hands, it
|
|
was like a solemn pledge between us.
|
|
|
|
"Lucy dear, do you know why I tell you all this? It is not only
|
|
because it is all sweet to me, but because you have been, and are,
|
|
very dear to me. It was my privilege to be your friend and guide
|
|
when you came from the schoolroom to prepare for the world of life.
|
|
I want you to see now, and with the eyes of a very happy wife,
|
|
whither duty has led me, so that in your own married life you too
|
|
may be all happy, as I am. My dear, please Almighty God, your life
|
|
may be all it promises, a long day of sunshine, with no harsh wind,
|
|
no forgetting duty, no distrust. I must not wish you no pain, for
|
|
that can never be, but I do hope you will be always as happy as I am
|
|
now. Goodbye, my dear. I shall post this at once, and perhaps,
|
|
write you very soon again. I must stop, for Jonathan is waking. I
|
|
must attend my husband!
|
|
|
|
"Your ever-loving
|
|
Mina Harker."
|
|
|
|
|
|
|
|
LETTER, LUCY WESTENRA TO MINA HARKER.
|
|
|
|
Whitby, 30 August.
|
|
|
|
"My dearest Mina,
|
|
|
|
"Oceans of love and millions of kisses, and may you soon be in your
|
|
own home with your husband. I wish you were coming home soon enough
|
|
to stay with us here. The strong air would soon restore Jonathan.
|
|
It has quite restored me. I have an appetite like a cormorant, am
|
|
full of life, and sleep well. You will be glad to know that I have
|
|
quite given up walking in my sleep. I think I have not stirred out
|
|
of my bed for a week, that is when I once got into it at night.
|
|
Arthur says I am getting fat. By the way, I forgot to tell you that
|
|
Arthur is here. We have such walks and drives, and rides, and
|
|
rowing, and tennis, and fishing together, and I love him more than
|
|
ever. He tells me that he loves me more, but I doubt that, for at
|
|
first he told me that he couldn't love me more than he did then.
|
|
But this is nonsense. There he is, calling to me. So no more just
|
|
at present from your loving,
|
|
|
|
"Lucy.
|
|
|
|
"P.S.--Mother sends her love. She seems better, poor dear.
|
|
|
|
"P.P.S.--We are to be married on 28 September."
|
|
|
|
|
|
|
|
DR. SEWARDS DIARY
|
|
|
|
20 August.--The case of Renfield grows even more interesting. He has
|
|
now so far quieted that there are spells of cessation from his
|
|
passion. For the first week after his attack he was perpetually
|
|
violent. Then one night, just as the moon rose, he grew quiet, and
|
|
kept murmuring to himself. "Now I can wait. Now I can wait."
|
|
|
|
The attendant came to tell me, so I ran down at once to have a look at
|
|
him. He was still in the strait waistcoat and in the padded room, but
|
|
the suffused look had gone from his face, and his eyes had something
|
|
of their old pleading. I might almost say, cringing, softness. I was
|
|
satisfied with his present condition, and directed him to be relieved.
|
|
The attendants hesitated, but finally carried out my wishes without
|
|
protest.
|
|
|
|
It was a strange thing that the patient had humour enough to see their
|
|
distrust, for, coming close to me, he said in a whisper, all the while
|
|
looking furtively at them, "They think I could hurt you! Fancy me
|
|
hurting you! The fools!"
|
|
|
|
It was soothing, somehow, to the feelings to find myself disassociated
|
|
even in the mind of this poor madman from the others, but all the same
|
|
I do not follow his thought. Am I to take it that I have anything in
|
|
common with him, so that we are, as it were, to stand together. Or
|
|
has he to gain from me some good so stupendous that my well being is
|
|
needful to Him? I must find out later on. Tonight he will not speak.
|
|
Even the offer of a kitten or even a full-grown cat will not tempt
|
|
him.
|
|
|
|
He will only say, "I don't take any stock in cats. I have more to
|
|
think of now, and I can wait. I can wait."
|
|
|
|
After a while I left him. The attendant tells me that he was quiet
|
|
until just before dawn, and that then he began to get uneasy, and at
|
|
length violent, until at last he fell into a paroxysm which exhausted
|
|
him so that he swooned into a sort of coma.
|
|
|
|
|
|
. . . Three nights has the same thing happened, violent all day then
|
|
quiet from moonrise to sunrise. I wish I could get some clue to the
|
|
cause. It would almost seem as if there was some influence which came
|
|
and went. Happy thought! We shall tonight play sane wits against mad
|
|
ones. He escaped before without our help. Tonight he shall escape
|
|
with it. We shall give him a chance, and have the men ready to follow
|
|
in case they are required.
|
|
|
|
|
|
23 August.--"The expected always happens." How well Disraeli knew
|
|
life. Our bird when he found the cage open would not fly, so all our
|
|
subtle arrangements were for nought. At any rate, we have proved one
|
|
thing, that the spells of quietness last a reasonable time. We shall
|
|
in future be able to ease his bonds for a few hours each day. I have
|
|
given orders to the night attendant merely to shut him in the padded
|
|
room, when once he is quiet, until the hour before sunrise. The poor
|
|
soul's body will enjoy the relief even if his mind cannot appreciate
|
|
it. Hark! The unexpected again! I am called. The patient has once
|
|
more escaped.
|
|
|
|
|
|
Later.--Another night adventure. Renfield artfully waited until the
|
|
attendant was entering the room to inspect. Then he dashed out past
|
|
him and flew down the passage. I sent word for the attendants to
|
|
follow. Again he went into the grounds of the deserted house, and we
|
|
found him in the same place, pressed against the old chapel door.
|
|
When he saw me he became furious, and had not the attendants seized
|
|
him in time, he would have tried to kill me. As we were holding him a
|
|
strange thing happened. He suddenly redoubled his efforts, and then
|
|
as suddenly grew calm. I looked round instinctively, but could see
|
|
nothing. Then I caught the patient's eye and followed it, but could
|
|
trace nothing as it looked into the moonlight sky, except a big bat,
|
|
which was flapping its silent and ghostly way to the west. Bats
|
|
usually wheel about, but this one seemed to go straight on, as if it
|
|
knew where it was bound for or had some intention of its own.
|
|
|
|
The patient grew calmer every instant, and presently said, "You
|
|
needn't tie me. I shall go quietly!" Without trouble, we came back
|
|
to the house. I feel there is something ominous in his calm, and
|
|
shall not forget this night.
|
|
|
|
|
|
|
|
LUCY WESTENRA'S DIARY
|
|
|
|
Hillingham, 24 August.--I must imitate Mina, and keep writing things
|
|
down. Then we can have long talks when we do meet. I wonder when it
|
|
will be. I wish she were with me again, for I feel so unhappy. Last
|
|
night I seemed to be dreaming again just as I was at Whitby. Perhaps
|
|
it is the change of air, or getting home again. It is all dark and
|
|
horrid to me, for I can remember nothing. But I am full of vague
|
|
fear, and I feel so weak and worn out. When Arthur came to lunch he
|
|
looked quite grieved when he saw me, and I hadn't the spirit to try to
|
|
be cheerful. I wonder if I could sleep in mother's room tonight. I
|
|
shall make an excuse to try.
|
|
|
|
|
|
25 August.--Another bad night. Mother did not seem to take to my
|
|
proposal. She seems not too well herself, and doubtless she fears to
|
|
worry me. I tried to keep awake, and succeeded for a while, but when
|
|
the clock struck twelve it waked me from a doze, so I must have been
|
|
falling asleep. There was a sort of scratching or flapping at the
|
|
window, but I did not mind it, and as I remember no more, I suppose I
|
|
must have fallen asleep. More bad dreams. I wish I could remember
|
|
them. This morning I am horribly weak. My face is ghastly pale, and
|
|
my throat pains me. It must be something wrong with my lungs, for I
|
|
don't seem to be getting air enough. I shall try to cheer up when
|
|
Arthur comes, or else I know he will be miserable to see me so.
|
|
|
|
|
|
|
|
LETTER, ARTHUR TO DR. SEWARD
|
|
|
|
"Albemarle Hotel, 31 August
|
|
|
|
"My dear Jack,
|
|
|
|
"I want you to do me a favour. Lucy is ill, that is she has no
|
|
special disease, but she looks awful, and is getting worse every
|
|
day. I have asked her if there is any cause, I not dare to ask her
|
|
mother, for to disturb the poor lady's mind about her daughter in
|
|
her present state of health would be fatal. Mrs. Westenra has
|
|
confided to me that her doom is spoken, disease of the heart, though
|
|
poor Lucy does not know it yet. I am sure that there is something
|
|
preying on my dear girl's mind. I am almost distracted when I think
|
|
of her. To look at her gives me a pang. I told her I should ask
|
|
you to see her, and though she demurred at first, I know why, old
|
|
fellow, she finally consented. It will be a painful task for you, I
|
|
know, old friend, but it is for her sake, and I must not hesitate to
|
|
ask, or you to act. You are to come to lunch at Hillingham
|
|
tomorrow, two o'clock, so as not to arouse any suspicion in Mrs.
|
|
Westenra, and after lunch Lucy will take an opportunity of being
|
|
alone with you. I am filled with anxiety, and want to consult with
|
|
you alone as soon as I can after you have seen her. Do not fail!
|
|
|
|
"Arthur."
|
|
|
|
|
|
|
|
TELEGRAM, ARTHUR HOLMWOOD TO SEWARD
|
|
|
|
1 September
|
|
|
|
"Am summoned to see my father, who is worse. Am writing. Write
|
|
me fully by tonight's post to Ring. Wire me if necessary."
|
|
|
|
|
|
|
|
LETTER FROM DR. SEWARD TO ARTHUR HOLMWOOD
|
|
|
|
2 September
|
|
|
|
"My dear old fellow,
|
|
|
|
"With regard to Miss Westenra's health I hasten to let you know at
|
|
once that in my opinion there is not any functional disturbance or
|
|
any malady that I know of. At the same time, I am not by any means
|
|
satisfied with her appearance. She is woefully different from what
|
|
she was when I saw her last. Of course you must bear in mind that I
|
|
did not have full opportunity of examination such as I should wish.
|
|
Our very friendship makes a little difficulty which not even medical
|
|
science or custom can bridge over. I had better tell you exactly
|
|
what happened, leaving you to draw, in a measure, your own
|
|
conclusions. I shall then say what I have done and propose doing.
|
|
|
|
"I found Miss Westenra in seemingly gay spirits. Her mother was
|
|
present, and in a few seconds I made up my mind that she was trying
|
|
all she knew to mislead her mother and prevent her from being
|
|
anxious. I have no doubt she guesses, if she does not know, what
|
|
need of caution there is.
|
|
|
|
"We lunched alone, and as we all exerted ourselves to be cheerful,
|
|
we got, as some kind of reward for our labours, some real
|
|
cheerfulness amongst us. Then Mrs. Westenra went to lie down, and
|
|
Lucy was left with me. We went into her boudoir, and till we got
|
|
there her gaiety remained, for the servants were coming and going.
|
|
|
|
"As soon as the door was closed, however, the mask fell from her
|
|
face, and she sank down into a chair with a great sigh, and hid her
|
|
eyes with her hand. When I saw that her high spirits had failed, I
|
|
at once took advantage of her reaction to make a diagnosis.
|
|
|
|
"She said to me very sweetly, 'I cannot tell you how I loathe
|
|
talking about myself.' I reminded her that a doctor's confidence
|
|
was sacred, but that you were grievously anxious about her. She
|
|
caught on to my meaning at once, and settled that matter in a word.
|
|
'Tell Arthur everything you choose. I do not care for myself, but
|
|
for him!' So I am quite free.
|
|
|
|
"I could easily see that she was somewhat bloodless, but I could not
|
|
see the usual anemic signs, and by the chance, I was able to test
|
|
the actual quality of her blood, for in opening a window which was
|
|
stiff a cord gave way, and she cut her hand slightly with broken
|
|
glass. It was a slight matter in itself, but it gave me an evident
|
|
chance, and I secured a few drops of the blood and have analysed
|
|
them.
|
|
|
|
"The qualitative analysis give a quite normal condition, and shows,
|
|
I should infer, in itself a vigorous state of health. In other
|
|
physical matters I was quite satisfied that there is no need for
|
|
anxiety, but as there must be a cause somewhere, I have come to the
|
|
conclusion that it must be something mental.
|
|
|
|
"She complains of difficulty breathing satisfactorily at times, and
|
|
of heavy, lethargic sleep, with dreams that frighten her, but
|
|
regarding which she can remember nothing. She says that as a child,
|
|
she used to walk in her sleep, and that when in Whitby the habit
|
|
came back, and that once she walked out in the night and went to
|
|
East Cliff, where Miss Murray found her. But she assures me that of
|
|
late the habit has not returned.
|
|
|
|
"I am in doubt, and so have done the best thing I know of. I have
|
|
written to my old friend and master, Professor Van Helsing, of
|
|
Amsterdam, who knows as much about obscure diseases as any one in
|
|
the world. I have asked him to come over, and as you told me that
|
|
all things were to be at your charge, I have mentioned to him who
|
|
you are and your relations to Miss Westenra. This, my dear fellow,
|
|
is in obedience to your wishes, for I am only too proud and happy to
|
|
do anything I can for her.
|
|
|
|
"Van Helsing would, I know, do anything for me for a personal
|
|
reason, so no matter on what ground he comes, we must accept his
|
|
wishes. He is a seemingly arbitrary man, this is because he knows
|
|
what he is talking about better than any one else. He is a
|
|
philosopher and a metaphysician, and one of the most advanced
|
|
scientists of his day, and he has, I believe, an absolutely open
|
|
mind. This, with an iron nerve, a temper of the ice-brook, and
|
|
indomitable resolution, self-command, and toleration exalted from
|
|
virtues to blessings, and the kindliest and truest heart that beats,
|
|
these form his equipment for the noble work that he is doing for
|
|
mankind, work both in theory and practice, for his views are as wide
|
|
as his all-embracing sympathy. I tell you these facts that you may
|
|
know why I have such confidence in him. I have asked him to come at
|
|
once. I shall see Miss Westenra tomorrow again. She is to meet me
|
|
at the Stores, so that I may not alarm her mother by too early a
|
|
repetition of my call.
|
|
|
|
"Yours always."
|
|
|
|
John Seward
|
|
|
|
|
|
|
|
|
|
LETTER, ABRAHAM VAN HELSING, MD, DPh, D. Lit, ETC, ETC, TO DR. SEWARD
|
|
|
|
2 September.
|
|
|
|
"My good Friend,
|
|
|
|
"When I received your letter I am already coming to you. By good
|
|
fortune I can leave just at once, without wrong to any of those who
|
|
have trusted me. Were fortune other, then it were bad for those who
|
|
have trusted, for I come to my friend when he call me to aid those
|
|
he holds dear. Tell your friend that when that time you suck from
|
|
my wound so swiftly the poison of the gangrene from that knife that
|
|
our other friend, too nervous, let slip, you did more for him when
|
|
he wants my aids and you call for them than all his great fortune
|
|
could do. But it is pleasure added to do for him, your friend, it
|
|
is to you that I come. Have near at hand, and please it so arrange
|
|
that we may see the young lady not too late on tomorrow, for it is
|
|
likely that I may have to return here that night. But if need be I
|
|
shall come again in three days, and stay longer if it must. Till
|
|
then goodbye, my friend John.
|
|
|
|
"Van Helsing."
|
|
|
|
|
|
|
|
LETTER, DR. SEWARD TO HON. ARTHUR HOLMWOOD
|
|
|
|
3 September
|
|
|
|
"My dear Art,
|
|
|
|
"Van Helsing has come and gone. He came on with me to Hillingham,
|
|
and found that, by Lucy's discretion, her mother was lunching out,
|
|
so that we were alone with her.
|
|
|
|
"Van Helsing made a very careful examination of the patient. He is
|
|
to report to me, and I shall advise you, for of course I was not
|
|
present all the time. He is, I fear, much concerned, but says he
|
|
must think. When I told him of our friendship and how you trust to
|
|
me in the matter, he said, 'You must tell him all you think. Tell
|
|
him what I think, if you can guess it, if you will. Nay, I am
|
|
not jesting. This is no jest, but life and death, perhaps more.' I
|
|
asked what he meant by that, for he was very serious. This was when
|
|
we had come back to town, and he was having a cup of tea before
|
|
starting on his return to Amsterdam. He would not give me any
|
|
further clue. You must not be angry with me, Art, because his very
|
|
reticence means that all his brains are working for her good. He
|
|
will speak plainly enough when the time comes, be sure. So I told
|
|
him I would simply write an account of our visit, just as if I were
|
|
doing a descriptive special article for THE DAILY TELEGRAPH. He
|
|
seemed not to notice, but remarked that the smuts of London were not
|
|
quite so bad as they used to be when he was a student here. I am to
|
|
get his report tomorrow if he can possibly make it. In any case I
|
|
am to have a letter.
|
|
|
|
"Well, as to the visit, Lucy was more cheerful than on the day I
|
|
first saw her, and certainly looked better. She had lost something
|
|
of the ghastly look that so upset you, and her breathing was normal.
|
|
She was very sweet to the Professor (as she always is), and tried to
|
|
make him feel at ease, though I could see the poor girl was making a
|
|
hard struggle for it.
|
|
|
|
"I believe Van Helsing saw it, too, for I saw the quick look
|
|
under his bushy brows that I knew of old. Then he began to
|
|
chat of all things except ourselves and diseases and with
|
|
such an infinite geniality that I could see poor Lucy's
|
|
pretense of animation merge into reality. Then, without
|
|
any seeming change, he brought the conversation gently round
|
|
to his visit, and suavely said,
|
|
|
|
"'My dear young miss, I have the so great pleasure because you are
|
|
so much beloved. That is much, my dear, even were there that which
|
|
I do not see. They told me you were down in the spirit, and that
|
|
you were of a ghastly pale. To them I say "Pouf!"' And he snapped
|
|
his fingers at me and went on. 'But you and I shall show them how
|
|
wrong they are. How can he,' and he pointed at me with the same
|
|
look and gesture as that with which he pointed me out in his class,
|
|
on, or rather after, a particular occasion which he never fails to
|
|
remind me of, 'know anything of a young ladies? He has his madmen
|
|
to play with, and to bring them back to happiness, and to those that
|
|
love them. It is much to do, and, oh, but there are rewards in that
|
|
we can bestow such happiness. But the young ladies! He has no wife
|
|
nor daughter, and the young do not tell themselves to the young, but
|
|
to the old, like me, who have known so many sorrows and the causes
|
|
of them. So, my dear, we will send him away to smoke the cigarette
|
|
in the garden, whiles you and I have little talk all to ourselves.'
|
|
I took the hint, and strolled about, and presently the professor
|
|
came to the window and called me in. He looked grave, but said, 'I
|
|
have made careful examination, but there is no functional cause.
|
|
With you I agree that there has been much blood lost, it has been
|
|
but is not. But the conditions of her are in no way anemic. I have
|
|
asked her to send me her maid, that I may ask just one or two
|
|
questions, that so I may not chance to miss nothing. I know well
|
|
what she will say. And yet there is cause. There is always cause
|
|
for everything. I must go back home and think. You must send me
|
|
the telegram every day, and if there be cause I shall come again.
|
|
The disease, for not to be well is a disease, interest me, and the
|
|
sweet, young dear, she interest me too. She charm me, and for her,
|
|
if not for you or disease, I come.'
|
|
|
|
"As I tell you, he would not say a word more, even when we were
|
|
alone. And so now, Art, you know all I know. I shall keep stern
|
|
watch. I trust your poor father is rallying. It must be a terrible
|
|
thing to you, my dear old fellow, to be placed in such a position
|
|
between two people who are both so dear to you. I know your idea of
|
|
duty to your father, and you are right to stick to it. But if need
|
|
be, I shall send you word to come at once to Lucy, so do not be
|
|
over-anxious unless you hear from me."
|
|
|
|
|
|
|
|
DR. SEWARD'S DIARY
|
|
|
|
4 September.--Zoophagous patient still keeps up our interest in him.
|
|
He had only one outburst and that was yesterday at an unusual time.
|
|
Just before the stroke of noon he began to grow restless. The
|
|
attendant knew the symptoms, and at once summoned aid. Fortunately
|
|
the men came at a run, and were just in time, for at the stroke of
|
|
noon he became so violent that it took all their strength to hold him.
|
|
In about five minutes, however, he began to get more quiet, and
|
|
finally sank into a sort of melancholy, in which state he has remained
|
|
up to now. The attendant tells me that his screams whilst in the
|
|
paroxysm were really appalling. I found my hands full when I got in,
|
|
attending to some of the other patients who were frightened by him.
|
|
Indeed, I can quite understand the effect, for the sounds disturbed
|
|
even me, though I was some distance away. It is now after the dinner
|
|
hour of the asylum, and as yet my patient sits in a corner brooding,
|
|
with a dull, sullen, woe-begone look in his face, which seems rather
|
|
to indicate than to show something directly. I cannot quite
|
|
understand it.
|
|
|
|
|
|
Later.--Another change in my patient. At five o'clock I looked in on
|
|
him, and found him seemingly as happy and contented as he used to be.
|
|
He was catching flies and eating them, and was keeping note of his
|
|
capture by making nailmarks on the edge of the door between the ridges
|
|
of padding. When he saw me, he came over and apologized for his bad
|
|
conduct, and asked me in a very humble, cringing way to be led back to
|
|
his own room, and to have his notebook again. I thought it well to
|
|
humour him, so he is back in his room with the window open. He has
|
|
the sugar of his tea spread out on the window sill, and is reaping
|
|
quite a harvest of flies. He is not now eating them, but putting them
|
|
into a box, as of old, and is already examining the corners of his
|
|
room to find a spider. I tried to get him to talk about the past few
|
|
days, for any clue to his thoughts would be of immense help to me, but
|
|
he would not rise. For a moment or two he looked very sad, and said
|
|
in a sort of far away voice, as though saying it rather to himself
|
|
than to me.
|
|
|
|
"All over! All over! He has deserted me. No hope for me now unless
|
|
I do it myself!" Then suddenly turning to me in a resolute way, he
|
|
said, "Doctor, won't you be very good to me and let me have a little
|
|
more sugar? I think it would be very good for me."
|
|
|
|
"And the flies?" I said.
|
|
|
|
"Yes! The flies like it, too, and I like the flies, therefore I like
|
|
it." And there are people who know so little as to think that madmen do
|
|
not argue. I procured him a double supply, and left him as happy a
|
|
man as, I suppose, any in the world. I wish I could fathom his mind.
|
|
|
|
|
|
Midnight.--Another change in him. I had been to see Miss Westenra,
|
|
whom I found much better, and had just returned, and was standing at
|
|
our own gate looking at the sunset, when once more I heard him
|
|
yelling. As his room is on this side of the house, I could hear it
|
|
better than in the morning. It was a shock to me to turn from the
|
|
wonderful smoky beauty of a sunset over London, with its lurid lights
|
|
and inky shadows and all the marvellous tints that come on foul clouds
|
|
even as on foul water, and to realize all the grim sternness of my own
|
|
cold stone building, with its wealth of breathing misery, and my own
|
|
desolate heart to endure it all. I reached him just as the sun was
|
|
going down, and from his window saw the red disc sink. As it sank he
|
|
became less and less frenzied, and just as it dipped he slid from the
|
|
hands that held him, an inert mass, on the floor. It is wonderful,
|
|
however, what intellectual recuperative power lunatics have, for
|
|
within a few minutes he stood up quite calmly and looked around him. I
|
|
signalled to the attendants not to hold him, for I was anxious to see
|
|
what he would do. He went straight over to the window and brushed out
|
|
the crumbs of sugar. Then he took his fly box, and emptied it
|
|
outside, and threw away the box. Then he shut the window, and
|
|
crossing over, sat down on his bed. All this surprised me, so I asked
|
|
him, "Are you going to keep flies any more?"
|
|
|
|
"No," said he. "I am sick of all that rubbish!" He certainly is a
|
|
wonderfully interesting study. I wish I could get some glimpse of his
|
|
mind or of the cause of his sudden passion. Stop. There may be a
|
|
clue after all, if we can find why today his paroxysms came on at high
|
|
noon and at sunset. Can it be that there is a malign influence of the
|
|
sun at periods which affects certain natures, as at times the moon
|
|
does others? We shall see.
|
|
|
|
|
|
|
|
TELEGRAM. SEWARD, LONDON, TO VAN HELSING, AMSTERDAM
|
|
|
|
"4 September.--Patient still better today."
|
|
|
|
|
|
|
|
TELEGRAM, SEWARD, LONDON, TO VAN HELSING, AMSTERDAM
|
|
|
|
"5 September.--Patient greatly improved. Good appetite, sleeps
|
|
naturally, good spirits, colour coming back."
|
|
|
|
|
|
|
|
TELEGRAM, SEWARD, LONDON, TO VAN HELSING, AMSTERDAM
|
|
|
|
"6 September.--Terrible change for the worse. Come at once.
|
|
Do not lose an hour. I hold over telegram to Holmwood till
|
|
have seen you."
|
|
|
|
|
|
|
|
|
|
CHAPTER 10
|
|
|
|
|
|
LETTER, DR. SEWARD TO HON. ARTHUR HOLMWOOD
|
|
|
|
|
|
6 September
|
|
|
|
"My dear Art,
|
|
|
|
"My news today is not so good. Lucy this morning had gone back a
|
|
bit. There is, however, one good thing which has arisen from it.
|
|
Mrs. Westenra was naturally anxious concerning Lucy, and has
|
|
consulted me professionally about her. I took advantage of the
|
|
opportunity, and told her that my old master, Van Helsing, the great
|
|
specialist, was coming to stay with me, and that I would put her in
|
|
his charge conjointly with myself. So now we can come and go
|
|
without alarming her unduly, for a shock to her would mean sudden
|
|
death, and this, in Lucy's weak condition, might be disastrous to
|
|
her. We are hedged in with difficulties, all of us, my poor fellow,
|
|
but, please God, we shall come through them all right. If any need
|
|
I shall write, so that, if you do not hear from me, take it for
|
|
granted that I am simply waiting for news, In haste,
|
|
|
|
"Yours ever,"
|
|
|
|
John Seward
|
|
|
|
|
|
|
|
DR. SEWARD'S DIARY
|
|
|
|
7 September.--The first thing Van Helsing said to me when we met at
|
|
Liverpool Street was, "Have you said anything to our young friend, to
|
|
lover of her?"
|
|
|
|
"No," I said. "I waited till I had seen you, as I said in my
|
|
telegram. I wrote him a letter simply telling him that you were
|
|
coming, as Miss Westenra was not so well, and that I should let him
|
|
know if need be."
|
|
|
|
"Right, my friend," he said. "Quite right! Better he not know as
|
|
yet. Perhaps he will never know. I pray so, but if it be needed,
|
|
then he shall know all. And, my good friend John, let me caution you.
|
|
You deal with the madmen. All men are mad in some way or the other,
|
|
and inasmuch as you deal discreetly with your madmen, so deal with
|
|
God's madmen too, the rest of the world. You tell not your madmen
|
|
what you do nor why you do it. You tell them not what you think. So
|
|
you shall keep knowledge in its place, where it may rest, where it may
|
|
gather its kind around it and breed. You and I shall keep as yet what
|
|
we know here, and here." He touched me on the heart and on the
|
|
forehead, and then touched himself the same way. "I have for myself
|
|
thoughts at the present. Later I shall unfold to you."
|
|
|
|
"Why not now?" I asked. "It may do some good. We may arrive at some
|
|
decision." He looked at me and said, "My friend John, when the corn is
|
|
grown, even before it has ripened, while the milk of its mother earth
|
|
is in him, and the sunshine has not yet begun to paint him with his
|
|
gold, the husbandman he pull the ear and rub him between his rough
|
|
hands, and blow away the green chaff, and say to you, 'Look! He's
|
|
good corn, he will make a good crop when the time comes.'"
|
|
|
|
I did not see the application and told him so. For reply he reached
|
|
over and took my ear in his hand and pulled it playfully, as he used
|
|
long ago to do at lectures, and said, "The good husbandman tell you so
|
|
then because he knows, but not till then. But you do not find the
|
|
good husbandman dig up his planted corn to see if he grow. That is
|
|
for the children who play at husbandry, and not for those who take it
|
|
as of the work of their life. See you now, friend John? I have sown
|
|
my corn, and Nature has her work to do in making it sprout, if he
|
|
sprout at all, there's some promise, and I wait till the ear begins to
|
|
swell." He broke off, for he evidently saw that I understood. Then he
|
|
went on gravely, "You were always a careful student, and your case
|
|
book was ever more full than the rest. And I trust that good habit
|
|
have not fail. Remember, my friend, that knowledge is stronger than
|
|
memory, and we should not trust the weaker. Even if you have not kept
|
|
the good practice, let me tell you that this case of our dear miss is
|
|
one that may be, mind, I say may be, of such interest to us and others
|
|
that all the rest may not make him kick the beam, as your people say.
|
|
Take then good note of it. Nothing is too small. I counsel you, put
|
|
down in record even your doubts and surmises. Hereafter it may be of
|
|
interest to you to see how true you guess. We learn from failure, not
|
|
from success!"
|
|
|
|
When I described Lucy's symptoms, the same as before, but infinitely
|
|
more marked, he looked very grave, but said nothing. He took with him
|
|
a bag in which were many instruments and drugs, "the ghastly
|
|
paraphernalia of our beneficial trade," as he once called, in one of
|
|
his lectures, the equipment of a professor of the healing craft.
|
|
|
|
When we were shown in, Mrs. Westenra met us. She was alarmed, but not
|
|
nearly so much as I expected to find her. Nature in one of her
|
|
beneficient moods has ordained that even death has some antidote to
|
|
its own terrors. Here, in a case where any shock may prove fatal,
|
|
matters are so ordered that, from some cause or other, the things not
|
|
personal, even the terrible change in her daughter to whom she is so
|
|
attached, do not seem to reach her. It is something like the way dame
|
|
Nature gathers round a foreign body an envelope of some insensitive
|
|
tissue which can protect from evil that which it would otherwise harm
|
|
by contact. If this be an ordered selfishness, then we should pause
|
|
before we condemn any one for the vice of egoism, for there may be
|
|
deeper root for its causes than we have knowledge of.
|
|
|
|
I used my knowledge of this phase of spiritual pathology, and set down
|
|
a rule that she should not be present with Lucy, or think of her
|
|
illness more than was absolutely required. She assented readily, so
|
|
readily that I saw again the hand of Nature fighting for life. Van
|
|
Helsing and I were shown up to Lucy's room. If I was shocked when I
|
|
saw her yesterday, I was horrified when I saw her today.
|
|
|
|
She was ghastly, chalkily pale. The red seemed to have gone even from
|
|
her lips and gums, and the bones of her face stood out prominently.
|
|
Her breathing was painful to see or hear. Van Helsing's face grew set
|
|
as marble, and his eyebrows converged till they almost touched over his
|
|
nose. Lucy lay motionless, and did not seem to have strength to
|
|
speak, so for a while we were all silent. Then Van Helsing beckoned
|
|
to me, and we went gently out of the room. The instant we had closed
|
|
the door he stepped quickly along the passage to the next door, which
|
|
was open. Then he pulled me quickly in with him and closed the door.
|
|
"My god!" he said. "This is dreadful. There is not time to be lost.
|
|
She will die for sheer want of blood to keep the heart's action as it
|
|
should be. There must be a transfusion of blood at once. Is it you
|
|
or me?"
|
|
|
|
"I am younger and stronger, Professor. It must be me."
|
|
|
|
"Then get ready at once. I will bring up my bag. I am prepared."
|
|
|
|
I went downstairs with him, and as we were going there was a knock at
|
|
the hall door. When we reached the hall, the maid had just opened the
|
|
door, and Arthur was stepping quickly in. He rushed up to me, saying
|
|
in an eager whisper,
|
|
|
|
"Jack, I was so anxious. I read between the lines of your letter, and
|
|
have been in an agony. The dad was better, so I ran down here to see
|
|
for myself. Is not that gentleman Dr. Van Helsing? I am so thankful
|
|
to you, sir, for coming."
|
|
|
|
When first the Professor's eye had lit upon him, he had been angry at
|
|
his interruption at such a time, but now, as he took in his stalwart
|
|
proportions and recognized the strong young manhood which seemed to
|
|
emanate from him, his eyes gleamed. Without a pause he said to him as
|
|
he held out his hand,
|
|
|
|
"Sir, you have come in time. You are the lover of our dear miss. She
|
|
is bad, very, very bad. Nay, my child, do not go like that." For he
|
|
suddenly grew pale and sat down in a chair almost fainting. "You are
|
|
to help her. You can do more than any that live, and your courage is
|
|
your best help."
|
|
|
|
"What can I do?" asked Arthur hoarsely. "Tell me, and I shall do it.
|
|
My life is hers, and I would give the last drop of blood in my body for
|
|
her."
|
|
|
|
The Professor has a strongly humorous side, and I could from old
|
|
knowledge detect a trace of its origin in his answer.
|
|
|
|
"My young sir, I do not ask so much as that, not the last!"
|
|
|
|
"What shall I do?" There was fire in his eyes, and his open nostrils
|
|
quivered with intent. Van Helsing slapped him on the shoulder.
|
|
|
|
"Come!" he said. "You are a man, and it is a man we want. You are
|
|
better than me, better than my friend John." Arthur looked bewildered,
|
|
and the Professor went on by explaining in a kindly way.
|
|
|
|
"Young miss is bad, very bad. She wants blood, and blood she must
|
|
have or die. My friend John and I have consulted, and we are about to
|
|
perform what we call transfusion of blood, to transfer from full veins
|
|
of one to the empty veins which pine for him. John was to give his
|
|
blood, as he is the more young and strong than me."--Here Arthur took
|
|
my hand and wrung it hard in silence.--"But now you are here, you are
|
|
more good than us, old or young, who toil much in the world of
|
|
thought. Our nerves are not so calm and our blood so bright than
|
|
yours!"
|
|
|
|
Arthur turned to him and said, "If you only knew how gladly I would
|
|
die for her you would understand . . ." He stopped with a sort of
|
|
choke in his voice.
|
|
|
|
"Good boy!" said Van Helsing. "In the not-so-far-off you will be
|
|
happy that you have done all for her you love. Come now and be
|
|
silent. You shall kiss her once before it is done, but then you must
|
|
go, and you must leave at my sign. Say no word to Madame. You know
|
|
how it is with her. There must be no shock, any knowledge of this
|
|
would be one. Come!"
|
|
|
|
We all went up to Lucy's room. Arthur by direction remained outside.
|
|
Lucy turned her head and looked at us, but said nothing. She was not
|
|
asleep, but she was simply too weak to make the effort. Her eyes
|
|
spoke to us, that was all.
|
|
|
|
Van Helsing took some things from his bag and laid them on a little
|
|
table out of sight. Then he mixed a narcotic, and coming over to the
|
|
bed, said cheerily, "Now, little miss, here is your medicine. Drink
|
|
it off, like a good child. See, I lift you so that to swallow is
|
|
easy. Yes." She had made the effort with success.
|
|
|
|
It astonished me how long the drug took to act. This, in fact, marked
|
|
the extent of her weakness. The time seemed endless until sleep began
|
|
to flicker in her eyelids. At last, however, the narcotic began to
|
|
manifest its potency, and she fell into a deep sleep. When the
|
|
Professor was satisfied, he called Arthur into the room, and bade him
|
|
strip off his coat. Then he added, "You may take that one little kiss
|
|
whiles I bring over the table. Friend John, help to me!" So neither
|
|
of us looked whilst he bent over her.
|
|
|
|
Van Helsing, turning to me, said, "He is so young and strong, and of
|
|
blood so pure that we need not defibrinate it."
|
|
|
|
Then with swiftness, but with absolute method, Van Helsing performed
|
|
the operation. As the transfusion went on, something like life seemed
|
|
to come back to poor Lucy's cheeks, and through Arthur's growing
|
|
pallor the joy of his face seemed absolutely to shine. After a bit I
|
|
began to grow anxious, for the loss of blood was telling on Arthur,
|
|
strong man as he was. It gave me an idea of what a terrible strain
|
|
Lucy's system must have undergone that what weakened Arthur only
|
|
partially restored her.
|
|
|
|
But the Professor's face was set, and he stood watch in hand, and with
|
|
his eyes fixed now on the patient and now on Arthur. I could hear my
|
|
own heart beat. Presently, he said in a soft voice, "Do not stir an
|
|
instant. It is enough. You attend him. I will look to her."
|
|
|
|
When all was over, I could see how much Arthur was weakened. I
|
|
dressed the wound and took his arm to bring him away, when Van Helsing
|
|
spoke without turning round, the man seems to have eyes in the back of
|
|
his head, "The brave lover, I think, deserve another kiss, which he
|
|
shall have presently." And as he had now finished his operation, he
|
|
adjusted the pillow to the patient's head. As he did so the narrow
|
|
black velvet band which she seems always to wear round her throat,
|
|
buckled with an old diamond buckle which her lover had given her, was
|
|
dragged a little up, and showed a red mark on her throat.
|
|
|
|
Arthur did not notice it, but I could hear the deep hiss of indrawn
|
|
breath which is one of Van Helsing's ways of betraying emotion. He
|
|
said nothing at the moment, but turned to me, saying, "Now take down
|
|
our brave young lover, give him of the port wine, and let him lie down
|
|
a while. He must then go home and rest, sleep much and eat much, that
|
|
he may be recruited of what he has so given to his love. He must not
|
|
stay here. Hold a moment! I may take it, sir, that you are anxious
|
|
of result. Then bring it with you, that in all ways the operation is
|
|
successful. You have saved her life this time, and you can go home
|
|
and rest easy in mind that all that can be is. I shall tell her all
|
|
when she is well. She shall love you none the less for what you have
|
|
done. Goodbye."
|
|
|
|
When Arthur had gone I went back to the room. Lucy was sleeping
|
|
gently, but her breathing was stronger. I could see the counterpane
|
|
move as her breast heaved. By the bedside sat Van Helsing, looking at
|
|
her intently. The velvet band again covered the red mark. I asked
|
|
the Professor in a whisper, "What do you make of that mark on her
|
|
throat?"
|
|
|
|
"What do you make of it?"
|
|
|
|
"I have not examined it yet," I answered, and then and there proceeded
|
|
to loose the band. Just over the external jugular vein there were two
|
|
punctures, not large, but not wholesome looking. There was no sign of
|
|
disease, but the edges were white and worn looking, as if by some
|
|
trituration. It at once occurred to me that that this wound, or
|
|
whatever it was, might be the means of that manifest loss of blood.
|
|
But I abandoned the idea as soon as it formed, for such a thing could
|
|
not be. The whole bed would have been drenched to a scarlet with the
|
|
blood which the girl must have lost to leave such a pallor as she had
|
|
before the transfusion.
|
|
|
|
"Well?" said Van Helsing.
|
|
|
|
"Well," said I. "I can make nothing of it."
|
|
|
|
The Professor stood up. "I must go back to Amsterdam tonight," he
|
|
said "There are books and things there which I want. You must remain
|
|
here all night, and you must not let your sight pass from her."
|
|
|
|
"Shall I have a nurse?" I asked.
|
|
|
|
"We are the best nurses, you and I. You keep watch all night. See
|
|
that she is well fed, and that nothing disturbs her. You must not
|
|
sleep all the night. Later on we can sleep, you and I. I shall be
|
|
back as soon as possible. And then we may begin."
|
|
|
|
"May begin?" I said. "What on earth do you mean?"
|
|
|
|
"We shall see!" he answered, as he hurried out. He came back a moment
|
|
later and put his head inside the door and said with a warning finger
|
|
held up, "Remember, she is your charge. If you leave her, and harm
|
|
befall, you shall not sleep easy hereafter!"
|
|
|
|
|
|
|
|
DR. SEWARD'S DIARY--CONTINUED
|
|
|
|
8 September.--I sat up all night with Lucy. The opiate worked itself
|
|
off towards dusk, and she waked naturally. She looked a different
|
|
being from what she had been before the operation. Her spirits even
|
|
were good, and she was full of a happy vivacity, but I could see
|
|
evidences of the absolute prostration which she had undergone. When I
|
|
told Mrs. Westenra that Dr. Van Helsing had directed that I should sit
|
|
up with her, she almost pooh-poohed the idea, pointing out her
|
|
daughter's renewed strength and excellent spirits. I was firm,
|
|
however, and made preparations for my long vigil. When her maid had
|
|
prepared her for the night I came in, having in the meantime had
|
|
supper, and took a seat by the bedside.
|
|
|
|
She did not in any way make objection, but looked at me gratefully
|
|
whenever I caught her eye. After a long spell she seemed sinking off
|
|
to sleep, but with an effort seemed to pull herself together and shook
|
|
it off. It was apparent that she did not want to sleep, so I tackled
|
|
the subject at once.
|
|
|
|
"You do not want to sleep?"
|
|
|
|
"No. I am afraid."
|
|
|
|
"Afraid to go to sleep! Why so? It is the boon we all crave for."
|
|
|
|
"Ah, not if you were like me, if sleep was to you a presage of
|
|
horror!"
|
|
|
|
"A presage of horror! What on earth do you mean?"
|
|
|
|
"I don't know. Oh, I don't know. And that is what is so terrible.
|
|
All this weakness comes to me in sleep, until I dread the very
|
|
thought."
|
|
|
|
"But, my dear girl, you may sleep tonight. I am here watching you,
|
|
and I can promise that nothing will happen."
|
|
|
|
"Ah, I can trust you!" she said.
|
|
|
|
I seized the opportunity, and said, "I promise that if I see any
|
|
evidence of bad dreams I will wake you at once."
|
|
|
|
"You will? Oh, will you really? How good you are to me. Then I will
|
|
sleep!" And almost at the word she gave a deep sigh of relief, and
|
|
sank back, asleep.
|
|
|
|
All night long I watched by her. She never stirred, but slept on and
|
|
on in a deep, tranquil, life-giving, health-giving sleep. Her lips
|
|
were slightly parted, and her breast rose and fell with the regularity
|
|
of a pendulum. There was a smile on her face, and it was evident that
|
|
no bad dreams had come to disturb her peace of mind.
|
|
|
|
In the early morning her maid came, and I left her in her care and took
|
|
myself back home, for I was anxious about many things. I sent a short
|
|
wire to Van Helsing and to Arthur, telling them of the excellent
|
|
result of the operation. My own work, with its manifold arrears, took
|
|
me all day to clear off. It was dark when I was able to inquire about
|
|
my zoophagous patient. The report was good. He had been quite quiet
|
|
for the past day and night. A telegram came from Van Helsing at
|
|
Amsterdam whilst I was at dinner, suggesting that I should be at
|
|
Hillingham tonight, as it might be well to be at hand, and stating
|
|
that he was leaving by the night mail and would join me early in the
|
|
morning.
|
|
|
|
|
|
9 September.--I was pretty tired and worn out when I got to
|
|
Hillingham. For two nights I had hardly had a wink of sleep, and my
|
|
brain was beginning to feel that numbness which marks cerebral
|
|
exhaustion. Lucy was up and in cheerful spirits. When she shook
|
|
hands with me she looked sharply in my face and said,
|
|
|
|
"No sitting up tonight for you. You are worn out. I am quite well
|
|
again. Indeed, I am, and if there is to be any sitting up, it is I
|
|
who will sit up with you."
|
|
|
|
I would not argue the point, but went and had my supper. Lucy came
|
|
with me, and, enlivened by her charming presence, I made an excellent
|
|
meal, and had a couple of glasses of the more than excellent port.
|
|
Then Lucy took me upstairs, and showed me a room next her own, where a
|
|
cozy fire was burning.
|
|
|
|
"Now," she said. "You must stay here. I shall leave this door open
|
|
and my door too. You can lie on the sofa for I know that nothing
|
|
would induce any of you doctors to go to bed whilst there is a patient
|
|
above the horizon. If I want anything I shall call out, and you can
|
|
come to me at once."
|
|
|
|
I could not but acquiesce, for I was dog tired, and could not have sat
|
|
up had I tried. So, on her renewing her promise to call me if she
|
|
should want anything, I lay on the sofa, and forgot all about
|
|
everything.
|
|
|
|
|
|
|
|
LUCY WESTENRA'S DIARY
|
|
|
|
9 September.--I feel so happy tonight. I have been so miserably weak,
|
|
that to be able to think and move about is like feeling sunshine after
|
|
a long spell of east wind out of a steel sky. Somehow Arthur feels
|
|
very, very close to me. I seem to feel his presence warm about me. I
|
|
suppose it is that sickness and weakness are selfish things and turn
|
|
our inner eyes and sympathy on ourselves, whilst health and strength
|
|
give love rein, and in thought and feeling he can wander where he
|
|
wills. I know where my thoughts are. If only Arthur knew! My dear,
|
|
my dear, your ears must tingle as you sleep, as mine do waking. Oh,
|
|
the blissful rest of last night! How I slept, with that dear, good
|
|
Dr. Seward watching me. And tonight I shall not fear to sleep, since
|
|
he is close at hand and within call. Thank everybody for being so
|
|
good to me. Thank God! Goodnight Arthur.
|
|
|
|
|
|
|
|
DR. SEWARD'S DIARY
|
|
|
|
10 September.--I was conscious of the Professor's hand on my head, and
|
|
started awake all in a second. That is one of the things that we
|
|
learn in an asylum, at any rate.
|
|
|
|
"And how is our patient?"
|
|
|
|
"Well, when I left her, or rather when she left me," I answered.
|
|
|
|
"Come, let us see," he said. And together we went into the room.
|
|
|
|
The blind was down, and I went over to raise it gently, whilst Van
|
|
Helsing stepped, with his soft, cat-like tread, over to the bed.
|
|
|
|
As I raised the blind, and the morning sunlight flooded the room, I
|
|
heard the Professor's low hiss of inspiration, and knowing its rarity,
|
|
a deadly fear shot through my heart. As I passed over he moved back,
|
|
and his exclamation of horror, "Gott in Himmel!" needed no enforcement
|
|
from his agonized face. He raised his hand and pointed to the bed,
|
|
and his iron face was drawn and ashen white. I felt my knees begin to
|
|
tremble.
|
|
|
|
There on the bed, seemingly in a swoon, lay poor Lucy, more horribly
|
|
white and wan-looking than ever. Even the lips were white, and the
|
|
gums seemed to have shrunken back from the teeth, as we sometimes see
|
|
in a corpse after a prolonged illness.
|
|
|
|
Van Helsing raised his foot to stamp in anger, but the instinct of his
|
|
life and all the long years of habit stood to him, and he put it down
|
|
again softly.
|
|
|
|
"Quick!" he said. "Bring the brandy."
|
|
|
|
I flew to the dining room, and returned with the decanter. He wetted
|
|
the poor white lips with it, and together we rubbed palm and wrist and
|
|
heart. He felt her heart, and after a few moments of agonizing
|
|
suspense said,
|
|
|
|
"It is not too late. It beats, though but feebly. All our work is
|
|
undone. We must begin again. There is no young Arthur here now. I
|
|
have to call on you yourself this time, friend John." As he spoke, he
|
|
was dipping into his bag, and producing the instruments of
|
|
transfusion. I had taken off my coat and rolled up my shirt sleeve.
|
|
There was no possibility of an opiate just at present, and no need of
|
|
one; and so, without a moment's delay, we began the operation.
|
|
|
|
After a time, it did not seem a short time either, for the draining
|
|
away of one's blood, no matter how willingly it be given, is a
|
|
terrible feeling, Van Helsing held up a warning finger. "Do not
|
|
stir," he said. "But I fear that with growing strength she may wake,
|
|
and that would make danger, oh, so much danger. But I shall
|
|
precaution take. I shall give hypodermic injection of morphia." He
|
|
proceeded then, swiftly and deftly, to carry out his intent.
|
|
|
|
The effect on Lucy was not bad, for the faint seemed to merge subtly
|
|
into the narcotic sleep. It was with a feeling of personal pride that
|
|
I could see a faint tinge of colour steal back into the pallid cheeks
|
|
and lips. No man knows, till he experiences it, what it is to feel
|
|
his own lifeblood drawn away into the veins of the woman he loves.
|
|
|
|
The Professor watched me critically. "That will do," he said.
|
|
"Already?" I remonstrated. "You took a great deal more from Art." To
|
|
which he smiled a sad sort of smile as he replied,
|
|
|
|
"He is her lover, her fiance. You have work, much work to do for her
|
|
and for others, and the present will suffice."
|
|
|
|
When we stopped the operation, he attended to Lucy, whilst I applied
|
|
digital pressure to my own incision. I laid down, while I waited his
|
|
leisure to attend to me, for I felt faint and a little sick. By and
|
|
by he bound up my wound, and sent me downstairs to get a glass of wine
|
|
for myself. As I was leaving the room, he came after me, and half
|
|
whispered.
|
|
|
|
"Mind, nothing must be said of this. If our young lover should turn
|
|
up unexpected, as before, no word to him. It would at once frighten
|
|
him and enjealous him, too. There must be none. So!"
|
|
|
|
When I came back he looked at me carefully, and then said, "You are
|
|
not much the worse. Go into the room, and lie on your sofa, and rest
|
|
awhile, then have much breakfast and come here to me."
|
|
|
|
I followed out his orders, for I knew how right and wise they were. I
|
|
had done my part, and now my next duty was to keep up my strength. I
|
|
felt very weak, and in the weakness lost something of the amazement at
|
|
what had occurred. I fell asleep on the sofa, however, wondering over
|
|
and over again how Lucy had made such a retrograde movement, and how
|
|
she could have been drained of so much blood with no sign any where to
|
|
show for it. I think I must have continued my wonder in my dreams,
|
|
for, sleeping and waking my thoughts always came back to the little
|
|
punctures in her throat and the ragged, exhausted appearance of their
|
|
edges, tiny though they were.
|
|
|
|
Lucy slept well into the day, and when she woke she was fairly well
|
|
and strong, though not nearly so much so as the day before. When Van
|
|
Helsing had seen her, he went out for a walk, leaving me in charge,
|
|
with strict injunctions that I was not to leave her for a moment. I
|
|
could hear his voice in the hall, asking the way to the nearest
|
|
telegraph office.
|
|
|
|
Lucy chatted with me freely, and seemed quite unconscious that
|
|
anything had happened. I tried to keep her amused and interested.
|
|
When her mother came up to see her, she did not seem to notice any
|
|
change whatever, but said to me gratefully,
|
|
|
|
"We owe you so much, Dr. Seward, for all you have done, but you really
|
|
must now take care not to overwork yourself. You are looking pale
|
|
yourself. You want a wife to nurse and look after you a bit, that you
|
|
do!" As she spoke, Lucy turned crimson, though it was only
|
|
momentarily, for her poor wasted veins could not stand for long an
|
|
unwonted drain to the head. The reaction came in excessive pallor as
|
|
she turned imploring eyes on me. I smiled and nodded, and laid my
|
|
finger on my lips. With a sigh, she sank back amid her pillows.
|
|
|
|
Van Helsing returned in a couple of hours, and presently said to me:
|
|
"Now you go home, and eat much and drink enough. Make yourself
|
|
strong. I stay here tonight, and I shall sit up with little miss
|
|
myself. You and I must watch the case, and we must have none other to
|
|
know. I have grave reasons. No, do not ask me. Think what you will.
|
|
Do not fear to think even the most not-improbable. Goodnight."
|
|
|
|
In the hall two of the maids came to me, and asked if they or either
|
|
of them might not sit up with Miss Lucy. They implored me to let
|
|
them, and when I said it was Dr. Van Helsing's wish that either he or
|
|
I should sit up, they asked me quite piteously to intercede with
|
|
the 'foreign gentleman'. I was much touched by their kindness. Perhaps
|
|
it is because I am weak at present, and perhaps because it was on
|
|
Lucy's account, that their devotion was manifested. For over and over
|
|
again have I seen similar instances of woman's kindness. I got back
|
|
here in time for a late dinner, went my rounds, all well, and set this
|
|
down whilst waiting for sleep. It is coming.
|
|
|
|
|
|
11 September.--This afternoon I went over to Hillingham. Found Van
|
|
Helsing in excellent spirits, and Lucy much better. Shortly after I
|
|
had arrived, a big parcel from abroad came for the Professor. He
|
|
opened it with much impressment, assumed, of course, and showed a
|
|
great bundle of white flowers.
|
|
|
|
"These are for you, Miss Lucy," he said.
|
|
|
|
"For me? Oh, Dr. Van Helsing!"
|
|
|
|
"Yes, my dear, but not for you to play with. These are medicines."
|
|
Here Lucy made a wry face. "Nay, but they are not to take in a
|
|
decoction or in nauseous form, so you need not snub that so charming
|
|
nose, or I shall point out to my friend Arthur what woes he may have
|
|
to endure in seeing so much beauty that he so loves so much distort.
|
|
Aha, my pretty miss, that bring the so nice nose all straight again.
|
|
This is medicinal, but you do not know how. I put him in your window,
|
|
I make pretty wreath, and hang him round your neck, so you sleep well.
|
|
Oh, yes! They, like the lotus flower, make your trouble forgotten.
|
|
It smell so like the waters of Lethe, and of that fountain of youth
|
|
that the Conquistadores sought for in the Floridas, and find him all
|
|
too late."
|
|
|
|
Whilst he was speaking, Lucy had been examining the flowers and
|
|
smelling them. Now she threw them down saying, with half laughter,
|
|
and half disgust,
|
|
|
|
"Oh, Professor, I believe you are only putting up a joke on me. Why,
|
|
these flowers are only common garlic."
|
|
|
|
To my surprise, Van Helsing rose up and said with all his sternness,
|
|
his iron jaw set and his bushy eyebrows meeting,
|
|
|
|
"No trifling with me! I never jest! There is grim purpose in what I
|
|
do, and I warn you that you do not thwart me. Take care, for the sake
|
|
of others if not for your own." Then seeing poor Lucy scared, as she
|
|
might well be, he went on more gently, "Oh, little miss, my dear, do
|
|
not fear me. I only do for your good, but there is much virtue to you
|
|
in those so common flowers. See, I place them myself in your room. I
|
|
make myself the wreath that you are to wear. But hush! No telling to
|
|
others that make so inquisitive questions. We must obey, and silence
|
|
is a part of obedience, and obedience is to bring you strong and well
|
|
into loving arms that wait for you. Now sit still a while. Come with
|
|
me, friend John, and you shall help me deck the room with my garlic,
|
|
which is all the way from Haarlem, where my friend Vanderpool raise
|
|
herb in his glass houses all the year. I had to telegraph yesterday,
|
|
or they would not have been here."
|
|
|
|
We went into the room, taking the flowers with us. The Professor's
|
|
actions were certainly odd and not to be found in any pharmacopeia
|
|
that I ever heard of. First he fastened up the windows and latched
|
|
them securely. Next, taking a handful of the flowers, he rubbed them
|
|
all over the sashes, as though to ensure that every whiff of air that
|
|
might get in would be laden with the garlic smell. Then with the wisp
|
|
he rubbed all over the jamb of the door, above, below, and at each
|
|
side, and round the fireplace in the same way. It all seemed
|
|
grotesque to me, and presently I said, "Well, Professor, I know you
|
|
always have a reason for what you do, but this certainly puzzles me.
|
|
It is well we have no sceptic here, or he would say that you were
|
|
working some spell to keep out an evil spirit."
|
|
|
|
"Perhaps I am!" he answered quietly as he began to make the wreath
|
|
which Lucy was to wear round her neck.
|
|
|
|
We then waited whilst Lucy made her toilet for the night, and when she
|
|
was in bed he came and himself fixed the wreath of garlic round her
|
|
neck. The last words he said to her were,
|
|
|
|
"Take care you do not disturb it, and even if the room feel close, do
|
|
not tonight open the window or the door."
|
|
|
|
"I promise," said Lucy. "And thank you both a thousand times for all
|
|
your kindness to me! Oh, what have I done to be blessed with such
|
|
friends?"
|
|
|
|
As we left the house in my fly, which was waiting, Van Helsing said,
|
|
"Tonight I can sleep in peace, and sleep I want, two nights of travel,
|
|
much reading in the day between, and much anxiety on the day to
|
|
follow, and a night to sit up, without to wink. Tomorrow in the
|
|
morning early you call for me, and we come together to see our pretty
|
|
miss, so much more strong for my 'spell' which I have work. Ho, ho!"
|
|
|
|
He seemed so confident that I, remembering my own confidence two
|
|
nights before and with the baneful result, felt awe and vague terror.
|
|
It must have been my weakness that made me hesitate to tell it to my
|
|
friend, but I felt it all the more, like unshed tears.
|
|
|
|
|
|
|
|
|
|
CHAPTER 11
|
|
|
|
|
|
LUCY WESTENRA'S DIARY
|
|
|
|
12 September.--How good they all are to me. I quite love that dear
|
|
Dr. Van Helsing. I wonder why he was so anxious about these flowers.
|
|
He positively frightened me, he was so fierce. And yet he must have
|
|
been right, for I feel comfort from them already. Somehow, I do not
|
|
dread being alone tonight, and I can go to sleep without fear. I
|
|
shall not mind any flapping outside the window. Oh, the terrible
|
|
struggle that I have had against sleep so often of late, the pain of
|
|
sleeplessness, or the pain of the fear of sleep, and with such unknown
|
|
horrors as it has for me! How blessed are some people, whose lives
|
|
have no fears, no dreads, to whom sleep is a blessing that comes
|
|
nightly, and brings nothing but sweet dreams. Well, here I am
|
|
tonight, hoping for sleep, and lying like Ophelia in the play, with
|
|
'virgin crants and maiden strewments.' I never liked garlic before,
|
|
but tonight it is delightful! There is peace in its smell. I feel
|
|
sleep coming already. Goodnight, everybody.
|
|
|
|
|
|
|
|
DR. SEWARD'S DIARY
|
|
|
|
13 September.--Called at the Berkeley and found Van Helsing, as usual,
|
|
up to time. The carriage ordered from the hotel was waiting. The
|
|
Professor took his bag, which he always brings with him now.
|
|
|
|
Let all be put down exactly. Van Helsing and I arrived at Hillingham
|
|
at eight o'clock. It was a lovely morning. The bright sunshine and
|
|
all the fresh feeling of early autumn seemed like the completion of
|
|
nature's annual work. The leaves were turning to all kinds of
|
|
beautiful colours, but had not yet begun to drop from the trees. When
|
|
we entered we met Mrs. Westenra coming out of the morning room. She
|
|
is always an early riser. She greeted us warmly and said,
|
|
|
|
"You will be glad to know that Lucy is better. The dear child is
|
|
still asleep. I looked into her room and saw her, but did not go in,
|
|
lest I should disturb her." The Professor smiled, and looked quite
|
|
jubilant. He rubbed his hands together, and said, "Aha! I thought I
|
|
had diagnosed the case. My treatment is working."
|
|
|
|
To which she replied, "You must not take all the credit to yourself,
|
|
doctor. Lucy's state this morning is due in part to me."
|
|
|
|
"How do you mean, ma'am?" asked the Professor.
|
|
|
|
"Well, I was anxious about the dear child in the night, and went into
|
|
her room. She was sleeping soundly, so soundly that even my coming
|
|
did not wake her. But the room was awfully stuffy. There were a lot
|
|
of those horrible, strong-smelling flowers about everywhere, and she
|
|
had actually a bunch of them round her neck. I feared that the heavy
|
|
odour would be too much for the dear child in her weak state, so I took
|
|
them all away and opened a bit of the window to let in a little fresh
|
|
air. You will be pleased with her, I am sure."
|
|
|
|
She moved off into her boudoir, where she usually breakfasted early.
|
|
As she had spoken, I watched the Professor's face, and saw it turn
|
|
ashen gray. He had been able to retain his self-command whilst the
|
|
poor lady was present, for he knew her state and how mischievous a
|
|
shock would be. He actually smiled on her as he held open the door
|
|
for her to pass into her room. But the instant she had disappeared he
|
|
pulled me, suddenly and forcibly, into the dining room and closed the
|
|
door.
|
|
|
|
Then, for the first time in my life, I saw Van Helsing break down. He
|
|
raised his hands over his head in a sort of mute despair, and then
|
|
beat his palms together in a helpless way. Finally he sat down on a
|
|
chair, and putting his hands before his face, began to sob, with loud,
|
|
dry sobs that seemed to come from the very racking of his heart.
|
|
|
|
Then he raised his arms again, as though appealing to the whole
|
|
universe. "God! God! God!" he said. "What have we done, what has
|
|
this poor thing done, that we are so sore beset? Is there fate
|
|
amongst us still, send down from the pagan world of old, that such
|
|
things must be, and in such way? This poor mother, all unknowing, and
|
|
all for the best as she think, does such thing as lose her daughter
|
|
body and soul, and we must not tell her, we must not even warn her, or
|
|
she die, then both die. Oh, how we are beset! How are all the powers
|
|
of the devils against us!"
|
|
|
|
Suddenly he jumped to his feet. "Come," he said, "come, we must see and
|
|
act. Devils or no devils, or all the devils at once, it matters not.
|
|
We must fight him all the same." He went to the hall door for his
|
|
bag, and together we went up to Lucy's room.
|
|
|
|
Once again I drew up the blind, whilst Van Helsing went towards the
|
|
bed. This time he did not start as he looked on the poor face with
|
|
the same awful, waxen pallor as before. He wore a look of stern
|
|
sadness and infinite pity.
|
|
|
|
"As I expected," he murmured, with that hissing inspiration of his
|
|
which meant so much. Without a word he went and locked the door, and
|
|
then began to set out on the little table the instruments for yet
|
|
another operation of transfusion of blood. I had long ago recognized
|
|
the necessity, and begun to take off my coat, but he stopped me with a
|
|
warning hand. "No!" he said. "Today you must operate. I shall
|
|
provide. You are weakened already." As he spoke he took off his coat
|
|
and rolled up his shirtsleeve.
|
|
|
|
Again the operation. Again the narcotic. Again some return of colour
|
|
to the ashy cheeks, and the regular breathing of healthy sleep. This
|
|
time I watched whilst Van Helsing recruited himself and rested.
|
|
|
|
Presently he took an opportunity of telling Mrs. Westenra that she
|
|
must not remove anything from Lucy's room without consulting him.
|
|
That the flowers were of medicinal value, and that the breathing of
|
|
their odour was a part of the system of cure. Then he took over the
|
|
care of the case himself, saying that he would watch this night and
|
|
the next, and would send me word when to come.
|
|
|
|
After another hour Lucy waked from her sleep, fresh and bright and
|
|
seemingly not much the worse for her terrible ordeal.
|
|
|
|
What does it all mean? I am beginning to wonder if my long habit of
|
|
life amongst the insane is beginning to tell upon my own brain.
|
|
|
|
|
|
|
|
LUCY WESTENRA'S DIARY
|
|
|
|
17 September.--Four days and nights of peace. I am getting so strong
|
|
again that I hardly know myself. It is as if I had passed through
|
|
some long nightmare, and had just awakened to see the beautiful
|
|
sunshine and feel the fresh air of the morning around me. I have a
|
|
dim half remembrance of long, anxious times of waiting and fearing,
|
|
darkness in which there was not even the pain of hope to make present
|
|
distress more poignant. And then long spells of oblivion, and the
|
|
rising back to life as a diver coming up through a great press of
|
|
water. Since, however, Dr. Van Helsing has been with me, all this bad
|
|
dreaming seems to have passed away. The noises that used to frighten
|
|
me out of my wits, the flapping against the windows, the distant
|
|
voices which seemed so close to me, the harsh sounds that came from I
|
|
know not where and commanded me to do I know not what, have all
|
|
ceased. I go to bed now without any fear of sleep. I do not even try
|
|
to keep awake. I have grown quite fond of the garlic, and a boxful
|
|
arrives for me every day from Haarlem. Tonight Dr. Van Helsing is
|
|
going away, as he has to be for a day in Amsterdam. But I need not be
|
|
watched. I am well enough to be left alone.
|
|
|
|
Thank God for Mother's sake, and dear Arthur's, and for all our
|
|
friends who have been so kind! I shall not even feel the change, for
|
|
last night Dr. Van Helsing slept in his chair a lot of the time. I
|
|
found him asleep twice when I awoke. But I did not fear to go to
|
|
sleep again, although the boughs or bats or something flapped almost
|
|
angrily against the window panes.
|
|
|
|
|
|
|
|
|
|
THE PALL MALL GAZETTE 18 September.
|
|
|
|
THE ESCAPED WOLF PERILOUS ADVENTURE OF OUR INTERVIEWER
|
|
|
|
INTERVIEW WITH THE KEEPER IN THE ZOOLOGICAL GARDENS
|
|
|
|
After many inquiries and almost as many refusals, and perpetually
|
|
using the words 'PALL MALL GAZETTE' as a sort of talisman, I managed
|
|
to find the keeper of the section of the Zoological Gardens in which
|
|
the wolf department is included. Thomas Bilder lives in one of the
|
|
cottages in the enclosure behind the elephant house, and was just
|
|
sitting down to his tea when I found him. Thomas and his wife are
|
|
hospitable folk, elderly, and without children, and if the specimen
|
|
I enjoyed of their hospitality be of the average kind, their lives
|
|
must be pretty comfortable. The keeper would not enter on what he
|
|
called business until the supper was over, and we were all
|
|
satisfied. Then when the table was cleared, and he had lit his
|
|
pipe, he said,
|
|
|
|
"Now, Sir, you can go on and arsk me what you want. You'll excoose
|
|
me refoosin' to talk of perfeshunal subjucts afore meals. I gives
|
|
the wolves and the jackals and the hyenas in all our section their
|
|
tea afore I begins to arsk them questions."
|
|
|
|
"How do you mean, ask them questions?" I queried, wishful to get him
|
|
into a talkative humor.
|
|
|
|
"'Ittin' of them over the 'ead with a pole is one way. Scratchin' of
|
|
their ears in another, when gents as is flush wants a bit of a show-orf
|
|
to their gals. I don't so much mind the fust, the 'ittin of the
|
|
pole part afore I chucks in their dinner, but I waits till they've
|
|
'ad their sherry and kawffee, so to speak, afore I tries on with the
|
|
ear scratchin'. Mind you," he added philosophically, "there's a
|
|
deal of the same nature in us as in them theer animiles. Here's you
|
|
a-comin' and arskin' of me questions about my business, and I that
|
|
grump-like that only for your bloomin' 'arf-quid I'd 'a' seen you
|
|
blowed fust 'fore I'd answer. Not even when you arsked me sarcastic
|
|
like if I'd like you to arsk the Superintendent if you might arsk me
|
|
questions. Without offence did I tell yer to go to 'ell?"
|
|
|
|
"You did."
|
|
|
|
"An' when you said you'd report me for usin' obscene language that
|
|
was 'ittin' me over the 'ead. But the 'arf-quid made that all
|
|
right. I weren't a-goin' to fight, so I waited for the food, and
|
|
did with my 'owl as the wolves and lions and tigers does. But, lor'
|
|
love yer 'art, now that the old 'ooman has stuck a chunk of her
|
|
tea-cake in me, an' rinsed me out with her bloomin' old teapot, and I've
|
|
lit hup, you may scratch my ears for all you're worth, and won't
|
|
even get a growl out of me. Drive along with your questions. I
|
|
know what yer a-comin' at, that 'ere escaped wolf."
|
|
|
|
"Exactly. I want you to give me your view of it. Just tell me how
|
|
it happened, and when I know the facts I'll get you to say what you
|
|
consider was the cause of it, and how you think the whole affair
|
|
will end."
|
|
|
|
"All right, guv'nor. This 'ere is about the 'ole story.
|
|
That 'ere wolf what we called Bersicker was one of three gray
|
|
ones that came from Norway to Jamrach's, which we bought
|
|
off him four years ago. He was a nice well-behaved wolf,
|
|
that never gave no trouble to talk of. I'm more surprised
|
|
at 'im for wantin' to get out nor any other animile in the
|
|
place. But, there, you can't trust wolves no more nor women."
|
|
|
|
"Don't you mind him, Sir!" broke in Mrs. Tom, with a cheery
|
|
laugh. "'E's got mindin' the animiles so long that blest
|
|
if he ain't like a old wolf 'isself! But there ain't no
|
|
'arm in 'im."
|
|
|
|
"Well, Sir, it was about two hours after feedin' yesterday when I
|
|
first hear my disturbance. I was makin' up a litter in the monkey
|
|
house for a young puma which is ill. But when I heard the yelpin'
|
|
and 'owlin' I kem away straight. There was Bersicker a-tearin' like
|
|
a mad thing at the bars as if he wanted to get out. There wasn't
|
|
much people about that day, and close at hand was only one man, a
|
|
tall, thin chap, with a 'ook nose and a pointed beard, with a few
|
|
white hairs runnin' through it. He had a 'ard, cold look and red
|
|
eyes, and I took a sort of mislike to him, for it seemed as if it
|
|
was 'im as they was hirritated at. He 'ad white kid gloves on 'is
|
|
'ands, and he pointed out the animiles to me and says, 'Keeper,
|
|
these wolves seem upset at something.'
|
|
|
|
"'Maybe it's you,' says I, for I did not like the airs as he
|
|
give 'isself. He didn't get angry, as I 'oped he would, but
|
|
he smiled a kind of insolent smile, with a mouth full of white,
|
|
sharp teeth. 'Oh no, they wouldn't like me,' 'e says.
|
|
|
|
"'Ow yes, they would,' says I, a-imitatin' of him. 'They
|
|
always like a bone or two to clean their teeth on about tea
|
|
time, which you 'as a bagful.'
|
|
|
|
"Well, it was a odd thing, but when the animiles see us
|
|
a-talkin' they lay down, and when I went over to Bersicker
|
|
he let me stroke his ears same as ever. That there man kem
|
|
over, and blessed but if he didn't put in his hand and stroke
|
|
the old wolf's ears too!
|
|
|
|
"'Tyke care,' says I. 'Bersicker is quick.'
|
|
|
|
"'Never mind,' he says. I'm used to 'em!'
|
|
|
|
"'Are you in the business yourself?' I says, tyking off my
|
|
'at, for a man what trades in wolves, anceterer, is a good
|
|
friend to keepers.
|
|
|
|
"'Nom,' says he, 'not exactly in the business, but I 'ave made pets
|
|
of several.' And with that he lifts his 'at as perlite as a lord,
|
|
and walks away. Old Bersicker kep' a-lookin' arter 'im till 'e was
|
|
out of sight, and then went and lay down in a corner and wouldn't
|
|
come hout the 'ole hevening. Well, larst night, so soon as the moon
|
|
was hup, the wolves here all began a-'owling. There warn't nothing
|
|
for them to 'owl at. There warn't no one near, except some one that
|
|
was evidently a-callin' a dog somewheres out back of the gardings in
|
|
the Park road. Once or twice I went out to see that all was right,
|
|
and it was, and then the 'owling stopped. Just before twelve
|
|
o'clock I just took a look round afore turnin' in, an', bust me, but
|
|
when I kem opposite to old Bersicker's cage I see the rails broken
|
|
and twisted about and the cage empty. And that's all I know for
|
|
certing."
|
|
|
|
"Did any one else see anything?"
|
|
|
|
"One of our gard'ners was a-comin' 'ome about that time from a
|
|
'armony, when he sees a big gray dog comin' out through the garding
|
|
'edges. At least, so he says, but I don't give much for it myself,
|
|
for if he did 'e never said a word about it to his missis when 'e
|
|
got 'ome, and it was only after the escape of the wolf was made
|
|
known, and we had been up all night a-huntin' of the Park for
|
|
Bersicker, that he remembered seein' anything. My own belief was
|
|
that the 'armony 'ad got into his 'ead."
|
|
|
|
"Now, Mr. Bilder, can you account in any way for the escape
|
|
of the wolf?"
|
|
|
|
"Well, Sir," he said, with a suspicious sort of modesty, "I think I
|
|
can, but I don't know as 'ow you'd be satisfied with the theory."
|
|
|
|
"Certainly I shall. If a man like you, who knows the animals from
|
|
experience, can't hazard a good guess at any rate, who is even to
|
|
try?"
|
|
|
|
"Well then, Sir, I accounts for it this way. It seems to me that
|
|
'ere wolf escaped--simply because he wanted to get out."
|
|
|
|
From the hearty way that both Thomas and his wife laughed at the
|
|
joke I could see that it had done service before, and that the whole
|
|
explanation was simply an elaborate sell. I couldn't cope in
|
|
badinage with the worthy Thomas, but I thought I knew a surer way to
|
|
his heart, so I said, "Now, Mr. Bilder, we'll consider that first
|
|
half-sovereign worked off, and this brother of his is waiting to be
|
|
claimed when you've told me what you think will happen."
|
|
|
|
"Right y'are, Sir," he said briskly. "Ye'll excoose me, I
|
|
know, for a-chaffin' of ye, but the old woman here winked at
|
|
me, which was as much as telling me to go on."
|
|
|
|
"Well, I never!" said the old lady.
|
|
|
|
"My opinion is this: that 'ere wolf is a'idin' of, somewheres. The
|
|
gard'ner wot didn't remember said he was a-gallopin' northward
|
|
faster than a horse could go, but I don't believe him, for, yer see,
|
|
Sir, wolves don't gallop no more nor dogs does, they not bein' built
|
|
that way. Wolves is fine things in a storybook, and I dessay when
|
|
they gets in packs and does be chivyin' somethin' that's more
|
|
afeared than they is they can make a devil of a noise and chop it
|
|
up, whatever it is. But, Lor' bless you, in real life a wolf is
|
|
only a low creature, not half so clever or bold as a good dog, and
|
|
not half a quarter so much fight in 'im. This one ain't been used
|
|
to fightin' or even to providin' for hisself, and more like he's
|
|
somewhere round the Park a'hidin' an' a'shiverin' of, and if he
|
|
thinks at all, wonderin' where he is to get his breakfast from. Or
|
|
maybe he's got down some area and is in a coal cellar. My eye,
|
|
won't some cook get a rum start when she sees his green eyes
|
|
a-shinin' at her out of the dark! If he can't get food he's bound to
|
|
look for it, and mayhap he may chance to light on a butcher's shop
|
|
in time. If he doesn't, and some nursemaid goes out walkin' or orf
|
|
with a soldier, leavin' of the hinfant in the perambulator--well,
|
|
then I shouldn't be surprised if the census is one babby the less.
|
|
That's all."
|
|
|
|
I was handing him the half-sovereign, when something came bobbing up
|
|
against the window, and Mr. Bilder's face doubled its natural length
|
|
with surprise.
|
|
|
|
"God bless me!" he said. "If there ain't old Bersicker come back by
|
|
'isself!"
|
|
|
|
He went to the door and opened it, a most unnecessary proceeding it
|
|
seemed to me. I have always thought that a wild animal never looks
|
|
so well as when some obstacle of pronounced durability is between
|
|
us. A personal experience has intensified rather than diminished
|
|
that idea.
|
|
|
|
After all, however, there is nothing like custom, for neither Bilder
|
|
nor his wife thought any more of the wolf than I should of a dog.
|
|
The animal itself was a peaceful and well-behaved as that father of
|
|
all picture-wolves, Red Riding Hood's quondam friend, whilst moving
|
|
her confidence in masquerade.
|
|
|
|
The whole scene was a unutterable mixture of comedy and
|
|
pathos. The wicked wolf that for a half a day had
|
|
paralyzed London and set all the children in town shivering
|
|
in their shoes, was there in a sort of penitent mood, and
|
|
was received and petted like a sort of vulpine prodigal
|
|
son. Old Bilder examined him all over with most tender
|
|
solicitude, and when he had finished with his penitent
|
|
said,
|
|
|
|
"There, I knew the poor old chap would get into some kind of
|
|
trouble. Didn't I say it all along? Here's his head all
|
|
cut and full of broken glass. 'E's been a-gettin' over
|
|
some bloomin' wall or other. It's a shyme that people are
|
|
allowed to top their walls with broken bottles. This 'ere's
|
|
what comes of it. Come along, Bersicker."
|
|
|
|
He took the wolf and locked him up in a cage, with a piece
|
|
of meat that satisfied, in quantity at any rate, the elementary
|
|
conditions of the fatted calf, and went off to report.
|
|
|
|
I came off too, to report the only exclusive information
|
|
that is given today regarding the strange escapade at the
|
|
Zoo.
|
|
|
|
|
|
|
|
DR. SEWARD'S DIARY
|
|
|
|
17 September.--I was engaged after dinner in my study posting up my
|
|
books, which, through press of other work and the many visits to Lucy,
|
|
had fallen sadly into arrear. Suddenly the door was burst open, and
|
|
in rushed my patient, with his face distorted with passion. I was
|
|
thunderstruck, for such a thing as a patient getting of his own accord
|
|
into the Superintendent's study is almost unknown.
|
|
|
|
Without an instant's notice he made straight at me. He had a dinner
|
|
knife in his hand, and as I saw he was dangerous, I tried to keep the
|
|
table between us. He was too quick and too strong for me, however,
|
|
for before I could get my balance he had struck at me and cut my left
|
|
wrist rather severely.
|
|
|
|
Before he could strike again, however, I got in my right hand and he
|
|
was sprawling on his back on the floor. My wrist bled freely, and
|
|
quite a little pool trickled on to the carpet. I saw that my friend
|
|
was not intent on further effort, and occupied myself binding up my
|
|
wrist, keeping a wary eye on the prostrate figure all the time. When
|
|
the attendants rushed in, and we turned our attention to him, his
|
|
employment positively sickened me. He was lying on his belly on the
|
|
floor licking up, like a dog, the blood which had fallen from my
|
|
wounded wrist. He was easily secured, and to my surprise, went with
|
|
the attendants quite placidly, simply repeating over and over again,
|
|
"The blood is the life! The blood is the life!"
|
|
|
|
I cannot afford to lose blood just at present. I have lost too much
|
|
of late for my physical good, and then the prolonged strain of Lucy's
|
|
illness and its horrible phases is telling on me. I am over excited
|
|
and weary, and I need rest, rest, rest. Happily Van Helsing has not
|
|
summoned me, so I need not forego my sleep. Tonight I could not well
|
|
do without it.
|
|
|
|
|
|
|
|
TELEGRAM, VAN HELSING, ANTWERP, TO SEWARD, CARFAX
|
|
|
|
(Sent to Carfax, Sussex, as no county given, delivered late
|
|
by twenty-two hours.)
|
|
|
|
17 September.--Do not fail to be at Hilllingham tonight.
|
|
If not watching all the time, frequently visit and see that
|
|
flowers are as placed, very important, do not fail. Shall
|
|
be with you as soon as possible after arrival.
|
|
|
|
|
|
|
|
DR. SEWARD'S DIARY
|
|
|
|
18 September.--Just off train to London. The arrival of Van
|
|
Helsing's telegram filled me with dismay. A whole night lost,
|
|
and I know by bitter experience what may happen in a night.
|
|
Of course it is possible that all may be well, but what may
|
|
have happened? Surely there is some horrible doom hanging over us
|
|
that every possible accident should thwart us in all we try to do.
|
|
I shall take this cylinder with me, and then I can complete
|
|
my entry on Lucy's phonograph.
|
|
|
|
|
|
|
|
|
|
MEMORANDUM LEFT BY LUCY WESTENRA
|
|
|
|
17 September, Night.--I write this and leave it to be seen,
|
|
so that no one may by any chance get into trouble through
|
|
me. This is an exact record of what took place tonight. I
|
|
feel I am dying of weakness, and have barely strength to
|
|
write, but it must be done if I die in the doing.
|
|
|
|
I went to bed as usual, taking care that the flowers were
|
|
placed as Dr. Van Helsing directed, and soon fell asleep.
|
|
|
|
I was waked by the flapping at the window, which had begun after
|
|
that sleep-walking on the cliff at Whitby when Mina saved me, and
|
|
which now I know so well. I was not afraid, but I did wish that
|
|
Dr. Seward was in the next room, as Dr. Van Helsing said he would
|
|
be, so that I might have called him. I tried to sleep, but I
|
|
could not. Then there came to me the old fear of sleep, and I
|
|
determined to keep awake. Perversely sleep would try to come then
|
|
when I did not want it. So, as I feared to be alone, I opened my
|
|
door and called out, "Is there anybody there?" There was no
|
|
answer. I was afraid to wake mother, and so closed my door
|
|
again. Then outside in the shrubbery I heard a sort of howl like
|
|
a dog's, but more fierce and deeper. I went to the window and
|
|
looked out, but could see nothing, except a big bat, which had
|
|
evidently been buffeting its wings against the window. So I went
|
|
back to bed again, but determined not to go to sleep. Presently
|
|
the door opened, and mother looked in. Seeing by my moving that
|
|
I was not asleep, she came in and sat by me. She said to me even
|
|
more sweetly and softly than her wont,
|
|
|
|
"I was uneasy about you, darling, and came in to see that
|
|
you were all right."
|
|
|
|
I feared she might catch cold sitting there, and asked her
|
|
to come in and sleep with me, so she came into bed, and lay
|
|
down beside me. She did not take off her dressing gown,
|
|
for she said she would only stay a while and then go back
|
|
to her own bed. As she lay there in my arms, and I in hers
|
|
the flapping and buffeting came to the window again. She
|
|
was startled and a little frightened, and cried out, "What
|
|
is that?"
|
|
|
|
I tried to pacify her, and at last succeeded, and she lay
|
|
quiet. But I could hear her poor dear heart still beating
|
|
terribly. After a while there was the howl again out in
|
|
the shrubbery, and shortly after there was a crash at the
|
|
window, and a lot of broken glass was hurled on the floor.
|
|
The window blind blew back with the wind that rushed in,
|
|
and in the aperture of the broken panes there was the head
|
|
of a great, gaunt gray wolf.
|
|
|
|
Mother cried out in a fright, and struggled up into a
|
|
sitting posture, and clutched wildly at anything that would
|
|
help her. Amongst other things, she clutched the wreath of
|
|
flowers that Dr. Van Helsing insisted on my wearing round
|
|
my neck, and tore it away from me. For a second or two she
|
|
sat up, pointing at the wolf, and there was a strange and
|
|
horrible gurgling in her throat. Then she fell over, as if
|
|
struck with lightning, and her head hit my forehead and
|
|
made me dizzy for a moment or two.
|
|
|
|
The room and all round seemed to spin round. I kept my eyes
|
|
fixed on the window, but the wolf drew his head back, and a whole
|
|
myriad of little specks seems to come blowing in through the
|
|
broken window, and wheeling and circling round like the pillar of
|
|
dust that travellers describe when there is a simoon in the
|
|
desert. I tried to stir, but there was some spell upon me, and
|
|
dear Mother's poor body, which seemed to grow cold already, for
|
|
her dear heart had ceased to beat, weighed me down, and I
|
|
remembered no more for a while.
|
|
|
|
The time did not seem long, but very, very awful, till I
|
|
recovered consciousness again. Somewhere near, a passing
|
|
bell was tolling. The dogs all round the neighbourhood were
|
|
howling, and in our shrubbery, seemingly just outside, a
|
|
nightingale was singing. I was dazed and stupid with pain
|
|
and terror and weakness, but the sound of the nightingale
|
|
seemed like the voice of my dead mother come back to comfort me.
|
|
The sounds seemed to have awakened the maids, too, for I could
|
|
hear their bare feet pattering outside my door. I called to
|
|
them, and they came in, and when they saw what had happened, and
|
|
what it was that lay over me on the bed, they screamed out. The
|
|
wind rushed in through the broken window, and the door slammed
|
|
to. They lifted off the body of my dear mother, and laid her,
|
|
covered up with a sheet, on the bed after I had got up. They
|
|
were all so frightened and nervous that I directed them to go to
|
|
the dining room and each have a glass of wine. The door flew
|
|
open for an instant and closed again. The maids shrieked, and
|
|
then went in a body to the dining room, and I laid what flowers I
|
|
had on my dear mother's breast. When they were there I
|
|
remembered what Dr. Van Helsing had told me, but I didn't like to
|
|
remove them, and besides, I would have some of the servants to
|
|
sit up with me now. I was surprised that the maids did not come
|
|
back. I called them, but got no answer, so I went to the dining
|
|
room to look for them.
|
|
|
|
My heart sank when I saw what had happened. They all four
|
|
lay helpless on the floor, breathing heavily. The decanter
|
|
of sherry was on the table half full, but there was a queer,
|
|
acrid smell about. I was suspicious, and examined the decanter.
|
|
It smelt of laudanum, and looking on the sideboard, I found that
|
|
the bottle which Mother's doctor uses for her--oh! did use--was
|
|
empty. What am I to do? What am I to do? I am back in the room
|
|
with Mother. I cannot leave her, and I am alone, save for the
|
|
sleeping servants, whom some one has drugged. Alone with the
|
|
dead! I dare not go out, for I can hear the low howl of the wolf
|
|
through the broken window.
|
|
|
|
The air seems full of specks, floating and circling in the
|
|
draught from the window, and the lights burn blue and dim.
|
|
What am I to do? God shield me from harm this night! I
|
|
shall hide this paper in my breast, where they shall find
|
|
it when they come to lay me out. My dear mother gone! It
|
|
is time that I go too. Goodbye, dear Arthur, if I should
|
|
not survive this night. God keep you, dear, and God help
|
|
me!
|
|
|
|
|
|
|
|
|
|
CHAPTER 12
|
|
|
|
|
|
DR. SEWARD'S DIARY
|
|
|
|
18 September.--I drove at once to Hillingham and arrived early.
|
|
Keeping my cab at the gate, I went up the avenue alone. I knocked
|
|
gently and rang as quietly as possible, for I feared to disturb Lucy
|
|
or her mother, and hoped to only bring a servant to the door. After a
|
|
while, finding no response, I knocked and rang again, still no
|
|
answer. I cursed the laziness of the servants that they should lie
|
|
abed at such an hour, for it was now ten o'clock, and so rang and
|
|
knocked again, but more impatiently, but still without response.
|
|
Hitherto I had blamed only the servants, but now a terrible fear began
|
|
to assail me. Was this desolation but another link in the chain of
|
|
doom which seemed drawing tight round us? Was it indeed a house of
|
|
death to which I had come, too late? I know that minutes, even
|
|
seconds of delay, might mean hours of danger to Lucy, if she had had
|
|
again one of those frightful relapses, and I went round the house to
|
|
try if I could find by chance an entry anywhere.
|
|
|
|
I could find no means of ingress. Every window and door was fastened
|
|
and locked, and I returned baffled to the porch. As I did so, I heard
|
|
the rapid pit-pat of a swiftly driven horse's feet. They stopped at
|
|
the gate, and a few seconds later I met Van Helsing running up the
|
|
avenue. When he saw me, he gasped out, "Then it was you, and just
|
|
arrived. How is she? Are we too late? Did you not get my telegram?"
|
|
|
|
I answered as quickly and coherently as I could that I had only got
|
|
his telegram early in the morning, and had not a minute in coming
|
|
here, and that I could not make any one in the house hear me. He
|
|
paused and raised his hat as he said solemnly, "Then I fear we are too
|
|
late. God's will be done!"
|
|
|
|
With his usual recuperative energy, he went on, "Come. If there be no
|
|
way open to get in, we must make one. Time is all in all to us now."
|
|
|
|
We went round to the back of the house, where there was a kitchen
|
|
window. The Professor took a small surgical saw from his case, and
|
|
handing it to me, pointed to the iron bars which guarded the window.
|
|
I attacked them at once and had very soon cut through three of them.
|
|
Then with a long, thin knife we pushed back the fastening of the
|
|
sashes and opened the window. I helped the Professor in, and followed
|
|
him. There was no one in the kitchen or in the servants' rooms, which
|
|
were close at hand. We tried all the rooms as we went along, and in
|
|
the dining room, dimly lit by rays of light through the shutters,
|
|
found four servant women lying on the floor. There was no need to
|
|
think them dead, for their stertorous breathing and the acrid smell of
|
|
laudanum in the room left no doubt as to their condition.
|
|
|
|
Van Helsing and I looked at each other, and as we moved away he said,
|
|
"We can attend to them later." Then we ascended to Lucy's room. For an
|
|
instant or two we paused at the door to listen, but there was no sound
|
|
that we could hear. With white faces and trembling hands, we opened
|
|
the door gently, and entered the room.
|
|
|
|
How shall I describe what we saw? On the bed lay two women, Lucy and
|
|
her mother. The latter lay farthest in, and she was covered with a
|
|
white sheet, the edge of which had been blown back by the drought
|
|
through the broken window, showing the drawn, white, face, with a look
|
|
of terror fixed upon it. By her side lay Lucy, with face white and
|
|
still more drawn. The flowers which had been round her neck we found
|
|
upon her mother's bosom, and her throat was bare, showing the two
|
|
little wounds which we had noticed before, but looking horribly white
|
|
and mangled. Without a word the Professor bent over the bed, his head
|
|
almost touching poor Lucy's breast. Then he gave a quick turn of his
|
|
head, as of one who listens, and leaping to his feet, he cried out to
|
|
me, "It is not yet too late! Quick! Quick! Bring the brandy!"
|
|
|
|
I flew downstairs and returned with it, taking care to smell and taste
|
|
it, lest it, too, were drugged like the decanter of sherry which I
|
|
found on the table. The maids were still breathing, but more
|
|
restlessly, and I fancied that the narcotic was wearing off. I did
|
|
not stay to make sure, but returned to Van Helsing. He rubbed the
|
|
brandy, as on another occasion, on her lips and gums and on her wrists
|
|
and the palms of her hands. He said to me, "I can do this, all that
|
|
can be at the present. You go wake those maids. Flick them in the
|
|
face with a wet towel, and flick them hard. Make them get heat and
|
|
fire and a warm bath. This poor soul is nearly as cold as that beside
|
|
her. She will need be heated before we can do anything more."
|
|
|
|
I went at once, and found little difficulty in waking three of the
|
|
women. The fourth was only a young girl, and the drug had evidently
|
|
affected her more strongly so I lifted her on the sofa and let her
|
|
sleep.
|
|
|
|
The others were dazed at first, but as remembrance came back to them
|
|
they cried and sobbed in a hysterical manner. I was stern with them,
|
|
however, and would not let them talk. I told them that one life was
|
|
bad enough to lose, and if they delayed they would sacrifice Miss
|
|
Lucy. So, sobbing and crying they went about their way, half clad as
|
|
they were, and prepared fire and water. Fortunately, the kitchen and
|
|
boiler fires were still alive, and there was no lack of hot water. We
|
|
got a bath and carried Lucy out as she was and placed her in it.
|
|
Whilst we were busy chafing her limbs there was a knock at the hall
|
|
door. One of the maids ran off, hurried on some more clothes, and
|
|
opened it. Then she returned and whispered to us that there was a
|
|
gentleman who had come with a message from Mr. Holmwood. I bade her
|
|
simply tell him that he must wait, for we could see no one now. She
|
|
went away with the message, and, engrossed with our work, I clean
|
|
forgot all about him.
|
|
|
|
I never saw in all my experience the Professor work in such deadly
|
|
earnest. I knew, as he knew, that it was a stand-up fight with death,
|
|
and in a pause told him so. He answered me in a way that I did not
|
|
understand, but with the sternest look that his face could wear.
|
|
|
|
"If that were all, I would stop here where we are now, and let her
|
|
fade away into peace, for I see no light in life over her horizon." He
|
|
went on with his work with, if possible, renewed and more frenzied
|
|
vigour.
|
|
|
|
Presently we both began to be conscious that the heat was beginning to
|
|
be of some effect. Lucy's heart beat a trifle more audibly to the
|
|
stethoscope, and her lungs had a perceptible movement. Van Helsing's
|
|
face almost beamed, and as we lifted her from the bath and rolled her
|
|
in a hot sheet to dry her he said to me, "The first gain is ours!
|
|
Check to the King!"
|
|
|
|
We took Lucy into another room, which had by now been prepared, and
|
|
laid her in bed and forced a few drops of brandy down her throat. I
|
|
noticed that Van Helsing tied a soft silk handkerchief round her
|
|
throat. She was still unconscious, and was quite as bad as, if not
|
|
worse than, we had ever seen her.
|
|
|
|
Van Helsing called in one of the women, and told her to stay with her
|
|
and not to take her eyes off her till we returned, and then beckoned
|
|
me out of the room.
|
|
|
|
"We must consult as to what is to be done," he said as we descended
|
|
the stairs. In the hall he opened the dining room door, and we passed
|
|
in, he closing the door carefully behind him. The shutters had been
|
|
opened, but the blinds were already down, with that obedience to the
|
|
etiquette of death which the British woman of the lower classes always
|
|
rigidly observes. The room was, therefore, dimly dark. It was,
|
|
however, light enough for our purposes. Van Helsing's sternness was
|
|
somewhat relieved by a look of perplexity. He was evidently torturing
|
|
his mind about something, so I waited for an instant, and he spoke.
|
|
|
|
"What are we to do now? Where are we to turn for help? We must have
|
|
another transfusion of blood, and that soon, or that poor girl's life
|
|
won't be worth an hour's purchase. You are exhausted already. I am
|
|
exhausted too. I fear to trust those women, even if they would have
|
|
courage to submit. What are we to do for some one who will open his
|
|
veins for her?"
|
|
|
|
"What's the matter with me, anyhow?"
|
|
|
|
The voice came from the sofa across the room, and its tones brought
|
|
relief and joy to my heart, for they were those of Quincey Morris.
|
|
|
|
Van Helsing started angrily at the first sound, but his face softened
|
|
and a glad look came into his eyes as I cried out, "Quincey Morris!"
|
|
and rushed towards him with outstretched hands.
|
|
|
|
"What brought you here?" I cried as our hands met.
|
|
|
|
"I guess Art is the cause."
|
|
|
|
He handed me a telegram.--'Have not heard from Seward for three days,
|
|
and am terribly anxious. Cannot leave. Father still in same
|
|
condition. Send me word how Lucy is. Do not delay.--Holmwood.'
|
|
|
|
"I think I came just in the nick of time. You know you have only to
|
|
tell me what to do."
|
|
|
|
Van Helsing strode forward, and took his hand, looking him straight in
|
|
the eyes as he said, "A brave man's blood is the best thing on this
|
|
earth when a woman is in trouble. You're a man and no mistake. Well,
|
|
the devil may work against us for all he's worth, but God sends us men
|
|
when we want them."
|
|
|
|
Once again we went through that ghastly operation. I have not the
|
|
heart to go through with the details. Lucy had got a terrible shock
|
|
and it told on her more than before, for though plenty of blood went
|
|
into her veins, her body did not respond to the treatment as well as
|
|
on the other occasions. Her struggle back into life was something
|
|
frightful to see and hear. However, the action of both heart and
|
|
lungs improved, and Van Helsing made a sub-cutaneous injection of
|
|
morphia, as before, and with good effect. Her faint became a profound
|
|
slumber. The Professor watched whilst I went downstairs with Quincey
|
|
Morris, and sent one of the maids to pay off one of the cabmen who
|
|
were waiting.
|
|
|
|
I left Quincey lying down after having a glass of wine, and told the
|
|
cook to get ready a good breakfast. Then a thought struck me, and I
|
|
went back to the room where Lucy now was. When I came softly in, I
|
|
found Van Helsing with a sheet or two of note paper in his hand. He
|
|
had evidently read it, and was thinking it over as he sat with his
|
|
hand to his brow. There was a look of grim satisfaction in his face,
|
|
as of one who has had a doubt solved. He handed me the paper saying
|
|
only, "It dropped from Lucy's breast when we carried her to the bath."
|
|
|
|
When I had read it, I stood looking at the Professor, and after a
|
|
pause asked him, "In God's name, what does it all mean? Was she, or
|
|
is she, mad, or what sort of horrible danger is it?" I was so
|
|
bewildered that I did not know what to say more. Van Helsing put out
|
|
his hand and took the paper, saying,
|
|
|
|
"Do not trouble about it now. Forget it for the present. You shall
|
|
know and understand it all in good time, but it will be later. And
|
|
now what is it that you came to me to say?" This brought me back to
|
|
fact, and I was all myself again.
|
|
|
|
"I came to speak about the certificate of death. If we do not act
|
|
properly and wisely, there may be an inquest, and that paper would
|
|
have to be produced. I am in hopes that we need have no inquest, for
|
|
if we had it would surely kill poor Lucy, if nothing else did. I
|
|
know, and you know, and the other doctor who attended her knows, that
|
|
Mrs. Westenra had disease of the heart, and we can certify that she
|
|
died of it. Let us fill up the certificate at once, and I shall take
|
|
it myself to the registrar and go on to the undertaker."
|
|
|
|
"Good, oh my friend John! Well thought of! Truly Miss Lucy, if she
|
|
be sad in the foes that beset her, is at least happy in the friends
|
|
that love her. One, two, three, all open their veins for her, besides
|
|
one old man. Ah, yes, I know, friend John. I am not blind! I love
|
|
you all the more for it! Now go."
|
|
|
|
In the hall I met Quincey Morris, with a telegram for Arthur telling
|
|
him that Mrs. Westenra was dead, that Lucy also had been ill, but was
|
|
now going on better, and that Van Helsing and I were with her. I told
|
|
him where I was going, and he hurried me out, but as I was going said,
|
|
|
|
"When you come back, Jack, may I have two words with you all to
|
|
ourselves?" I nodded in reply and went out. I found no difficulty
|
|
about the registration, and arranged with the local undertaker to come
|
|
up in the evening to measure for the coffin and to make arrangements.
|
|
|
|
When I got back Quincey was waiting for me. I told him I would see
|
|
him as soon as I knew about Lucy, and went up to her room. She was
|
|
still sleeping, and the Professor seemingly had not moved from his
|
|
seat at her side. From his putting his finger to his lips, I gathered
|
|
that he expected her to wake before long and was afraid of
|
|
fore-stalling nature. So I went down to Quincey and took him into the
|
|
breakfast room, where the blinds were not drawn down, and which was a
|
|
little more cheerful, or rather less cheerless, than the other rooms.
|
|
|
|
When we were alone, he said to me, "Jack Seward, I don't want to shove
|
|
myself in anywhere where I've no right to be, but this is no ordinary
|
|
case. You know I loved that girl and wanted to marry her, but
|
|
although that's all past and gone, I can't help feeling anxious about
|
|
her all the same. What is it that's wrong with her? The Dutchman,
|
|
and a fine old fellow he is, I can see that, said that time you two
|
|
came into the room, that you must have another transfusion of blood,
|
|
and that both you and he were exhausted. Now I know well that you
|
|
medical men speak in camera, and that a man must not expect to know
|
|
what they consult about in private. But this is no common matter, and
|
|
whatever it is, I have done my part. Is not that so?"
|
|
|
|
"That's so," I said, and he went on.
|
|
|
|
"I take it that both you and Van Helsing had done already what I did
|
|
today. Is not that so?"
|
|
|
|
"That's so."
|
|
|
|
"And I guess Art was in it too. When I saw him four days ago down at
|
|
his own place he looked queer. I have not seen anything pulled down
|
|
so quick since I was on the Pampas and had a mare that I was fond of
|
|
go to grass all in a night. One of those big bats that they call
|
|
vampires had got at her in the night, and what with his gorge and the
|
|
vein left open, there wasn't enough blood in her to let her stand up,
|
|
and I had to put a bullet through her as she lay. Jack, if you may
|
|
tell me without betraying confidence, Arthur was the first, is not
|
|
that so?"
|
|
|
|
As he spoke the poor fellow looked terribly anxious. He was in a
|
|
torture of suspense regarding the woman he loved, and his utter
|
|
ignorance of the terrible mystery which seemed to surround her
|
|
intensified his pain. His very heart was bleeding, and it took all
|
|
the manhood of him, and there was a royal lot of it, too, to keep him
|
|
from breaking down. I paused before answering, for I felt that I must
|
|
not betray anything which the Professor wished kept secret, but
|
|
already he knew so much, and guessed so much, that there could be no
|
|
reason for not answering, so I answered in the same phrase.
|
|
|
|
"That's so."
|
|
|
|
"And how long has this been going on?"
|
|
|
|
"About ten days."
|
|
|
|
"Ten days! Then I guess, Jack Seward, that that poor pretty creature
|
|
that we all love has had put into her veins within that time the blood
|
|
of four strong men. Man alive, her whole body wouldn't hold it." Then
|
|
coming close to me, he spoke in a fierce half-whisper. "What took it
|
|
out?"
|
|
|
|
I shook my head. "That," I said, "is the crux. Van Helsing is simply
|
|
frantic about it, and I am at my wits' end. I can't even hazard a
|
|
guess. There has been a series of little circumstances which have
|
|
thrown out all our calculations as to Lucy being properly watched.
|
|
But these shall not occur again. Here we stay until all be well, or
|
|
ill."
|
|
|
|
Quincey held out his hand. "Count me in," he said. "You and the
|
|
Dutchman will tell me what to do, and I'll do it."
|
|
|
|
When she woke late in the afternoon, Lucy's first movement was to feel
|
|
in her breast, and to my surprise, produced the paper which Van
|
|
Helsing had given me to read. The careful Professor had replaced it
|
|
where it had come from, lest on waking she should be alarmed. Her
|
|
eyes then lit on Van Helsing and on me too, and gladdened. Then she
|
|
looked round the room, and seeing where she was, shuddered. She gave
|
|
a loud cry, and put her poor thin hands before her pale face.
|
|
|
|
We both understood what was meant, that she had realized to the full
|
|
her mother's death. So we tried what we could to comfort her.
|
|
Doubtless sympathy eased her somewhat, but she was very low in thought
|
|
and spirit, and wept silently and weakly for a long time. We told her
|
|
that either or both of us would now remain with her all the time, and
|
|
that seemed to comfort her. Towards dusk she fell into a doze. Here
|
|
a very odd thing occurred. Whilst still asleep she took the paper
|
|
from her breast and tore it in two. Van Helsing stepped over and took
|
|
the pieces from her. All the same, however, she went on with the
|
|
action of tearing, as though the material were still in her hands.
|
|
Finally she lifted her hands and opened them as though scattering the
|
|
fragments. Van Helsing seemed surprised, and his brows gathered as if
|
|
in thought, but he said nothing.
|
|
|
|
|
|
19 September.--All last night she slept fitfully, being always afraid
|
|
to sleep, and something weaker when she woke from it. The Professor
|
|
and I took in turns to watch, and we never left her for a moment
|
|
unattended. Quincey Morris said nothing about his intention, but I
|
|
knew that all night long he patrolled round and round the house.
|
|
|
|
When the day came, its searching light showed the ravages in poor
|
|
Lucy's strength. She was hardly able to turn her head, and the little
|
|
nourishment which she could take seemed to do her no good. At times
|
|
she slept, and both Van Helsing and I noticed the difference in her,
|
|
between sleeping and waking. Whilst asleep she looked stronger,
|
|
although more haggard, and her breathing was softer. Her open mouth
|
|
showed the pale gums drawn back from the teeth, which looked
|
|
positively longer and sharper than usual. When she woke the softness
|
|
of her eyes evidently changed the expression, for she looked her own
|
|
self, although a dying one. In the afternoon she asked for Arthur,
|
|
and we telegraphed for him. Quincey went off to meet him at the
|
|
station.
|
|
|
|
When he arrived it was nearly six o'clock, and the sun was setting
|
|
full and warm, and the red light streamed in through the window and
|
|
gave more colour to the pale cheeks. When he saw her, Arthur was
|
|
simply choking with emotion, and none of us could speak. In the hours
|
|
that had passed, the fits of sleep, or the comatose condition that
|
|
passed for it, had grown more frequent, so that the pauses when
|
|
conversation was possible were shortened. Arthur's presence, however,
|
|
seemed to act as a stimulant. She rallied a little, and spoke to him
|
|
more brightly than she had done since we arrived. He too pulled
|
|
himself together, and spoke as cheerily as he could, so that the best
|
|
was made of everything.
|
|
|
|
It is now nearly one o'clock, and he and Van Helsing are sitting with
|
|
her. I am to relieve them in a quarter of an hour, and I am entering
|
|
this on Lucy's phonograph. Until six o'clock they are to try to rest.
|
|
I fear that tomorrow will end our watching, for the shock has been too
|
|
great. The poor child cannot rally. God help us all.
|
|
|
|
|
|
|
|
|
|
LETTER MINA HARKER TO LUCY WESTENRA
|
|
|
|
(Unopened by her)
|
|
|
|
17 September
|
|
|
|
My dearest Lucy,
|
|
|
|
"It seems an age since I heard from you, or indeed since I
|
|
wrote. You will pardon me, I know, for all my faults when
|
|
you have read all my budget of news. Well, I got my husband back
|
|
all right. When we arrived at Exeter there was a carriage
|
|
waiting for us, and in it, though he had an attack of gout, Mr.
|
|
Hawkins. He took us to his house, where there were rooms for us
|
|
all nice and comfortable, and we dined together. After dinner
|
|
Mr. Hawkins said,
|
|
|
|
"'My dears, I want to drink your health and prosperity, and
|
|
may every blessing attend you both. I know you both from
|
|
children, and have, with love and pride, seen you grow up.
|
|
Now I want you to make your home here with me. I have left
|
|
to me neither chick nor child. All are gone, and in my
|
|
will I have left you everything.' I cried, Lucy dear, as
|
|
Jonathan and the old man clasped hands. Our evening was a
|
|
very, very happy one.
|
|
|
|
"So here we are, installed in this beautiful old house, and
|
|
from both my bedroom and the drawing room I can see the
|
|
great elms of the cathedral close, with their great black
|
|
stems standing out against the old yellow stone of the cathedral,
|
|
and I can hear the rooks overhead cawing and cawing and
|
|
chattering and chattering and gossiping all day, after the manner
|
|
of rooks--and humans. I am busy, I need not tell you, arranging
|
|
things and housekeeping. Jonathan and Mr. Hawkins are busy all
|
|
day, for now that Jonathan is a partner, Mr. Hawkins wants to
|
|
tell him all about the clients.
|
|
|
|
"How is your dear mother getting on? I wish I could run up
|
|
to town for a day or two to see you, dear, but I dare not
|
|
go yet, with so much on my shoulders, and Jonathan wants
|
|
looking after still. He is beginning to put some flesh on
|
|
his bones again, but he was terribly weakened by the long
|
|
illness. Even now he sometimes starts out of his sleep in
|
|
a sudden way and awakes all trembling until I can coax him
|
|
back to his usual placidity. However, thank God, these
|
|
occasions grow less frequent as the days go on, and they
|
|
will in time pass away altogether, I trust. And now I have
|
|
told you my news, let me ask yours. When are you to be
|
|
married, and where, and who is to perform the ceremony, and
|
|
what are you to wear, and is it to be a public or private
|
|
wedding? Tell me all about it, dear, tell me all about
|
|
everything, for there is nothing which interests you which
|
|
will not be dear to me. Jonathan asks me to send his 'respectful
|
|
duty', but I do not think that is good enough from the junior
|
|
partner of the important firm Hawkins & Harker. And so, as you
|
|
love me, and he loves me, and I love you with all the moods and
|
|
tenses of the verb, I send you simply his 'love' instead.
|
|
Goodbye, my dearest Lucy, and blessings on you.
|
|
|
|
"Yours,
|
|
|
|
"Mina Harker"
|
|
|
|
|
|
|
|
REPORT FROM PATRICK HENNESSEY, MD, MRCSLK, QCPI, ETC, ETC,
|
|
TO JOHN SEWARD, MD
|
|
|
|
20 September
|
|
|
|
My dear Sir:
|
|
|
|
"In accordance with your wishes, I enclose report of the
|
|
conditions of everything left in my charge. With regard to
|
|
patient, Renfield, there is more to say. He has had another
|
|
outbreak, which might have had a dreadful ending, but which, as
|
|
it fortunately happened, was unattended with any unhappy results.
|
|
This afternoon a carrier's cart with two men made a call at the
|
|
empty house whose grounds abut on ours, the house to which, you
|
|
will remember, the patient twice ran away. The men stopped at
|
|
our gate to ask the porter their way, as they were strangers.
|
|
|
|
"I was myself looking out of the study window, having a
|
|
smoke after dinner, and saw one of them come up to the
|
|
house. As he passed the window of Renfield's room, the
|
|
patient began to rate him from within, and called him all
|
|
the foul names he could lay his tongue to. The man, who
|
|
seemed a decent fellow enough, contented himself by telling
|
|
him to 'shut up for a foul-mouthed beggar', whereon our man
|
|
accused him of robbing him and wanting to murder him and
|
|
said that he would hinder him if he were to swing for it.
|
|
I opened the window and signed to the man not to notice, so
|
|
he contented himself after looking the place over and making up
|
|
his mind as to what kind of place he had got to by saying, 'Lor'
|
|
bless yer, sir, I wouldn't mind what was said to me in a bloomin'
|
|
madhouse. I pity ye and the guv'nor for havin' to live in the
|
|
house with a wild beast like that.'
|
|
|
|
"Then he asked his way civilly enough, and I told him where
|
|
the gate of the empty house was. He went away followed by
|
|
threats and curses and revilings from our man. I went down
|
|
to see if I could make out any cause for his anger, since
|
|
he is usually such a well-behaved man, and except his violent
|
|
fits nothing of the kind had ever occurred. I found him, to my
|
|
astonishment, quite composed and most genial in his manner. I
|
|
tried to get him to talk of the incident, but he blandly asked me
|
|
questions as to what I meant, and led me to believe that he was
|
|
completely oblivious of the affair. It was, I am sorry to say,
|
|
however, only another instance of his cunning, for within half an
|
|
hour I heard of him again. This time he had broken out through
|
|
the window of his room, and was running down the avenue. I
|
|
called to the attendants to follow me, and ran after him, for I
|
|
feared he was intent on some mischief. My fear was justified
|
|
when I saw the same cart which had passed before coming down the
|
|
road, having on it some great wooden boxes. The men were wiping
|
|
their foreheads, and were flushed in the face, as if with violent
|
|
exercise. Before I could get up to him, the patient rushed at
|
|
them, and pulling one of them off the cart, began to knock his
|
|
head against the ground. If I had not seized him just at the
|
|
moment, I believe he would have killed the man there and then.
|
|
The other fellow jumped down and struck him over the head with
|
|
the butt end of his heavy whip. It was a horrible blow, but he
|
|
did not seem to mind it, but seized him also, and struggled with
|
|
the three of us, pulling us to and fro as if we were kittens.
|
|
You know I am no lightweight, and the others were both burly men.
|
|
At first he was silent in his fighting, but as we began to master
|
|
him, and the attendants were putting a strait waistcoat on him,
|
|
he began to shout, 'I'll frustrate them! They shan't rob me!
|
|
They shan't murder me by inches! I'll fight for my Lord and
|
|
Master!' and all sorts of similar incoherent ravings. It was
|
|
with very considerable difficulty that they got him back to the
|
|
house and put him in the padded room. One of the attendants,
|
|
Hardy, had a finger broken. However, I set it all right, and he
|
|
is going on well.
|
|
|
|
"The two carriers were at first loud in their threats of
|
|
actions for damages, and promised to rain all the penalties
|
|
of the law on us. Their threats were, however, mingled
|
|
with some sort of indirect apology for the defeat of the
|
|
two of them by a feeble madman. They said that if it had
|
|
not been for the way their strength had been spent in carrying
|
|
and raising the heavy boxes to the cart they would have made
|
|
short work of him. They gave as another reason for their defeat
|
|
the extraordinary state of drouth to which they had been reduced
|
|
by the dusty nature of their occupation and the reprehensible
|
|
distance from the scene of their labors of any place of public
|
|
entertainment. I quite understood their drift, and after a stiff
|
|
glass of strong grog, or rather more of the same, and with each a
|
|
sovereign in hand, they made light of the attack, and swore that
|
|
they would encounter a worse madman any day for the pleasure of
|
|
meeting so 'bloomin' good a bloke' as your correspondent. I took
|
|
their names and addresses, in case they might be needed. They
|
|
are as follows: Jack Smollet, of Dudding's Rents, King George's
|
|
Road, Great Walworth, and Thomas Snelling, Peter Farley's Row,
|
|
Guide Court, Bethnal Green. They are both in the employment of
|
|
Harris & Sons, Moving and Shipment Company, Orange Master's Yard,
|
|
Soho.
|
|
|
|
"I shall report to you any matter of interest occurring here, and
|
|
shall wire you at once if there is anything of importance.
|
|
|
|
"Believe me, dear Sir,
|
|
|
|
"Yours faithfully,
|
|
|
|
"Patrick Hennessey."
|
|
|
|
|
|
|
|
LETTER, MINA HARKER TO LUCY WESTENRA (Unopened by her)
|
|
|
|
18 September
|
|
|
|
"My dearest Lucy,
|
|
|
|
"Such a sad blow has befallen us. Mr. Hawkins has died very
|
|
suddenly. Some may not think it so sad for us, but we had
|
|
both come to so love him that it really seems as though we
|
|
had lost a father. I never knew either father or mother,
|
|
so that the dear old man's death is a real blow to me. Jonathan
|
|
is greatly distressed. It is not only that he feels sorrow, deep
|
|
sorrow, for the dear, good man who has befriended him all his
|
|
life, and now at the end has treated him like his own son and
|
|
left him a fortune which to people of our modest bringing up is
|
|
wealth beyond the dream of avarice, but Jonathan feels it on
|
|
another account. He says the amount of responsibility which it
|
|
puts upon him makes him nervous. He begins to doubt himself. I
|
|
try to cheer him up, and my belief in him helps him to have a
|
|
belief in himself. But it is here that the grave shock that he
|
|
experienced tells upon him the most. Oh, it is too hard that a
|
|
sweet, simple, noble, strong nature such as his, a nature which
|
|
enabled him by our dear, good friend's aid to rise from clerk to
|
|
master in a few years, should be so injured that the very essence
|
|
of its strength is gone. Forgive me, dear, if I worry you with my
|
|
troubles in the midst of your own happiness, but Lucy dear, I
|
|
must tell someone, for the strain of keeping up a brave and
|
|
cheerful appearance to Jonathan tries me, and I have no one here
|
|
that I can confide in. I dread coming up to London, as we must
|
|
do that day after tomorrow, for poor Mr. Hawkins left in his will
|
|
that he was to be buried in the grave with his father. As there
|
|
are no relations at all, Jonathan will have to be chief mourner.
|
|
I shall try to run over to see you, dearest, if only for a few
|
|
minutes. Forgive me for troubling you. With all blessings,
|
|
|
|
"Your loving
|
|
|
|
"Mina Harker"
|
|
|
|
|
|
|
|
DR. SEWARD'S DIARY
|
|
|
|
20 September.--Only resolution and habit can let me make an entry
|
|
tonight. I am too miserable, too low spirited, too sick of the world
|
|
and all in it, including life itself, that I would not care if I heard
|
|
this moment the flapping of the wings of the angel of death. And he
|
|
has been flapping those grim wings to some purpose of late, Lucy's
|
|
mother and Arthur's father, and now . . . Let me get on with my work.
|
|
|
|
I duly relieved Van Helsing in his watch over Lucy. We wanted Arthur
|
|
to go to rest also, but he refused at first. It was only when I told
|
|
him that we should want him to help us during the day, and that we
|
|
must not all break down for want of rest, lest Lucy should suffer,
|
|
that he agreed to go.
|
|
|
|
Van Helsing was very kind to him. "Come, my child," he said. "Come
|
|
with me. You are sick and weak, and have had much sorrow and much
|
|
mental pain, as well as that tax on your strength that we know of.
|
|
You must not be alone, for to be alone is to be full of fears and
|
|
alarms. Come to the drawing room, where there is a big fire, and
|
|
there are two sofas. You shall lie on one, and I on the other, and
|
|
our sympathy will be comfort to each other, even though we do not
|
|
speak, and even if we sleep."
|
|
|
|
Arthur went off with him, casting back a longing look on Lucy's face,
|
|
which lay in her pillow, almost whiter than the lawn. She lay quite
|
|
still, and I looked around the room to see that all was as it should
|
|
be. I could see that the Professor had carried out in this room, as
|
|
in the other, his purpose of using the garlic. The whole of the
|
|
window sashes reeked with it, and round Lucy's neck, over the silk
|
|
handkerchief which Van Helsing made her keep on, was a rough chaplet
|
|
of the same odorous flowers.
|
|
|
|
Lucy was breathing somewhat stertorously, and her face was at its
|
|
worst, for the open mouth showed the pale gums. Her teeth, in the
|
|
dim, uncertain light, seemed longer and sharper than they had been in
|
|
the morning. In particular, by some trick of the light, the canine
|
|
teeth looked longer and sharper than the rest.
|
|
|
|
I sat down beside her, and presently she moved uneasily. At the same
|
|
moment there came a sort of dull flapping or buffeting at the window.
|
|
I went over to it softly, and peeped out by the corner of the blind.
|
|
There was a full moonlight, and I could see that the noise was made by
|
|
a great bat, which wheeled around, doubtless attracted by the light,
|
|
although so dim, and every now and again struck the window with its
|
|
wings. When I came back to my seat, I found that Lucy had moved
|
|
slightly, and had torn away the garlic flowers from her throat. I
|
|
replaced them as well as I could, and sat watching her.
|
|
|
|
Presently she woke, and I gave her food, as Van Helsing had
|
|
prescribed. She took but a little, and that languidly. There did not
|
|
seem to be with her now the unconscious struggle for life and strength
|
|
that had hitherto so marked her illness. It struck me as curious that
|
|
the moment she became conscious she pressed the garlic flowers close
|
|
to her. It was certainly odd that whenever she got into that
|
|
lethargic state, with the stertorous breathing, she put the flowers
|
|
from her, but that when she waked she clutched them close. There was
|
|
no possibility of making any mistake about this, for in the long hours
|
|
that followed, she had many spells of sleeping and waking and repeated
|
|
both actions many times.
|
|
|
|
At six o'clock Van Helsing came to relieve me. Arthur had then fallen
|
|
into a doze, and he mercifully let him sleep on. When he saw Lucy's
|
|
face I could hear the hissing indraw of breath, and he said to me in a
|
|
sharp whisper. "Draw up the blind. I want light!" Then he bent down,
|
|
and, with his face almost touching Lucy's, examined her carefully. He
|
|
removed the flowers and lifted the silk handkerchief from her throat.
|
|
As he did so he started back and I could hear his ejaculation, "Mein
|
|
Gott!" as it was smothered in his throat. I bent over and looked,
|
|
too, and as I noticed some queer chill came over me. The wounds on
|
|
the throat had absolutely disappeared.
|
|
|
|
For fully five minutes Van Helsing stood looking at her, with his face
|
|
at its sternest. Then he turned to me and said calmly, "She is
|
|
dying. It will not be long now. It will be much difference, mark me,
|
|
whether she dies conscious or in her sleep. Wake that poor boy, and
|
|
let him come and see the last. He trusts us, and we have promised
|
|
him."
|
|
|
|
I went to the dining room and waked him. He was dazed for a moment,
|
|
but when he saw the sunlight streaming in through the edges of the
|
|
shutters he thought he was late, and expressed his fear. I assured
|
|
him that Lucy was still asleep, but told him as gently as I could that
|
|
both Van Helsing and I feared that the end was near. He covered his
|
|
face with his hands, and slid down on his knees by the sofa, where he
|
|
remained, perhaps a minute, with his head buried, praying, whilst his
|
|
shoulders shook with grief. I took him by the hand and raised him up.
|
|
"Come," I said, "my dear old fellow, summon all your fortitude. It
|
|
will be best and easiest for her."
|
|
|
|
When we came into Lucy's room I could see that Van Helsing had, with
|
|
his usual forethought, been putting matters straight and making
|
|
everything look as pleasing as possible. He had even brushed Lucy's
|
|
hair, so that it lay on the pillow in its usual sunny ripples. When
|
|
we came into the room she opened her eyes, and seeing him, whispered
|
|
softly, "Arthur! Oh, my love, I am so glad you have come!"
|
|
|
|
He was stooping to kiss her, when Van Helsing motioned him back.
|
|
"No," he whispered, "not yet! Hold her hand, it will comfort her
|
|
more."
|
|
|
|
So Arthur took her hand and knelt beside her, and she looked her best,
|
|
with all the soft lines matching the angelic beauty of her eyes. Then
|
|
gradually her eyes closed, and she sank to sleep. For a little bit
|
|
her breast heaved softly, and her breath came and went like a tired
|
|
child's.
|
|
|
|
And then insensibly there came the strange change which I had noticed
|
|
in the night. Her breathing grew stertorous, the mouth opened, and
|
|
the pale gums, drawn back, made the teeth look longer and sharper than
|
|
ever. In a sort of sleep-waking, vague, unconscious way she opened
|
|
her eyes, which were now dull and hard at once, and said in a soft,
|
|
voluptuous voice, such as I had never heard from her lips, "Arthur!
|
|
Oh, my love, I am so glad you have come! Kiss me!"
|
|
|
|
Arthur bent eagerly over to kiss her, but at that instant Van Helsing,
|
|
who, like me, had been startled by her voice, swooped upon him, and
|
|
catching him by the neck with both hands, dragged him back with a fury
|
|
of strength which I never thought he could have possessed, and
|
|
actually hurled him almost across the room.
|
|
|
|
"Not on your life!" he said, "not for your living soul and hers!" And
|
|
he stood between them like a lion at bay.
|
|
|
|
Arthur was so taken aback that he did not for a moment know what to do
|
|
or say, and before any impulse of violence could seize him he realized
|
|
the place and the occasion, and stood silent, waiting.
|
|
|
|
I kept my eyes fixed on Lucy, as did Van Helsing, and we saw a spasm
|
|
as of rage flit like a shadow over her face. The sharp teeth clamped
|
|
together. Then her eyes closed, and she breathed heavily.
|
|
|
|
Very shortly after she opened her eyes in all their softness, and
|
|
putting out her poor, pale, thin hand, took Van Helsing's great brown
|
|
one, drawing it close to her, she kissed it. "My true friend," she
|
|
said, in a faint voice, but with untellable pathos, "My true friend,
|
|
and his! Oh, guard him, and give me peace!"
|
|
|
|
"I swear it!" he said solemnly, kneeling beside her and holding up his
|
|
hand, as one who registers an oath. Then he turned to Arthur, and
|
|
said to him, "Come, my child, take her hand in yours, and kiss her on
|
|
the forehead, and only once."
|
|
|
|
Their eyes met instead of their lips, and so they parted. Lucy's eyes
|
|
closed, and Van Helsing, who had been watching closely, took Arthur's
|
|
arm, and drew him away.
|
|
|
|
And then Lucy's breathing became stertorous again, and all at once it
|
|
ceased.
|
|
|
|
"It is all over," said Van Helsing. "She is dead!"
|
|
|
|
I took Arthur by the arm, and led him away to the drawing room, where
|
|
he sat down, and covered his face with his hands, sobbing in a way
|
|
that nearly broke me down to see.
|
|
|
|
I went back to the room, and found Van Helsing looking at poor Lucy,
|
|
and his face was sterner than ever. Some change had come over her
|
|
body. Death had given back part of her beauty, for her brow and
|
|
cheeks had recovered some of their flowing lines. Even the lips had
|
|
lost their deadly pallor. It was as if the blood, no longer needed
|
|
for the working of the heart, had gone to make the harshness of death
|
|
as little rude as might be.
|
|
|
|
"We thought her dying whilst she slept, and sleeping when she died."
|
|
|
|
|
|
I stood beside Van Helsing, and said, "Ah well, poor girl, there is
|
|
peace for her at last. It is the end!"
|
|
|
|
He turned to me, and said with grave solemnity, "Not so, alas! Not
|
|
so. It is only the beginning!"
|
|
|
|
When I asked him what he meant, he only shook his head and answered,
|
|
"We can do nothing as yet. Wait and see."
|
|
|
|
|
|
|
|
|
|
CHAPTER 13
|
|
|
|
|
|
DR. SEWARD'S DIARY--cont.
|
|
|
|
The funeral was arranged for the next succeeding day, so that Lucy and
|
|
her mother might be buried together. I attended to all the ghastly
|
|
formalities, and the urbane undertaker proved that his staff was
|
|
afflicted, or blessed, with something of his own obsequious suavity.
|
|
Even the woman who performed the last offices for the dead remarked to
|
|
me, in a confidential, brother-professional way, when she had come out
|
|
from the death chamber,
|
|
|
|
"She makes a very beautiful corpse, sir. It's quite a privilege to
|
|
attend on her. It's not too much to say that she will do credit to
|
|
our establishment!"
|
|
|
|
I noticed that Van Helsing never kept far away. This was possible
|
|
from the disordered state of things in the household. There were no
|
|
relatives at hand, and as Arthur had to be back the next day to attend
|
|
at his father's funeral, we were unable to notify any one who should
|
|
have been bidden. Under the circumstances, Van Helsing and I took it
|
|
upon ourselves to examine papers, etc. He insisted upon looking over
|
|
Lucy's papers himself. I asked him why, for I feared that he, being a
|
|
foreigner, might not be quite aware of English legal requirements, and
|
|
so might in ignorance make some unnecessary trouble.
|
|
|
|
He answered me, "I know, I know. You forget that I am a lawyer as
|
|
well as a doctor. But this is not altogether for the law. You knew
|
|
that, when you avoided the coroner. I have more than him to avoid.
|
|
There may be papers more, such as this."
|
|
|
|
As he spoke he took from his pocket book the memorandum which had been
|
|
in Lucy's breast, and which she had torn in her sleep.
|
|
|
|
"When you find anything of the solicitor who is for the late Mrs.
|
|
Westenra, seal all her papers, and write him tonight. For me, I watch
|
|
here in the room and in Miss Lucy's old room all night, and I myself
|
|
search for what may be. It is not well that her very thoughts go into
|
|
the hands of strangers."
|
|
|
|
I went on with my part of the work, and in another half hour had found
|
|
the name and address of Mrs. Westenra's solicitor and had written to
|
|
him. All the poor lady's papers were in order. Explicit directions
|
|
regarding the place of burial were given. I had hardly sealed the
|
|
letter, when, to my surprise, Van Helsing walked into the room,
|
|
saying,
|
|
|
|
"Can I help you friend John? I am free, and if I may, my service is
|
|
to you."
|
|
|
|
"Have you got what you looked for?" I asked.
|
|
|
|
To which he replied, "I did not look for any specific thing. I only
|
|
hoped to find, and find I have, all that there was, only some letters
|
|
and a few memoranda, and a diary new begun. But I have them here, and
|
|
we shall for the present say nothing of them. I shall see that poor
|
|
lad tomorrow evening, and, with his sanction, I shall use some."
|
|
|
|
When we had finished the work in hand, he said to me, "And now, friend
|
|
John, I think we may to bed. We want sleep, both you and I, and rest
|
|
to recuperate. Tomorrow we shall have much to do, but for the tonight
|
|
there is no need of us. Alas!"
|
|
|
|
Before turning in we went to look at poor Lucy. The undertaker had
|
|
certainly done his work well, for the room was turned into a small
|
|
chapelle ardente. There was a wilderness of beautiful white flowers,
|
|
and death was made as little repulsive as might be. The end of the
|
|
winding sheet was laid over the face. When the Professor bent over
|
|
and turned it gently back, we both started at the beauty before us.
|
|
The tall wax candles showing a sufficient light to note it well. All
|
|
Lucy's loveliness had come back to her in death, and the hours that
|
|
had passed, instead of leaving traces of 'decay's effacing fingers',
|
|
had but restored the beauty of life, till positively I could not
|
|
believe my eyes that I was looking at a corpse.
|
|
|
|
The Professor looked sternly grave. He had not loved her as I had,
|
|
and there was no need for tears in his eyes. He said to me, "Remain
|
|
till I return," and left the room. He came back with a handful of
|
|
wild garlic from the box waiting in the hall, but which had not been
|
|
opened, and placed the flowers amongst the others on and around the
|
|
bed. Then he took from his neck, inside his collar, a little gold
|
|
crucifix, and placed it over the mouth. He restored the sheet to its
|
|
place, and we came away.
|
|
|
|
I was undressing in my own room, when, with a premonitory tap at the
|
|
door, he entered, and at once began to speak.
|
|
|
|
"Tomorrow I want you to bring me, before night, a set of post-mortem
|
|
knives."
|
|
|
|
"Must we make an autopsy?" I asked.
|
|
|
|
"Yes and no. I want to operate, but not what you think. Let me tell
|
|
you now, but not a word to another. I want to cut off her head and
|
|
take out her heart. Ah! You a surgeon, and so shocked! You, whom I
|
|
have seen with no tremble of hand or heart, do operations of life and
|
|
death that make the rest shudder. Oh, but I must not forget, my dear
|
|
friend John, that you loved her, and I have not forgotten it for is I
|
|
that shall operate, and you must not help. I would like to do it
|
|
tonight, but for Arthur I must not. He will be free after his
|
|
father's funeral tomorrow, and he will want to see her, to see it.
|
|
Then, when she is coffined ready for the next day, you and I shall
|
|
come when all sleep. We shall unscrew the coffin lid, and shall do
|
|
our operation, and then replace all, so that none know, save we
|
|
alone."
|
|
|
|
"But why do it at all? The girl is dead. Why mutilate her poor body
|
|
without need? And if there is no necessity for a post-mortem and
|
|
nothing to gain by it, no good to her, to us, to science, to human
|
|
knowledge, why do it? Without such it is monstrous."
|
|
|
|
For answer he put his hand on my shoulder, and said, with infinite
|
|
tenderness, "Friend John, I pity your poor bleeding heart, and I love
|
|
you the more because it does so bleed. If I could, I would take on
|
|
myself the burden that you do bear. But there are things that you
|
|
know not, but that you shall know, and bless me for knowing, though
|
|
they are not pleasant things. John, my child, you have been my friend
|
|
now many years, and yet did you ever know me to do any without good
|
|
cause? I may err, I am but man, but I believe in all I do. Was it
|
|
not for these causes that you send for me when the great trouble
|
|
came? Yes! Were you not amazed, nay horrified, when I would not let
|
|
Arthur kiss his love, though she was dying, and snatched him away by
|
|
all my strength? Yes! And yet you saw how she thanked me, with her
|
|
so beautiful dying eyes, her voice, too, so weak, and she kiss my
|
|
rough old hand and bless me? Yes! And did you not hear me swear
|
|
promise to her, that so she closed her eyes grateful? Yes!
|
|
|
|
"Well, I have good reason now for all I want to do. You have for many
|
|
years trust me. You have believe me weeks past, when there be things
|
|
so strange that you might have well doubt. Believe me yet a little,
|
|
friend John. If you trust me not, then I must tell what I think, and
|
|
that is not perhaps well. And if I work, as work I shall, no matter
|
|
trust or no trust, without my friend trust in me, I work with heavy
|
|
heart and feel oh so lonely when I want all help and courage that may
|
|
be!" He paused a moment and went on solemnly, "Friend John, there are
|
|
strange and terrible days before us. Let us not be two, but one, that
|
|
so we work to a good end. Will you not have faith in me?"
|
|
|
|
I took his hand, and promised him. I held my door open as he went
|
|
away, and watched him go to his room and close the door. As I stood
|
|
without moving, I saw one of the maids pass silently along the
|
|
passage, she had her back to me, so did not see me, and go into the
|
|
room where Lucy lay. The sight touched me. Devotion is so rare, and
|
|
we are so grateful to those who show it unasked to those we love. Here
|
|
was a poor girl putting aside the terrors which she naturally had of
|
|
death to go watch alone by the bier of the mistress whom she loved, so
|
|
that the poor clay might not be lonely till laid to eternal rest.
|
|
|
|
I must have slept long and soundly, for it was broad daylight when Van
|
|
Helsing waked me by coming into my room. He came over to my bedside
|
|
and said, "You need not trouble about the knives. We shall not do
|
|
it."
|
|
|
|
"Why not?" I asked. For his solemnity of the night before had
|
|
greatly impressed me.
|
|
|
|
"Because," he said sternly, "it is too late, or too early. See!"
|
|
Here he held up the little golden crucifix.
|
|
|
|
"This was stolen in the night."
|
|
|
|
"How stolen," I asked in wonder, "since you have it now?"
|
|
|
|
"Because I get it back from the worthless wretch who stole it, from
|
|
the woman who robbed the dead and the living. Her punishment will
|
|
surely come, but not through me. She knew not altogether what she
|
|
did, and thus unknowing, she only stole. Now we must wait." He went
|
|
away on the word, leaving me with a new mystery to think of, a new
|
|
puzzle to grapple with.
|
|
|
|
The forenoon was a dreary time, but at noon the solicitor came, Mr.
|
|
Marquand, of Wholeman, Sons, Marquand & Lidderdale. He was very
|
|
genial and very appreciative of what we had done, and took off our
|
|
hands all cares as to details. During lunch he told us that Mrs.
|
|
Westenra had for some time expected sudden death from her heart, and
|
|
had put her affairs in absolute order. He informed us that, with the
|
|
exception of a certain entailed property of Lucy's father which now,
|
|
in default of direct issue, went back to a distant branch of the
|
|
family, the whole estate, real and personal, was left absolutely to
|
|
Arthur Holmwood. When he had told us so much he went on,
|
|
|
|
"Frankly we did our best to prevent such a testamentary disposition,
|
|
and pointed out certain contingencies that might leave her daughter
|
|
either penniless or not so free as she should be to act regarding a
|
|
matrimonial alliance. Indeed, we pressed the matter so far that we
|
|
almost came into collision, for she asked us if we were or were not
|
|
prepared to carry out her wishes. Of course, we had then no
|
|
alternative but to accept. We were right in principle, and
|
|
ninety-nine times out of a hundred we should have proved, by the logic
|
|
of events, the accuracy of our judgment.
|
|
|
|
"Frankly, however, I must admit that in this case any other form of
|
|
disposition would have rendered impossible the carrying out of her
|
|
wishes. For by her predeceasing her daughter the latter would have
|
|
come into possession of the property, and, even had she only survived
|
|
her mother by five minutes, her property would, in case there were no
|
|
will, and a will was a practical impossibility in such a case, have
|
|
been treated at her decease as under intestacy. In which case Lord
|
|
Godalming, though so dear a friend, would have had no claim in the
|
|
world. And the inheritors, being remote, would not be likely to
|
|
abandon their just rights, for sentimental reasons regarding an entire
|
|
stranger. I assure you, my dear sirs, I am rejoiced at the result,
|
|
perfectly rejoiced."
|
|
|
|
He was a good fellow, but his rejoicing at the one little part, in
|
|
which he was officially interested, of so great a tragedy, was an
|
|
object-lesson in the limitations of sympathetic understanding.
|
|
|
|
He did not remain long, but said he would look in later in the day and
|
|
see Lord Godalming. His coming, however, had been a certain comfort
|
|
to us, since it assured us that we should not have to dread hostile
|
|
criticism as to any of our acts. Arthur was expected at five o'clock,
|
|
so a little before that time we visited the death chamber. It was so
|
|
in very truth, for now both mother and daughter lay in it. The
|
|
undertaker, true to his craft, had made the best display he could of
|
|
his goods, and there was a mortuary air about the place that lowered
|
|
our spirits at once.
|
|
|
|
Van Helsing ordered the former arrangement to be adhered to,
|
|
explaining that, as Lord Godalming was coming very soon, it would be
|
|
less harrowing to his feelings to see all that was left of his fiancee
|
|
quite alone.
|
|
|
|
The undertaker seemed shocked at his own stupidity and exerted himself
|
|
to restore things to the condition in which we left them the night
|
|
before, so that when Arthur came such shocks to his feelings as we
|
|
could avoid were saved.
|
|
|
|
Poor fellow! He looked desperately sad and broken. Even his stalwart
|
|
manhood seemed to have shrunk somewhat under the strain of his
|
|
much-tried emotions. He had, I knew, been very genuinely and
|
|
devotedly attached to his father, and to lose him, and at such a time,
|
|
was a bitter blow to him. With me he was warm as ever, and to Van
|
|
Helsing he was sweetly courteous. But I could not help seeing that
|
|
there was some constraint with him. The professor noticed it too, and
|
|
motioned me to bring him upstairs. I did so, and left him at the door
|
|
of the room, as I felt he would like to be quite alone with her, but
|
|
he took my arm and led me in, saying huskily,
|
|
|
|
"You loved her too, old fellow. She told me all about it, and there
|
|
was no friend had a closer place in her heart than you. I don't know
|
|
how to thank you for all you have done for her. I can't think
|
|
yet . . ."
|
|
|
|
Here he suddenly broke down, and threw his arms round my shoulders and
|
|
laid his head on my breast, crying, "Oh, Jack! Jack! What shall I
|
|
do? The whole of life seems gone from me all at once, and there is
|
|
nothing in the wide world for me to live for."
|
|
|
|
I comforted him as well as I could. In such cases men do not need
|
|
much expression. A grip of the hand, the tightening of an arm over
|
|
the shoulder, a sob in unison, are expressions of sympathy dear to a
|
|
man's heart. I stood still and silent till his sobs died away, and
|
|
then I said softly to him, "Come and look at her."
|
|
|
|
Together we moved over to the bed, and I lifted the lawn from her
|
|
face. God! How beautiful she was. Every hour seemed to be enhancing
|
|
her loveliness. It frightened and amazed me somewhat. And as for
|
|
Arthur, he fell to trembling, and finally was shaken with doubt as
|
|
with an ague. At last, after a long pause, he said to me in a faint
|
|
whisper, "Jack, is she really dead?"
|
|
|
|
I assured him sadly that it was so, and went on to suggest, for I felt
|
|
that such a horrible doubt should not have life for a moment longer
|
|
than I could help, that it often happened that after death faces
|
|
become softened and even resolved into their youthful beauty, that
|
|
this was especially so when death had been preceded by any acute or
|
|
prolonged suffering. I seemed to quite do away with any doubt, and
|
|
after kneeling beside the couch for a while and looking at her
|
|
lovingly and long, he turned aside. I told him that that must be
|
|
goodbye, as the coffin had to be prepared, so he went back and took
|
|
her dead hand in his and kissed it, and bent over and kissed her
|
|
forehead. He came away, fondly looking back over his shoulder at her
|
|
as he came.
|
|
|
|
I left him in the drawing room, and told Van Helsing that he had said
|
|
goodbye, so the latter went to the kitchen to tell the undertaker's
|
|
men to proceed with the preparations and to screw up the coffin. When
|
|
he came out of the room again I told him of Arthur's question, and he
|
|
replied, "I am not surprised. Just now I doubted for a moment
|
|
myself!"
|
|
|
|
We all dined together, and I could see that poor Art was trying to
|
|
make the best of things. Van Helsing had been silent all dinner time,
|
|
but when we had lit our cigars he said, "Lord . . ." but Arthur
|
|
interrupted him.
|
|
|
|
"No, no, not that, for God's sake! Not yet at any rate. Forgive me,
|
|
sir. I did not mean to speak offensively. It is only because my loss
|
|
is so recent."
|
|
|
|
The Professor answered very sweetly, "I only used that name because I
|
|
was in doubt. I must not call you 'Mr.' and I have grown to love you,
|
|
yes, my dear boy, to love you, as Arthur."
|
|
|
|
Arthur held out his hand, and took the old man's warmly. "Call me
|
|
what you will," he said. "I hope I may always have the title of a
|
|
friend. And let me say that I am at a loss for words to thank you for
|
|
your goodness to my poor dear." He paused a moment, and went on, "I
|
|
know that she understood your goodness even better than I do. And if
|
|
I was rude or in any way wanting at that time you acted so, you
|
|
remember"--the Professor nodded--"you must forgive me."
|
|
|
|
He answered with a grave kindness, "I know it was hard for you to
|
|
quite trust me then, for to trust such violence needs to understand,
|
|
and I take it that you do not, that you cannot, trust me now, for you
|
|
do not yet understand. And there may be more times when I shall want
|
|
you to trust when you cannot, and may not, and must not yet
|
|
understand. But the time will come when your trust shall be whole and
|
|
complete in me, and when you shall understand as though the sunlight
|
|
himself shone through. Then you shall bless me from first to last for
|
|
your own sake, and for the sake of others, and for her dear sake to
|
|
whom I swore to protect."
|
|
|
|
"And indeed, indeed, sir," said Arthur warmly. "I shall in all ways
|
|
trust you. I know and believe you have a very noble heart, and you
|
|
are Jack's friend, and you were hers. You shall do what you like."
|
|
|
|
The Professor cleared his throat a couple of times, as though about to
|
|
speak, and finally said, "May I ask you something now?"
|
|
|
|
"Certainly."
|
|
|
|
"You know that Mrs. Westenra left you all her property?"
|
|
|
|
"No, poor dear. I never thought of it."
|
|
|
|
"And as it is all yours, you have a right to deal with it as you will.
|
|
I want you to give me permission to read all Miss Lucy's papers and
|
|
letters. Believe me, it is no idle curiosity. I have a motive of
|
|
which, be sure, she would have approved. I have them all here. I
|
|
took them before we knew that all was yours, so that no strange hand
|
|
might touch them, no strange eye look through words into her soul. I
|
|
shall keep them, if I may. Even you may not see them yet, but I shall
|
|
keep them safe. No word shall be lost, and in the good time I shall
|
|
give them back to you. It is a hard thing that I ask, but you will do
|
|
it, will you not, for Lucy's sake?"
|
|
|
|
Arthur spoke out heartily, like his old self, "Dr. Van Helsing, you
|
|
may do what you will. I feel that in saying this I am doing what my
|
|
dear one would have approved. I shall not trouble you with questions
|
|
till the time comes."
|
|
|
|
The old Professor stood up as he said solemnly, "And you are right.
|
|
There will be pain for us all, but it will not be all pain, nor will
|
|
this pain be the last. We and you too, you most of all, dear boy,
|
|
will have to pass through the bitter water before we reach the sweet.
|
|
But we must be brave of heart and unselfish, and do our duty, and all
|
|
will be well!"
|
|
|
|
I slept on a sofa in Arthur's room that night. Van Helsing did not go
|
|
to bed at all. He went to and fro, as if patroling the house, and was
|
|
never out of sight of the room where Lucy lay in her coffin, strewn
|
|
with the wild garlic flowers, which sent through the odour of lily and
|
|
rose, a heavy, overpowering smell into the night.
|
|
|
|
|
|
|
|
|
|
MINA HARKER'S JOURNAL
|
|
|
|
22 September.--In the train to Exeter. Jonathan sleeping. It seems
|
|
only yesterday that the last entry was made, and yet how much between
|
|
then, in Whitby and all the world before me, Jonathan away and no news
|
|
of him, and now, married to Jonathan, Jonathan a solicitor, a partner,
|
|
rich, master of his business, Mr. Hawkins dead and buried, and
|
|
Jonathan with another attack that may harm him. Some day he may ask
|
|
me about it. Down it all goes. I am rusty in my shorthand, see what
|
|
unexpected prosperity does for us, so it may be as well to freshen it
|
|
up again with an exercise anyhow.
|
|
|
|
The service was very simple and very solemn. There were only
|
|
ourselves and the servants there, one or two old friends of his from
|
|
Exeter, his London agent, and a gentleman representing Sir John
|
|
Paxton, the President of the Incorporated Law Society. Jonathan and I
|
|
stood hand in hand, and we felt that our best and dearest friend was
|
|
gone from us.
|
|
|
|
We came back to town quietly, taking a bus to Hyde Park Corner.
|
|
Jonathan thought it would interest me to go into the Row for a while,
|
|
so we sat down. But there were very few people there, and it was
|
|
sad-looking and desolate to see so many empty chairs. It made us
|
|
think of the empty chair at home. So we got up and walked down
|
|
Piccadilly. Jonathan was holding me by the arm, the way he used to in
|
|
the old days before I went to school. I felt it very improper, for
|
|
you can't go on for some years teaching etiquette and decorum to other
|
|
girls without the pedantry of it biting into yourself a bit. But it
|
|
was Jonathan, and he was my husband, and we didn't know anybody who
|
|
saw us, and we didn't care if they did, so on we walked. I was
|
|
looking at a very beautiful girl, in a big cart-wheel hat, sitting in
|
|
a victoria outside Guiliano's, when I felt Jonathan clutch my arm so
|
|
tight that he hurt me, and he said under his breath, "My God!"
|
|
|
|
I am always anxious about Jonathan, for I fear that some nervous fit
|
|
may upset him again. So I turned to him quickly, and asked him what
|
|
it was that disturbed him.
|
|
|
|
He was very pale, and his eyes seemed bulging out as, half in terror
|
|
and half in amazement, he gazed at a tall, thin man, with a beaky nose
|
|
and black moustache and pointed beard, who was also observing the
|
|
pretty girl. He was looking at her so hard that he did not see either
|
|
of us, and so I had a good view of him. His face was not a good
|
|
face. It was hard, and cruel, and sensual, and big white teeth, that
|
|
looked all the whiter because his lips were so red, were pointed like
|
|
an animal's. Jonathan kept staring at him, till I was afraid he would
|
|
notice. I feared he might take it ill, he looked so fierce and nasty.
|
|
I asked Jonathan why he was disturbed, and he answered, evidently
|
|
thinking that I knew as much about it as he did, "Do you see who it
|
|
is?"
|
|
|
|
"No, dear," I said. "I don't know him, who is it?" His answer seemed
|
|
to shock and thrill me, for it was said as if he did not know that it
|
|
was me, Mina, to whom he was speaking. "It is the man himself!"
|
|
|
|
The poor dear was evidently terrified at something, very greatly
|
|
terrified. I do believe that if he had not had me to lean on and to
|
|
support him he would have sunk down. He kept staring. A man came out
|
|
of the shop with a small parcel, and gave it to the lady, who then
|
|
drove off. The dark man kept his eyes fixed on her, and when the
|
|
carriage moved up Piccadilly he followed in the same direction, and
|
|
hailed a hansom. Jonathan kept looking after him, and said, as if to
|
|
himself,
|
|
|
|
"I believe it is the Count, but he has grown young. My God, if this
|
|
be so! Oh, my God! My God! If only I knew! If only I knew!" He was
|
|
distressing himself so much that I feared to keep his mind on the
|
|
subject by asking him any questions, so I remained silent. I drew
|
|
away quietly, and he, holding my arm, came easily. We walked a little
|
|
further, and then went in and sat for a while in the Green Park. It
|
|
was a hot day for autumn, and there was a comfortable seat in a shady
|
|
place. After a few minutes' staring at nothing, Jonathan's eyes
|
|
closed, and he went quickly into a sleep, with his head on my
|
|
shoulder. I thought it was the best thing for him, so did not disturb
|
|
him. In about twenty minutes he woke up, and said to me quite
|
|
cheerfully,
|
|
|
|
"Why, Mina, have I been asleep! Oh, do forgive me for being so rude.
|
|
Come, and we'll have a cup of tea somewhere."
|
|
|
|
He had evidently forgotten all about the dark stranger, as in his
|
|
illness he had forgotten all that this episode had reminded him of. I
|
|
don't like this lapsing into forgetfulness. It may make or continue
|
|
some injury to the brain. I must not ask him, for fear I shall do
|
|
more harm than good, but I must somehow learn the facts of his journey
|
|
abroad. The time is come, I fear, when I must open the parcel, and
|
|
know what is written. Oh, Jonathan, you will, I know, forgive me if I
|
|
do wrong, but it is for your own dear sake.
|
|
|
|
|
|
Later.--A sad homecoming in every way, the house empty of the dear
|
|
soul who was so good to us. Jonathan still pale and dizzy under a
|
|
slight relapse of his malady, and now a telegram from Van Helsing,
|
|
whoever he may be. "You will be grieved to hear that Mrs. Westenra
|
|
died five days ago, and that Lucy died the day before yesterday. They
|
|
were both buried today."
|
|
|
|
Oh, what a wealth of sorrow in a few words! Poor Mrs. Westenra! Poor
|
|
Lucy! Gone, gone, never to return to us! And poor, poor Arthur, to
|
|
have lost such a sweetness out of his life! God help us all to bear
|
|
our troubles.
|
|
|
|
|
|
|
|
DR. SEWARD'S DIARY-CONT.
|
|
|
|
22 September.--It is all over. Arthur has gone back to Ring, and has
|
|
taken Quincey Morris with him. What a fine fellow is Quincey! I
|
|
believe in my heart of hearts that he suffered as much about Lucy's
|
|
death as any of us, but he bore himself through it like a moral
|
|
Viking. If America can go on breeding men like that, she will be a
|
|
power in the world indeed. Van Helsing is lying down, having a rest
|
|
preparatory to his journey. He goes to Amsterdam tonight, but says he
|
|
returns tomorrow night, that he only wants to make some arrangements
|
|
which can only be made personally. He is to stop with me then, if he
|
|
can. He says he has work to do in London which may take him some
|
|
time. Poor old fellow! I fear that the strain of the past week has
|
|
broken down even his iron strength. All the time of the burial he
|
|
was, I could see, putting some terrible restraint on himself. When it
|
|
was all over, we were standing beside Arthur, who, poor fellow, was
|
|
speaking of his part in the operation where his blood had been
|
|
transfused to his Lucy's veins. I could see Van Helsing's face grow
|
|
white and purple by turns. Arthur was saying that he felt since then
|
|
as if they two had been really married, and that she was his wife in
|
|
the sight of God. None of us said a word of the other operations, and
|
|
none of us ever shall. Arthur and Quincey went away together to the
|
|
station, and Van Helsing and I came on here. The moment we were alone
|
|
in the carriage he gave way to a regular fit of hysterics. He has
|
|
denied to me since that it was hysterics, and insisted that it was
|
|
only his sense of humor asserting itself under very terrible
|
|
conditions. He laughed till he cried, and I had to draw down the
|
|
blinds lest any one should see us and misjudge. And then he cried,
|
|
till he laughed again, and laughed and cried together, just as a woman
|
|
does. I tried to be stern with him, as one is to a woman under the
|
|
circumstances, but it had no effect. Men and women are so different
|
|
in manifestations of nervous strength or weakness! Then when his face
|
|
grew grave and stern again I asked him why his mirth, and why at such
|
|
a time. His reply was in a way characteristic of him, for it was
|
|
logical and forceful and mysterious. He said,
|
|
|
|
"Ah, you don't comprehend, friend John. Do not think that I am not
|
|
sad, though I laugh. See, I have cried even when the laugh did choke
|
|
me. But no more think that I am all sorry when I cry, for the laugh
|
|
he come just the same. Keep it always with you that laughter who
|
|
knock at your door and say, 'May I come in?' is not true laughter.
|
|
No! He is a king, and he come when and how he like. He ask no
|
|
person, he choose no time of suitability. He say, 'I am here.'
|
|
Behold, in example I grieve my heart out for that so sweet young
|
|
girl. I give my blood for her, though I am old and worn. I give my
|
|
time, my skill, my sleep. I let my other sufferers want that she may
|
|
have all. And yet I can laugh at her very grave, laugh when the clay
|
|
from the spade of the sexton drop upon her coffin and say 'Thud,
|
|
thud!' to my heart, till it send back the blood from my cheek. My
|
|
heart bleed for that poor boy, that dear boy, so of the age of mine
|
|
own boy had I been so blessed that he live, and with his hair and eyes
|
|
the same.
|
|
|
|
"There, you know now why I love him so. And yet when he say things
|
|
that touch my husband-heart to the quick, and make my father-heart
|
|
yearn to him as to no other man, not even you, friend John, for we are
|
|
more level in experiences than father and son, yet even at such a
|
|
moment King Laugh he come to me and shout and bellow in my ear, 'Here I
|
|
am! Here I am!' till the blood come dance back and bring some of the
|
|
sunshine that he carry with him to my cheek. Oh, friend John, it is a
|
|
strange world, a sad world, a world full of miseries, and woes, and
|
|
troubles. And yet when King Laugh come, he make them all dance to the
|
|
tune he play. Bleeding hearts, and dry bones of the churchyard, and
|
|
tears that burn as they fall, all dance together to the music that he
|
|
make with that smileless mouth of him. And believe me, friend John,
|
|
that he is good to come, and kind. Ah, we men and women are like
|
|
ropes drawn tight with strain that pull us different ways. Then tears
|
|
come, and like the rain on the ropes, they brace us up, until perhaps
|
|
the strain become too great, and we break. But King Laugh he come
|
|
like the sunshine, and he ease off the strain again, and we bear to go
|
|
on with our labor, what it may be."
|
|
|
|
I did not like to wound him by pretending not to see his idea, but as
|
|
I did not yet understand the cause of his laughter, I asked him. As
|
|
he answered me his face grew stern, and he said in quite a different
|
|
tone,
|
|
|
|
"Oh, it was the grim irony of it all, this so lovely lady garlanded
|
|
with flowers, that looked so fair as life, till one by one we wondered
|
|
if she were truly dead, she laid in that so fine marble house in that
|
|
lonely churchyard, where rest so many of her kin, laid there with the
|
|
mother who loved her, and whom she loved, and that sacred bell going
|
|
'Toll! Toll! Toll!' so sad and slow, and those holy men, with the
|
|
white garments of the angel, pretending to read books, and yet all the
|
|
time their eyes never on the page, and all of us with the bowed head.
|
|
And all for what? She is dead, so! Is it not?"
|
|
|
|
"Well, for the life of me, Professor," I said, "I can't see anything
|
|
to laugh at in all that. Why, your expression makes it a harder
|
|
puzzle than before. But even if the burial service was comic, what
|
|
about poor Art and his trouble? Why his heart was simply breaking."
|
|
|
|
"Just so. Said he not that the transfusion of his blood to her veins
|
|
had made her truly his bride?"
|
|
|
|
"Yes, and it was a sweet and comforting idea for him."
|
|
|
|
"Quite so. But there was a difficulty, friend John. If so that, then
|
|
what about the others? Ho, ho! Then this so sweet maid is a
|
|
polyandrist, and me, with my poor wife dead to me, but alive by
|
|
Church's law, though no wits, all gone, even I, who am faithful
|
|
husband to this now-no-wife, am bigamist."
|
|
|
|
"I don't see where the joke comes in there either!" I said, and I did
|
|
not feel particularly pleased with him for saying such things. He
|
|
laid his hand on my arm, and said,
|
|
|
|
"Friend John, forgive me if I pain. I showed not my feeling to others
|
|
when it would wound, but only to you, my old friend, whom I can trust.
|
|
If you could have looked into my heart then when I want to laugh, if
|
|
you could have done so when the laugh arrived, if you could do so now,
|
|
when King Laugh have pack up his crown, and all that is to him, for he
|
|
go far, far away from me, and for a long, long time, maybe you would
|
|
perhaps pity me the most of all."
|
|
|
|
I was touched by the tenderness of his tone, and asked why.
|
|
|
|
"Because I know!"
|
|
|
|
And now we are all scattered, and for many a long day loneliness will
|
|
sit over our roofs with brooding wings. Lucy lies in the tomb of her
|
|
kin, a lordly death house in a lonely churchyard, away from teeming
|
|
London, where the air is fresh, and the sun rises over Hampstead Hill,
|
|
and where wild flowers grow of their own accord.
|
|
|
|
So I can finish this diary, and God only knows if I shall ever begin
|
|
another. If I do, or if I even open this again, it will be to deal
|
|
with different people and different themes, for here at the end, where
|
|
the romance of my life is told, ere I go back to take up the thread of
|
|
my life-work, I say sadly and without hope, "FINIS".
|
|
|
|
|
|
|
|
|
|
THE WESTMINSTER GAZETTE, 25 SEPTEMBER A HAMPSTEAD MYSTERY
|
|
|
|
The neighborhood of Hampstead is just at present exercised
|
|
with a series of events which seem to run on lines parallel
|
|
to those of what was known to the writers of headlines as
|
|
"The Kensington Horror," or "The Stabbing Woman," or "The
|
|
Woman in Black." During the past two or three days several
|
|
cases have occurred of young children straying from home or
|
|
neglecting to return from their playing on the Heath. In
|
|
all these cases the children were too young to give any
|
|
properly intelligible account of themselves, but the
|
|
consensus of their excuses is that they had been with a
|
|
"bloofer lady." It has always been late in the evening when
|
|
they have been missed, and on two occasions the children
|
|
have not been found until early in the following morning.
|
|
It is generally supposed in the neighborhood that, as the
|
|
first child missed gave as his reason for being away that a
|
|
"bloofer lady" had asked him to come for a walk, the others
|
|
had picked up the phrase and used it as occasion served. This
|
|
is the more natural as the favourite game of the little ones
|
|
at present is luring each other away by wiles. A correspondent
|
|
writes us that to see some of the tiny tots pretending to be the
|
|
"bloofer lady" is supremely funny. Some of our caricaturists
|
|
might, he says, take a lesson in the irony of grotesque by
|
|
comparing the reality and the picture. It is only in accordance
|
|
with general principles of human nature that the "bloofer lady"
|
|
should be the popular role at these al fresco performances. Our
|
|
correspondent naively says that even Ellen Terry could not be so
|
|
winningly attractive as some of these grubby-faced little
|
|
children pretend, and even imagine themselves, to be.
|
|
|
|
There is, however, possibly a serious side to the question,
|
|
for some of the children, indeed all who have been missed
|
|
at night, have been slightly torn or wounded in the throat.
|
|
The wounds seem such as might be made by a rat or a small
|
|
dog, and although of not much importance individually, would tend
|
|
to show that whatever animal inflicts them has a system or method
|
|
of its own. The police of the division have been instructed to
|
|
keep a sharp lookout for straying children, especially when very
|
|
young, in and around Hampstead Heath, and for any stray dog which
|
|
may be about.
|
|
|
|
|
|
|
|
|
|
THE WESTMINSTER GAZETTE, 25 SEPTEMBER EXTRA SPECIAL
|
|
|
|
THE HAMPSTEAD HORROR
|
|
|
|
|
|
ANOTHER CHILD INJURED
|
|
|
|
THE "BLOOFER LADY"
|
|
|
|
We have just received intelligence that another child,
|
|
missed last night, was only discovered late in the morning
|
|
under a furze bush at the Shooter's Hill side of Hampstead
|
|
Heath, which is perhaps, less frequented than the other
|
|
parts. It has the same tiny wound in the throat as has
|
|
been noticed in other cases. It was terribly weak, and
|
|
looked quite emaciated. It too, when partially restored,
|
|
had the common story to tell of being lured away by the
|
|
"bloofer lady".
|
|
|
|
|
|
|
|
|
|
CHAPTER 14
|
|
|
|
|
|
MINA HARKER'S JOURNAL
|
|
|
|
23 September.--Jonathan is better after a bad night. I am so glad
|
|
that he has plenty of work to do, for that keeps his mind off the
|
|
terrible things, and oh, I am rejoiced that he is not now weighed down
|
|
with the responsibility of his new position. I knew he would be true
|
|
to himself, and now how proud I am to see my Jonathan rising to the
|
|
height of his advancement and keeping pace in all ways with the duties
|
|
that come upon him. He will be away all day till late, for he said he
|
|
could not lunch at home. My household work is done, so I shall take
|
|
his foreign journal, and lock myself up in my room and read it.
|
|
|
|
|
|
24 September.--I hadn't the heart to write last night, that terrible
|
|
record of Jonathan's upset me so. Poor dear! How he must have
|
|
suffered, whether it be true or only imagination. I wonder if there
|
|
is any truth in it at all. Did he get his brain fever, and then write
|
|
all those terrible things, or had he some cause for it all? I suppose
|
|
I shall never know, for I dare not open the subject to him. And yet
|
|
that man we saw yesterday! He seemed quite certain of him, poor
|
|
fellow! I suppose it was the funeral upset him and sent his mind back
|
|
on some train of thought.
|
|
|
|
He believes it all himself. I remember how on our wedding day he said
|
|
"Unless some solemn duty come upon me to go back to the bitter hours,
|
|
asleep or awake, mad or sane . . ." There seems to be through it all
|
|
some thread of continuity. That fearful Count was coming to London.
|
|
If it should be, and he came to London, with its teeming millions . . .
|
|
There may be a solemn duty, and if it come we must not shrink from
|
|
it. I shall be prepared. I shall get my typewriter this very hour
|
|
and begin transcribing. Then we shall be ready for other eyes if
|
|
required. And if it be wanted, then, perhaps, if I am ready, poor
|
|
Jonathan may not be upset, for I can speak for him and never let him
|
|
be troubled or worried with it at all. If ever Jonathan quite gets
|
|
over the nervousness he may want to tell me of it all, and I can ask
|
|
him questions and find out things, and see how I may comfort him.
|
|
|
|
|
|
|
|
|
|
LETTER, VAN HELSING TO MRS. HARKER
|
|
|
|
24 September
|
|
|
|
(Confidence)
|
|
|
|
"Dear Madam,
|
|
|
|
"I pray you to pardon my writing, in that I am so far
|
|
friend as that I sent to you sad news of Miss Lucy
|
|
Westenra's death. By the kindness of Lord Godalming, I am
|
|
empowered to read her letters and papers, for I am deeply
|
|
concerned about certain matters vitally important. In them
|
|
I find some letters from you, which show how great friends
|
|
you were and how you love her. Oh, Madam Mina, by that
|
|
love, I implore you, help me. It is for others' good that
|
|
I ask, to redress great wrong, and to lift much and terrible
|
|
troubles, that may be more great than you can know. May it be
|
|
that I see you? You can trust me. I am friend of Dr. John
|
|
Seward and of Lord Godalming (that was Arthur of Miss Lucy). I
|
|
must keep it private for the present from all. I should come to
|
|
Exeter to see you at once if you tell me I am privilege to come,
|
|
and where and when. I implore your pardon, Madam. I have read
|
|
your letters to poor Lucy, and know how good you are and how your
|
|
husband suffer. So I pray you, if it may be, enlighten him not,
|
|
least it may harm. Again your pardon, and forgive me.
|
|
|
|
"VAN HELSING"
|
|
|
|
|
|
|
|
|
|
TELEGRAM, MRS. HARKER TO VAN HELSING
|
|
|
|
25 September.--Come today by quarter past ten train if you
|
|
can catch it. Can see you any time you call.
|
|
|
|
"WILHELMINA HARKER"
|
|
|
|
|
|
|
|
|
|
MINA HARKER'S JOURNAL
|
|
|
|
25 September.--I cannot help feeling terribly excited as the time
|
|
draws near for the visit of Dr. Van Helsing, for somehow I expect that
|
|
it will throw some light upon Jonathan's sad experience, and as he
|
|
attended poor dear Lucy in her last illness, he can tell me all about
|
|
her. That is the reason of his coming. It is concerning Lucy and her
|
|
sleep-walking, and not about Jonathan. Then I shall never know the
|
|
real truth now! How silly I am. That awful journal gets hold of my
|
|
imagination and tinges everything with something of its own colour. Of
|
|
course it is about Lucy. That habit came back to the poor dear, and
|
|
that awful night on the cliff must have made her ill. I had almost
|
|
forgotten in my own affairs how ill she was afterwards. She must have
|
|
told him of her sleep-walking adventure on the cliff, and that I knew
|
|
all about it, and now he wants me to tell him what I know, so that he
|
|
may understand. I hope I did right in not saying anything of it to
|
|
Mrs. Westenra. I should never forgive myself if any act of mine, were
|
|
it even a negative one, brought harm on poor dear Lucy. I hope too,
|
|
Dr. Van Helsing will not blame me. I have had so much trouble and
|
|
anxiety of late that I feel I cannot bear more just at present.
|
|
|
|
I suppose a cry does us all good at times, clears the air as other
|
|
rain does. Perhaps it was reading the journal yesterday that upset
|
|
me, and then Jonathan went away this morning to stay away from me a
|
|
whole day and night, the first time we have been parted since our
|
|
marriage. I do hope the dear fellow will take care of himself, and
|
|
that nothing will occur to upset him. It is two o'clock, and the
|
|
doctor will be here soon now. I shall say nothing of Jonathan's
|
|
journal unless he asks me. I am so glad I have typewritten out my own
|
|
journal, so that, in case he asks about Lucy, I can hand it to him.
|
|
It will save much questioning.
|
|
|
|
Later.--He has come and gone. Oh, what a strange meeting, and how it
|
|
all makes my head whirl round. I feel like one in a dream. Can it be
|
|
all possible, or even a part of it? If I had not read Jonathan's
|
|
journal first, I should never have accepted even a possibility. Poor,
|
|
poor, dear Jonathan! How he must have suffered. Please the good God,
|
|
all this may not upset him again. I shall try to save him from it.
|
|
But it may be even a consolation and a help to him, terrible though it
|
|
be and awful in its consequences, to know for certain that his eyes
|
|
and ears and brain did not deceive him, and that it is all true. It
|
|
may be that it is the doubt which haunts him, that when the doubt is
|
|
removed, no matter which, waking or dreaming, may prove the truth, he
|
|
will be more satisfied and better able to bear the shock. Dr. Van
|
|
Helsing must be a good man as well as a clever one if he is Arthur's
|
|
friend and Dr. Seward's, and if they brought him all the way from
|
|
Holland to look after Lucy. I feel from having seen him that he is
|
|
good and kind and of a noble nature. When he comes tomorrow I shall
|
|
ask him about Jonathan. And then, please God, all this sorrow and
|
|
anxiety may lead to a good end. I used to think I would like to
|
|
practice interviewing. Jonathan's friend on "The Exeter News" told
|
|
him that memory is everything in such work, that you must be able to
|
|
put down exactly almost every word spoken, even if you had to refine
|
|
some of it afterwards. Here was a rare interview. I shall try to
|
|
record it verbatim.
|
|
|
|
It was half-past two o'clock when the knock came. I took my courage a
|
|
deux mains and waited. In a few minutes Mary opened the door, and
|
|
announced "Dr. Van Helsing".
|
|
|
|
I rose and bowed, and he came towards me, a man of medium weight,
|
|
strongly built, with his shoulders set back over a broad, deep chest
|
|
and a neck well balanced on the trunk as the head is on the neck. The
|
|
poise of the head strikes me at once as indicative of thought and
|
|
power. The head is noble, well-sized, broad, and large behind the
|
|
ears. The face, clean-shaven, shows a hard, square chin, a large
|
|
resolute, mobile mouth, a good-sized nose, rather straight, but with
|
|
quick, sensitive nostrils, that seem to broaden as the big bushy brows
|
|
come down and the mouth tightens. The forehead is broad and fine,
|
|
rising at first almost straight and then sloping back above two bumps
|
|
or ridges wide apart, such a forehead that the reddish hair cannot
|
|
possibly tumble over it, but falls naturally back and to the sides.
|
|
Big, dark blue eyes are set widely apart, and are quick and tender or
|
|
stern with the man's moods. He said to me,
|
|
|
|
"Mrs. Harker, is it not?" I bowed assent.
|
|
|
|
"That was Miss Mina Murray?" Again I assented.
|
|
|
|
"It is Mina Murray that I came to see that was friend of that poor dear
|
|
child Lucy Westenra. Madam Mina, it is on account of the dead that I
|
|
come."
|
|
|
|
"Sir," I said, "you could have no better claim on me than that you
|
|
were a friend and helper of Lucy Westenra." And I held out my hand.
|
|
He took it and said tenderly,
|
|
|
|
"Oh, Madam Mina, I know that the friend of that poor little girl must
|
|
be good, but I had yet to learn . . ." He finished his speech with a
|
|
courtly bow. I asked him what it was that he wanted to see me about,
|
|
so he at once began.
|
|
|
|
"I have read your letters to Miss Lucy. Forgive me, but I had to
|
|
begin to inquire somewhere, and there was none to ask. I know that
|
|
you were with her at Whitby. She sometimes kept a diary, you need not
|
|
look surprised, Madam Mina. It was begun after you had left, and was
|
|
an imitation of you, and in that diary she traces by inference certain
|
|
things to a sleep-walking in which she puts down that you saved her.
|
|
In great perplexity then I come to you, and ask you out of your so
|
|
much kindness to tell me all of it that you can remember."
|
|
|
|
"I can tell you, I think, Dr. Van Helsing, all about it."
|
|
|
|
"Ah, then you have good memory for facts, for details? It is not
|
|
always so with young ladies."
|
|
|
|
"No, doctor, but I wrote it all down at the time. I can show it to
|
|
you if you like."
|
|
|
|
"Oh, Madam Mina, I well be grateful. You will do me much favour."
|
|
|
|
I could not resist the temptation of mystifying him a bit, I suppose
|
|
it is some taste of the original apple that remains still in our
|
|
mouths, so I handed him the shorthand diary. He took it with a
|
|
grateful bow, and said, "May I read it?"
|
|
|
|
"If you wish," I answered as demurely as I could. He opened it, and
|
|
for an instant his face fell. Then he stood up and bowed.
|
|
|
|
"Oh, you so clever woman!" he said. "I knew long that Mr. Jonathan
|
|
was a man of much thankfulness, but see, his wife have all the good
|
|
things. And will you not so much honour me and so help me as to read
|
|
it for me? Alas! I know not the shorthand."
|
|
|
|
By this time my little joke was over, and I was almost ashamed. So I
|
|
took the typewritten copy from my work basket and handed it to him.
|
|
|
|
"Forgive me," I said. "I could not help it, but I had been thinking
|
|
that it was of dear Lucy that you wished to ask, and so that you might
|
|
not have time to wait, not on my account, but because I know your time
|
|
must be precious, I have written it out on the typewriter for you."
|
|
|
|
He took it and his eyes glistened. "You are so good," he said. "And
|
|
may I read it now? I may want to ask you some things when I have
|
|
read."
|
|
|
|
"By all means," I said, "read it over whilst I order lunch, and then
|
|
you can ask me questions whilst we eat."
|
|
|
|
He bowed and settled himself in a chair with his back to the light,
|
|
and became so absorbed in the papers, whilst I went to see after lunch
|
|
chiefly in order that he might not be disturbed. When I came back, I
|
|
found him walking hurriedly up and down the room, his face all ablaze
|
|
with excitement. He rushed up to me and took me by both hands.
|
|
|
|
"Oh, Madam Mina," he said, "how can I say what I owe to you? This
|
|
paper is as sunshine. It opens the gate to me. I am dazed, I am
|
|
dazzled, with so much light, and yet clouds roll in behind the light
|
|
every time. But that you do not, cannot comprehend. Oh, but I am
|
|
grateful to you, you so clever woman. Madame," he said this very
|
|
solemnly, "if ever Abraham Van Helsing can do anything for you or
|
|
yours, I trust you will let me know. It will be pleasure and delight
|
|
if I may serve you as a friend, as a friend, but all I have ever
|
|
learned, all I can ever do, shall be for you and those you love. There
|
|
are darknesses in life, and there are lights. You are one of the
|
|
lights. You will have a happy life and a good life, and your husband
|
|
will be blessed in you."
|
|
|
|
"But, doctor, you praise me too much, and you do not know me."
|
|
|
|
"Not know you, I, who am old, and who have studied all my life men and
|
|
women, I who have made my specialty the brain and all that belongs to
|
|
him and all that follow from him! And I have read your diary that you
|
|
have so goodly written for me, and which breathes out truth in every
|
|
line. I, who have read your so sweet letter to poor Lucy of your
|
|
marriage and your trust, not know you! Oh, Madam Mina, good women
|
|
tell all their lives, and by day and by hour and by minute, such
|
|
things that angels can read. And we men who wish to know have in us
|
|
something of angels' eyes. Your husband is noble nature, and you are
|
|
noble too, for you trust, and trust cannot be where there is mean
|
|
nature. And your husband, tell me of him. Is he quite well? Is all
|
|
that fever gone, and is he strong and hearty?"
|
|
|
|
I saw here an opening to ask him about Jonathan, so I said, "He was
|
|
almost recovered, but he has been greatly upset by Mr. Hawkins death."
|
|
|
|
He interrupted, "Oh, yes. I know. I know. I have read your last two
|
|
letters."
|
|
|
|
I went on, "I suppose this upset him, for when we were in town on
|
|
Thursday last he had a sort of shock."
|
|
|
|
"A shock, and after brain fever so soon! That is not good. What kind
|
|
of shock was it?"
|
|
|
|
"He thought he saw some one who recalled something terrible, something
|
|
which led to his brain fever." And here the whole thing seemed to
|
|
overwhelm me in a rush. The pity for Jonathan, the horror which he
|
|
experienced, the whole fearful mystery of his diary, and the fear that
|
|
has been brooding over me ever since, all came in a tumult. I suppose
|
|
I was hysterical, for I threw myself on my knees and held up my hands
|
|
to him, and implored him to make my husband well again. He took my
|
|
hands and raised me up, and made me sit on the sofa, and sat by me. He
|
|
held my hand in his, and said to me with, oh, such infinite sweetness,
|
|
|
|
"My life is a barren and lonely one, and so full of work that I have
|
|
not had much time for friendships, but since I have been summoned to
|
|
here by my friend John Seward I have known so many good people and
|
|
seen such nobility that I feel more than ever, and it has grown with
|
|
my advancing years, the loneliness of my life. Believe me, then, that
|
|
I come here full of respect for you, and you have given me hope, hope,
|
|
not in what I am seeking of, but that there are good women still left
|
|
to make life happy, good women, whose lives and whose truths may make
|
|
good lesson for the children that are to be. I am glad, glad, that I
|
|
may here be of some use to you. For if your husband suffer, he suffer
|
|
within the range of my study and experience. I promise you that I
|
|
will gladly do all for him that I can, all to make his life strong and
|
|
manly, and your life a happy one. Now you must eat. You are
|
|
overwrought and perhaps over-anxious. Husband Jonathan would not like
|
|
to see you so pale, and what he like not where he love, is not to his
|
|
good. Therefore for his sake you must eat and smile. You have told
|
|
me about Lucy, and so now we shall not speak of it, lest it distress.
|
|
I shall stay in Exeter tonight, for I want to think much over what you
|
|
have told me, and when I have thought I will ask you questions, if I
|
|
may. And then too, you will tell me of husband Jonathan's trouble so
|
|
far as you can, but not yet. You must eat now, afterwards you shall
|
|
tell me all."
|
|
|
|
After lunch, when we went back to the drawing room, he said to me,
|
|
"And now tell me all about him."
|
|
|
|
When it came to speaking to this great learned man, I began to fear
|
|
that he would think me a weak fool, and Jonathan a madman, that
|
|
journal is all so strange, and I hesitated to go on. But he was so
|
|
sweet and kind, and he had promised to help, and I trusted him, so I
|
|
said,
|
|
|
|
"Dr. Van Helsing, what I have to tell you is so queer that you must
|
|
not laugh at me or at my husband. I have been since yesterday in a
|
|
sort of fever of doubt. You must be kind to me, and not think me
|
|
foolish that I have even half believed some very strange things."
|
|
|
|
He reassured me by his manner as well as his words when he said, "Oh,
|
|
my dear, if you only know how strange is the matter regarding which I
|
|
am here, it is you who would laugh. I have learned not to think
|
|
little of any one's belief, no matter how strange it may be. I have
|
|
tried to keep an open mind, and it is not the ordinary things of life
|
|
that could close it, but the strange things, the extraordinary things,
|
|
the things that make one doubt if they be mad or sane."
|
|
|
|
"Thank you, thank you a thousand times! You have taken a weight off my
|
|
mind. If you will let me, I shall give you a paper to read. It is
|
|
long, but I have typewritten it out. It will tell you my trouble and
|
|
Jonathan's. It is the copy of his journal when abroad, and all that
|
|
happened. I dare not say anything of it. You will read for yourself
|
|
and judge. And then when I see you, perhaps, you will be very kind
|
|
and tell me what you think."
|
|
|
|
"I promise," he said as I gave him the papers. "I shall in the
|
|
morning, as soon as I can, come to see you and your husband, if I
|
|
may."
|
|
|
|
"Jonathan will be here at half-past eleven, and you must come to lunch
|
|
with us and see him then. You could catch the quick 3:34 train, which
|
|
will leave you at Paddington before eight." He was surprised at my
|
|
knowledge of the trains offhand, but he does not know that I have made
|
|
up all the trains to and from Exeter, so that I may help Jonathan in
|
|
case he is in a hurry.
|
|
|
|
So he took the papers with him and went away, and I sit here thinking,
|
|
thinking I don't know what.
|
|
|
|
|
|
|
|
|
|
LETTER (by hand), VAN HELSING TO MRS. HARKER
|
|
|
|
25 September, 6 o'clock
|
|
|
|
"Dear Madam Mina,
|
|
|
|
"I have read your husband's so wonderful diary. You may
|
|
sleep without doubt. Strange and terrible as it is, it is
|
|
true! I will pledge my life on it. It may be worse for
|
|
others, but for him and you there is no dread. He is a
|
|
noble fellow, and let me tell you from experience of men,
|
|
that one who would do as he did in going down that wall and
|
|
to that room, aye, and going a second time, is not one to
|
|
be injured in permanence by a shock. His brain and his
|
|
heart are all right, this I swear, before I have even seen
|
|
him, so be at rest. I shall have much to ask him of other
|
|
things. I am blessed that today I come to see you, for I
|
|
have learn all at once so much that again I am dazzled,
|
|
dazzled more than ever, and I must think.
|
|
|
|
"Yours the most faithful,
|
|
|
|
"Abraham Van Helsing."
|
|
|
|
|
|
LETTER, MRS. HARKER TO VAN HELSING
|
|
|
|
25 September, 6:30 P.M.
|
|
|
|
"My dear Dr. Van Helsing,
|
|
|
|
"A thousand thanks for your kind letter, which has taken a
|
|
great weight off my mind. And yet, if it be true, what
|
|
terrible things there are in the world, and what an awful
|
|
thing if that man, that monster, be really in London! I
|
|
fear to think. I have this moment, whilst writing, had a
|
|
wire from Jonathan, saying that he leaves by the 6:25 tonight
|
|
from Launceston and will be here at 10:18, so that I shall have
|
|
no fear tonight. Will you, therefore, instead of lunching with
|
|
us, please come to breakfast at eight o'clock, if this be not too
|
|
early for you? You can get away, if you are in a hurry, by the
|
|
10:30 train, which will bring you to Paddington by 2:35. Do not
|
|
answer this, as I shall take it that, if I do not hear, you will
|
|
come to breakfast.
|
|
|
|
"Believe me,
|
|
|
|
"Your faithful and grateful friend,
|
|
|
|
"Mina Harker."
|
|
|
|
|
|
|
|
|
|
|
|
JONATHAN HARKER'S JOURNAL
|
|
|
|
26 September.--I thought never to write in this diary again, but the
|
|
time has come. When I got home last night Mina had supper ready, and
|
|
when we had supped she told me of Van Helsing's visit, and of her
|
|
having given him the two diaries copied out, and of how anxious she
|
|
has been about me. She showed me in the doctor's letter that all I
|
|
wrote down was true. It seems to have made a new man of me. It was
|
|
the doubt as to the reality of the whole thing that knocked me over.
|
|
I felt impotent, and in the dark, and distrustful. But, now that I
|
|
know, I am not afraid, even of the Count. He has succeeded after all,
|
|
then, in his design in getting to London, and it was he I saw. He has
|
|
got younger, and how? Van Helsing is the man to unmask him and hunt
|
|
him out, if he is anything like what Mina says. We sat late, and
|
|
talked it over. Mina is dressing, and I shall call at the hotel in a
|
|
few minutes and bring him over.
|
|
|
|
|
|
He was, I think, surprised to see me. When I came into the room where
|
|
he was, and introduced myself, he took me by the shoulder, and turned
|
|
my face round to the light, and said, after a sharp scrutiny,
|
|
|
|
"But Madam Mina told me you were ill, that you had had a shock."
|
|
|
|
It was so funny to hear my wife called 'Madam Mina' by this kindly,
|
|
strong-faced old man. I smiled, and said, "I was ill, I have had a
|
|
shock, but you have cured me already."
|
|
|
|
"And how?"
|
|
|
|
"By your letter to Mina last night. I was in doubt, and then
|
|
everything took a hue of unreality, and I did not know what to trust,
|
|
even the evidence of my own senses. Not knowing what to trust, I did
|
|
not know what to do, and so had only to keep on working in what had
|
|
hitherto been the groove of my life. The groove ceased to avail me,
|
|
and I mistrusted myself. Doctor, you don't know what it is to doubt
|
|
everything, even yourself. No, you don't, you couldn't with eyebrows
|
|
like yours."
|
|
|
|
He seemed pleased, and laughed as he said, "So! You are a
|
|
physiognomist. I learn more here with each hour. I am with so much
|
|
pleasure coming to you to breakfast, and, oh, sir, you will pardon
|
|
praise from an old man, but you are blessed in your wife."
|
|
|
|
I would listen to him go on praising Mina for a day, so I simply
|
|
nodded and stood silent.
|
|
|
|
"She is one of God's women, fashioned by His own hand to show us men
|
|
and other women that there is a heaven where we can enter, and that
|
|
its light can be here on earth. So true, so sweet, so noble, so
|
|
little an egoist, and that, let me tell you, is much in this age, so
|
|
sceptical and selfish. And you, sir . . . I have read all the letters
|
|
to poor Miss Lucy, and some of them speak of you, so I know you since
|
|
some days from the knowing of others, but I have seen your true self
|
|
since last night. You will give me your hand, will you not? And let
|
|
us be friends for all our lives."
|
|
|
|
We shook hands, and he was so earnest and so kind that it made me
|
|
quite choky.
|
|
|
|
"And now," he said, "may I ask you for some more help? I have a great
|
|
task to do, and at the beginning it is to know. You can help me
|
|
here. Can you tell me what went before your going to Transylvania?
|
|
Later on I may ask more help, and of a different kind, but at first
|
|
this will do."
|
|
|
|
"Look here, Sir," I said, "does what you have to do concern the
|
|
Count?"
|
|
|
|
"It does," he said solemnly.
|
|
|
|
"Then I am with you heart and soul. As you go by the 10:30 train, you
|
|
will not have time to read them, but I shall get the bundle of papers.
|
|
You can take them with you and read them in the train."
|
|
|
|
After breakfast I saw him to the station. When we were parting he
|
|
said, "Perhaps you will come to town if I send for you, and take Madam
|
|
Mina too."
|
|
|
|
"We shall both come when you will," I said.
|
|
|
|
I had got him the morning papers and the London papers of the previous
|
|
night, and while we were talking at the carriage window, waiting for
|
|
the train to start, he was turning them over. His eyes suddenly
|
|
seemed to catch something in one of them, "The Westminster Gazette", I
|
|
knew it by the colour, and he grew quite white. He read something
|
|
intently, groaning to himself, "Mein Gott! Mein Gott! So soon! So
|
|
soon!" I do not think he remembered me at the moment. Just then the
|
|
whistle blew, and the train moved off. This recalled him to himself,
|
|
and he leaned out of the window and waved his hand, calling out, "Love
|
|
to Madam Mina. I shall write so soon as ever I can."
|
|
|
|
|
|
|
|
|
|
DR. SEWARD'S DIARY
|
|
|
|
26 September.--Truly there is no such thing as finality. Not a week
|
|
since I said "Finis," and yet here I am starting fresh again, or
|
|
rather going on with the record. Until this afternoon I had no cause
|
|
to think of what is done. Renfield had become, to all intents, as
|
|
sane as he ever was. He was already well ahead with his fly business,
|
|
and he had just started in the spider line also, so he had not been of
|
|
any trouble to me. I had a letter from Arthur, written on Sunday, and
|
|
from it I gather that he is bearing up wonderfully well. Quincey
|
|
Morris is with him, and that is much of a help, for he himself is a
|
|
bubbling well of good spirits. Quincey wrote me a line too, and from
|
|
him I hear that Arthur is beginning to recover something of his old
|
|
buoyancy, so as to them all my mind is at rest. As for myself, I was
|
|
settling down to my work with the enthusiasm which I used to have for
|
|
it, so that I might fairly have said that the wound which poor Lucy
|
|
left on me was becoming cicatrised.
|
|
|
|
Everything is, however, now reopened, and what is to be the end God
|
|
only knows. I have an idea that Van Helsing thinks he knows, too, but
|
|
he will only let out enough at a time to whet curiosity. He went to
|
|
Exeter yesterday, and stayed there all night. Today he came back, and
|
|
almost bounded into the room at about half-past five o'clock, and
|
|
thrust last night's "Westminster Gazette" into my hand.
|
|
|
|
"What do you think of that?" he asked as he stood back and folded his
|
|
arms.
|
|
|
|
I looked over the paper, for I really did not know what he meant, but
|
|
he took it from me and pointed out a paragraph about children being
|
|
decoyed away at Hampstead. It did not convey much to me, until I
|
|
reached a passage where it described small puncture wounds on their
|
|
throats. An idea struck me, and I looked up.
|
|
|
|
"Well?" he said.
|
|
|
|
"It is like poor Lucy's."
|
|
|
|
"And what do you make of it?"
|
|
|
|
"Simply that there is some cause in common. Whatever it was that
|
|
injured her has injured them." I did not quite understand his answer.
|
|
|
|
"That is true indirectly, but not directly."
|
|
|
|
"How do you mean, Professor?" I asked. I was a little inclined to
|
|
take his seriousness lightly, for, after all, four days of rest and
|
|
freedom from burning, harrowing, anxiety does help to restore one's
|
|
spirits, but when I saw his face, it sobered me. Never, even in the
|
|
midst of our despair about poor Lucy, had he looked more stern.
|
|
|
|
"Tell me!" I said. "I can hazard no opinion. I do not know what to
|
|
think, and I have no data on which to found a conjecture."
|
|
|
|
"Do you mean to tell me, friend John, that you have no suspicion as to
|
|
what poor Lucy died of, not after all the hints given, not only by
|
|
events, but by me?"
|
|
|
|
"Of nervous prostration following a great loss or waste of blood."
|
|
|
|
"And how was the blood lost or wasted?" I shook my head.
|
|
|
|
He stepped over and sat down beside me, and went on, "You are a clever
|
|
man, friend John. You reason well, and your wit is bold, but you are
|
|
too prejudiced. You do not let your eyes see nor your ears hear, and
|
|
that which is outside your daily life is not of account to you. Do
|
|
you not think that there are things which you cannot understand, and
|
|
yet which are, that some people see things that others cannot? But
|
|
there are things old and new which must not be contemplated by men's
|
|
eyes, because they know, or think they know, some things which other
|
|
men have told them. Ah, it is the fault of our science that it wants
|
|
to explain all, and if it explain not, then it says there is nothing
|
|
to explain. But yet we see around us every day the growth of new
|
|
beliefs, which think themselves new, and which are yet but the old,
|
|
which pretend to be young, like the fine ladies at the opera. I
|
|
suppose now you do not believe in corporeal transference. No? Nor in
|
|
materialization. No? Nor in astral bodies. No? Nor in the reading
|
|
of thought. No? Nor in hypnotism . . ."
|
|
|
|
"Yes," I said. "Charcot has proved that pretty well."
|
|
|
|
He smiled as he went on, "Then you are satisfied as to it. Yes? And
|
|
of course then you understand how it act, and can follow the mind of
|
|
the great Charcot, alas that he is no more, into the very soul of the
|
|
patient that he influence. No? Then, friend John, am I to take it
|
|
that you simply accept fact, and are satisfied to let from premise to
|
|
conclusion be a blank? No? Then tell me, for I am a student of the
|
|
brain, how you accept hypnotism and reject the thought reading. Let
|
|
me tell you, my friend, that there are things done today in electrical
|
|
science which would have been deemed unholy by the very man who
|
|
discovered electricity, who would themselves not so long before been
|
|
burned as wizards. There are always mysteries in life. Why was it
|
|
that Methuselah lived nine hundred years, and 'Old Parr' one hundred
|
|
and sixty-nine, and yet that poor Lucy, with four men's blood in her
|
|
poor veins, could not live even one day? For, had she live one more
|
|
day, we could save her. Do you know all the mystery of life and
|
|
death? Do you know the altogether of comparative anatomy and can say
|
|
wherefore the qualities of brutes are in some men, and not in others?
|
|
Can you tell me why, when other spiders die small and soon, that one
|
|
great spider lived for centuries in the tower of the old Spanish
|
|
church and grew and grew, till, on descending, he could drink the oil
|
|
of all the church lamps? Can you tell me why in the Pampas, ay and
|
|
elsewhere, there are bats that come out at night and open the veins of
|
|
cattle and horses and suck dry their veins, how in some islands of the
|
|
Western seas there are bats which hang on the trees all day, and those
|
|
who have seen describe as like giant nuts or pods, and that when the
|
|
sailors sleep on the deck, because that it is hot, flit down on them
|
|
and then, and then in the morning are found dead men, white as even
|
|
Miss Lucy was?"
|
|
|
|
"Good God, Professor!" I said, starting up. "Do you mean to tell me
|
|
that Lucy was bitten by such a bat, and that such a thing is here in
|
|
London in the nineteenth century?"
|
|
|
|
He waved his hand for silence, and went on, "Can you tell me why the
|
|
tortoise lives more long than generations of men, why the elephant
|
|
goes on and on till he have sees dynasties, and why the parrot never
|
|
die only of bite of cat of dog or other complaint? Can you tell me
|
|
why men believe in all ages and places that there are men and women
|
|
who cannot die? We all know, because science has vouched for the
|
|
fact, that there have been toads shut up in rocks for thousands of
|
|
years, shut in one so small hole that only hold him since the youth of
|
|
the world. Can you tell me how the Indian fakir can make himself to
|
|
die and have been buried, and his grave sealed and corn sowed on it,
|
|
and the corn reaped and be cut and sown and reaped and cut again, and
|
|
then men come and take away the unbroken seal and that there lie the
|
|
Indian fakir, not dead, but that rise up and walk amongst them as
|
|
before?"
|
|
|
|
Here I interrupted him. I was getting bewildered. He so crowded on
|
|
my mind his list of nature's eccentricities and possible
|
|
impossibilities that my imagination was getting fired. I had a dim
|
|
idea that he was teaching me some lesson, as long ago he used to do in
|
|
his study at Amsterdam. But he used them to tell me the thing, so
|
|
that I could have the object of thought in mind all the time. But now
|
|
I was without his help, yet I wanted to follow him, so I said,
|
|
|
|
"Professor, let me be your pet student again. Tell me the thesis, so
|
|
that I may apply your knowledge as you go on. At present I am going
|
|
in my mind from point to point as a madman, and not a sane one,
|
|
follows an idea. I feel like a novice lumbering through a bog in a
|
|
midst, jumping from one tussock to another in the mere blind effort to
|
|
move on without knowing where I am going."
|
|
|
|
"That is a good image," he said. "Well, I shall tell you. My thesis
|
|
is this, I want you to believe."
|
|
|
|
"To believe what?"
|
|
|
|
"To believe in things that you cannot. Let me illustrate. I heard
|
|
once of an American who so defined faith, 'that faculty which enables
|
|
us to believe things which we know to be untrue.' For one, I follow
|
|
that man. He meant that we shall have an open mind, and not let a
|
|
little bit of truth check the rush of the big truth, like a small rock
|
|
does a railway truck. We get the small truth first. Good! We keep
|
|
him, and we value him, but all the same we must not let him think
|
|
himself all the truth in the universe."
|
|
|
|
"Then you want me not to let some previous conviction inure the
|
|
receptivity of my mind with regard to some strange matter. Do I read
|
|
your lesson aright?"
|
|
|
|
"Ah, you are my favourite pupil still. It is worth to teach you. Now
|
|
that you are willing to understand, you have taken the first step to
|
|
understand. You think then that those so small holes in the
|
|
children's throats were made by the same that made the holes in Miss
|
|
Lucy?"
|
|
|
|
"I suppose so."
|
|
|
|
He stood up and said solemnly, "Then you are wrong. Oh, would it were
|
|
so! But alas! No. It is worse, far, far worse."
|
|
|
|
"In God's name, Professor Van Helsing, what do you mean?" I cried.
|
|
|
|
He threw himself with a despairing gesture into a chair, and placed
|
|
his elbows on the table, covering his face with his hands as he spoke.
|
|
|
|
"They were made by Miss Lucy!"
|
|
|
|
|
|
|
|
|
|
CHAPTER 15
|
|
|
|
|
|
DR. SEWARD'S DIARY--cont.
|
|
|
|
For a while sheer anger mastered me. It was as if he had during her
|
|
life struck Lucy on the face. I smote the table hard and rose up as I
|
|
said to him, "Dr. Van Helsing, are you mad?"
|
|
|
|
He raised his head and looked at me, and somehow the tenderness of his
|
|
face calmed me at once. "Would I were!" he said. "Madness were easy
|
|
to bear compared with truth like this. Oh, my friend, why, think
|
|
you, did I go so far round, why take so long to tell so simple a
|
|
thing? Was it because I hate you and have hated you all my life? Was
|
|
it because I wished to give you pain? Was it that I wanted, now so
|
|
late, revenge for that time when you saved my life, and from a fearful
|
|
death? Ah no!"
|
|
|
|
"Forgive me," said I.
|
|
|
|
He went on, "My friend, it was because I wished to be gentle in the
|
|
breaking to you, for I know you have loved that so sweet lady. But
|
|
even yet I do not expect you to believe. It is so hard to accept at
|
|
once any abstract truth, that we may doubt such to be possible when we
|
|
have always believed the 'no' of it. It is more hard still to accept
|
|
so sad a concrete truth, and of such a one as Miss Lucy. Tonight I go
|
|
to prove it. Dare you come with me?"
|
|
|
|
This staggered me. A man does not like to prove such a truth, Byron
|
|
excepted from the category, jealousy.
|
|
|
|
"And prove the very truth he most abhorred."
|
|
|
|
He saw my hesitation, and spoke, "The logic is simple, no madman's
|
|
logic this time, jumping from tussock to tussock in a misty bog. If
|
|
it not be true, then proof will be relief. At worst it will not harm.
|
|
If it be true! Ah, there is the dread. Yet every dread should help my
|
|
cause, for in it is some need of belief. Come, I tell you what I
|
|
propose. First, that we go off now and see that child in the
|
|
hospital. Dr. Vincent, of the North Hospital, where the papers say
|
|
the child is, is a friend of mine, and I think of yours since you were
|
|
in class at Amsterdam. He will let two scientists see his case, if he
|
|
will not let two friends. We shall tell him nothing, but only that we
|
|
wish to learn. And then . . ."
|
|
|
|
"And then?"
|
|
|
|
He took a key from his pocket and held it up. "And then we spend the
|
|
night, you and I, in the churchyard where Lucy lies. This is the key
|
|
that lock the tomb. I had it from the coffin man to give to Arthur."
|
|
|
|
My heart sank within me, for I felt that there was some fearful ordeal
|
|
before us. I could do nothing, however, so I plucked up what heart I
|
|
could and said that we had better hasten, as the afternoon was
|
|
passing.
|
|
|
|
We found the child awake. It had had a sleep and taken some food, and
|
|
altogether was going on well. Dr. Vincent took the bandage from its
|
|
throat, and showed us the punctures. There was no mistaking the
|
|
similarity to those which had been on Lucy's throat. They were
|
|
smaller, and the edges looked fresher, that was all. We asked Vincent
|
|
to what he attributed them, and he replied that it must have been a
|
|
bite of some animal, perhaps a rat, but for his own part, he was
|
|
inclined to think it was one of the bats which are so numerous on the
|
|
northern heights of London. "Out of so many harmless ones," he said,
|
|
"there may be some wild specimen from the South of a more malignant
|
|
species. Some sailor may have brought one home, and it managed to
|
|
escape, or even from the Zoological Gardens a young one may have got
|
|
loose, or one be bred there from a vampire. These things do occur,
|
|
you, know. Only ten days ago a wolf got out, and was, I believe,
|
|
traced up in this direction. For a week after, the children were
|
|
playing nothing but Red Riding Hood on the Heath and in every alley in
|
|
the place until this 'bloofer lady' scare came along, since then it
|
|
has been quite a gala time with them. Even this poor little mite,
|
|
when he woke up today, asked the nurse if he might go away. When she
|
|
asked him why he wanted to go, he said he wanted to play with the
|
|
'bloofer lady'."
|
|
|
|
"I hope," said Van Helsing, "that when you are sending the child home
|
|
you will caution its parents to keep strict watch over it. These
|
|
fancies to stray are most dangerous, and if the child were to remain
|
|
out another night, it would probably be fatal. But in any case I
|
|
suppose you will not let it away for some days?"
|
|
|
|
"Certainly not, not for a week at least, longer if the wound is not
|
|
healed."
|
|
|
|
Our visit to the hospital took more time than we had reckoned on, and
|
|
the sun had dipped before we came out. When Van Helsing saw how dark
|
|
it was, he said,
|
|
|
|
"There is not hurry. It is more late than I thought. Come, let us
|
|
seek somewhere that we may eat, and then we shall go on our way."
|
|
|
|
We dined at 'Jack Straw's Castle' along with a little crowd of
|
|
bicyclists and others who were genially noisy. About ten o'clock we
|
|
started from the inn. It was then very dark, and the scattered lamps
|
|
made the darkness greater when we were once outside their individual
|
|
radius. The Professor had evidently noted the road we were to go, for
|
|
he went on unhesitatingly, but, as for me, I was in quite a mixup as
|
|
to locality. As we went further, we met fewer and fewer people, till
|
|
at last we were somewhat surprised when we met even the patrol of
|
|
horse police going their usual suburban round. At last we reached the
|
|
wall of the churchyard, which we climbed over. With some little
|
|
difficulty, for it was very dark, and the whole place seemed so
|
|
strange to us, we found the Westenra tomb. The Professor took the
|
|
key, opened the creaky door, and standing back, politely, but quite
|
|
unconsciously, motioned me to precede him. There was a delicious
|
|
irony in the offer, in the courtliness of giving preference on such a
|
|
ghastly occasion. My companion followed me quickly, and cautiously
|
|
drew the door to, after carefully ascertaining that the lock was a
|
|
falling, and not a spring one. In the latter case we should have been
|
|
in a bad plight. Then he fumbled in his bag, and taking out a
|
|
matchbox and a piece of candle, proceeded to make a light. The tomb
|
|
in the daytime, and when wreathed with fresh flowers, had looked grim
|
|
and gruesome enough, but now, some days afterwards, when the flowers
|
|
hung lank and dead, their whites turning to rust and their greens to
|
|
browns, when the spider and the beetle had resumed their accustomed
|
|
dominance, when the time-discoloured stone, and dust-encrusted mortar,
|
|
and rusty, dank iron, and tarnished brass, and clouded silver-plating
|
|
gave back the feeble glimmer of a candle, the effect was more
|
|
miserable and sordid than could have been imagined. It conveyed
|
|
irresistibly the idea that life, animal life, was not the only thing
|
|
which could pass away.
|
|
|
|
Van Helsing went about his work systematically. Holding his candle so
|
|
that he could read the coffin plates, and so holding it that the sperm
|
|
dropped in white patches which congealed as they touched the metal, he
|
|
made assurance of Lucy's coffin. Another search in his bag, and he
|
|
took out a turnscrew.
|
|
|
|
"What are you going to do?" I asked.
|
|
|
|
"To open the coffin. You shall yet be convinced."
|
|
|
|
Straightway he began taking out the screws, and finally lifted off the
|
|
lid, showing the casing of lead beneath. The sight was almost too
|
|
much for me. It seemed to be as much an affront to the dead as it
|
|
would have been to have stripped off her clothing in her sleep whilst
|
|
living. I actually took hold of his hand to stop him.
|
|
|
|
He only said, "You shall see," and again fumbling in his bag took out
|
|
a tiny fret saw. Striking the turnscrew through the lead with a swift
|
|
downward stab, which made me wince, he made a small hole, which was,
|
|
however, big enough to admit the point of the saw. I had expected a
|
|
rush of gas from the week-old corpse. We doctors, who have had to
|
|
study our dangers, have to become accustomed to such things, and I
|
|
drew back towards the door. But the Professor never stopped for a
|
|
moment. He sawed down a couple of feet along one side of the lead
|
|
coffin, and then across, and down the other side. Taking the edge of
|
|
the loose flange, he bent it back towards the foot of the coffin, and
|
|
holding up the candle into the aperture, motioned to me to look.
|
|
|
|
I drew near and looked. The coffin was empty. It was certainly a
|
|
surprise to me, and gave me a considerable shock, but Van Helsing was
|
|
unmoved. He was now more sure than ever of his ground, and so
|
|
emboldened to proceed in his task. "Are you satisfied now, friend
|
|
John?" he asked.
|
|
|
|
I felt all the dogged argumentativeness of my nature awake within me as
|
|
I answered him, "I am satisfied that Lucy's body is not in that
|
|
coffin, but that only proves one thing."
|
|
|
|
"And what is that, friend John?"
|
|
|
|
"That it is not there."
|
|
|
|
"That is good logic," he said, "so far as it goes. But how do you,
|
|
how can you, account for it not being there?"
|
|
|
|
"Perhaps a body-snatcher," I suggested. "Some of the undertaker's
|
|
people may have stolen it." I felt that I was speaking folly, and yet
|
|
it was the only real cause which I could suggest.
|
|
|
|
The Professor sighed. "Ah well!" he said, "we must have more proof.
|
|
Come with me."
|
|
|
|
He put on the coffin lid again, gathered up all his things and placed
|
|
them in the bag, blew out the light, and placed the candle also in the
|
|
bag. We opened the door, and went out. Behind us he closed the door
|
|
and locked it. He handed me the key, saying, "Will you keep it? You
|
|
had better be assured."
|
|
|
|
I laughed, it was not a very cheerful laugh, I am bound to say, as I
|
|
motioned him to keep it. "A key is nothing," I said, "there are many
|
|
duplicates, and anyhow it is not difficult to pick a lock of this
|
|
kind."
|
|
|
|
He said nothing, but put the key in his pocket. Then he told me to
|
|
watch at one side of the churchyard whilst he would watch at the
|
|
other.
|
|
|
|
I took up my place behind a yew tree, and I saw his dark figure move
|
|
until the intervening headstones and trees hid it from my sight.
|
|
|
|
It was a lonely vigil. Just after I had taken my place I heard a
|
|
distant clock strike twelve, and in time came one and two. I was
|
|
chilled and unnerved, and angry with the Professor for taking me on
|
|
such an errand and with myself for coming. I was too cold and too
|
|
sleepy to be keenly observant, and not sleepy enough to betray my
|
|
trust, so altogether I had a dreary, miserable time.
|
|
|
|
Suddenly, as I turned round, I thought I saw something like a white
|
|
streak, moving between two dark yew trees at the side of the
|
|
churchyard farthest from the tomb. At the same time a dark mass moved
|
|
from the Professor's side of the ground, and hurriedly went towards
|
|
it. Then I too moved, but I had to go round headstones and railed-off
|
|
tombs, and I stumbled over graves. The sky was overcast, and
|
|
somewhere far off an early cock crew. A little ways off, beyond a
|
|
line of scattered juniper trees, which marked the pathway to the
|
|
church, a white dim figure flitted in the direction of the tomb. The
|
|
tomb itself was hidden by trees, and I could not see where the figure
|
|
had disappeared. I heard the rustle of actual movement where I had
|
|
first seen the white figure, and coming over, found the Professor
|
|
holding in his arms a tiny child. When he saw me he held it out to
|
|
me, and said, "Are you satisfied now?"
|
|
|
|
"No," I said, in a way that I felt was aggressive.
|
|
|
|
"Do you not see the child?"
|
|
|
|
"Yes, it is a child, but who brought it here? And is it wounded?"
|
|
|
|
"We shall see," said the Professor, and with one impulse we took our
|
|
way out of the churchyard, he carrying the sleeping child.
|
|
|
|
When we had got some little distance away, we went into a clump of
|
|
trees, and struck a match, and looked at the child's throat. It was
|
|
without a scratch or scar of any kind.
|
|
|
|
"Was I right?" I asked triumphantly.
|
|
|
|
"We were just in time," said the Professor thankfully.
|
|
|
|
We had now to decide what we were to do with the child, and so
|
|
consulted about it. If we were to take it to a police station we
|
|
should have to give some account of our movements during the night.
|
|
At least, we should have had to make some statement as to how we had
|
|
come to find the child. So finally we decided that we would take it
|
|
to the Heath, and when we heard a policeman coming, would leave it
|
|
where he could not fail to find it. We would then seek our way home
|
|
as quickly as we could. All fell out well. At the edge of Hampstead
|
|
Heath we heard a policeman's heavy tramp, and laying the child on the
|
|
pathway, we waited and watched until he saw it as he flashed his
|
|
lantern to and fro. We heard his exclamation of astonishment, and
|
|
then we went away silently. By good chance we got a cab near the
|
|
'Spainiards,' and drove to town.
|
|
|
|
I cannot sleep, so I make this entry. But I must try to get a few
|
|
hours' sleep, as Van Helsing is to call for me at noon. He insists
|
|
that I go with him on another expedition.
|
|
|
|
|
|
27 September.--It was two o'clock before we found a suitable
|
|
opportunity for our attempt. The funeral held at noon was all
|
|
completed, and the last stragglers of the mourners had taken
|
|
themselves lazily away, when, looking carefully from behind a clump of
|
|
alder trees, we saw the sexton lock the gate after him. We knew that
|
|
we were safe till morning did we desire it, but the Professor told me
|
|
that we should not want more than an hour at most. Again I felt that
|
|
horrid sense of the reality of things, in which any effort of
|
|
imagination seemed out of place, and I realized distinctly the perils
|
|
of the law which we were incurring in our unhallowed work. Besides, I
|
|
felt it was all so useless. Outrageous as it was to open a leaden
|
|
coffin, to see if a woman dead nearly a week were really dead, it now
|
|
seemed the height of folly to open the tomb again, when we knew, from
|
|
the evidence of our own eyesight, that the coffin was empty. I
|
|
shrugged my shoulders, however, and rested silent, for Van Helsing had
|
|
a way of going on his own road, no matter who remonstrated. He took
|
|
the key, opened the vault, and again courteously motioned me to
|
|
precede. The place was not so gruesome as last night, but oh, how
|
|
unutterably mean looking when the sunshine streamed in. Van Helsing
|
|
walked over to Lucy's coffin, and I followed. He bent over and again
|
|
forced back the leaden flange, and a shock of surprise and dismay shot
|
|
through me.
|
|
|
|
There lay Lucy, seemingly just as we had seen her the night before her
|
|
funeral. She was, if possible, more radiantly beautiful than ever,
|
|
and I could not believe that she was dead. The lips were red, nay
|
|
redder than before, and on the cheeks was a delicate bloom.
|
|
|
|
"Is this a juggle?" I said to him.
|
|
|
|
"Are you convinced now?" said the Professor, in response, and as he
|
|
spoke he put over his hand, and in a way that made me shudder, pulled
|
|
back the dead lips and showed the white teeth. "See," he went on,
|
|
"they are even sharper than before. With this and this," and he
|
|
touched one of the canine teeth and that below it, "the little
|
|
children can be bitten. Are you of belief now, friend John?"
|
|
|
|
Once more argumentative hostility woke within me. I could not accept
|
|
such an overwhelming idea as he suggested. So, with an attempt to
|
|
argue of which I was even at the moment ashamed, I said, "She may have
|
|
been placed here since last night."
|
|
|
|
"Indeed? That is so, and by whom?"
|
|
|
|
"I do not know. Someone has done it."
|
|
|
|
"And yet she has been dead one week. Most peoples in that time would
|
|
not look so."
|
|
|
|
I had no answer for this, so was silent. Van Helsing did not seem to
|
|
notice my silence. At any rate, he showed neither chagrin nor
|
|
triumph. He was looking intently at the face of the dead woman,
|
|
raising the eyelids and looking at the eyes, and once more opening the
|
|
lips and examining the teeth. Then he turned to me and said,
|
|
|
|
"Here, there is one thing which is different from all recorded. Here
|
|
is some dual life that is not as the common. She was bitten by the
|
|
vampire when she was in a trance, sleep-walking, oh, you start. You
|
|
do not know that, friend John, but you shall know it later, and in
|
|
trance could he best come to take more blood. In trance she dies, and
|
|
in trance she is UnDead, too. So it is that she differ from all
|
|
other. Usually when the UnDead sleep at home," as he spoke he made a
|
|
comprehensive sweep of his arm to designate what to a vampire was
|
|
'home', "their face show what they are, but this so sweet that was
|
|
when she not UnDead she go back to the nothings of the common dead.
|
|
There is no malign there, see, and so it make hard that I must kill
|
|
her in her sleep."
|
|
|
|
This turned my blood cold, and it began to dawn upon me that I was
|
|
accepting Van Helsing's theories. But if she were really dead, what
|
|
was there of terror in the idea of killing her?
|
|
|
|
He looked up at me, and evidently saw the change in my face, for he
|
|
said almost joyously, "Ah, you believe now?"
|
|
|
|
I answered, "Do not press me too hard all at once. I am willing to
|
|
accept. How will you do this bloody work?"
|
|
|
|
"I shall cut off her head and fill her mouth with garlic, and I shall
|
|
drive a stake through her body."
|
|
|
|
It made me shudder to think of so mutilating the body of the woman
|
|
whom I had loved. And yet the feeling was not so strong as I had
|
|
expected. I was, in fact, beginning to shudder at the presence of
|
|
this being, this UnDead, as Van Helsing called it, and to loathe it.
|
|
Is it possible that love is all subjective, or all objective?
|
|
|
|
I waited a considerable time for Van Helsing to begin, but he stood as
|
|
if wrapped in thought. Presently he closed the catch of his bag with
|
|
a snap, and said,
|
|
|
|
"I have been thinking, and have made up my mind as to what is best.
|
|
If I did simply follow my inclining I would do now, at this moment,
|
|
what is to be done. But there are other things to follow, and things
|
|
that are thousand times more difficult in that them we do not know.
|
|
This is simple. She have yet no life taken, though that is of time,
|
|
and to act now would be to take danger from her forever. But then we
|
|
may have to want Arthur, and how shall we tell him of this? If you,
|
|
who saw the wounds on Lucy's throat, and saw the wounds so similar on
|
|
the child's at the hospital, if you, who saw the coffin empty last
|
|
night and full today with a woman who have not change only to be more
|
|
rose and more beautiful in a whole week, after she die, if you know of
|
|
this and know of the white figure last night that brought the child to
|
|
the churchyard, and yet of your own senses you did not believe, how
|
|
then, can I expect Arthur, who know none of those things, to believe?
|
|
|
|
"He doubted me when I took him from her kiss when she was dying. I
|
|
know he has forgiven me because in some mistaken idea I have done
|
|
things that prevent him say goodbye as he ought, and he may think that
|
|
in some more mistaken idea this woman was buried alive, and that in
|
|
most mistake of all we have killed her. He will then argue back that
|
|
it is we, mistaken ones, that have killed her by our ideas, and so he
|
|
will be much unhappy always. Yet he never can be sure, and that is
|
|
the worst of all. And he will sometimes think that she he loved was
|
|
buried alive, and that will paint his dreams with horrors of what she
|
|
must have suffered, and again, he will think that we may be right, and
|
|
that his so beloved was, after all, an UnDead. No! I told him once,
|
|
and since then I learn much. Now, since I know it is all true, a
|
|
hundred thousand times more do I know that he must pass through the
|
|
bitter waters to reach the sweet. He, poor fellow, must have one hour
|
|
that will make the very face of heaven grow black to him, then we can
|
|
act for good all round and send him peace. My mind is made up. Let
|
|
us go. You return home for tonight to your asylum, and see that all
|
|
be well. As for me, I shall spend the night here in this churchyard
|
|
in my own way. Tomorrow night you will come to me to the Berkeley
|
|
Hotel at ten of the clock. I shall send for Arthur to come too, and
|
|
also that so fine young man of America that gave his blood. Later we
|
|
shall all have work to do. I come with you so far as Piccadilly and
|
|
there dine, for I must be back here before the sun set."
|
|
|
|
So we locked the tomb and came away, and got over the wall of the
|
|
churchyard, which was not much of a task, and drove back to
|
|
Piccadilly.
|
|
|
|
|
|
|
|
|
|
NOTE LEFT BY VAN HELSING IN HIS PORTMANTEAU, BERKELEY HOTEL DIRECTED TO
|
|
JOHN SEWARD, M. D. (Not Delivered)
|
|
|
|
27 September
|
|
|
|
"Friend John,
|
|
|
|
"I write this in case anything should happen. I go alone to
|
|
watch in that churchyard. It pleases me that the UnDead,
|
|
Miss Lucy, shall not leave tonight, that so on the morrow
|
|
night she may be more eager. Therefore I shall fix some
|
|
things she like not, garlic and a crucifix, and so seal up
|
|
the door of the tomb. She is young as UnDead, and will
|
|
heed. Moreover, these are only to prevent her coming out.
|
|
They may not prevail on her wanting to get in, for then the
|
|
UnDead is desperate, and must find the line of least resistance,
|
|
whatsoever it may be. I shall be at hand all the night from
|
|
sunset till after sunrise, and if there be aught that may be
|
|
learned I shall learn it. For Miss Lucy or from her, I have no
|
|
fear, but that other to whom is there that she is UnDead, he have
|
|
not the power to seek her tomb and find shelter. He is cunning,
|
|
as I know from Mr. Jonathan and from the way that all along he
|
|
have fooled us when he played with us for Miss Lucy's life, and
|
|
we lost, and in many ways the UnDead are strong. He have always
|
|
the strength in his hand of twenty men, even we four who gave our
|
|
strength to Miss Lucy it also is all to him. Besides, he can
|
|
summon his wolf and I know not what. So if it be that he came
|
|
thither on this night he shall find me. But none other shall,
|
|
until it be too late. But it may be that he will not attempt the
|
|
place. There is no reason why he should. His hunting ground is
|
|
more full of game than the churchyard where the UnDead woman
|
|
sleeps, and the one old man watch.
|
|
|
|
"Therefore I write this in case . . . Take the papers that
|
|
are with this, the diaries of Harker and the rest, and read
|
|
them, and then find this great UnDead, and cut off his head
|
|
and burn his heart or drive a stake through it, so that the
|
|
world may rest from him.
|
|
|
|
"If it be so, farewell.
|
|
|
|
"VAN HELSING."
|
|
|
|
|
|
|
|
|
|
DR. SEWARD'S DIARY
|
|
|
|
28 September.--It is wonderful what a good night's sleep will do for
|
|
one. Yesterday I was almost willing to accept Van Helsing's monstrous
|
|
ideas, but now they seem to start out lurid before me as outrages on
|
|
common sense. I have no doubt that he believes it all. I wonder if
|
|
his mind can have become in any way unhinged. Surely there must be
|
|
some rational explanation of all these mysterious things. Is it
|
|
possible that the Professor can have done it himself? He is so
|
|
abnormally clever that if he went off his head he would carry out his
|
|
intent with regard to some fixed idea in a wonderful way. I am loathe
|
|
to think it, and indeed it would be almost as great a marvel as the
|
|
other to find that Van Helsing was mad, but anyhow I shall watch him
|
|
carefully. I may get some light on the mystery.
|
|
|
|
|
|
29 September.--Last night, at a little before ten o'clock, Arthur and
|
|
Quincey came into Van Helsing's room. He told us all what he wanted
|
|
us to do, but especially addressing himself to Arthur, as if all our
|
|
wills were centred in his. He began by saying that he hoped we would
|
|
all come with him too, "for," he said, "there is a grave duty to be
|
|
done there. You were doubtless surprised at my letter?" This query
|
|
was directly addressed to Lord Godalming.
|
|
|
|
"I was. It rather upset me for a bit. There has been so much trouble
|
|
around my house of late that I could do without any more. I have been
|
|
curious, too, as to what you mean.
|
|
|
|
"Quincey and I talked it over, but the more we talked, the more
|
|
puzzled we got, till now I can say for myself that I'm about up a tree
|
|
as to any meaning about anything."
|
|
|
|
"Me too," said Quincey Morris laconically.
|
|
|
|
"Oh," said the Professor, "then you are nearer the beginning, both of
|
|
you, than friend John here, who has to go a long way back before he
|
|
can even get so far as to begin."
|
|
|
|
It was evident that he recognized my return to my old doubting frame
|
|
of mind without my saying a word. Then, turning to the other two, he
|
|
said with intense gravity,
|
|
|
|
"I want your permission to do what I think good this night. It is, I
|
|
know, much to ask, and when you know what it is I propose to do you
|
|
will know, and only then how much. Therefore may I ask that you
|
|
promise me in the dark, so that afterwards, though you may be angry
|
|
with me for a time, I must not disguise from myself the possibility
|
|
that such may be, you shall not blame yourselves for anything."
|
|
|
|
"That's frank anyhow," broke in Quincey. "I'll answer for the
|
|
Professor. I don't quite see his drift, but I swear he's honest, and
|
|
that's good enough for me."
|
|
|
|
"I thank you, Sir," said Van Helsing proudly. "I have done myself the
|
|
honour of counting you one trusting friend, and such endorsement is
|
|
dear to me." He held out a hand, which Quincey took.
|
|
|
|
Then Arthur spoke out, "Dr. Van Helsing, I don't quite like to 'buy a
|
|
pig in a poke', as they say in Scotland, and if it be anything in
|
|
which my honour as a gentleman or my faith as a Christian is
|
|
concerned, I cannot make such a promise. If you can assure me that
|
|
what you intend does not violate either of these two, then I give my
|
|
consent at once, though for the life of me, I cannot understand what
|
|
you are driving at."
|
|
|
|
"I accept your limitation," said Van Helsing, "and all I ask of you is
|
|
that if you feel it necessary to condemn any act of mine, you will
|
|
first consider it well and be satisfied that it does not violate your
|
|
reservations."
|
|
|
|
"Agreed!" said Arthur. "That is only fair. And now that the
|
|
pourparlers are over, may I ask what it is we are to do?"
|
|
|
|
"I want you to come with me, and to come in secret, to the churchyard
|
|
at Kingstead."
|
|
|
|
Arthur's face fell as he said in an amazed sort of way,
|
|
|
|
"Where poor Lucy is buried?"
|
|
|
|
The Professor bowed.
|
|
|
|
Arthur went on, "And when there?"
|
|
|
|
"To enter the tomb!"
|
|
|
|
Arthur stood up. "Professor, are you in earnest, or is it some
|
|
monstrous joke? Pardon me, I see that you are in earnest." He sat
|
|
down again, but I could see that he sat firmly and proudly, as one who
|
|
is on his dignity. There was silence until he asked again, "And when
|
|
in the tomb?"
|
|
|
|
"To open the coffin."
|
|
|
|
"This is too much!" he said, angrily rising again. "I am willing to
|
|
be patient in all things that are reasonable, but in this, this
|
|
desecration of the grave, of one who . . ." He fairly choked with
|
|
indignation.
|
|
|
|
The Professor looked pityingly at him. "If I could spare you one pang,
|
|
my poor friend," he said, "God knows I would. But this night our feet
|
|
must tread in thorny paths, or later, and for ever, the feet you love
|
|
must walk in paths of flame!"
|
|
|
|
Arthur looked up with set white face and said, "Take care, sir, take
|
|
care!"
|
|
|
|
"Would it not be well to hear what I have to say?" said Van Helsing.
|
|
"And then you will at least know the limit of my purpose. Shall I go
|
|
on?"
|
|
|
|
"That's fair enough," broke in Morris.
|
|
|
|
After a pause Van Helsing went on, evidently with an effort, "Miss
|
|
Lucy is dead, is it not so? Yes! Then there can be no wrong to her.
|
|
But if she be not dead . . ."
|
|
|
|
Arthur jumped to his feet, "Good God!" he cried. "What do you mean?
|
|
Has there been any mistake, has she been buried alive?" He groaned in
|
|
anguish that not even hope could soften.
|
|
|
|
"I did not say she was alive, my child. I did not think it. I go no
|
|
further than to say that she might be UnDead."
|
|
|
|
"UnDead! Not alive! What do you mean? Is this all a nightmare, or
|
|
what is it?"
|
|
|
|
"There are mysteries which men can only guess at, which age by age
|
|
they may solve only in part. Believe me, we are now on the verge of
|
|
one. But I have not done. May I cut off the head of dead Miss Lucy?"
|
|
|
|
"Heavens and earth, no!" cried Arthur in a storm of passion. "Not for
|
|
the wide world will I consent to any mutilation of her dead body. Dr.
|
|
Van Helsing, you try me too far. What have I done to you that you
|
|
should torture me so? What did that poor, sweet girl do that you
|
|
should want to cast such dishonour on her grave? Are you mad, that you
|
|
speak of such things, or am I mad to listen to them? Don't dare think
|
|
more of such a desecration. I shall not give my consent to anything
|
|
you do. I have a duty to do in protecting her grave from outrage, and
|
|
by God, I shall do it!"
|
|
|
|
Van Helsing rose up from where he had all the time been seated, and
|
|
said, gravely and sternly, "My Lord Godalming, I too, have a duty to
|
|
do, a duty to others, a duty to you, a duty to the dead, and by God, I
|
|
shall do it! All I ask you now is that you come with me, that you
|
|
look and listen, and if when later I make the same request you do not
|
|
be more eager for its fulfillment even than I am, then, I shall do my
|
|
duty, whatever it may seem to me. And then, to follow your Lordship's
|
|
wishes I shall hold myself at your disposal to render an account to
|
|
you, when and where you will." His voice broke a little, and he went
|
|
on with a voice full of pity.
|
|
|
|
"But I beseech you, do not go forth in anger with me. In a long life
|
|
of acts which were often not pleasant to do, and which sometimes did
|
|
wring my heart, I have never had so heavy a task as now. Believe me
|
|
that if the time comes for you to change your mind towards me, one
|
|
look from you will wipe away all this so sad hour, for I would do what
|
|
a man can to save you from sorrow. Just think. For why should I give
|
|
myself so much labor and so much of sorrow? I have come here from my
|
|
own land to do what I can of good, at the first to please my friend
|
|
John, and then to help a sweet young lady, whom too, I come to love.
|
|
For her, I am ashamed to say so much, but I say it in kindness, I gave
|
|
what you gave, the blood of my veins. I gave it, I who was not, like
|
|
you, her lover, but only her physician and her friend. I gave her my
|
|
nights and days, before death, after death, and if my death can do her
|
|
good even now, when she is the dead UnDead, she shall have it freely."
|
|
He said this with a very grave, sweet pride, and Arthur was much
|
|
affected by it.
|
|
|
|
He took the old man's hand and said in a broken voice, "Oh, it is hard
|
|
to think of it, and I cannot understand, but at least I shall go with
|
|
you and wait."
|
|
|
|
|
|
|
|
|
|
CHAPTER 16
|
|
|
|
|
|
DR. SEWARD'S DIARY--cont.
|
|
|
|
It was just a quarter before twelve o'clock when we got into the
|
|
churchyard over the low wall. The night was dark with occasional
|
|
gleams of moonlight between the dents of the heavy clouds that scudded
|
|
across the sky. We all kept somehow close together, with Van Helsing
|
|
slightly in front as he led the way. When we had come close to the
|
|
tomb I looked well at Arthur, for I feared the proximity to a place
|
|
laden with so sorrowful a memory would upset him, but he bore himself
|
|
well. I took it that the very mystery of the proceeding was in some
|
|
way a counteractant to his grief. The Professor unlocked the door,
|
|
and seeing a natural hesitation amongst us for various reasons, solved
|
|
the difficulty by entering first himself. The rest of us followed,
|
|
and he closed the door. He then lit a dark lantern and pointed to a
|
|
coffin. Arthur stepped forward hesitatingly. Van Helsing said to me,
|
|
"You were with me here yesterday. Was the body of Miss Lucy in that
|
|
coffin?"
|
|
|
|
"It was."
|
|
|
|
The Professor turned to the rest saying, "You hear, and yet there is
|
|
no one who does not believe with me."
|
|
|
|
He took his screwdriver and again took off the lid of the coffin.
|
|
Arthur looked on, very pale but silent. When the lid was removed he
|
|
stepped forward. He evidently did not know that there was a leaden
|
|
coffin, or at any rate, had not thought of it. When he saw the rent
|
|
in the lead, the blood rushed to his face for an instant, but as
|
|
quickly fell away again, so that he remained of a ghastly whiteness.
|
|
He was still silent. Van Helsing forced back the leaden flange, and
|
|
we all looked in and recoiled.
|
|
|
|
The coffin was empty!
|
|
|
|
For several minutes no one spoke a word. The silence was broken by
|
|
Quincey Morris, "Professor, I answered for you. Your word is all I
|
|
want. I wouldn't ask such a thing ordinarily, I wouldn't so dishonour
|
|
you as to imply a doubt, but this is a mystery that goes beyond any
|
|
honour or dishonour. Is this your doing?"
|
|
|
|
"I swear to you by all that I hold sacred that I have not removed or
|
|
touched her. What happened was this. Two nights ago my friend Seward
|
|
and I came here, with good purpose, believe me. I opened that coffin,
|
|
which was then sealed up, and we found it as now, empty. We then
|
|
waited, and saw something white come through the trees. The next day
|
|
we came here in daytime and she lay there. Did she not, friend John?
|
|
|
|
"Yes."
|
|
|
|
"That night we were just in time. One more so small child was
|
|
missing, and we find it, thank God, unharmed amongst the graves.
|
|
Yesterday I came here before sundown, for at sundown the UnDead can
|
|
move. I waited here all night till the sun rose, but I saw nothing.
|
|
It was most probable that it was because I had laid over the clamps of
|
|
those doors garlic, which the UnDead cannot bear, and other things
|
|
which they shun. Last night there was no exodus, so tonight before
|
|
the sundown I took away my garlic and other things. And so it is we
|
|
find this coffin empty. But bear with me. So far there is much that
|
|
is strange. Wait you with me outside, unseen and unheard, and things
|
|
much stranger are yet to be. So," here he shut the dark slide of his
|
|
lantern, "now to the outside." He opened the door, and we filed out,
|
|
he coming last and locking the door behind him.
|
|
|
|
Oh! But it seemed fresh and pure in the night air after the terror of
|
|
that vault. How sweet it was to see the clouds race by, and the
|
|
passing gleams of the moonlight between the scudding clouds crossing
|
|
and passing, like the gladness and sorrow of a man's life. How sweet
|
|
it was to breathe the fresh air, that had no taint of death and decay.
|
|
How humanizing to see the red lighting of the sky beyond the hill, and
|
|
to hear far away the muffled roar that marks the life of a great
|
|
city. Each in his own way was solemn and overcome. Arthur was
|
|
silent, and was, I could see, striving to grasp the purpose and the
|
|
inner meaning of the mystery. I was myself tolerably patient, and
|
|
half inclined again to throw aside doubt and to accept Van Helsing's
|
|
conclusions. Quincey Morris was phlegmatic in the way of a man who
|
|
accepts all things, and accepts them in the spirit of cool bravery,
|
|
with hazard of all he has at stake. Not being able to smoke, he cut
|
|
himself a good-sized plug of tobacco and began to chew. As to Van
|
|
Helsing, he was employed in a definite way. First he took from his
|
|
bag a mass of what looked like thin, wafer-like biscuit, which was
|
|
carefully rolled up in a white napkin. Next he took out a double
|
|
handful of some whitish stuff, like dough or putty. He crumbled the
|
|
wafer up fine and worked it into the mass between his hands. This he
|
|
then took, and rolling it into thin strips, began to lay them into the
|
|
crevices between the door and its setting in the tomb. I was somewhat
|
|
puzzled at this, and being close, asked him what it was that he was
|
|
doing. Arthur and Quincey drew near also, as they too were curious.
|
|
|
|
He answered, "I am closing the tomb so that the UnDead may not enter."
|
|
|
|
"And is that stuff you have there going to do it?"
|
|
|
|
"It is."
|
|
|
|
"What is that which you are using?" This time the question was by
|
|
Arthur. Van Helsing reverently lifted his hat as he answered.
|
|
|
|
"The Host. I brought it from Amsterdam. I have an Indulgence."
|
|
|
|
It was an answer that appalled the most sceptical of us, and we felt
|
|
individually that in the presence of such earnest purpose as the
|
|
Professor's, a purpose which could thus use the to him most sacred of
|
|
things, it was impossible to distrust. In respectful silence we took
|
|
the places assigned to us close round the tomb, but hidden from the
|
|
sight of any one approaching. I pitied the others, especially Arthur.
|
|
I had myself been apprenticed by my former visits to this watching
|
|
horror, and yet I, who had up to an hour ago repudiated the proofs,
|
|
felt my heart sink within me. Never did tombs look so ghastly white.
|
|
Never did cypress, or yew, or juniper so seem the embodiment of
|
|
funeral gloom. Never did tree or grass wave or rustle so ominously.
|
|
Never did bough creak so mysteriously, and never did the far-away
|
|
howling of dogs send such a woeful presage through the night.
|
|
|
|
There was a long spell of silence, big, aching, void, and then from
|
|
the Professor a keen "S-s-s-s!" He pointed, and far down the avenue of
|
|
yews we saw a white figure advance, a dim white figure, which held
|
|
something dark at its breast. The figure stopped, and at the moment a
|
|
ray of moonlight fell upon the masses of driving clouds, and showed in
|
|
startling prominence a dark-haired woman, dressed in the cerements of
|
|
the grave. We could not see the face, for it was bent down over what
|
|
we saw to be a fair-haired child. There was a pause and a sharp
|
|
little cry, such as a child gives in sleep, or a dog as it lies before
|
|
the fire and dreams. We were starting forward, but the Professor's
|
|
warning hand, seen by us as he stood behind a yew tree, kept us back.
|
|
And then as we looked the white figure moved forwards again. It was
|
|
now near enough for us to see clearly, and the moonlight still held.
|
|
My own heart grew cold as ice, and I could hear the gasp of Arthur, as
|
|
we recognized the features of Lucy Westenra. Lucy Westenra, but yet
|
|
how changed. The sweetness was turned to adamantine, heartless
|
|
cruelty, and the purity to voluptuous wantonness.
|
|
|
|
Van Helsing stepped out, and obedient to his gesture, we all advanced
|
|
too. The four of us ranged in a line before the door of the tomb. Van
|
|
Helsing raised his lantern and drew the slide. By the concentrated
|
|
light that fell on Lucy's face we could see that the lips were crimson
|
|
with fresh blood, and that the stream had trickled over her chin and
|
|
stained the purity of her lawn death-robe.
|
|
|
|
We shuddered with horror. I could see by the tremulous light that
|
|
even Van Helsing's iron nerve had failed. Arthur was next to me, and
|
|
if I had not seized his arm and held him up, he would have fallen.
|
|
|
|
When Lucy, I call the thing that was before us Lucy because it bore
|
|
her shape, saw us she drew back with an angry snarl, such as a cat
|
|
gives when taken unawares, then her eyes ranged over us. Lucy's eyes
|
|
in form and colour, but Lucy's eyes unclean and full of hell fire,
|
|
instead of the pure, gentle orbs we knew. At that moment the remnant
|
|
of my love passed into hate and loathing. Had she then to be killed,
|
|
I could have done it with savage delight. As she looked, her eyes
|
|
blazed with unholy light, and the face became wreathed with a
|
|
voluptuous smile. Oh, God, how it made me shudder to see it! With a
|
|
careless motion, she flung to the ground, callous as a devil, the
|
|
child that up to now she had clutched strenuously to her breast,
|
|
growling over it as a dog growls over a bone. The child gave a sharp
|
|
cry, and lay there moaning. There was a cold-bloodedness in the act
|
|
which wrung a groan from Arthur. When she advanced to him with
|
|
outstretched arms and a wanton smile he fell back and hid his face in
|
|
his hands.
|
|
|
|
She still advanced, however, and with a languorous, voluptuous grace,
|
|
said, "Come to me, Arthur. Leave these others and come to me. My
|
|
arms are hungry for you. Come, and we can rest together. Come, my
|
|
husband, come!"
|
|
|
|
There was something diabolically sweet in her tones, something of the
|
|
tinkling of glass when struck, which rang through the brains even of
|
|
us who heard the words addressed to another.
|
|
|
|
As for Arthur, he seemed under a spell, moving his hands from his
|
|
face, he opened wide his arms. She was leaping for them, when Van
|
|
Helsing sprang forward and held between them his little golden
|
|
crucifix. She recoiled from it, and, with a suddenly distorted face,
|
|
full of rage, dashed past him as if to enter the tomb.
|
|
|
|
When within a foot or two of the door, however, she stopped, as if
|
|
arrested by some irresistible force. Then she turned, and her face
|
|
was shown in the clear burst of moonlight and by the lamp, which had
|
|
now no quiver from Van Helsing's nerves. Never did I see such baffled
|
|
malice on a face, and never, I trust, shall such ever be seen again by
|
|
mortal eyes. The beautiful colour became livid, the eyes seemed to
|
|
throw out sparks of hell fire, the brows were wrinkled as though the
|
|
folds of flesh were the coils of Medusa's snakes, and the lovely,
|
|
blood-stained mouth grew to an open square, as in the passion masks of
|
|
the Greeks and Japanese. If ever a face meant death, if looks could
|
|
kill, we saw it at that moment.
|
|
|
|
And so for full half a minute, which seemed an eternity, she remained
|
|
between the lifted crucifix and the sacred closing of her means of
|
|
entry.
|
|
|
|
Van Helsing broke the silence by asking Arthur, "Answer me, oh my
|
|
friend! Am I to proceed in my work?"
|
|
|
|
"Do as you will, friend. Do as you will. There can be no horror like
|
|
this ever any more." And he groaned in spirit.
|
|
|
|
Quincey and I simultaneously moved towards him, and took his arms. We
|
|
could hear the click of the closing lantern as Van Helsing held it
|
|
down. Coming close to the tomb, he began to remove from the chinks
|
|
some of the sacred emblem which he had placed there. We all looked on
|
|
with horrified amazement as we saw, when he stood back, the woman,
|
|
with a corporeal body as real at that moment as our own, pass through
|
|
the interstice where scarce a knife blade could have gone. We all
|
|
felt a glad sense of relief when we saw the Professor calmly restoring
|
|
the strings of putty to the edges of the door.
|
|
|
|
When this was done, he lifted the child and said, "Come now, my
|
|
friends. We can do no more till tomorrow. There is a funeral at
|
|
noon, so here we shall all come before long after that. The friends
|
|
of the dead will all be gone by two, and when the sexton locks the
|
|
gate we shall remain. Then there is more to do, but not like this of
|
|
tonight. As for this little one, he is not much harmed, and by
|
|
tomorrow night he shall be well. We shall leave him where the police
|
|
will find him, as on the other night, and then to home."
|
|
|
|
Coming close to Arthur, he said, "My friend Arthur, you have had a sore
|
|
trial, but after, when you look back, you will see how it was
|
|
necessary. You are now in the bitter waters, my child. By this time
|
|
tomorrow you will, please God, have passed them, and have drunk of the
|
|
sweet waters. So do not mourn over-much. Till then I shall not ask
|
|
you to forgive me."
|
|
|
|
Arthur and Quincey came home with me, and we tried to cheer each other
|
|
on the way. We had left behind the child in safety, and were tired.
|
|
So we all slept with more or less reality of sleep.
|
|
|
|
|
|
29 September, night.--A little before twelve o'clock we three, Arthur,
|
|
Quincey Morris, and myself, called for the Professor. It was odd to
|
|
notice that by common consent we had all put on black clothes. Of
|
|
course, Arthur wore black, for he was in deep mourning, but the rest
|
|
of us wore it by instinct. We got to the graveyard by half-past one,
|
|
and strolled about, keeping out of official observation, so that when
|
|
the gravediggers had completed their task and the sexton, under the
|
|
belief that every one had gone, had locked the gate, we had the place
|
|
all to ourselves. Van Helsing, instead of his little black bag, had
|
|
with him a long leather one, something like a cricketing bag. It was
|
|
manifestly of fair weight.
|
|
|
|
When we were alone and had heard the last of the footsteps die out up
|
|
the road, we silently, and as if by ordered intention, followed the
|
|
Professor to the tomb. He unlocked the door, and we entered, closing
|
|
it behind us. Then he took from his bag the lantern, which he lit,
|
|
and also two wax candles, which, when lighted, he stuck by melting
|
|
their own ends, on other coffins, so that they might give light
|
|
sufficient to work by. When he again lifted the lid off Lucy's coffin
|
|
we all looked, Arthur trembling like an aspen, and saw that the corpse
|
|
lay there in all its death beauty. But there was no love in my own
|
|
heart, nothing but loathing for the foul Thing which had taken Lucy's
|
|
shape without her soul. I could see even Arthur's face grow hard as
|
|
he looked. Presently he said to Van Helsing, "Is this really Lucy's
|
|
body, or only a demon in her shape?"
|
|
|
|
"It is her body, and yet not it. But wait a while, and you shall see
|
|
her as she was, and is."
|
|
|
|
She seemed like a nightmare of Lucy as she lay there, the pointed
|
|
teeth, the blood stained, voluptuous mouth, which made one shudder to
|
|
see, the whole carnal and unspirited appearance, seeming like a
|
|
devilish mockery of Lucy's sweet purity. Van Helsing, with his usual
|
|
methodicalness, began taking the various contents from his bag and
|
|
placing them ready for use. First he took out a soldering iron and
|
|
some plumbing solder, and then small oil lamp, which gave out, when
|
|
lit in a corner of the tomb, gas which burned at a fierce heat with a
|
|
blue flame, then his operating knives, which he placed to hand, and
|
|
last a round wooden stake, some two and a half or three inches thick
|
|
and about three feet long. One end of it was hardened by charring in
|
|
the fire, and was sharpened to a fine point. With this stake came a
|
|
heavy hammer, such as in households is used in the coal cellar for
|
|
breaking the lumps. To me, a doctor's preparations for work of any
|
|
kind are stimulating and bracing, but the effect of these things on
|
|
both Arthur and Quincey was to cause them a sort of consternation.
|
|
They both, however, kept their courage, and remained silent and quiet.
|
|
|
|
When all was ready, Van Helsing said, "Before we do anything, let me
|
|
tell you this. It is out of the lore and experience of the ancients
|
|
and of all those who have studied the powers of the UnDead. When they
|
|
become such, there comes with the change the curse of immortality.
|
|
They cannot die, but must go on age after age adding new victims and
|
|
multiplying the evils of the world. For all that die from the preying
|
|
of the Undead become themselves Undead, and prey on their kind. And
|
|
so the circle goes on ever widening, like as the ripples from a stone
|
|
thrown in the water. Friend Arthur, if you had met that kiss which
|
|
you know of before poor Lucy die, or again, last night when you open
|
|
your arms to her, you would in time, when you had died, have become
|
|
nosferatu, as they call it in Eastern Europe, and would for all time
|
|
make more of those Un-Deads that so have filled us with horror. The
|
|
career of this so unhappy dear lady is but just begun. Those children
|
|
whose blood she sucked are not as yet so much the worse, but if she
|
|
lives on, UnDead, more and more they lose their blood and by her power
|
|
over them they come to her, and so she draw their blood with that so
|
|
wicked mouth. But if she die in truth, then all cease. The tiny
|
|
wounds of the throats disappear, and they go back to their play
|
|
unknowing ever of what has been. But of the most blessed of all, when
|
|
this now UnDead be made to rest as true dead, then the soul of the
|
|
poor lady whom we love shall again be free. Instead of working
|
|
wickedness by night and growing more debased in the assimilating of it
|
|
by day, she shall take her place with the other Angels. So that, my
|
|
friend, it will be a blessed hand for her that shall strike the blow
|
|
that sets her free. To this I am willing, but is there none amongst
|
|
us who has a better right? Will it be no joy to think of hereafter in
|
|
the silence of the night when sleep is not, 'It was my hand that sent
|
|
her to the stars. It was the hand of him that loved her best, the
|
|
hand that of all she would herself have chosen, had it been to her to
|
|
choose?' Tell me if there be such a one amongst us?"
|
|
|
|
We all looked at Arthur. He saw too, what we all did, the infinite
|
|
kindness which suggested that his should be the hand which would
|
|
restore Lucy to us as a holy, and not an unholy, memory. He stepped
|
|
forward and said bravely, though his hand trembled, and his face was
|
|
as pale as snow, "My true friend, from the bottom of my broken heart I
|
|
thank you. Tell me what I am to do, and I shall not falter!"
|
|
|
|
Van Helsing laid a hand on his shoulder, and said, "Brave lad! A
|
|
moment's courage, and it is done. This stake must be driven through
|
|
her. It well be a fearful ordeal, be not deceived in that, but it
|
|
will be only a short time, and you will then rejoice more than your
|
|
pain was great. From this grim tomb you will emerge as though you
|
|
tread on air. But you must not falter when once you have begun. Only
|
|
think that we, your true friends, are round you, and that we pray for
|
|
you all the time."
|
|
|
|
"Go on," said Arthur hoarsely. "Tell me what I am to do."
|
|
|
|
"Take this stake in your left hand, ready to place to the point over
|
|
the heart, and the hammer in your right. Then when we begin our
|
|
prayer for the dead, I shall read him, I have here the book, and the
|
|
others shall follow, strike in God's name, that so all may be well
|
|
with the dead that we love and that the UnDead pass away."
|
|
|
|
Arthur took the stake and the hammer, and when once his mind was set
|
|
on action his hands never trembled nor even quivered. Van Helsing
|
|
opened his missal and began to read, and Quincey and I followed as
|
|
well as we could.
|
|
|
|
Arthur placed the point over the heart, and as I looked I could see its
|
|
dint in the white flesh. Then he struck with all his might.
|
|
|
|
The thing in the coffin writhed, and a hideous, blood-curdling screech
|
|
came from the opened red lips. The body shook and quivered and
|
|
twisted in wild contortions. The sharp white teeth champed together till
|
|
the lips were cut, and the mouth was smeared with a crimson foam. But
|
|
Arthur never faltered. He looked like a figure of Thor as his
|
|
untrembling arm rose and fell, driving deeper and deeper the
|
|
mercy-bearing stake, whilst the blood from the pierced heart welled
|
|
and spurted up around it. His face was set, and high duty seemed to
|
|
shine through it. The sight of it gave us courage so that our voices
|
|
seemed to ring through the little vault.
|
|
|
|
And then the writhing and quivering of the body became less, and the
|
|
teeth seemed to champ, and the face to quiver. Finally it lay still.
|
|
The terrible task was over.
|
|
|
|
The hammer fell from Arthur's hand. He reeled and would have fallen
|
|
had we not caught him. The great drops of sweat sprang from his
|
|
forehead, and his breath came in broken gasps. It had indeed been an
|
|
awful strain on him, and had he not been forced to his task by more
|
|
than human considerations he could never have gone through with it.
|
|
For a few minutes we were so taken up with him that we did not look
|
|
towards the coffin. When we did, however, a murmur of startled
|
|
surprise ran from one to the other of us. We gazed so eagerly that
|
|
Arthur rose, for he had been seated on the ground, and came and looked
|
|
too, and then a glad strange light broke over his face and dispelled
|
|
altogether the gloom of horror that lay upon it.
|
|
|
|
There, in the coffin lay no longer the foul Thing that we had so
|
|
dreaded and grown to hate that the work of her destruction was yielded
|
|
as a privilege to the one best entitled to it, but Lucy as we had seen
|
|
her in life, with her face of unequalled sweetness and purity. True
|
|
that there were there, as we had seen them in life, the traces of care
|
|
and pain and waste. But these were all dear to us, for they marked
|
|
her truth to what we knew. One and all we felt that the holy calm
|
|
that lay like sunshine over the wasted face and form was only an
|
|
earthly token and symbol of the calm that was to reign for ever.
|
|
|
|
Van Helsing came and laid his hand on Arthur's shoulder, and said to
|
|
him, "And now, Arthur my friend, dear lad, am I not forgiven?"
|
|
|
|
The reaction of the terrible strain came as he took the old man's hand
|
|
in his, and raising it to his lips, pressed it, and said, "Forgiven!
|
|
God bless you that you have given my dear one her soul again, and me
|
|
peace." He put his hands on the Professor's shoulder, and laying his
|
|
head on his breast, cried for a while silently, whilst we stood
|
|
unmoving.
|
|
|
|
When he raised his head Van Helsing said to him, "And now, my child,
|
|
you may kiss her. Kiss her dead lips if you will, as she would have
|
|
you to, if for her to choose. For she is not a grinning devil now,
|
|
not any more a foul Thing for all eternity. No longer she is the
|
|
devil's UnDead. She is God's true dead, whose soul is with Him!"
|
|
|
|
Arthur bent and kissed her, and then we sent him and Quincey out of the
|
|
tomb. The Professor and I sawed the top off the stake, leaving the
|
|
point of it in the body. Then we cut off the head and filled the
|
|
mouth with garlic. We soldered up the leaden coffin, screwed on the
|
|
coffin lid, and gathering up our belongings, came away. When the
|
|
Professor locked the door he gave the key to Arthur.
|
|
|
|
Outside the air was sweet, the sun shone, and the birds sang, and it
|
|
seemed as if all nature were tuned to a different pitch. There was
|
|
gladness and mirth and peace everywhere, for we were at rest ourselves
|
|
on one account, and we were glad, though it was with a tempered joy.
|
|
|
|
Before we moved away Van Helsing said, "Now, my friends, one step of
|
|
our work is done, one the most harrowing to ourselves. But there
|
|
remains a greater task: to find out the author of all this our sorrow
|
|
and to stamp him out. I have clues which we can follow, but it is a
|
|
long task, and a difficult one, and there is danger in it, and pain.
|
|
Shall you not all help me? We have learned to believe, all of us, is
|
|
it not so? And since so, do we not see our duty? Yes! And do we not
|
|
promise to go on to the bitter end?"
|
|
|
|
Each in turn, we took his hand, and the promise was made. Then said
|
|
the Professor as we moved off, "Two nights hence you shall meet with
|
|
me and dine together at seven of the clock with friend John. I shall
|
|
entreat two others, two that you know not as yet, and I shall be ready
|
|
to all our work show and our plans unfold. Friend John, you come with
|
|
me home, for I have much to consult you about, and you can help me.
|
|
Tonight I leave for Amsterdam, but shall return tomorrow night. And
|
|
then begins our great quest. But first I shall have much to say, so
|
|
that you may know what to do and to dread. Then our promise shall be
|
|
made to each other anew. For there is a terrible task before us, and
|
|
once our feet are on the ploughshare we must not draw back."
|
|
|
|
|
|
|
|
|
|
CHAPTER 17
|
|
|
|
|
|
DR. SEWARD'S DIARY--cont.
|
|
|
|
When we arrived at the Berkely Hotel, Van Helsing found a telegram
|
|
waiting for him.
|
|
|
|
"Am coming up by train. Jonathan at Whitby. Important news. Mina
|
|
Harker."
|
|
|
|
|
|
The Professor was delighted. "Ah, that wonderful Madam Mina," he
|
|
said, "pearl among women! She arrive, but I cannot stay. She must go
|
|
to your house, friend John. You must meet her at the station.
|
|
Telegraph her en route so that she may be prepared."
|
|
|
|
When the wire was dispatched he had a cup of tea. Over it he told me
|
|
of a diary kept by Jonathan Harker when abroad, and gave me a
|
|
typewritten copy of it, as also of Mrs. Harker's diary at Whitby.
|
|
"Take these," he said, "and study them well. When I have returned you
|
|
will be master of all the facts, and we can then better enter on our
|
|
inquisition. Keep them safe, for there is in them much of treasure.
|
|
You will need all your faith, even you who have had such an experience
|
|
as that of today. What is here told," he laid his hand heavily and
|
|
gravely on the packet of papers as he spoke, "may be the beginning of
|
|
the end to you and me and many another, or it may sound the knell of
|
|
the UnDead who walk the earth. Read all, I pray you, with the open
|
|
mind, and if you can add in any way to the story here told do so, for
|
|
it is all important. You have kept a diary of all these so strange
|
|
things, is it not so? Yes! Then we shall go through all these
|
|
together when we meet." He then made ready for his departure and
|
|
shortly drove off to Liverpool Street. I took my way to Paddington,
|
|
where I arrived about fifteen minutes before the train came in.
|
|
|
|
The crowd melted away, after the bustling fashion common to arrival
|
|
platforms, and I was beginning to feel uneasy, lest I might miss my
|
|
guest, when a sweet-faced, dainty looking girl stepped up to me, and
|
|
after a quick glance said, "Dr. Seward, is it not?"
|
|
|
|
"And you are Mrs. Harker!" I answered at once, whereupon she held out
|
|
her hand.
|
|
|
|
"I knew you from the description of poor dear Lucy, but . . ." She
|
|
stopped suddenly, and a quick blush overspread her face.
|
|
|
|
The blush that rose to my own cheeks somehow set us both at ease, for
|
|
it was a tacit answer to her own. I got her luggage, which included a
|
|
typewriter, and we took the Underground to Fenchurch Street, after I
|
|
had sent a wire to my housekeeper to have a sitting room and a bedroom
|
|
prepared at once for Mrs. Harker.
|
|
|
|
In due time we arrived. She knew, of course, that the place was a
|
|
lunatic asylum, but I could see that she was unable to repress a
|
|
shudder when we entered.
|
|
|
|
She told me that, if she might, she would come presently to my study,
|
|
as she had much to say. So here I am finishing my entry in my
|
|
phonograph diary whilst I await her. As yet I have not had the chance
|
|
of looking at the papers which Van Helsing left with me, though they
|
|
lie open before me. I must get her interested in something, so that I
|
|
may have an opportunity of reading them. She does not know how
|
|
precious time is, or what a task we have in hand. I must be careful
|
|
not to frighten her. Here she is!
|
|
|
|
|
|
|
|
|
|
MINA HARKER'S JOURNAL
|
|
|
|
29 September.--After I had tidied myself, I went down to Dr. Seward's
|
|
study. At the door I paused a moment, for I thought I heard him
|
|
talking with some one. As, however, he had pressed me to be quick, I
|
|
knocked at the door, and on his calling out, "Come in," I entered.
|
|
|
|
To my intense surprise, there was no one with him. He was quite
|
|
alone, and on the table opposite him was what I knew at once from the
|
|
description to be a phonograph. I had never seen one, and was much
|
|
interested.
|
|
|
|
"I hope I did not keep you waiting," I said, "but I stayed at the door
|
|
as I heard you talking, and thought there was someone with you."
|
|
|
|
"Oh," he replied with a smile, "I was only entering my diary."
|
|
|
|
"Your diary?" I asked him in surprise.
|
|
|
|
"Yes," he answered. "I keep it in this." As he spoke he laid his
|
|
hand on the phonograph. I felt quite excited over it, and blurted
|
|
out, "Why, this beats even shorthand! May I hear it say something?"
|
|
|
|
"Certainly," he replied with alacrity, and stood up to put it in train
|
|
for speaking. Then he paused, and a troubled look overspread his
|
|
face.
|
|
|
|
"The fact is," he began awkwardly, "I only keep my diary in it, and as
|
|
it is entirely, almost entirely, about my cases it may be awkward,
|
|
that is, I mean . . ." He stopped, and I tried to help him out of his
|
|
embarrassment.
|
|
|
|
"You helped to attend dear Lucy at the end. Let me hear how she died,
|
|
for all that I know of her, I shall be very grateful. She was very,
|
|
very dear to me."
|
|
|
|
To my surprise, he answered, with a horrorstruck look in his face,
|
|
"Tell you of her death? Not for the wide world!"
|
|
|
|
"Why not?" I asked, for some grave, terrible feeling was coming over me.
|
|
|
|
Again he paused, and I could see that he was trying to invent an
|
|
excuse. At length, he stammered out, "You see, I do not know how to
|
|
pick out any particular part of the diary."
|
|
|
|
Even while he was speaking an idea dawned upon him, and he said with
|
|
unconscious simplicity, in a different voice, and with the naivete of
|
|
a child, "that's quite true, upon my honour. Honest Indian!"
|
|
|
|
I could not but smile, at which he grimaced. "I gave myself away that
|
|
time!" he said. "But do you know that, although I have kept the diary
|
|
for months past, it never once struck me how I was going to find any
|
|
particular part of it in case I wanted to look it up?"
|
|
|
|
By this time my mind was made up that the diary of a doctor who
|
|
attended Lucy might have something to add to the sum of our knowledge
|
|
of that terrible Being, and I said boldly, "Then, Dr. Seward, you had
|
|
better let me copy it out for you on my typewriter."
|
|
|
|
He grew to a positively deathly pallor as he said, "No! No! No! For
|
|
all the world. I wouldn't let you know that terrible story!"
|
|
|
|
Then it was terrible. My intuition was right! For a moment, I
|
|
thought, and as my eyes ranged the room, unconsciously looking for
|
|
something or some opportunity to aid me, they lit on a great batch of
|
|
typewriting on the table. His eyes caught the look in mine, and
|
|
without his thinking, followed their direction. As they saw the
|
|
parcel he realized my meaning.
|
|
|
|
"You do not know me," I said. "When you have read those papers, my
|
|
own diary and my husband's also, which I have typed, you will know me
|
|
better. I have not faltered in giving every thought of my own heart
|
|
in this cause. But, of course, you do not know me, yet, and I must
|
|
not expect you to trust me so far."
|
|
|
|
He is certainly a man of noble nature. Poor dear Lucy was right about
|
|
him. He stood up and opened a large drawer, in which were arranged in
|
|
order a number of hollow cylinders of metal covered with dark wax, and
|
|
said,
|
|
|
|
"You are quite right. I did not trust you because I did not know
|
|
you. But I know you now, and let me say that I should have known you
|
|
long ago. I know that Lucy told you of me. She told me of you too.
|
|
May I make the only atonement in my power? Take the cylinders and
|
|
hear them. The first half-dozen of them are personal to me, and they
|
|
will not horrify you. Then you will know me better. Dinner will by
|
|
then be ready. In the meantime I shall read over some of these
|
|
documents, and shall be better able to understand certain things."
|
|
|
|
He carried the phonograph himself up to my sitting room and adjusted
|
|
it for me. Now I shall learn something pleasant, I am sure. For it
|
|
will tell me the other side of a true love episode of which I know one
|
|
side already.
|
|
|
|
|
|
|
|
|
|
DR. SEWARD'S DIARY
|
|
|
|
29 September.--I was so absorbed in that wonderful diary of Jonathan
|
|
Harker and that other of his wife that I let the time run on without
|
|
thinking. Mrs. Harker was not down when the maid came to announce
|
|
dinner, so I said, "She is possibly tired. Let dinner wait an hour,"
|
|
and I went on with my work. I had just finished Mrs. Harker's diary,
|
|
when she came in. She looked sweetly pretty, but very sad, and her
|
|
eyes were flushed with crying. This somehow moved me much. Of late I
|
|
have had cause for tears, God knows! But the relief of them was
|
|
denied me, and now the sight of those sweet eyes, brightened by recent
|
|
tears, went straight to my heart. So I said as gently as I could, "I
|
|
greatly fear I have distressed you."
|
|
|
|
"Oh, no, not distressed me," she replied. "But I have been more
|
|
touched than I can say by your grief. That is a wonderful machine,
|
|
but it is cruelly true. It told me, in its very tones, the anguish of
|
|
your heart. It was like a soul crying out to Almighty God. No one
|
|
must hear them spoken ever again! See, I have tried to be useful. I
|
|
have copied out the words on my typewriter, and none other need now
|
|
hear your heart beat, as I did."
|
|
|
|
"No one need ever know, shall ever know," I said in a low voice. She
|
|
laid her hand on mine and said very gravely, "Ah, but they must!"
|
|
|
|
"Must! But why?" I asked.
|
|
|
|
"Because it is a part of the terrible story, a part of poor Lucy's
|
|
death and all that led to it. Because in the struggle which we have
|
|
before us to rid the earth of this terrible monster we must have all
|
|
the knowledge and all the help which we can get. I think that the
|
|
cylinders which you gave me contained more than you intended me to
|
|
know. But I can see that there are in your record many lights to this
|
|
dark mystery. You will let me help, will you not? I know all up to a
|
|
certain point, and I see already, though your diary only took me to 7
|
|
September, how poor Lucy was beset, and how her terrible doom was
|
|
being wrought out. Jonathan and I have been working day and night
|
|
since Professor Van Helsing saw us. He is gone to Whitby to get more
|
|
information, and he will be here tomorrow to help us. We need have no
|
|
secrets amongst us. Working together and with absolute trust, we can
|
|
surely be stronger than if some of us were in the dark."
|
|
|
|
She looked at me so appealingly, and at the same time manifested such
|
|
courage and resolution in her bearing, that I gave in at once to her
|
|
wishes. "You shall," I said, "do as you like in the matter. God
|
|
forgive me if I do wrong! There are terrible things yet to learn of,
|
|
but if you have so far traveled on the road to poor Lucy's death, you
|
|
will not be content, I know, to remain in the dark. Nay, the end, the
|
|
very end, may give you a gleam of peace. Come, there is dinner. We
|
|
must keep one another strong for what is before us. We have a cruel
|
|
and dreadful task. When you have eaten you shall learn the rest, and
|
|
I shall answer any questions you ask, if there be anything which you
|
|
do not understand, though it was apparent to us who were present."
|
|
|
|
|
|
|
|
MINA HARKER'S JOURNAL
|
|
|
|
29 September.--After dinner I came with Dr. Seward to his study. He
|
|
brought back the phonograph from my room, and I took a chair, and
|
|
arranged the phonograph so that I could touch it without getting up,
|
|
and showed me how to stop it in case I should want to pause. Then he
|
|
very thoughtfully took a chair, with his back to me, so that I might
|
|
be as free as possible, and began to read. I put the forked metal to
|
|
my ears and listened.
|
|
|
|
When the terrible story of Lucy's death, and all that followed, was
|
|
done, I lay back in my chair powerless. Fortunately I am not of a
|
|
fainting disposition. When Dr. Seward saw me he jumped up with a
|
|
horrified exclamation, and hurriedly taking a case bottle from the
|
|
cupboard, gave me some brandy, which in a few minutes somewhat
|
|
restored me. My brain was all in a whirl, and only that there came
|
|
through all the multitude of horrors, the holy ray of light that my
|
|
dear Lucy was at last at peace, I do not think I could have borne it
|
|
without making a scene. It is all so wild and mysterious, and strange
|
|
that if I had not known Jonathan's experience in Transylvania I could
|
|
not have believed. As it was, I didn't know what to believe, and so
|
|
got out of my difficulty by attending to something else. I took the
|
|
cover off my typewriter, and said to Dr. Seward,
|
|
|
|
"Let me write this all out now. We must be ready for Dr. Van Helsing
|
|
when he comes. I have sent a telegram to Jonathan to come on here
|
|
when he arrives in London from Whitby. In this matter dates are
|
|
everything, and I think that if we get all of our material ready, and
|
|
have every item put in chronological order, we shall have done much.
|
|
|
|
"You tell me that Lord Godalming and Mr. Morris are coming too. Let
|
|
us be able to tell them when they come."
|
|
|
|
He accordingly set the phonograph at a slow pace, and I began to
|
|
typewrite from the beginning of the seventeenth cylinder. I used
|
|
manifold, and so took three copies of the diary, just as I had done
|
|
with the rest. It was late when I got through, but Dr. Seward went
|
|
about his work of going his round of the patients. When he had
|
|
finished he came back and sat near me, reading, so that I did not feel
|
|
too lonely whilst I worked. How good and thoughtful he is. The world
|
|
seems full of good men, even if there are monsters in it.
|
|
|
|
Before I left him I remembered what Jonathan put in his diary of the
|
|
Professor's perturbation at reading something in an evening paper at
|
|
the station at Exeter, so, seeing that Dr. Seward keeps his
|
|
newspapers, I borrowed the files of 'The Westminster Gazette' and 'The
|
|
Pall Mall Gazette' and took them to my room. I remember how much the
|
|
'Dailygraph' and 'The Whitby Gazette', of which I had made cuttings,
|
|
had helped us to understand the terrible events at Whitby when Count
|
|
Dracula landed, so I shall look through the evening papers since then,
|
|
and perhaps I shall get some new light. I am not sleepy, and the work
|
|
will help to keep me quiet.
|
|
|
|
|
|
|
|
|
|
DR. SEWARD'S DIARY
|
|
|
|
30 September.--Mr. Harker arrived at nine o'clock. He got his wife's
|
|
wire just before starting. He is uncommonly clever, if one can judge
|
|
from his face, and full of energy. If this journal be true, and
|
|
judging by one's own wonderful experiences, it must be, he is also a
|
|
man of great nerve. That going down to the vault a second time was a
|
|
remarkable piece of daring. After reading his account of it I was
|
|
prepared to meet a good specimen of manhood, but hardly the quiet,
|
|
businesslike gentleman who came here today.
|
|
|
|
|
|
LATER.--After lunch Harker and his wife went back to their own room,
|
|
and as I passed a while ago I heard the click of the typewriter. They
|
|
are hard at it. Mrs. Harker says that they are knitting together in
|
|
chronological order every scrap of evidence they have. Harker has got
|
|
the letters between the consignee of the boxes at Whitby and the
|
|
carriers in London who took charge of them. He is now reading his
|
|
wife's transcript of my diary. I wonder what they make out of it.
|
|
Here it is . . .
|
|
|
|
Strange that it never struck me that the very next house might be the
|
|
Count's hiding place! Goodness knows that we had enough clues from
|
|
the conduct of the patient Renfield! The bundle of letters relating
|
|
to the purchase of the house were with the transcript. Oh, if we had
|
|
only had them earlier we might have saved poor Lucy! Stop! That way
|
|
madness lies! Harker has gone back, and is again collecting material.
|
|
He says that by dinner time they will be able to show a whole
|
|
connected narrative. He thinks that in the meantime I should see
|
|
Renfield, as hitherto he has been a sort of index to the coming and
|
|
going of the Count. I hardly see this yet, but when I get at the
|
|
dates I suppose I shall. What a good thing that Mrs. Harker put my
|
|
cylinders into type! We never could have found the dates otherwise.
|
|
|
|
I found Renfield sitting placidly in his room with his hands folded,
|
|
smiling benignly. At the moment he seemed as sane as any one I ever
|
|
saw. I sat down and talked with him on a lot of subjects, all of
|
|
which he treated naturally. He then, of his own accord, spoke of
|
|
going home, a subject he has never mentioned to my knowledge during
|
|
his sojourn here. In fact, he spoke quite confidently of getting his
|
|
discharge at once. I believe that, had I not had the chat with Harker
|
|
and read the letters and the dates of his outbursts, I should have
|
|
been prepared to sign for him after a brief time of observation. As
|
|
it is, I am darkly suspicious. All those out-breaks were in some way
|
|
linked with the proximity of the Count. What then does this absolute
|
|
content mean? Can it be that his instinct is satisfied as to the
|
|
vampire's ultimate triumph? Stay. He is himself zoophagous, and in
|
|
his wild ravings outside the chapel door of the deserted house he
|
|
always spoke of 'master'. This all seems confirmation of our idea.
|
|
However, after a while I came away. My friend is just a little too
|
|
sane at present to make it safe to probe him too deep with questions.
|
|
He might begin to think, and then . . . So I came away. I mistrust
|
|
these quiet moods of his, so I have given the attendant a hint to
|
|
look closely after him, and to have a strait waistcoat ready in case
|
|
of need.
|
|
|
|
|
|
|
|
|
|
|
|
JOHNATHAN HARKER'S JOURNAL
|
|
|
|
29 September, in train to London.--When I received Mr. Billington's
|
|
courteous message that he would give me any information in his power I
|
|
thought it best to go down to Whitby and make, on the spot, such
|
|
inquiries as I wanted. It was now my object to trace that horrid
|
|
cargo of the Count's to its place in London. Later, we may be able to
|
|
deal with it. Billington junior, a nice lad, met me at the station,
|
|
and brought me to his father's house, where they had decided that I
|
|
must spend the night. They are hospitable, with true Yorkshire
|
|
hospitality, give a guest everything and leave him to do as he likes.
|
|
They all knew that I was busy, and that my stay was short, and Mr.
|
|
Billington had ready in his office all the papers concerning the
|
|
consignment of boxes. It gave me almost a turn to see again one of
|
|
the letters which I had seen on the Count's table before I knew of his
|
|
diabolical plans. Everything had been carefully thought out, and done
|
|
systematically and with precision. He seemed to have been prepared
|
|
for every obstacle which might be placed by accident in the way of his
|
|
intentions being carried out. To use an Americanism, he had 'taken no
|
|
chances', and the absolute accuracy with which his instructions were
|
|
fulfilled was simply the logical result of his care. I saw the
|
|
invoice, and took note of it. 'Fifty cases of common earth, to be used
|
|
for experimental purposes'. Also the copy of the letter to Carter
|
|
Paterson, and their reply. Of both these I got copies. This was all
|
|
the information Mr. Billington could give me, so I went down to the
|
|
port and saw the coastguards, the Customs Officers and the harbour
|
|
master, who kindly put me in communication with the men who had
|
|
actually received the boxes. Their tally was exact with the list, and
|
|
they had nothing to add to the simple description 'fifty cases of
|
|
common earth', except that the boxes were 'main and mortal heavy', and
|
|
that shifting them was dry work. One of them added that it was hard
|
|
lines that there wasn't any gentleman 'such like as like yourself,
|
|
squire', to show some sort of appreciation of their efforts in a
|
|
liquid form. Another put in a rider that the thirst then generated
|
|
was such that even the time which had elapsed had not completely
|
|
allayed it. Needless to add, I took care before leaving to lift,
|
|
forever and adequately, this source of reproach.
|
|
|
|
30 September.--The station master was good enough to give me a line to
|
|
his old companion the station master at King's Cross, so that when I
|
|
arrived there in the morning I was able to ask him about the arrival
|
|
of the boxes. He, too put me at once in communication with the proper
|
|
officials, and I saw that their tally was correct with the original
|
|
invoice. The opportunities of acquiring an abnormal thirst had been
|
|
here limited. A noble use of them had, however, been made, and again
|
|
I was compelled to deal with the result in ex post facto manner.
|
|
|
|
From thence I went to Carter Paterson's central office, where I met
|
|
with the utmost courtesy. They looked up the transaction in their day
|
|
book and letter book, and at once telephoned to their King's Cross
|
|
office for more details. By good fortune, the men who did the teaming
|
|
were waiting for work, and the official at once sent them over,
|
|
sending also by one of them the way-bill and all the papers connected
|
|
with the delivery of the boxes at Carfax. Here again I found the
|
|
tally agreeing exactly. The carriers' men were able to supplement the
|
|
paucity of the written words with a few more details. These were, I
|
|
shortly found, connected almost solely with the dusty nature of the
|
|
job, and the consequent thirst engendered in the operators. On my
|
|
affording an opportunity, through the medium of the currency of the
|
|
realm, of the allaying, at a later period, this beneficial evil, one
|
|
of the men remarked,
|
|
|
|
"That 'ere 'ouse, guv'nor, is the rummiest I ever was in. Blyme! But
|
|
it ain't been touched sence a hundred years. There was dust that
|
|
thick in the place that you might have slep' on it without 'urtin' of
|
|
yer bones. An' the place was that neglected that yer might 'ave
|
|
smelled ole Jerusalem in it. But the old chapel, that took the cike,
|
|
that did! Me and my mate, we thort we wouldn't never git out quick
|
|
enough. Lor', I wouldn't take less nor a quid a moment to stay there
|
|
arter dark."
|
|
|
|
Having been in the house, I could well believe him, but if he knew
|
|
what I know, he would, I think have raised his terms.
|
|
|
|
Of one thing I am now satisfied. That all those boxes which arrived at
|
|
Whitby from Varna in the Demeter were safely deposited in the old
|
|
chapel at Carfax. There should be fifty of them there, unless any
|
|
have since been removed, as from Dr. Seward's diary I fear.
|
|
|
|
|
|
Later.--Mina and I have worked all day, and we have put all the papers
|
|
into order.
|
|
|
|
|
|
|
|
|
|
MINA HARKER'S JOURNAL
|
|
|
|
30 September.--I am so glad that I hardly know how to contain myself.
|
|
It is, I suppose, the reaction from the haunting fear which I have
|
|
had, that this terrible affair and the reopening of his old wound
|
|
might act detrimentally on Jonathan. I saw him leave for Whitby with
|
|
as brave a face as could, but I was sick with apprehension. The
|
|
effort has, however, done him good. He was never so resolute, never
|
|
so strong, never so full of volcanic energy, as at present. It is
|
|
just as that dear, good Professor Van Helsing said, he is true grit,
|
|
and he improves under strain that would kill a weaker nature. He came
|
|
back full of life and hope and determination. We have got everything
|
|
in order for tonight. I feel myself quite wild with excitement. I
|
|
suppose one ought to pity anything so hunted as the Count. That is
|
|
just it. This thing is not human, not even a beast. To read Dr.
|
|
Seward's account of poor Lucy's death, and what followed, is enough to
|
|
dry up the springs of pity in one's heart.
|
|
|
|
|
|
Later.--Lord Godalming and Mr. Morris arrived earlier than we
|
|
expected. Dr. Seward was out on business, and had taken Jonathan with
|
|
him, so I had to see them. It was to me a painful meeting, for it
|
|
brought back all poor dear Lucy's hopes of only a few months ago. Of
|
|
course they had heard Lucy speak of me, and it seemed that Dr. Van
|
|
Helsing, too, had been quite 'blowing my trumpet', as Mr. Morris
|
|
expressed it. Poor fellows, neither of them is aware that I know all
|
|
about the proposals they made to Lucy. They did not quite know what
|
|
to say or do, as they were ignorant of the amount of my knowledge. So
|
|
they had to keep on neutral subjects. However, I thought the matter
|
|
over, and came to the conclusion that the best thing I could do would
|
|
be to post them on affairs right up to date. I knew from Dr. Seward's
|
|
diary that they had been at Lucy's death, her real death, and that I
|
|
need not fear to betray any secret before the time. So I told them,
|
|
as well as I could, that I had read all the papers and diaries, and
|
|
that my husband and I, having typewritten them, had just finished
|
|
putting them in order. I gave them each a copy to read in the
|
|
library. When Lord Godalming got his and turned it over, it does make
|
|
a pretty good pile, he said, "Did you write all this, Mrs. Harker?"
|
|
|
|
I nodded, and he went on.
|
|
|
|
"I don't quite see the drift of it, but you people are all so good and
|
|
kind, and have been working so earnestly and so energetically, that
|
|
all I can do is to accept your ideas blindfold and try to help you. I
|
|
have had one lesson already in accepting facts that should make a man
|
|
humble to the last hour of his life. Besides, I know you loved my
|
|
Lucy . . ."
|
|
|
|
Here he turned away and covered his face with his hands. I could hear
|
|
the tears in his voice. Mr. Morris, with instinctive delicacy, just
|
|
laid a hand for a moment on his shoulder, and then walked quietly out
|
|
of the room. I suppose there is something in a woman's nature that
|
|
makes a man free to break down before her and express his feelings on
|
|
the tender or emotional side without feeling it derogatory to his
|
|
manhood. For when Lord Godalming found himself alone with me he sat
|
|
down on the sofa and gave way utterly and openly. I sat down beside
|
|
him and took his hand. I hope he didn't think it forward of me, and
|
|
that if he ever thinks of it afterwards he never will have such a
|
|
thought. There I wrong him. I know he never will. He is too true a
|
|
gentleman. I said to him, for I could see that his heart was
|
|
breaking, "I loved dear Lucy, and I know what she was to you, and what
|
|
you were to her. She and I were like sisters, and now she is gone,
|
|
will you not let me be like a sister to you in your trouble? I know
|
|
what sorrows you have had, though I cannot measure the depth of them.
|
|
If sympathy and pity can help in your affliction, won't you let me be
|
|
of some little service, for Lucy's sake?"
|
|
|
|
In an instant the poor dear fellow was overwhelmed with grief. It
|
|
seemed to me that all that he had of late been suffering in silence
|
|
found a vent at once. He grew quite hysterical, and raising his open
|
|
hands, beat his palms together in a perfect agony of grief. He stood
|
|
up and then sat down again, and the tears rained down his cheeks. I
|
|
felt an infinite pity for him, and opened my arms unthinkingly. With
|
|
a sob he laid his head on my shoulder and cried like a wearied child,
|
|
whilst he shook with emotion.
|
|
|
|
We women have something of the mother in us that makes us rise above
|
|
smaller matters when the mother spirit is invoked. I felt this big
|
|
sorrowing man's head resting on me, as though it were that of a baby
|
|
that some day may lie on my bosom, and I stroked his hair as though he
|
|
were my own child. I never thought at the time how strange it all
|
|
was.
|
|
|
|
After a little bit his sobs ceased, and he raised himself with an
|
|
apology, though he made no disguise of his emotion. He told me that
|
|
for days and nights past, weary days and sleepless nights, he had been
|
|
unable to speak with any one, as a man must speak in his time of
|
|
sorrow. There was no woman whose sympathy could be given to him, or
|
|
with whom, owing to the terrible circumstance with which his sorrow
|
|
was surrounded, he could speak freely.
|
|
|
|
"I know now how I suffered," he said, as he dried his eyes, "but I do
|
|
not know even yet, and none other can ever know, how much your sweet
|
|
sympathy has been to me today. I shall know better in time, and
|
|
believe me that, though I am not ungrateful now, my gratitude will
|
|
grow with my understanding. You will let me be like a brother, will
|
|
you not, for all our lives, for dear Lucy's sake?"
|
|
|
|
"For dear Lucy's sake," I said as we clasped hands. "Ay, and for your
|
|
own sake," he added, "for if a man's esteem and gratitude are ever
|
|
worth the winning, you have won mine today. If ever the future should
|
|
bring to you a time when you need a man's help, believe me, you will
|
|
not call in vain. God grant that no such time may ever come to you to
|
|
break the sunshine of your life, but if it should ever come, promise
|
|
me that you will let me know."
|
|
|
|
He was so earnest, and his sorrow was so fresh, that I felt it would
|
|
comfort him, so I said, "I promise."
|
|
|
|
As I came along the corridor I saw Mr. Morris looking out of a window.
|
|
He turned as he heard my footsteps. "How is Art?" he said. Then
|
|
noticing my red eyes, he went on, "Ah, I see you have been comforting
|
|
him. Poor old fellow! He needs it. No one but a woman can help a
|
|
man when he is in trouble of the heart, and he had no one to comfort
|
|
him."
|
|
|
|
He bore his own trouble so bravely that my heart bled for him. I saw
|
|
the manuscript in his hand, and I knew that when he read it he would
|
|
realize how much I knew, so I said to him, "I wish I could comfort all
|
|
who suffer from the heart. Will you let me be your friend, and will
|
|
you come to me for comfort if you need it? You will know later why I
|
|
speak."
|
|
|
|
He saw that I was in earnest, and stooping, took my hand, and raising
|
|
it to his lips, kissed it. It seemed but poor comfort to so brave and
|
|
unselfish a soul, and impulsively I bent over and kissed him. The
|
|
tears rose in his eyes, and there was a momentary choking in his
|
|
throat. He said quite calmly, "Little girl, you will never forget
|
|
that true hearted kindness, so long as ever you live!" Then he went
|
|
into the study to his friend.
|
|
|
|
"Little girl!" The very words he had used to Lucy, and, oh, but he
|
|
proved himself a friend.
|
|
|
|
|
|
|
|
|
|
CHAPTER 18
|
|
|
|
|
|
DR. SEWARD'S DIARY
|
|
|
|
30 September.--I got home at five o'clock, and found that Godalming
|
|
and Morris had not only arrived, but had already studied the
|
|
transcript of the various diaries and letters which Harker had not yet
|
|
returned from his visit to the carriers' men, of whom Dr. Hennessey
|
|
had written to me. Mrs. Harker gave us a cup of tea, and I can
|
|
honestly say that, for the first time since I have lived in it, this
|
|
old house seemed like home. When we had finished, Mrs. Harker said,
|
|
|
|
"Dr. Seward, may I ask a favour? I want to see your patient, Mr.
|
|
Renfield. Do let me see him. What you have said of him in your diary
|
|
interests me so much!"
|
|
|
|
She looked so appealing and so pretty that I could not refuse her, and
|
|
there was no possible reason why I should, so I took her with me.
|
|
When I went into the room, I told the man that a lady would like to see
|
|
him, to which he simply answered, "Why?"
|
|
|
|
"She is going through the house, and wants to see every one in it," I
|
|
answered.
|
|
|
|
"Oh, very well," he said, "let her come in, by all means, but just
|
|
wait a minute till I tidy up the place."
|
|
|
|
His method of tidying was peculiar, he simply swallowed all the flies
|
|
and spiders in the boxes before I could stop him. It was quite
|
|
evident that he feared, or was jealous of, some interference. When he
|
|
had got through his disgusting task, he said cheerfully, "Let the lady
|
|
come in," and sat down on the edge of his bed with his head down, but
|
|
with his eyelids raised so that he could see her as she entered. For
|
|
a moment I thought that he might have some homicidal intent. I
|
|
remembered how quiet he had been just before he attacked me in my own
|
|
study, and I took care to stand where I could seize him at once if he
|
|
attempted to make a spring at her.
|
|
|
|
She came into the room with an easy gracefulness which would at once
|
|
command the respect of any lunatic, for easiness is one of the
|
|
qualities mad people most respect. She walked over to him, smiling
|
|
pleasantly, and held out her hand.
|
|
|
|
"Good evening, Mr. Renfield," said she. "You see, I know you, for Dr.
|
|
Seward has told me of you." He made no immediate reply, but eyed her
|
|
all over intently with a set frown on his face. This look gave way to
|
|
one of wonder, which merged in doubt, then to my intense astonishment
|
|
he said, "You're not the girl the doctor wanted to marry, are you? You
|
|
can't be, you know, for she's dead."
|
|
|
|
Mrs. Harker smiled sweetly as she replied, "Oh no! I have a husband
|
|
of my own, to whom I was married before I ever saw Dr. Seward, or he
|
|
me. I am Mrs. Harker."
|
|
|
|
"Then what are you doing here?"
|
|
|
|
"My husband and I are staying on a visit with Dr. Seward."
|
|
|
|
"Then don't stay."
|
|
|
|
"But why not?"
|
|
|
|
I thought that this style of conversation might not be pleasant to
|
|
Mrs. Harker, any more than it was to me, so I joined in, "How did you
|
|
know I wanted to marry anyone?"
|
|
|
|
His reply was simply contemptuous, given in a pause in which he turned
|
|
his eyes from Mrs. Harker to me, instantly turning them back again,
|
|
"What an asinine question!"
|
|
|
|
"I don't see that at all, Mr. Renfield," said Mrs. Harker, at once
|
|
championing me.
|
|
|
|
He replied to her with as much courtesy and respect as he had shown
|
|
contempt to me, "You will, of course, understand, Mrs. Harker, that
|
|
when a man is so loved and honoured as our host is, everything
|
|
regarding him is of interest in our little community. Dr. Seward is
|
|
loved not only by his household and his friends, but even by his
|
|
patients, who, being some of them hardly in mental equilibrium, are
|
|
apt to distort causes and effects. Since I myself have been an inmate
|
|
of a lunatic asylum, I cannot but notice that the sophistic tendencies
|
|
of some of its inmates lean towards the errors of non causa and
|
|
ignoratio elenche."
|
|
|
|
I positively opened my eyes at this new development. Here was my own
|
|
pet lunatic, the most pronounced of his type that I had ever met with,
|
|
talking elemental philosophy, and with the manner of a polished
|
|
gentleman. I wonder if it was Mrs. Harker's presence which had
|
|
touched some chord in his memory. If this new phase was spontaneous,
|
|
or in any way due to her unconscious influence, she must have some
|
|
rare gift or power.
|
|
|
|
We continued to talk for some time, and seeing that he was seemingly
|
|
quite reasonable, she ventured, looking at me questioningly as she
|
|
began, to lead him to his favourite topic. I was again astonished,
|
|
for he addressed himself to the question with the impartiality of
|
|
the completest sanity. He even took himself as an example when he
|
|
mentioned certain things.
|
|
|
|
"Why, I myself am an instance of a man who had a strange belief.
|
|
Indeed, it was no wonder that my friends were alarmed, and insisted on
|
|
my being put under control. I used to fancy that life was a positive
|
|
and perpetual entity, and that by consuming a multitude of live
|
|
things, no matter how low in the scale of creation, one might
|
|
indefinitely prolong life. At times I held the belief so strongly
|
|
that I actually tried to take human life. The doctor here will bear
|
|
me out that on one occasion I tried to kill him for the purpose of
|
|
strengthening my vital powers by the assimilation with my own body of
|
|
his life through the medium of his blood, relying of course, upon the
|
|
Scriptural phrase, 'For the blood is the life.' Though, indeed, the
|
|
vendor of a certain nostrum has vulgarized the truism to the very
|
|
point of contempt. Isn't that true, doctor?"
|
|
|
|
I nodded assent, for I was so amazed that I hardly knew what to either
|
|
think or say, it was hard to imagine that I had seen him eat up his
|
|
spiders and flies not five minutes before. Looking at my watch, I saw
|
|
that I should go to the station to meet Van Helsing, so I told Mrs.
|
|
Harker that it was time to leave.
|
|
|
|
She came at once, after saying pleasantly to Mr. Renfield, "Goodbye,
|
|
and I hope I may see you often, under auspices pleasanter to
|
|
yourself."
|
|
|
|
To which, to my astonishment, he replied, "Goodbye, my dear. I pray
|
|
God I may never see your sweet face again. May He bless and keep
|
|
you!"
|
|
|
|
When I went to the station to meet Van Helsing I left the boys behind
|
|
me. Poor Art seemed more cheerful than he has been since Lucy first
|
|
took ill, and Quincey is more like his own bright self than he has
|
|
been for many a long day.
|
|
|
|
Van Helsing stepped from the carriage with the eager nimbleness of a
|
|
boy. He saw me at once, and rushed up to me, saying, "Ah, friend
|
|
John, how goes all? Well? So! I have been busy, for I come here to
|
|
stay if need be. All affairs are settled with me, and I have much to
|
|
tell. Madam Mina is with you? Yes. And her so fine husband? And
|
|
Arthur and my friend Quincey, they are with you, too? Good!"
|
|
|
|
As I drove to the house I told him of what had passed, and of how my
|
|
own diary had come to be of some use through Mrs. Harker's suggestion,
|
|
at which the Professor interrupted me.
|
|
|
|
"Ah, that wonderful Madam Mina! She has man's brain, a brain that a
|
|
man should have were he much gifted, and a woman's heart. The good
|
|
God fashioned her for a purpose, believe me, when He made that so good
|
|
combination. Friend John, up to now fortune has made that woman of
|
|
help to us, after tonight she must not have to do with this so
|
|
terrible affair. It is not good that she run a risk so great. We men
|
|
are determined, nay, are we not pledged, to destroy this monster? But
|
|
it is no part for a woman. Even if she be not harmed, her heart may
|
|
fail her in so much and so many horrors and hereafter she may suffer,
|
|
both in waking, from her nerves, and in sleep, from her dreams. And,
|
|
besides, she is young woman and not so long married, there may be
|
|
other things to think of some time, if not now. You tell me she has
|
|
wrote all, then she must consult with us, but tomorrow she say goodbye
|
|
to this work, and we go alone."
|
|
|
|
I agreed heartily with him, and then I told him what we had found in
|
|
his absence, that the house which Dracula had bought was the very next
|
|
one to my own. He was amazed, and a great concern seemed to come on
|
|
him.
|
|
|
|
"Oh that we had known it before!" he said, "for then we might have
|
|
reached him in time to save poor Lucy. However, 'the milk that is
|
|
spilt cries not out afterwards,' as you say. We shall not think of
|
|
that, but go on our way to the end." Then he fell into a silence that
|
|
lasted till we entered my own gateway. Before we went to prepare for
|
|
dinner he said to Mrs. Harker, "I am told, Madam Mina, by my friend
|
|
John that you and your husband have put up in exact order all things
|
|
that have been, up to this moment."
|
|
|
|
"Not up to this moment, Professor," she said impulsively, "but up to
|
|
this morning."
|
|
|
|
"But why not up to now? We have seen hitherto how good light all the
|
|
little things have made. We have told our secrets, and yet no one who
|
|
has told is the worse for it."
|
|
|
|
Mrs. Harker began to blush, and taking a paper from her pockets, she
|
|
said, "Dr. Van Helsing, will you read this, and tell me if it must go
|
|
in. It is my record of today. I too have seen the need of putting
|
|
down at present everything, however trivial, but there is little in
|
|
this except what is personal. Must it go in?"
|
|
|
|
The Professor read it over gravely, and handed it back, saying, "It
|
|
need not go in if you do not wish it, but I pray that it may. It can
|
|
but make your husband love you the more, and all us, your friends,
|
|
more honour you, as well as more esteem and love." She took it back
|
|
with another blush and a bright smile.
|
|
|
|
And so now, up to this very hour, all the records we have are complete
|
|
and in order. The Professor took away one copy to study after dinner,
|
|
and before our meeting, which is fixed for nine o'clock. The rest of
|
|
us have already read everything, so when we meet in the study we shall
|
|
all be informed as to facts, and can arrange our plan of battle with
|
|
this terrible and mysterious enemy.
|
|
|
|
|
|
|
|
|
|
|
|
MINA HARKER'S JOURNAL
|
|
|
|
30 September.--When we met in Dr. Seward's study two hours after
|
|
dinner, which had been at six o'clock, we unconsciously formed a sort
|
|
of board or committee. Professor Van Helsing took the head of the
|
|
table, to which Dr. Seward motioned him as he came into the room. He
|
|
made me sit next to him on his right, and asked me to act as
|
|
secretary. Jonathan sat next to me. Opposite us were Lord Godalming,
|
|
Dr. Seward, and Mr. Morris, Lord Godalming being next the Professor,
|
|
and Dr. Seward in the centre.
|
|
|
|
The Professor said, "I may, I suppose, take it that we are all
|
|
acquainted with the facts that are in these papers." We all expressed
|
|
assent, and he went on, "Then it were, I think, good that I tell you
|
|
something of the kind of enemy with which we have to deal. I shall
|
|
then make known to you something of the history of this man, which has
|
|
been ascertained for me. So we then can discuss how we shall act, and
|
|
can take our measure according.
|
|
|
|
"There are such beings as vampires, some of us have evidence that they
|
|
exist. Even had we not the proof of our own unhappy experience, the
|
|
teachings and the records of the past give proof enough for sane
|
|
peoples. I admit that at the first I was sceptic. Were it not that
|
|
through long years I have trained myself to keep an open mind, I could
|
|
not have believed until such time as that fact thunder on my ear. 'See!
|
|
See! I prove, I prove.' Alas! Had I known at first what now I know,
|
|
nay, had I even guess at him, one so precious life had been spared to
|
|
many of us who did love her. But that is gone, and we must so work,
|
|
that other poor souls perish not, whilst we can save. The nosferatu
|
|
do not die like the bee when he sting once. He is only stronger, and
|
|
being stronger, have yet more power to work evil. This vampire which
|
|
is amongst us is of himself so strong in person as twenty men, he is
|
|
of cunning more than mortal, for his cunning be the growth of ages, he
|
|
have still the aids of necromancy, which is, as his etymology imply,
|
|
the divination by the dead, and all the dead that he can come nigh to
|
|
are for him at command; he is brute, and more than brute; he is devil
|
|
in callous, and the heart of him is not; he can, within his range,
|
|
direct the elements, the storm, the fog, the thunder; he can command
|
|
all the meaner things, the rat, and the owl, and the bat, the moth,
|
|
and the fox, and the wolf, he can grow and become small; and he can at
|
|
times vanish and come unknown. How then are we to begin our strike to
|
|
destroy him? How shall we find his where, and having found it, how
|
|
can we destroy? My friends, this is much, it is a terrible task that
|
|
we undertake, and there may be consequence to make the brave shudder.
|
|
For if we fail in this our fight he must surely win, and then where
|
|
end we? Life is nothings, I heed him not. But to fail here, is not
|
|
mere life or death. It is that we become as him, that we henceforward
|
|
become foul things of the night like him, without heart or conscience,
|
|
preying on the bodies and the souls of those we love best. To us
|
|
forever are the gates of heaven shut, for who shall open them to us
|
|
again? We go on for all time abhorred by all, a blot on the face of
|
|
God's sunshine, an arrow in the side of Him who died for man. But we
|
|
are face to face with duty, and in such case must we shrink? For me,
|
|
I say no, but then I am old, and life, with his sunshine, his fair
|
|
places, his song of birds, his music and his love, lie far behind. You
|
|
others are young. Some have seen sorrow, but there are fair days yet
|
|
in store. What say you?"
|
|
|
|
Whilst he was speaking, Jonathan had taken my hand. I feared, oh so
|
|
much, that the appalling nature of our danger was overcoming him when
|
|
I saw his hand stretch out, but it was life to me to feel its touch,
|
|
so strong, so self reliant, so resolute. A brave man's hand can speak
|
|
for itself, it does not even need a woman's love to hear its music.
|
|
|
|
When the Professor had done speaking my husband looked in my eyes, and
|
|
I in his, there was no need for speaking between us.
|
|
|
|
"I answer for Mina and myself," he said.
|
|
|
|
"Count me in, Professor," said Mr. Quincey Morris, laconically as
|
|
usual.
|
|
|
|
"I am with you," said Lord Godalming, "for Lucy's sake, if for no
|
|
other reason."
|
|
|
|
Dr. Seward simply nodded.
|
|
|
|
The Professor stood up and, after laying his golden crucifix on the
|
|
table, held out his hand on either side. I took his right hand, and
|
|
Lord Godalming his left, Jonathan held my right with his left and
|
|
stretched across to Mr. Morris. So as we all took hands our solemn
|
|
compact was made. I felt my heart icy cold, but it did not even occur
|
|
to me to draw back. We resumed our places, and Dr. Van Helsing went
|
|
on with a sort of cheerfulness which showed that the serious work had
|
|
begun. It was to be taken as gravely, and in as businesslike a way,
|
|
as any other transaction of life.
|
|
|
|
"Well, you know what we have to contend against, but we too, are not
|
|
without strength. We have on our side power of combination, a power
|
|
denied to the vampire kind, we have sources of science, we are free to
|
|
act and think, and the hours of the day and the night are ours
|
|
equally. In fact, so far as our powers extend, they are unfettered,
|
|
and we are free to use them. We have self devotion in a cause and an
|
|
end to achieve which is not a selfish one. These things are much.
|
|
|
|
"Now let us see how far the general powers arrayed against us are
|
|
restrict, and how the individual cannot. In fine, let us consider the
|
|
limitations of the vampire in general, and of this one in particular.
|
|
|
|
"All we have to go upon are traditions and superstitions. These do
|
|
not at the first appear much, when the matter is one of life and
|
|
death, nay of more than either life or death. Yet must we be
|
|
satisfied, in the first place because we have to be, no other means is
|
|
at our control, and secondly, because, after all these things,
|
|
tradition and superstition, are everything. Does not the belief in
|
|
vampires rest for others, though not, alas! for us, on them? A year
|
|
ago which of us would have received such a possibility, in the midst
|
|
of our scientific, sceptical, matter-of-fact nineteenth century? We
|
|
even scouted a belief that we saw justified under our very eyes. Take
|
|
it, then, that the vampire, and the belief in his limitations and his
|
|
cure, rest for the moment on the same base. For, let me tell you, he
|
|
is known everywhere that men have been. In old Greece, in old Rome,
|
|
he flourish in Germany all over, in France, in India, even in the
|
|
Chermosese, and in China, so far from us in all ways, there even is
|
|
he, and the peoples for him at this day. He have follow the wake of
|
|
the berserker Icelander, the devil-begotten Hun, the Slav, the Saxon,
|
|
the Magyar.
|
|
|
|
"So far, then, we have all we may act upon, and let me tell you that
|
|
very much of the beliefs are justified by what we have seen in our own
|
|
so unhappy experience. The vampire live on, and cannot die by mere
|
|
passing of the time, he can flourish when that he can fatten on the
|
|
blood of the living. Even more, we have seen amongst us that he can
|
|
even grow younger, that his vital faculties grow strenuous, and seem
|
|
as though they refresh themselves when his special pabulum is plenty.
|
|
|
|
"But he cannot flourish without this diet, he eat not as others. Even
|
|
friend Jonathan, who lived with him for weeks, did never see him eat,
|
|
never! He throws no shadow, he make in the mirror no reflect, as
|
|
again Jonathan observe. He has the strength of many of his hand,
|
|
witness again Jonathan when he shut the door against the wolves, and
|
|
when he help him from the diligence too. He can transform himself to
|
|
wolf, as we gather from the ship arrival in Whitby, when he tear open
|
|
the dog, he can be as bat, as Madam Mina saw him on the window at
|
|
Whitby, and as friend John saw him fly from this so near house, and as
|
|
my friend Quincey saw him at the window of Miss Lucy.
|
|
|
|
"He can come in mist which he create, that noble ship's captain proved
|
|
him of this, but, from what we know, the distance he can make this
|
|
mist is limited, and it can only be round himself.
|
|
|
|
"He come on moonlight rays as elemental dust, as again Jonathan saw
|
|
those sisters in the castle of Dracula. He become so small, we
|
|
ourselves saw Miss Lucy, ere she was at peace, slip through a
|
|
hairbreadth space at the tomb door. He can, when once he find his
|
|
way, come out from anything or into anything, no matter how close it
|
|
be bound or even fused up with fire, solder you call it. He can see
|
|
in the dark, no small power this, in a world which is one half shut
|
|
from the light. Ah, but hear me through.
|
|
|
|
"He can do all these things, yet he is not free. Nay, he is even more
|
|
prisoner than the slave of the galley, than the madman in his cell.
|
|
He cannot go where he lists, he who is not of nature has yet to obey
|
|
some of nature's laws, why we know not. He may not enter anywhere at
|
|
the first, unless there be some one of the household who bid him to
|
|
come, though afterwards he can come as he please. His power ceases,
|
|
as does that of all evil things, at the coming of the day.
|
|
|
|
"Only at certain times can he have limited freedom. If he be not at
|
|
the place whither he is bound, he can only change himself at noon or
|
|
at exact sunrise or sunset. These things we are told, and in this
|
|
record of ours we have proof by inference. Thus, whereas he can do as
|
|
he will within his limit, when he have his earth-home, his
|
|
coffin-home, his hell-home, the place unhallowed, as we saw when he
|
|
went to the grave of the suicide at Whitby, still at other time he can
|
|
only change when the time come. It is said, too, that he can only
|
|
pass running water at the slack or the flood of the tide. Then there
|
|
are things which so afflict him that he has no power, as the garlic
|
|
that we know of, and as for things sacred, as this symbol, my
|
|
crucifix, that was amongst us even now when we resolve, to them he is
|
|
nothing, but in their presence he take his place far off and silent
|
|
with respect. There are others, too, which I shall tell you of, lest
|
|
in our seeking we may need them.
|
|
|
|
"The branch of wild rose on his coffin keep him that he move not from
|
|
it, a sacred bullet fired into the coffin kill him so that he be true
|
|
dead, and as for the stake through him, we know already of its peace,
|
|
or the cut off head that giveth rest. We have seen it with our eyes.
|
|
|
|
"Thus when we find the habitation of this man-that-was, we can confine
|
|
him to his coffin and destroy him, if we obey what we know. But he is
|
|
clever. I have asked my friend Arminius, of Buda-Pesth University, to
|
|
make his record, and from all the means that are, he tell me of what
|
|
he has been. He must, indeed, have been that Voivode Dracula who won
|
|
his name against the Turk, over the great river on the very frontier
|
|
of Turkeyland. If it be so, then was he no common man, for in that
|
|
time, and for centuries after, he was spoken of as the cleverest and
|
|
the most cunning, as well as the bravest of the sons of the 'land
|
|
beyond the forest.' That mighty brain and that iron resolution went
|
|
with him to his grave, and are even now arrayed against us. The
|
|
Draculas were, says Arminius, a great and noble race, though now and
|
|
again were scions who were held by their coevals to have had dealings
|
|
with the Evil One. They learned his secrets in the Scholomance,
|
|
amongst the mountains over Lake Hermanstadt, where the devil claims
|
|
the tenth scholar as his due. In the records are such words as
|
|
'stregoica' witch, 'ordog' and 'pokol' Satan and hell, and in one
|
|
manuscript this very Dracula is spoken of as 'wampyr,' which we all
|
|
understand too well. There have been from the loins of this very one
|
|
great men and good women, and their graves make sacred the earth where
|
|
alone this foulness can dwell. For it is not the least of its terrors
|
|
that this evil thing is rooted deep in all good, in soil barren of
|
|
holy memories it cannot rest."
|
|
|
|
Whilst they were talking Mr. Morris was looking steadily at the
|
|
window, and he now got up quietly, and went out of the room. There
|
|
was a little pause, and then the Professor went on.
|
|
|
|
"And now we must settle what we do. We have here much data, and we
|
|
must proceed to lay out our campaign. We know from the inquiry of
|
|
Jonathan that from the castle to Whitby came fifty boxes of earth, all
|
|
of which were delivered at Carfax, we also know that at least some of
|
|
these boxes have been removed. It seems to me, that our first step
|
|
should be to ascertain whether all the rest remain in the house beyond
|
|
that wall where we look today, or whether any more have been removed.
|
|
If the latter, we must trace . . ."
|
|
|
|
Here we were interrupted in a very startling way. Outside the house
|
|
came the sound of a pistol shot, the glass of the window was shattered
|
|
with a bullet, which ricochetting from the top of the embrasure,
|
|
struck the far wall of the room. I am afraid I am at heart a coward,
|
|
for I shrieked out. The men all jumped to their feet, Lord Godalming
|
|
flew over to the window and threw up the sash. As he did so we heard
|
|
Mr. Morris' voice without, "Sorry! I fear I have alarmed you. I
|
|
shall come in and tell you about it."
|
|
|
|
A minute later he came in and said, "It was an idiotic thing of me to
|
|
do, and I ask your pardon, Mrs. Harker, most sincerely, I fear I must
|
|
have frightened you terribly. But the fact is that whilst the
|
|
Professor was talking there came a big bat and sat on the window sill.
|
|
I have got such a horror of the damned brutes from recent events that
|
|
I cannot stand them, and I went out to have a shot, as I have been
|
|
doing of late of evenings, whenever I have seen one. You used to
|
|
laugh at me for it then, Art."
|
|
|
|
"Did you hit it?" asked Dr. Van Helsing.
|
|
|
|
"I don't know, I fancy not, for it flew away into the wood." Without
|
|
saying any more he took his seat, and the Professor began to resume
|
|
his statement.
|
|
|
|
"We must trace each of these boxes, and when we are ready, we must
|
|
either capture or kill this monster in his lair, or we must, so to
|
|
speak, sterilize the earth, so that no more he can seek safety in it.
|
|
Thus in the end we may find him in his form of man between the hours
|
|
of noon and sunset, and so engage with him when he is at his most
|
|
weak.
|
|
|
|
"And now for you, Madam Mina, this night is the end until all be well.
|
|
You are too precious to us to have such risk. When we part tonight,
|
|
you no more must question. We shall tell you all in good time. We
|
|
are men and are able to bear, but you must be our star and our hope,
|
|
and we shall act all the more free that you are not in the danger,
|
|
such as we are."
|
|
|
|
All the men, even Jonathan, seemed relieved, but it did not seem to me
|
|
good that they should brave danger and, perhaps lessen their safety,
|
|
strength being the best safety, through care of me, but their minds
|
|
were made up, and though it was a bitter pill for me to swallow, I
|
|
could say nothing, save to accept their chivalrous care of me.
|
|
|
|
Mr. Morris resumed the discussion, "As there is no time to lose, I
|
|
vote we have a look at his house right now. Time is everything with
|
|
him, and swift action on our part may save another victim."
|
|
|
|
I own that my heart began to fail me when the time for action came so
|
|
close, but I did not say anything, for I had a greater fear that if I
|
|
appeared as a drag or a hindrance to their work, they might even leave
|
|
me out of their counsels altogether. They have now gone off to
|
|
Carfax, with means to get into the house.
|
|
|
|
Manlike, they had told me to go to bed and sleep, as if a woman can
|
|
sleep when those she loves are in danger! I shall lie down, and
|
|
pretend to sleep, lest Jonathan have added anxiety about me when he
|
|
returns.
|
|
|
|
|
|
|
|
|
|
DR. SEWARD'S DIARY
|
|
|
|
1 October, 4 A.M.--Just as we were about to leave the house, an urgent
|
|
message was brought to me from Renfield to know if I would see him at
|
|
once, as he had something of the utmost importance to say to me. I
|
|
told the messenger to say that I would attend to his wishes in the
|
|
morning, I was busy just at the moment.
|
|
|
|
The attendant added, "He seems very importunate, sir. I have never
|
|
seen him so eager. I don't know but what, if you don't see him soon,
|
|
he will have one of his violent fits." I knew the man would not have
|
|
said this without some cause, so I said, "All right, I'll go now," and
|
|
I asked the others to wait a few minutes for me, as I had to go and
|
|
see my patient.
|
|
|
|
"Take me with you, friend John," said the Professor. "His case in your
|
|
diary interest me much, and it had bearing, too, now and again on our
|
|
case. I should much like to see him, and especial when his mind is
|
|
disturbed."
|
|
|
|
"May I come also?" asked Lord Godalming.
|
|
|
|
"Me too?" said Quincey Morris. "May I come?" said Harker. I nodded,
|
|
and we all went down the passage together.
|
|
|
|
We found him in a state of considerable excitement, but far more
|
|
rational in his speech and manner than I had ever seen him. There was
|
|
an unusual understanding of himself, which was unlike anything I had
|
|
ever met with in a lunatic, and he took it for granted that his
|
|
reasons would prevail with others entirely sane. We all five went
|
|
into the room, but none of the others at first said anything. His
|
|
request was that I would at once release him from the asylum and send
|
|
him home. This he backed up with arguments regarding his complete
|
|
recovery, and adduced his own existing sanity.
|
|
|
|
"I appeal to your friends," he said, "they will, perhaps, not mind
|
|
sitting in judgement on my case. By the way, you have not introduced
|
|
me."
|
|
|
|
I was so much astonished, that the oddness of introducing a madman in
|
|
an asylum did not strike me at the moment, and besides, there was a
|
|
certain dignity in the man's manner, so much of the habit of equality,
|
|
that I at once made the introduction, "Lord Godalming, Professor Van
|
|
Helsing, Mr. Quincey Morris, of Texas, Mr. Jonathan Harker, Mr.
|
|
Renfield."
|
|
|
|
He shook hands with each of them, saying in turn, "Lord Godalming, I
|
|
had the honour of seconding your father at the Windham; I grieve to
|
|
know, by your holding the title, that he is no more. He was a man
|
|
loved and honoured by all who knew him, and in his youth was, I have
|
|
heard, the inventor of a burnt rum punch, much patronized on Derby
|
|
night. Mr. Morris, you should be proud of your great state. Its
|
|
reception into the Union was a precedent which may have far-reaching
|
|
effects hereafter, when the Pole and the Tropics may hold alliance to
|
|
the Stars and Stripes. The power of Treaty may yet prove a vast
|
|
engine of enlargement, when the Monroe doctrine takes its true place
|
|
as a political fable. What shall any man say of his pleasure at
|
|
meeting Van Helsing? Sir, I make no apology for dropping all forms of
|
|
conventional prefix. When an individual has revolutionized
|
|
therapeutics by his discovery of the continuous evolution of brain
|
|
matter, conventional forms are unfitting, since they would seem to
|
|
limit him to one of a class. You, gentlemen, who by nationality, by
|
|
heredity, or by the possession of natural gifts, are fitted to hold
|
|
your respective places in the moving world, I take to witness that I
|
|
am as sane as at least the majority of men who are in full possession
|
|
of their liberties. And I am sure that you, Dr. Seward, humanitarian
|
|
and medico-jurist as well as scientist, will deem it a moral duty to
|
|
deal with me as one to be considered as under exceptional
|
|
circumstances." He made this last appeal with a courtly air of
|
|
conviction which was not without its own charm.
|
|
|
|
I think we were all staggered. For my own part, I was under the
|
|
conviction, despite my knowledge of the man's character and history,
|
|
that his reason had been restored, and I felt under a strong impulse
|
|
to tell him that I was satisfied as to his sanity, and would see about
|
|
the necessary formalities for his release in the morning. I thought
|
|
it better to wait, however, before making so grave a statement, for of
|
|
old I knew the sudden changes to which this particular patient was
|
|
liable. So I contented myself with making a general statement that he
|
|
appeared to be improving very rapidly, that I would have a longer chat
|
|
with him in the morning, and would then see what I could do in the
|
|
direction of meeting his wishes.
|
|
|
|
This did not at all satisfy him, for he said quickly, "But I fear, Dr.
|
|
Seward, that you hardly apprehend my wish. I desire to go at once,
|
|
here, now, this very hour, this very moment, if I may. Time presses,
|
|
and in our implied agreement with the old scytheman it is of the
|
|
essence of the contract. I am sure it is only necessary to put before
|
|
so admirable a practitioner as Dr. Seward so simple, yet so momentous
|
|
a wish, to ensure its fulfilment."
|
|
|
|
He looked at me keenly, and seeing the negative in my face, turned to
|
|
the others, and scrutinized them closely. Not meeting any sufficient
|
|
response, he went on, "Is it possible that I have erred in my
|
|
supposition?"
|
|
|
|
"You have," I said frankly, but at the same time, as I felt, brutally.
|
|
|
|
There was a considerable pause, and then he said slowly, "Then I
|
|
suppose I must only shift my ground of request. Let me ask for this
|
|
concession, boon, privilege, what you will. I am content to implore
|
|
in such a case, not on personal grounds, but for the sake of others. I
|
|
am not at liberty to give you the whole of my reasons, but you may, I
|
|
assure you, take it from me that they are good ones, sound and
|
|
unselfish, and spring from the highest sense of duty.
|
|
|
|
"Could you look, sir, into my heart, you would approve to the full the
|
|
sentiments which animate me. Nay, more, you would count me amongst
|
|
the best and truest of your friends."
|
|
|
|
Again he looked at us all keenly. I had a growing conviction that
|
|
this sudden change of his entire intellectual method was but yet
|
|
another phase of his madness, and so determined to let him go on a
|
|
little longer, knowing from experience that he would, like all
|
|
lunatics, give himself away in the end. Van Helsing was gazing at him
|
|
with a look of utmost intensity, his bushy eyebrows almost meeting
|
|
with the fixed concentration of his look. He said to Renfield in a
|
|
tone which did not surprise me at the time, but only when I thought of
|
|
it afterwards, for it was as of one addressing an equal, "Can you not
|
|
tell frankly your real reason for wishing to be free tonight? I will
|
|
undertake that if you will satisfy even me, a stranger, without
|
|
prejudice, and with the habit of keeping an open mind, Dr. Seward will
|
|
give you, at his own risk and on his own responsibility, the privilege
|
|
you seek."
|
|
|
|
He shook his head sadly, and with a look of poignant regret on his
|
|
face. The Professor went on, "Come, sir, bethink yourself. You claim
|
|
the privilege of reason in the highest degree, since you seek to
|
|
impress us with your complete reasonableness. You do this, whose
|
|
sanity we have reason to doubt, since you are not yet released from
|
|
medical treatment for this very defect. If you will not help us in
|
|
our effort to choose the wisest course, how can we perform the duty
|
|
which you yourself put upon us? Be wise, and help us, and if we can
|
|
we shall aid you to achieve your wish."
|
|
|
|
He still shook his head as he said, "Dr. Van Helsing, I have nothing to
|
|
say. Your argument is complete, and if I were free to speak I should
|
|
not hesitate a moment, but I am not my own master in the matter. I
|
|
can only ask you to trust me. If I am refused, the responsibility
|
|
does not rest with me."
|
|
|
|
I thought it was now time to end the scene, which was becoming too
|
|
comically grave, so I went towards the door, simply saying, "Come, my
|
|
friends, we have work to do. Goodnight."
|
|
|
|
As, however, I got near the door, a new change came over the patient.
|
|
He moved towards me so quickly that for the moment I feared that he
|
|
was about to make another homicidal attack. My fears, however, were
|
|
groundless, for he held up his two hands imploringly, and made his
|
|
petition in a moving manner. As he saw that the very excess of his
|
|
emotion was militating against him, by restoring us more to our old
|
|
relations, he became still more demonstrative. I glanced at Van
|
|
Helsing, and saw my conviction reflected in his eyes, so I became a
|
|
little more fixed in my manner, if not more stern, and motioned to him
|
|
that his efforts were unavailing. I had previously seen something of
|
|
the same constantly growing excitement in him when he had to make some
|
|
request of which at the time he had thought much, such for instance,
|
|
as when he wanted a cat, and I was prepared to see the collapse into
|
|
the same sullen acquiescence on this occasion.
|
|
|
|
My expectation was not realized, for when he found that his appeal
|
|
would not be successful, he got into quite a frantic condition. He
|
|
threw himself on his knees, and held up his hands, wringing them in
|
|
plaintive supplication, and poured forth a torrent of entreaty, with
|
|
the tears rolling down his cheeks, and his whole face and form
|
|
expressive of the deepest emotion.
|
|
|
|
"Let me entreat you, Dr. Seward, oh, let me implore you, to let me out
|
|
of this house at once. Send me away how you will and where you will,
|
|
send keepers with me with whips and chains, let them take me in a
|
|
strait waistcoat, manacled and leg-ironed, even to gaol, but let me go
|
|
out of this. You don't know what you do by keeping me here. I am
|
|
speaking from the depths of my heart, of my very soul. You don't know
|
|
whom you wrong, or how, and I may not tell. Woe is me! I may not
|
|
tell. By all you hold sacred, by all you hold dear, by your love that
|
|
is lost, by your hope that lives, for the sake of the Almighty, take
|
|
me out of this and save my soul from guilt! Can't you hear me, man?
|
|
Can't you understand? Will you never learn? Don't you know that I am
|
|
sane and earnest now, that I am no lunatic in a mad fit, but a sane
|
|
man fighting for his soul? Oh, hear me! Hear me! Let me go, let me
|
|
go, let me go!"
|
|
|
|
I thought that the longer this went on the wilder he would get, and so
|
|
would bring on a fit, so I took him by the hand and raised him up.
|
|
|
|
"Come," I said sternly, "no more of this, we have had quite enough
|
|
already. Get to your bed and try to behave more discreetly."
|
|
|
|
He suddenly stopped and looked at me intently for several moments.
|
|
Then, without a word, he rose and moving over, sat down on the side of
|
|
the bed. The collapse had come, as on former occasions, just as I had
|
|
expected.
|
|
|
|
When I was leaving the room, last of our party, he said to me in a
|
|
quiet, well-bred voice, "You will, I trust, Dr. Seward, do me the
|
|
justice to bear in mind, later on, that I did what I could to convince
|
|
you tonight."
|
|
|
|
|
|
|
|
|
|
CHAPTER 19
|
|
|
|
|
|
JONATHAN HARKER'S JOURNAL
|
|
|
|
1 October, 5 A.M.--I went with the party to the search with an easy
|
|
mind, for I think I never saw Mina so absolutely strong and well. I
|
|
am so glad that she consented to hold back and let us men do the work.
|
|
Somehow, it was a dread to me that she was in this fearful business at
|
|
all, but now that her work is done, and that it is due to her energy
|
|
and brains and foresight that the whole story is put together in such
|
|
a way that every point tells, she may well feel that her part is
|
|
finished, and that she can henceforth leave the rest to us. We were,
|
|
I think, all a little upset by the scene with Mr. Renfield. When we
|
|
came away from his room we were silent till we got back to the study.
|
|
|
|
Then Mr. Morris said to Dr. Seward, "Say, Jack, if that man wasn't
|
|
attempting a bluff, he is about the sanest lunatic I ever saw. I'm
|
|
not sure, but I believe that he had some serious purpose, and if he
|
|
had, it was pretty rough on him not to get a chance."
|
|
|
|
Lord Godalming and I were silent, but Dr. Van Helsing added, "Friend
|
|
John, you know more lunatics than I do, and I'm glad of it, for I fear
|
|
that if it had been to me to decide I would before that last
|
|
hysterical outburst have given him free. But we live and learn, and
|
|
in our present task we must take no chance, as my friend Quincey would
|
|
say. All is best as they are."
|
|
|
|
Dr. Seward seemed to answer them both in a dreamy kind of way, "I
|
|
don't know but that I agree with you. If that man had been an
|
|
ordinary lunatic I would have taken my chance of trusting him, but he
|
|
seems so mixed up with the Count in an indexy kind of way that I am
|
|
afraid of doing anything wrong by helping his fads. I can't forget
|
|
how he prayed with almost equal fervor for a cat, and then tried to
|
|
tear my throat out with his teeth. Besides, he called the Count 'lord
|
|
and master', and he may want to get out to help him in some diabolical
|
|
way. That horrid thing has the wolves and the rats and his own kind
|
|
to help him, so I suppose he isn't above trying to use a respectable
|
|
lunatic. He certainly did seem earnest, though. I only hope we have
|
|
done what is best. These things, in conjunction with the wild work we
|
|
have in hand, help to unnerve a man."
|
|
|
|
The Professor stepped over, and laying his hand on his shoulder, said
|
|
in his grave, kindly way, "Friend John, have no fear. We are trying
|
|
to do our duty in a very sad and terrible case, we can only do as we
|
|
deem best. What else have we to hope for, except the pity of the good
|
|
God?"
|
|
|
|
Lord Godalming had slipped away for a few minutes, but now he
|
|
returned. He held up a little silver whistle as he remarked, "That
|
|
old place may be full of rats, and if so, I've got an antidote on
|
|
call."
|
|
|
|
Having passed the wall, we took our way to the house, taking care to
|
|
keep in the shadows of the trees on the lawn when the moonlight shone
|
|
out. When we got to the porch the Professor opened his bag and took
|
|
out a lot of things, which he laid on the step, sorting them into four
|
|
little groups, evidently one for each. Then he spoke.
|
|
|
|
"My friends, we are going into a terrible danger, and we need arms of
|
|
many kinds. Our enemy is not merely spiritual. Remember that he has
|
|
the strength of twenty men, and that, though our necks or our
|
|
windpipes are of the common kind, and therefore breakable or
|
|
crushable, his are not amenable to mere strength. A stronger man, or
|
|
a body of men more strong in all than him, can at certain times hold
|
|
him, but they cannot hurt him as we can be hurt by him. We must,
|
|
therefore, guard ourselves from his touch. Keep this near your
|
|
heart." As he spoke he lifted a little silver crucifix and held it
|
|
out to me, I being nearest to him, "put these flowers round your
|
|
neck," here he handed to me a wreath of withered garlic blossoms, "for
|
|
other enemies more mundane, this revolver and this knife, and for aid
|
|
in all, these so small electric lamps, which you can fasten to your
|
|
breast, and for all, and above all at the last, this, which we must
|
|
not desecrate needless."
|
|
|
|
This was a portion of Sacred Wafer, which he put in an envelope and
|
|
handed to me. Each of the others was similarly equipped.
|
|
|
|
"Now," he said, "friend John, where are the skeleton keys? If so that
|
|
we can open the door, we need not break house by the window, as before
|
|
at Miss Lucy's."
|
|
|
|
Dr. Seward tried one or two skeleton keys, his mechanical dexterity as
|
|
a surgeon standing him in good stead. Presently he got one to suit,
|
|
after a little play back and forward the bolt yielded, and with a
|
|
rusty clang, shot back. We pressed on the door, the rusty hinges
|
|
creaked, and it slowly opened. It was startlingly like the image
|
|
conveyed to me in Dr. Seward's diary of the opening of Miss Westenra's
|
|
tomb, I fancy that the same idea seemed to strike the others, for with
|
|
one accord they shrank back. The Professor was the first to move
|
|
forward, and stepped into the open door.
|
|
|
|
"In manus tuas, Domine!" he said, crossing himself as he passed over
|
|
the threshold. We closed the door behind us, lest when we should have
|
|
lit our lamps we should possibly attract attention from the road. The
|
|
Professor carefully tried the lock, lest we might not be able to open
|
|
it from within should we be in a hurry making our exit. Then we all
|
|
lit our lamps and proceeded on our search.
|
|
|
|
The light from the tiny lamps fell in all sorts of odd forms, as the
|
|
rays crossed each other, or the opacity of our bodies threw great
|
|
shadows. I could not for my life get away from the feeling that there
|
|
was someone else amongst us. I suppose it was the recollection, so
|
|
powerfully brought home to me by the grim surroundings, of that
|
|
terrible experience in Transylvania. I think the feeling was common
|
|
to us all, for I noticed that the others kept looking over their
|
|
shoulders at every sound and every new shadow, just as I felt myself
|
|
doing.
|
|
|
|
The whole place was thick with dust. The floor was seemingly inches
|
|
deep, except where there were recent footsteps, in which on holding
|
|
down my lamp I could see marks of hobnails where the dust was cracked.
|
|
The walls were fluffy and heavy with dust, and in the corners were
|
|
masses of spider's webs, whereon the dust had gathered till they
|
|
looked like old tattered rags as the weight had torn them partly down.
|
|
On a table in the hall was a great bunch of keys, with a time-yellowed
|
|
label on each. They had been used several times, for on the table
|
|
were several similar rents in the blanket of dust, similar to that
|
|
exposed when the Professor lifted them.
|
|
|
|
He turned to me and said, "You know this place, Jonathan. You have
|
|
copied maps of it, and you know it at least more than we do. Which is
|
|
the way to the chapel?"
|
|
|
|
I had an idea of its direction, though on my former visit I had not
|
|
been able to get admission to it, so I led the way, and after a few
|
|
wrong turnings found myself opposite a low, arched oaken door, ribbed
|
|
with iron bands.
|
|
|
|
"This is the spot," said the Professor as he turned his lamp on a
|
|
small map of the house, copied from the file of my original
|
|
correspondence regarding the purchase. With a little trouble we found
|
|
the key on the bunch and opened the door. We were prepared for some
|
|
unpleasantness, for as we were opening the door a faint, malodorous
|
|
air seemed to exhale through the gaps, but none of us ever expected
|
|
such an odour as we encountered. None of the others had met the Count
|
|
at all at close quarters, and when I had seen him he was either in the
|
|
fasting stage of his existence in his rooms or, when he was bloated
|
|
with fresh blood, in a ruined building open to the air, but here the
|
|
place was small and close, and the long disuse had made the air
|
|
stagnant and foul. There was an earthy smell, as of some dry miasma,
|
|
which came through the fouler air. But as to the odour itself, how
|
|
shall I describe it? It was not alone that it was composed of all the
|
|
ills of mortality and with the pungent, acrid smell of blood, but it
|
|
seemed as though corruption had become itself corrupt. Faugh! It
|
|
sickens me to think of it. Every breath exhaled by that monster
|
|
seemed to have clung to the place and intensified its loathsomeness.
|
|
|
|
Under ordinary circumstances such a stench would have brought our
|
|
enterprise to an end, but this was no ordinary case, and the high and
|
|
terrible purpose in which we were involved gave us a strength which
|
|
rose above merely physical considerations. After the involuntary
|
|
shrinking consequent on the first nauseous whiff, we one and all set
|
|
about our work as though that loathsome place were a garden of roses.
|
|
|
|
We made an accurate examination of the place, the Professor saying as
|
|
we began, "The first thing is to see how many of the boxes are left,
|
|
we must then examine every hole and corner and cranny and see if we
|
|
cannot get some clue as to what has become of the rest."
|
|
|
|
A glance was sufficient to show how many remained, for the great earth
|
|
chests were bulky, and there was no mistaking them.
|
|
|
|
There were only twenty-nine left out of the fifty! Once I got a
|
|
fright, for, seeing Lord Godalming suddenly turn and look out of the
|
|
vaulted door into the dark passage beyond, I looked too, and for an
|
|
instant my heart stood still. Somewhere, looking out from the shadow,
|
|
I seemed to see the high lights of the Count's evil face, the ridge of
|
|
the nose, the red eyes, the red lips, the awful pallor. It was only
|
|
for a moment, for, as Lord Godalming said, "I thought I saw a face,
|
|
but it was only the shadows," and resumed his inquiry, I turned my
|
|
lamp in the direction, and stepped into the passage. There was no
|
|
sign of anyone, and as there were no corners, no doors, no aperture of
|
|
any kind, but only the solid walls of the passage, there could be no
|
|
hiding place even for him. I took it that fear had helped
|
|
imagination, and said nothing.
|
|
|
|
A few minutes later I saw Morris step suddenly back from a corner,
|
|
which he was examining. We all followed his movements with our eyes,
|
|
for undoubtedly some nervousness was growing on us, and we saw a whole
|
|
mass of phosphorescence, which twinkled like stars. We all
|
|
instinctively drew back. The whole place was becoming alive with
|
|
rats.
|
|
|
|
For a moment or two we stood appalled, all save Lord Godalming, who
|
|
was seemingly prepared for such an emergency. Rushing over to the
|
|
great iron-bound oaken door, which Dr. Seward had described from the
|
|
outside, and which I had seen myself, he turned the key in the lock,
|
|
drew the huge bolts, and swung the door open. Then, taking his little
|
|
silver whistle from his pocket, he blew a low, shrill call. It was
|
|
answered from behind Dr. Seward's house by the yelping of dogs, and
|
|
after about a minute three terriers came dashing round the corner of
|
|
the house. Unconsciously we had all moved towards the door, and as we
|
|
moved I noticed that the dust had been much disturbed. The boxes
|
|
which had been taken out had been brought this way. But even in the
|
|
minute that had elapsed the number of the rats had vastly increased.
|
|
They seemed to swarm over the place all at once, till the lamplight,
|
|
shining on their moving dark bodies and glittering, baleful eyes, made
|
|
the place look like a bank of earth set with fireflies. The dogs
|
|
dashed on, but at the threshold suddenly stopped and snarled, and
|
|
then, simultaneously lifting their noses, began to howl in most
|
|
lugubrious fashion. The rats were multiplying in thousands, and we
|
|
moved out.
|
|
|
|
Lord Godalming lifted one of the dogs, and carrying him in, placed him
|
|
on the floor. The instant his feet touched the ground he seemed to
|
|
recover his courage, and rushed at his natural enemies. They fled
|
|
before him so fast that before he had shaken the life out of a score,
|
|
the other dogs, who had by now been lifted in the same manner, had but
|
|
small prey ere the whole mass had vanished.
|
|
|
|
With their going it seemed as if some evil presence had departed, for
|
|
the dogs frisked about and barked merrily as they made sudden darts at
|
|
their prostrate foes, and turned them over and over and tossed them in
|
|
the air with vicious shakes. We all seemed to find our spirits rise.
|
|
Whether it was the purifying of the deadly atmosphere by the opening
|
|
of the chapel door, or the relief which we experienced by finding
|
|
ourselves in the open I know not, but most certainly the shadow of
|
|
dread seemed to slip from us like a robe, and the occasion of our
|
|
coming lost something of its grim significance, though we did not
|
|
slacken a whit in our resolution. We closed the outer door and barred
|
|
and locked it, and bringing the dogs with us, began our search of the
|
|
house. We found nothing throughout except dust in extraordinary
|
|
proportions, and all untouched save for my own footsteps when I had
|
|
made my first visit. Never once did the dogs exhibit any symptom of
|
|
uneasiness, and even when we returned to the chapel they frisked about
|
|
as though they had been rabbit hunting in a summer wood.
|
|
|
|
The morning was quickening in the east when we emerged from the front.
|
|
Dr. Van Helsing had taken the key of the hall door from the bunch, and
|
|
locked the door in orthodox fashion, putting the key into his pocket
|
|
when he had done.
|
|
|
|
"So far," he said, "our night has been eminently successful. No harm
|
|
has come to us such as I feared might be and yet we have ascertained
|
|
how many boxes are missing. More than all do I rejoice that this, our
|
|
first, and perhaps our most difficult and dangerous, step has been
|
|
accomplished without the bringing thereinto our most sweet Madam Mina
|
|
or troubling her waking or sleeping thoughts with sights and sounds
|
|
and smells of horror which she might never forget. One lesson, too,
|
|
we have learned, if it be allowable to argue a particulari, that the
|
|
brute beasts which are to the Count's command are yet themselves not
|
|
amenable to his spiritual power, for look, these rats that would come
|
|
to his call, just as from his castle top he summon the wolves to your
|
|
going and to that poor mother's cry, though they come to him, they run
|
|
pell-mell from the so little dogs of my friend Arthur. We have other
|
|
matters before us, other dangers, other fears, and that monster . . .
|
|
He has not used his power over the brute world for the only or the
|
|
last time tonight. So be it that he has gone elsewhere. Good! It
|
|
has given us opportunity to cry 'check' in some ways in this chess
|
|
game, which we play for the stake of human souls. And now let us go
|
|
home. The dawn is close at hand, and we have reason to be content
|
|
with our first night's work. It may be ordained that we have many
|
|
nights and days to follow, if full of peril, but we must go on, and
|
|
from no danger shall we shrink."
|
|
|
|
The house was silent when we got back, save for some poor creature who
|
|
was screaming away in one of the distant wards, and a low, moaning
|
|
sound from Renfield's room. The poor wretch was doubtless torturing
|
|
himself, after the manner of the insane, with needless thoughts of
|
|
pain.
|
|
|
|
I came tiptoe into our own room, and found Mina asleep, breathing so
|
|
softly that I had to put my ear down to hear it. She looks paler than
|
|
usual. I hope the meeting tonight has not upset her. I am truly
|
|
thankful that she is to be left out of our future work, and even of
|
|
our deliberations. It is too great a strain for a woman to bear. I
|
|
did not think so at first, but I know better now. Therefore I am glad
|
|
that it is settled. There may be things which would frighten her to
|
|
hear, and yet to conceal them from her might be worse than to tell her
|
|
if once she suspected that there was any concealment. Henceforth our
|
|
work is to be a sealed book to her, till at least such time as we can
|
|
tell her that all is finished, and the earth free from a monster of
|
|
the nether world. I daresay it will be difficult to begin to keep
|
|
silence after such confidence as ours, but I must be resolute, and
|
|
tomorrow I shall keep dark over tonight's doings, and shall refuse to
|
|
speak of anything that has happened. I rest on the sofa, so as not to
|
|
disturb her.
|
|
|
|
|
|
1 October, later.--I suppose it was natural that we should have all
|
|
overslept ourselves, for the day was a busy one, and the night had no
|
|
rest at all. Even Mina must have felt its exhaustion, for though I
|
|
slept till the sun was high, I was awake before her, and had to call
|
|
two or three times before she awoke. Indeed, she was so sound asleep
|
|
that for a few seconds she did not recognize me, but looked at me with
|
|
a sort of blank terror, as one looks who has been waked out of a bad
|
|
dream. She complained a little of being tired, and I let her rest
|
|
till later in the day. We now know of twenty-one boxes having been
|
|
removed, and if it be that several were taken in any of these removals
|
|
we may be able to trace them all. Such will, of course, immensely
|
|
simplify our labor, and the sooner the matter is attended to the
|
|
better. I shall look up Thomas Snelling today.
|
|
|
|
|
|
|
|
DR. SEWARD'S DIARY
|
|
|
|
1 October.--It was towards noon when I was awakened by the Professor
|
|
walking into my room. He was more jolly and cheerful than usual, and
|
|
it is quite evident that last night's work has helped to take some of
|
|
the brooding weight off his mind.
|
|
|
|
After going over the adventure of the night he suddenly said, "Your
|
|
patient interests me much. May it be that with you I visit him this
|
|
morning? Or if that you are too occupy, I can go alone if it may be.
|
|
It is a new experience to me to find a lunatic who talk philosophy,
|
|
and reason so sound."
|
|
|
|
I had some work to do which pressed, so I told him that if he would go
|
|
alone I would be glad, as then I should not have to keep him waiting,
|
|
so I called an attendant and gave him the necessary instructions.
|
|
Before the Professor left the room I cautioned him against getting any
|
|
false impression from my patient.
|
|
|
|
"But," he answered, "I want him to talk of himself and of his delusion
|
|
as to consuming live things. He said to Madam Mina, as I see in your
|
|
diary of yesterday, that he had once had such a belief. Why do you
|
|
smile, friend John?"
|
|
|
|
"Excuse me," I said, "but the answer is here." I laid my hand on the
|
|
typewritten matter. "When our sane and learned lunatic made that very
|
|
statement of how he used to consume life, his mouth was actually
|
|
nauseous with the flies and spiders which he had eaten just before
|
|
Mrs. Harker entered the room."
|
|
|
|
Van Helsing smiled in turn. "Good!" he said. "Your memory is true,
|
|
friend John. I should have remembered. And yet it is this very
|
|
obliquity of thought and memory which makes mental disease such a
|
|
fascinating study. Perhaps I may gain more knowledge out of the folly
|
|
of this madman than I shall from the teaching of the most wise. Who
|
|
knows?"
|
|
|
|
I went on with my work, and before long was through that in hand. It
|
|
seemed that the time had been very short indeed, but there was Van
|
|
Helsing back in the study.
|
|
|
|
"Do I interrupt?" he asked politely as he stood at the door.
|
|
|
|
"Not at all," I answered. "Come in. My work is finished, and I am
|
|
free. I can go with you now, if you like."
|
|
|
|
"It is needless, I have seen him!"
|
|
|
|
"Well?"
|
|
|
|
"I fear that he does not appraise me at much. Our interview was
|
|
short. When I entered his room he was sitting on a stool in the
|
|
centre, with his elbows on his knees, and his face was the picture of
|
|
sullen discontent. I spoke to him as cheerfully as I could, and with
|
|
such a measure of respect as I could assume. He made no reply
|
|
whatever. 'Don't you know me?' I asked. His answer was not
|
|
reassuring: 'I know you well enough; you are the old fool Van
|
|
Helsing. I wish you would take yourself and your idiotic brain
|
|
theories somewhere else. Damn all thick-headed Dutchmen!' Not a word
|
|
more would he say, but sat in his implacable sullenness as indifferent
|
|
to me as though I had not been in the room at all. Thus departed for
|
|
this time my chance of much learning from this so clever lunatic, so I
|
|
shall go, if I may, and cheer myself with a few happy words with that
|
|
sweet soul Madam Mina. Friend John, it does rejoice me unspeakable
|
|
that she is no more to be pained, no more to be worried with our
|
|
terrible things. Though we shall much miss her help, it is better
|
|
so."
|
|
|
|
"I agree with you with all my heart," I answered earnestly, for I did
|
|
not want him to weaken in this matter. "Mrs. Harker is better out of
|
|
it. Things are quite bad enough for us, all men of the world, and who
|
|
have been in many tight places in our time, but it is no place for a
|
|
woman, and if she had remained in touch with the affair, it would in
|
|
time infallibly have wrecked her."
|
|
|
|
So Van Helsing has gone to confer with Mrs. Harker and Harker, Quincey
|
|
and Art are all out following up the clues as to the earth boxes. I
|
|
shall finish my round of work and we shall meet tonight.
|
|
|
|
|
|
|
|
|
|
|
|
MINA HARKER'S JOURNAL
|
|
|
|
1 October.--It is strange to me to be kept in the dark as I am today,
|
|
after Jonathan's full confidence for so many years, to see him
|
|
manifestly avoid certain matters, and those the most vital of all.
|
|
This morning I slept late after the fatigues of yesterday, and though
|
|
Jonathan was late too, he was the earlier. He spoke to me before he
|
|
went out, never more sweetly or tenderly, but he never mentioned a
|
|
word of what had happened in the visit to the Count's house. And yet
|
|
he must have known how terribly anxious I was. Poor dear fellow! I
|
|
suppose it must have distressed him even more than it did me. They
|
|
all agreed that it was best that I should not be drawn further into
|
|
this awful work, and I acquiesced. But to think that he keeps
|
|
anything from me! And now I am crying like a silly fool, when I know
|
|
it comes from my husband's great love and from the good, good wishes
|
|
of those other strong men.
|
|
|
|
That has done me good. Well, some day Jonathan will tell me all. And
|
|
lest it should ever be that he should think for a moment that I kept
|
|
anything from him, I still keep my journal as usual. Then if he has
|
|
feared of my trust I shall show it to him, with every thought of my
|
|
heart put down for his dear eyes to read. I feel strangely sad and
|
|
low-spirited today. I suppose it is the reaction from the terrible
|
|
excitement.
|
|
|
|
Last night I went to bed when the men had gone, simply because they
|
|
told me to. I didn't feel sleepy, and I did feel full of devouring
|
|
anxiety. I kept thinking over everything that has been ever since
|
|
Jonathan came to see me in London, and it all seems like a horrible
|
|
tragedy, with fate pressing on relentlessly to some destined end.
|
|
Everything that one does seems, no matter how right it may be, to bring
|
|
on the very thing which is most to be deplored. If I hadn't gone to
|
|
Whitby, perhaps poor dear Lucy would be with us now. She hadn't taken
|
|
to visiting the churchyard till I came, and if she hadn't come there
|
|
in the day time with me she wouldn't have walked in her sleep. And if
|
|
she hadn't gone there at night and asleep, that monster couldn't have
|
|
destroyed her as he did. Oh, why did I ever go to Whitby? There now,
|
|
crying again! I wonder what has come over me today. I must hide it
|
|
from Jonathan, for if he knew that I had been crying twice in one
|
|
morning . . . I, who never cried on my own account, and whom he has
|
|
never caused to shed a tear, the dear fellow would fret his heart out.
|
|
I shall put a bold face on, and if I do feel weepy, he shall never see
|
|
it. I suppose it is just one of the lessons that we poor women have
|
|
to learn . . .
|
|
|
|
I can't quite remember how I fell asleep last night. I remember
|
|
hearing the sudden barking of the dogs and a lot of queer sounds, like
|
|
praying on a very tumultuous scale, from Mr. Renfield's room, which is
|
|
somewhere under this. And then there was silence over everything,
|
|
silence so profound that it startled me, and I got up and looked out
|
|
of the window. All was dark and silent, the black shadows thrown by
|
|
the moonlight seeming full of a silent mystery of their own. Not a
|
|
thing seemed to be stirring, but all to be grim and fixed as death or
|
|
fate, so that a thin streak of white mist, that crept with almost
|
|
imperceptible slowness across the grass towards the house, seemed to
|
|
have a sentience and a vitality of its own. I think that the
|
|
digression of my thoughts must have done me good, for when I got back
|
|
to bed I found a lethargy creeping over me. I lay a while, but could
|
|
not quite sleep, so I got out and looked out of the window again. The
|
|
mist was spreading, and was now close up to the house, so that I could
|
|
see it lying thick against the wall, as though it were stealing up to
|
|
the windows. The poor man was more loud than ever, and though I could
|
|
not distinguish a word he said, I could in some way recognize in his
|
|
tones some passionate entreaty on his part. Then there was the sound
|
|
of a struggle, and I knew that the attendants were dealing with him.
|
|
I was so frightened that I crept into bed, and pulled the clothes over
|
|
my head, putting my fingers in my ears. I was not then a bit sleepy,
|
|
at least so I thought, but I must have fallen asleep, for except
|
|
dreams, I do not remember anything until the morning, when Jonathan
|
|
woke me. I think that it took me an effort and a little time to
|
|
realize where I was, and that it was Jonathan who was bending over me.
|
|
My dream was very peculiar, and was almost typical of the way that
|
|
waking thoughts become merged in, or continued in, dreams.
|
|
|
|
I thought that I was asleep, and waiting for Jonathan to come back. I
|
|
was very anxious about him, and I was powerless to act, my feet, and
|
|
my hands, and my brain were weighted, so that nothing could proceed at
|
|
the usual pace. And so I slept uneasily and thought. Then it began
|
|
to dawn upon me that the air was heavy, and dank, and cold. I put
|
|
back the clothes from my face, and found, to my surprise, that all was
|
|
dim around. The gaslight which I had left lit for Jonathan, but
|
|
turned down, came only like a tiny red spark through the fog, which
|
|
had evidently grown thicker and poured into the room. Then it
|
|
occurred to me that I had shut the window before I had come to bed. I
|
|
would have got out to make certain on the point, but some leaden
|
|
lethargy seemed to chain my limbs and even my will. I lay still and
|
|
endured, that was all. I closed my eyes, but could still see through
|
|
my eyelids. (It is wonderful what tricks our dreams play us, and how
|
|
conveniently we can imagine.) The mist grew thicker and thicker and I
|
|
could see now how it came in, for I could see it like smoke, or with
|
|
the white energy of boiling water, pouring in, not through the window,
|
|
but through the joinings of the door. It got thicker and thicker,
|
|
till it seemed as if it became concentrated into a sort of pillar of
|
|
cloud in the room, through the top of which I could see the light of
|
|
the gas shining like a red eye. Things began to whirl through my
|
|
brain just as the cloudy column was now whirling in the room, and
|
|
through it all came the scriptural words "a pillar of cloud by day and
|
|
of fire by night." Was it indeed such spiritual guidance that was
|
|
coming to me in my sleep? But the pillar was composed of both the day
|
|
and the night guiding, for the fire was in the red eye, which at the
|
|
thought got a new fascination for me, till, as I looked, the fire
|
|
divided, and seemed to shine on me through the fog like two red eyes,
|
|
such as Lucy told me of in her momentary mental wandering when, on the
|
|
cliff, the dying sunlight struck the windows of St. Mary's Church.
|
|
Suddenly the horror burst upon me that it was thus that Jonathan had
|
|
seen those awful women growing into reality through the whirling mist
|
|
in the moonlight, and in my dream I must have fainted, for all became
|
|
black darkness. The last conscious effort which imagination made was
|
|
to show me a livid white face bending over me out of the mist.
|
|
|
|
I must be careful of such dreams, for they would unseat one's reason if
|
|
there were too much of them. I would get Dr. Van Helsing or Dr.
|
|
Seward to prescribe something for me which would make me sleep, only
|
|
that I fear to alarm them. Such a dream at the present time would
|
|
become woven into their fears for me. Tonight I shall strive hard to
|
|
sleep naturally. If I do not, I shall tomorrow night get them to give
|
|
me a dose of chloral, that cannot hurt me for once, and it will give
|
|
me a good night's sleep. Last night tired me more than if I had not
|
|
slept at all.
|
|
|
|
|
|
2 October 10 P.M.--Last night I slept, but did not dream. I must have
|
|
slept soundly, for I was not waked by Jonathan coming to bed, but the
|
|
sleep has not refreshed me, for today I feel terribly weak and
|
|
spiritless. I spent all yesterday trying to read, or lying down
|
|
dozing. In the afternoon, Mr. Renfield asked if he might see me. Poor
|
|
man, he was very gentle, and when I came away he kissed my hand and
|
|
bade God bless me. Some way it affected me much. I am crying when I
|
|
think of him. This is a new weakness, of which I must be careful.
|
|
Jonathan would be miserable if he knew I had been crying. He and the
|
|
others were out till dinner time, and they all came in tired. I did
|
|
what I could to brighten them up, and I suppose that the effort did me
|
|
good, for I forgot how tired I was. After dinner they sent me to bed,
|
|
and all went off to smoke together, as they said, but I knew that they
|
|
wanted to tell each other of what had occurred to each during the day.
|
|
I could see from Jonathan's manner that he had something important to
|
|
communicate. I was not so sleepy as I should have been, so before
|
|
they went I asked Dr. Seward to give me a little opiate of some kind,
|
|
as I had not slept well the night before. He very kindly made me up a
|
|
sleeping draught, which he gave to me, telling me that it would do me
|
|
no harm, as it was very mild . . . I have taken it, and am waiting for
|
|
sleep, which still keeps aloof. I hope I have not done wrong, for as
|
|
sleep begins to flirt with me, a new fear comes: that I may have been
|
|
foolish in thus depriving myself of the power of waking. I might want
|
|
it. Here comes sleep. Goodnight.
|
|
|
|
|
|
|
|
|
|
CHAPTER 20
|
|
|
|
|
|
JONATHAN HARKER'S JOURNAL
|
|
|
|
1 October, evening.--I found Thomas Snelling in his house at Bethnal
|
|
Green, but unhappily he was not in a condition to remember anything.
|
|
The very prospect of beer which my expected coming had opened to him
|
|
had proved too much, and he had begun too early on his expected
|
|
debauch. I learned, however, from his wife, who seemed a decent, poor
|
|
soul, that he was only the assistant of Smollet, who of the two mates
|
|
was the responsible person. So off I drove to Walworth, and found Mr.
|
|
Joseph Smollet at home and in his shirtsleeves, taking a late tea out
|
|
of a saucer. He is a decent, intelligent fellow, distinctly a good,
|
|
reliable type of workman, and with a headpiece of his own. He
|
|
remembered all about the incident of the boxes, and from a wonderful
|
|
dog-eared notebook, which he produced from some mysterious receptacle
|
|
about the seat of his trousers, and which had hieroglyphical entries
|
|
in thick, half-obliterated pencil, he gave me the destinations of the
|
|
boxes. There were, he said, six in the cartload which he took from
|
|
Carfax and left at 197 Chicksand Street, Mile End New Town, and
|
|
another six which he deposited at Jamaica Lane, Bermondsey. If then
|
|
the Count meant to scatter these ghastly refuges of his over London,
|
|
these places were chosen as the first of delivery, so that later he
|
|
might distribute more fully. The systematic manner in which this was
|
|
done made me think that he could not mean to confine himself to two
|
|
sides of London. He was now fixed on the far east on the northern
|
|
shore, on the east of the southern shore, and on the south. The north
|
|
and west were surely never meant to be left out of his diabolical
|
|
scheme, let alone the City itself and the very heart of fashionable
|
|
London in the south-west and west. I went back to Smollet, and asked
|
|
him if he could tell us if any other boxes had been taken from Carfax.
|
|
|
|
He replied, "Well guv'nor, you've treated me very 'an'some", I had
|
|
given him half a sovereign, "an I'll tell yer all I know. I heard a
|
|
man by the name of Bloxam say four nights ago in the 'Are an' 'Ounds,
|
|
in Pincher's Alley, as 'ow he an' his mate 'ad 'ad a rare dusty job in
|
|
a old 'ouse at Purfleet. There ain't a many such jobs as this 'ere,
|
|
an' I'm thinkin' that maybe Sam Bloxam could tell ye summut."
|
|
|
|
I asked if he could tell me where to find him. I told him that if he
|
|
could get me the address it would be worth another half sovereign to
|
|
him. So he gulped down the rest of his tea and stood up, saying that
|
|
he was going to begin the search then and there.
|
|
|
|
At the door he stopped, and said, "Look 'ere, guv'nor, there ain't no
|
|
sense in me a keepin' you 'ere. I may find Sam soon, or I mayn't, but
|
|
anyhow he ain't like to be in a way to tell ye much tonight. Sam is a
|
|
rare one when he starts on the booze. If you can give me a envelope
|
|
with a stamp on it, and put yer address on it, I'll find out where Sam
|
|
is to be found and post it ye tonight. But ye'd better be up arter
|
|
'im soon in the mornin', never mind the booze the night afore."
|
|
|
|
This was all practical, so one of the children went off with a penny
|
|
to buy an envelope and a sheet of paper, and to keep the change. When
|
|
she came back, I addressed the envelope and stamped it, and when
|
|
Smollet had again faithfully promised to post the address when found,
|
|
I took my way to home. We're on the track anyhow. I am tired
|
|
tonight, and I want to sleep. Mina is fast asleep, and looks a little
|
|
too pale. Her eyes look as though she had been crying. Poor dear,
|
|
I've no doubt it frets her to be kept in the dark, and it may make her
|
|
doubly anxious about me and the others. But it is best as it is. It
|
|
is better to be disappointed and worried in such a way now than to
|
|
have her nerve broken. The doctors were quite right to insist on her
|
|
being kept out of this dreadful business. I must be firm, for on me
|
|
this particular burden of silence must rest. I shall not ever enter
|
|
on the subject with her under any circumstances. Indeed, It may not
|
|
be a hard task, after all, for she herself has become reticent on the
|
|
subject, and has not spoken of the Count or his doings ever since we
|
|
told her of our decision.
|
|
|
|
|
|
2 October, evening--A long and trying and exciting day. By the first
|
|
post I got my directed envelope with a dirty scrap of paper enclosed,
|
|
on which was written with a carpenter's pencil in a sprawling hand,
|
|
"Sam Bloxam, Korkrans, 4 Poters Cort, Bartel Street, Walworth. Arsk
|
|
for the depite."
|
|
|
|
I got the letter in bed, and rose without waking Mina. She looked
|
|
heavy and sleepy and pale, and far from well. I determined not to
|
|
wake her, but that when I should return from this new search, I would
|
|
arrange for her going back to Exeter. I think she would be happier in
|
|
our own home, with her daily tasks to interest her, than in being here
|
|
amongst us and in ignorance. I only saw Dr. Seward for a moment, and
|
|
told him where I was off to, promising to come back and tell the rest
|
|
so soon as I should have found out anything. I drove to Walworth and
|
|
found, with some difficulty, Potter's Court. Mr. Smollet's spelling
|
|
misled me, as I asked for Poter's Court instead of Potter's Court.
|
|
However, when I had found the court, I had no difficulty in
|
|
discovering Corcoran's lodging house.
|
|
|
|
When I asked the man who came to the door for the "depite," he shook
|
|
his head, and said, "I dunno 'im. There ain't no such a person 'ere.
|
|
I never 'eard of 'im in all my bloomin' days. Don't believe there
|
|
ain't nobody of that kind livin' 'ere or anywheres."
|
|
|
|
I took out Smollet's letter, and as I read it it seemed to me that the
|
|
lesson of the spelling of the name of the court might guide me. "What
|
|
are you?" I asked.
|
|
|
|
"I'm the depity," he answered.
|
|
|
|
I saw at once that I was on the right track. Phonetic spelling had
|
|
again misled me. A half crown tip put the deputy's knowledge at my
|
|
disposal, and I learned that Mr. Bloxam, who had slept off the remains
|
|
of his beer on the previous night at Corcoran's, had left for his work
|
|
at Poplar at five o'clock that morning. He could not tell me where
|
|
the place of work was situated, but he had a vague idea that it was
|
|
some kind of a "new-fangled ware'us," and with this slender clue I had
|
|
to start for Poplar. It was twelve o'clock before I got any
|
|
satisfactory hint of such a building, and this I got at a coffee shop,
|
|
where some workmen were having their dinner. One of them suggested
|
|
that there was being erected at Cross Angel Street a new "cold
|
|
storage" building, and as this suited the condition of a "new-fangled
|
|
ware'us," I at once drove to it. An interview with a surly gatekeeper
|
|
and a surlier foreman, both of whom were appeased with the coin of the
|
|
realm, put me on the track of Bloxam. He was sent for on my
|
|
suggestion that I was willing to pay his days wages to his foreman for
|
|
the privilege of asking him a few questions on a private matter. He
|
|
was a smart enough fellow, though rough of speech and bearing. When I
|
|
had promised to pay for his information and given him an earnest, he
|
|
told me that he had made two journeys between Carfax and a house in
|
|
Piccadilly, and had taken from this house to the latter nine great
|
|
boxes, "main heavy ones," with a horse and cart hired by him for this
|
|
purpose.
|
|
|
|
I asked him if he could tell me the number of the house in Piccadilly,
|
|
to which he replied, "Well, guv'nor, I forgits the number, but it was
|
|
only a few door from a big white church, or somethink of the kind, not
|
|
long built. It was a dusty old 'ouse, too, though nothin' to the
|
|
dustiness of the 'ouse we tooked the bloomin' boxes from."
|
|
|
|
"How did you get in if both houses were empty?"
|
|
|
|
"There was the old party what engaged me a waitin' in the 'ouse at
|
|
Purfleet. He 'elped me to lift the boxes and put them in the dray.
|
|
Curse me, but he was the strongest chap I ever struck, an' him a old
|
|
feller, with a white moustache, one that thin you would think he
|
|
couldn't throw a shadder."
|
|
|
|
How this phrase thrilled through me!
|
|
|
|
"Why, 'e took up 'is end o' the boxes like they was pounds of tea, and
|
|
me a puffin' an' a blowin' afore I could upend mine anyhow, an' I'm no
|
|
chicken, neither."
|
|
|
|
"How did you get into the house in Piccadilly?" I asked.
|
|
|
|
"He was there too. He must 'a started off and got there afore me, for
|
|
when I rung of the bell he kem an' opened the door 'isself an' 'elped
|
|
me carry the boxes into the 'all."
|
|
|
|
"The whole nine?" I asked.
|
|
|
|
"Yus, there was five in the first load an' four in the second. It was
|
|
main dry work, an' I don't so well remember 'ow I got 'ome."
|
|
|
|
I interrupted him, "Were the boxes left in the hall?"
|
|
|
|
"Yus, it was a big 'all, an' there was nothin' else in it."
|
|
|
|
I made one more attempt to further matters. "You didn't have any
|
|
key?"
|
|
|
|
"Never used no key nor nothink. The old gent, he opened the door
|
|
'isself an' shut it again when I druv off. I don't remember the last
|
|
time, but that was the beer."
|
|
|
|
"And you can't remember the number of the house?"
|
|
|
|
"No, sir. But ye needn't have no difficulty about that. It's a 'igh
|
|
'un with a stone front with a bow on it, an' 'igh steps up to the
|
|
door. I know them steps, 'avin' 'ad to carry the boxes up with three
|
|
loafers what come round to earn a copper. The old gent give them
|
|
shillin's, an' they seein' they got so much, they wanted more. But 'e
|
|
took one of them by the shoulder and was like to throw 'im down the
|
|
steps, till the lot of them went away cussin'."
|
|
|
|
I thought that with this description I could find the house, so having
|
|
paid my friend for his information, I started off for Piccadilly. I
|
|
had gained a new painful experience. The Count could, it was evident,
|
|
handle the earth boxes himself. If so, time was precious, for now
|
|
that he had achieved a certain amount of distribution, he could, by
|
|
choosing his own time, complete the task unobserved. At Piccadilly
|
|
Circus I discharged my cab, and walked westward. Beyond the Junior
|
|
Constitutional I came across the house described and was satisfied
|
|
that this was the next of the lairs arranged by Dracula. The house
|
|
looked as though it had been long untenanted. The windows were
|
|
encrusted with dust, and the shutters were up. All the framework was
|
|
black with time, and from the iron the paint had mostly scaled away.
|
|
It was evident that up to lately there had been a large notice board
|
|
in front of the balcony. It had, however, been roughly torn away, the
|
|
uprights which had supported it still remaining. Behind the rails of
|
|
the balcony I saw there were some loose boards, whose raw edges looked
|
|
white. I would have given a good deal to have been able to see the
|
|
notice board intact, as it would, perhaps, have given some clue to the
|
|
ownership of the house. I remembered my experience of the investigation
|
|
and purchase of Carfax, and I could not but feel that if I could find
|
|
the former owner there might be some means discovered of gaining access
|
|
to the house.
|
|
|
|
There was at present nothing to be learned from the Piccadilly side,
|
|
and nothing could be done, so I went around to the back to see if
|
|
anything could be gathered from this quarter. The mews were active,
|
|
the Piccadilly houses being mostly in occupation. I asked one or two
|
|
of the grooms and helpers whom I saw around if they could tell me
|
|
anything about the empty house. One of them said that he heard it had
|
|
lately been taken, but he couldn't say from whom. He told me,
|
|
however, that up to very lately there had been a notice board of "For
|
|
Sale" up, and that perhaps Mitchell, Sons, & Candy the house agents
|
|
could tell me something, as he thought he remembered seeing the name
|
|
of that firm on the board. I did not wish to seem too eager, or to
|
|
let my informant know or guess too much, so thanking him in the usual
|
|
manner, I strolled away. It was now growing dusk, and the autumn
|
|
night was closing in, so I did not lose any time. Having learned the
|
|
address of Mitchell, Sons, & Candy from a directory at the Berkeley, I
|
|
was soon at their office in Sackville Street.
|
|
|
|
The gentleman who saw me was particularly suave in manner, but
|
|
uncommunicative in equal proportion. Having once told me that the
|
|
Piccadilly house, which throughout our interview he called a
|
|
"mansion," was sold, he considered my business as concluded. When I
|
|
asked who had purchased it, he opened his eyes a thought wider, and
|
|
paused a few seconds before replying, "It is sold, sir."
|
|
|
|
"Pardon me," I said, with equal politeness, "but I have a special
|
|
reason for wishing to know who purchased it."
|
|
|
|
Again he paused longer, and raised his eyebrows still more. "It is
|
|
sold, sir," was again his laconic reply.
|
|
|
|
"Surely," I said, "you do not mind letting me know so much."
|
|
|
|
"But I do mind," he answered. "The affairs of their clients are
|
|
absolutely safe in the hands of Mitchell, Sons, & Candy."
|
|
|
|
This was manifestly a prig of the first water, and there was no use
|
|
arguing with him. I thought I had best meet him on his own ground, so
|
|
I said, "Your clients, sir, are happy in having so resolute a guardian
|
|
of their confidence. I am myself a professional man."
|
|
|
|
Here I handed him my card. "In this instance I am not prompted by
|
|
curiosity, I act on the part of Lord Godalming, who wishes to know
|
|
something of the property which was, he understood, lately for sale."
|
|
|
|
These words put a different complexion on affairs. He said, "I would
|
|
like to oblige you if I could, Mr. Harker, and especially would I like
|
|
to oblige his lordship. We once carried out a small matter of renting
|
|
some chambers for him when he was the honourable Arthur Holmwood. If
|
|
you will let me have his lordship's address I will consult the House
|
|
on the subject, and will, in any case, communicate with his lordship
|
|
by tonight's post. It will be a pleasure if we can so far deviate
|
|
from our rules as to give the required information to his lordship."
|
|
|
|
I wanted to secure a friend, and not to make an enemy, so I thanked
|
|
him, gave the address at Dr. Seward's and came away. It was now dark,
|
|
and I was tired and hungry. I got a cup of tea at the Aerated Bread
|
|
Company and came down to Purfleet by the next train.
|
|
|
|
I found all the others at home. Mina was looking tired and pale, but
|
|
she made a gallant effort to be bright and cheerful. It wrung my
|
|
heart to think that I had had to keep anything from her and so caused
|
|
her inquietude. Thank God, this will be the last night of her looking
|
|
on at our conferences, and feeling the sting of our not showing our
|
|
confidence. It took all my courage to hold to the wise resolution of
|
|
keeping her out of our grim task. She seems somehow more reconciled,
|
|
or else the very subject seems to have become repugnant to her, for
|
|
when any accidental allusion is made she actually shudders. I am glad
|
|
we made our resolution in time, as with such a feeling as this, our
|
|
growing knowledge would be torture to her.
|
|
|
|
I could not tell the others of the day's discovery till we were alone,
|
|
so after dinner, followed by a little music to save appearances even
|
|
amongst ourselves, I took Mina to her room and left her to go to bed.
|
|
The dear girl was more affectionate with me than ever, and clung to me
|
|
as though she would detain me, but there was much to be talked of and
|
|
I came away. Thank God, the ceasing of telling things has made no
|
|
difference between us.
|
|
|
|
When I came down again I found the others all gathered round the fire
|
|
in the study. In the train I had written my diary so far, and simply
|
|
read it off to them as the best means of letting them get abreast of
|
|
my own information.
|
|
|
|
When I had finished Van Helsing said, "This has been a great day's
|
|
work, friend Jonathan. Doubtless we are on the track of the missing
|
|
boxes. If we find them all in that house, then our work is near the
|
|
end. But if there be some missing, we must search until we find them.
|
|
Then shall we make our final coup, and hunt the wretch to his real
|
|
death."
|
|
|
|
We all sat silent awhile and all at once Mr. Morris spoke, "Say! How
|
|
are we going to get into that house?"
|
|
|
|
"We got into the other," answered Lord Godalming quickly.
|
|
|
|
"But, Art, this is different. We broke house at Carfax, but we had
|
|
night and a walled park to protect us. It will be a mighty different
|
|
thing to commit burglary in Piccadilly, either by day or night. I
|
|
confess I don't see how we are going to get in unless that agency duck
|
|
can find us a key of some sort."
|
|
|
|
Lord Godalming's brows contracted, and he stood up and walked about the
|
|
room. By-and-by he stopped and said, turning from one to another of
|
|
us, "Quincey's head is level. This burglary business is getting
|
|
serious. We got off once all right, but we have now a rare job on
|
|
hand. Unless we can find the Count's key basket."
|
|
|
|
As nothing could well be done before morning, and as it would be at
|
|
least advisable to wait till Lord Godalming should hear from
|
|
Mitchell's, we decided not to take any active step before breakfast
|
|
time. For a good while we sat and smoked, discussing the matter in
|
|
its various lights and bearings. I took the opportunity of bringing
|
|
this diary right up to the moment. I am very sleepy and shall go to
|
|
bed . . .
|
|
|
|
Just a line. Mina sleeps soundly and her breathing is regular. Her
|
|
forehead is puckered up into little wrinkles, as though she thinks
|
|
even in her sleep. She is still too pale, but does not look so
|
|
haggard as she did this morning. Tomorrow will, I hope, mend all
|
|
this. She will be herself at home in Exeter. Oh, but I am sleepy!
|
|
|
|
|
|
|
|
|
|
DR. SEWARD'S DIARY
|
|
|
|
1 October.--I am puzzled afresh about Renfield. His moods change so
|
|
rapidly that I find it difficult to keep touch of them, and as they
|
|
always mean something more than his own well-being, they form a more
|
|
than interesting study. This morning, when I went to see him after
|
|
his repulse of Van Helsing, his manner was that of a man commanding
|
|
destiny. He was, in fact, commanding destiny, subjectively. He did
|
|
not really care for any of the things of mere earth, he was in the
|
|
clouds and looked down on all the weaknesses and wants of us poor
|
|
mortals.
|
|
|
|
I thought I would improve the occasion and learn something, so I asked
|
|
him, "What about the flies these times?"
|
|
|
|
He smiled on me in quite a superior sort of way, such a smile as would
|
|
have become the face of Malvolio, as he answered me, "The fly, my dear
|
|
sir, has one striking feature. It's wings are typical of the aerial
|
|
powers of the psychic faculties. The ancients did well when they
|
|
typified the soul as a butterfly!"
|
|
|
|
I thought I would push his analogy to its utmost logically, so I said
|
|
quickly, "Oh, it is a soul you are after now, is it?"
|
|
|
|
His madness foiled his reason, and a puzzled look spread over his face
|
|
as, shaking his head with a decision which I had but seldom seen in
|
|
him.
|
|
|
|
He said, "Oh, no, oh no! I want no souls. Life is all I want." Here
|
|
he brightened up. "I am pretty indifferent about it at present. Life
|
|
is all right. I have all I want. You must get a new patient, doctor,
|
|
if you wish to study zoophagy!"
|
|
|
|
This puzzled me a little, so I drew him on. "Then you command life.
|
|
You are a god, I suppose?"
|
|
|
|
He smiled with an ineffably benign superiority. "Oh no! Far be it
|
|
from me to arrogate to myself the attributes of the Deity. I am not
|
|
even concerned in His especially spiritual doings. If I may state my
|
|
intellectual position I am, so far as concerns things purely
|
|
terrestrial, somewhat in the position which Enoch occupied
|
|
spiritually!"
|
|
|
|
This was a poser to me. I could not at the moment recall Enoch's
|
|
appositeness, so I had to ask a simple question, though I felt that by
|
|
so doing I was lowering myself in the eyes of the lunatic. "And why
|
|
with Enoch?"
|
|
|
|
"Because he walked with God."
|
|
|
|
I could not see the analogy, but did not like to admit it, so I harked
|
|
back to what he had denied. "So you don't care about life and you
|
|
don't want souls. Why not?" I put my question quickly and somewhat
|
|
sternly, on purpose to disconcert him.
|
|
|
|
The effort succeeded, for an instant he unconsciously relapsed into
|
|
his old servile manner, bent low before me, and actually fawned upon
|
|
me as he replied. "I don't want any souls, indeed, indeed! I don't.
|
|
I couldn't use them if I had them. They would be no manner of use to
|
|
me. I couldn't eat them or . . ."
|
|
|
|
He suddenly stopped and the old cunning look spread over his face,
|
|
like a wind sweep on the surface of the water.
|
|
|
|
"And doctor, as to life, what is it after all? When you've got all
|
|
you require, and you know that you will never want, that is all. I
|
|
have friends, good friends, like you, Dr. Seward." This was said with
|
|
a leer of inexpressible cunning. "I know that I shall never lack the
|
|
means of life!"
|
|
|
|
I think that through the cloudiness of his insanity he saw some
|
|
antagonism in me, for he at once fell back on the last refuge of such
|
|
as he, a dogged silence. After a short time I saw that for the
|
|
present it was useless to speak to him. He was sulky, and so I came
|
|
away.
|
|
|
|
Later in the day he sent for me. Ordinarily I would not have come
|
|
without special reason, but just at present I am so interested in him
|
|
that I would gladly make an effort. Besides, I am glad to have
|
|
anything to help pass the time. Harker is out, following up clues,
|
|
and so are Lord Godalming and Quincey. Van Helsing sits in my study
|
|
poring over the record prepared by the Harkers. He seems to think
|
|
that by accurate knowledge of all details he will light up on some
|
|
clue. He does not wish to be disturbed in the work, without cause. I
|
|
would have taken him with me to see the patient, only I thought that
|
|
after his last repulse he might not care to go again. There was also
|
|
another reason. Renfield might not speak so freely before a third
|
|
person as when he and I were alone.
|
|
|
|
I found him sitting in the middle of the floor on his stool, a pose
|
|
which is generally indicative of some mental energy on his part. When
|
|
I came in, he said at once, as though the question had been waiting on
|
|
his lips. "What about souls?"
|
|
|
|
It was evident then that my surmise had been correct. Unconscious
|
|
cerebration was doing its work, even with the lunatic. I determined
|
|
to have the matter out.
|
|
|
|
"What about them yourself?" I asked.
|
|
|
|
He did not reply for a moment but looked all around him, and up and
|
|
down, as though he expected to find some inspiration for an answer.
|
|
|
|
"I don't want any souls!" he said in a feeble, apologetic way. The
|
|
matter seemed preying on his mind, and so I determined to use it, to
|
|
"be cruel only to be kind." So I said, "You like life, and you want
|
|
life?"
|
|
|
|
"Oh yes! But that is all right. You needn't worry about that!"
|
|
|
|
"But," I asked, "how are we to get the life without getting the soul
|
|
also?"
|
|
|
|
This seemed to puzzle him, so I followed it up, "A nice time you'll
|
|
have some time when you're flying out here, with the souls of
|
|
thousands of flies and spiders and birds and cats buzzing and
|
|
twittering and moaning all around you. You've got their lives, you
|
|
know, and you must put up with their souls!"
|
|
|
|
Something seemed to affect his imagination, for he put his fingers to
|
|
his ears and shut his eyes, screwing them up tightly just as a small
|
|
boy does when his face is being soaped. There was something pathetic
|
|
in it that touched me. It also gave me a lesson, for it seemed that
|
|
before me was a child, only a child, though the features were worn,
|
|
and the stubble on the jaws was white. It was evident that he was
|
|
undergoing some process of mental disturbance, and knowing how his
|
|
past moods had interpreted things seemingly foreign to himself, I
|
|
thought I would enter into his mind as well as I could and go with him.
|
|
|
|
The first step was to restore confidence, so I asked him, speaking
|
|
pretty loud so that he would hear me through his closed ears, "Would
|
|
you like some sugar to get your flies around again?"
|
|
|
|
He seemed to wake up all at once, and shook his head. With a laugh he
|
|
replied, "Not much! Flies are poor things, after all!" After a pause
|
|
he added, "But I don't want their souls buzzing round me, all the
|
|
same."
|
|
|
|
"Or spiders?" I went on.
|
|
|
|
"Blow spiders! What's the use of spiders? There isn't anything in
|
|
them to eat or . . ." He stopped suddenly as though reminded of a
|
|
forbidden topic.
|
|
|
|
"So, so!" I thought to myself, "this is the second time he has
|
|
suddenly stopped at the word 'drink'. What does it mean?"
|
|
|
|
Renfield seemed himself aware of having made a lapse, for he hurried
|
|
on, as though to distract my attention from it, "I don't take any
|
|
stock at all in such matters. 'Rats and mice and such small deer,' as
|
|
Shakespeare has it, 'chicken feed of the larder' they might be called.
|
|
I'm past all that sort of nonsense. You might as well ask a man to
|
|
eat molecules with a pair of chopsticks, as to try to interest me
|
|
about the less carnivora, when I know of what is before me."
|
|
|
|
"I see," I said. "You want big things that you can make your teeth
|
|
meet in? How would you like to breakfast on an elephant?"
|
|
|
|
"What ridiculous nonsense you are talking?" He was getting too wide
|
|
awake, so I thought I would press him hard.
|
|
|
|
"I wonder," I said reflectively, "what an elephant's soul is like!"
|
|
|
|
The effect I desired was obtained, for he at once fell from his
|
|
high-horse and became a child again.
|
|
|
|
"I don't want an elephant's soul, or any soul at all!" he said. For a
|
|
few moments he sat despondently. Suddenly he jumped to his feet, with
|
|
his eyes blazing and all the signs of intense cerebral excitement.
|
|
"To hell with you and your souls!" he shouted. "Why do you plague me
|
|
about souls? Haven't I got enough to worry, and pain, to distract me
|
|
already, without thinking of souls?"
|
|
|
|
He looked so hostile that I thought he was in for another homicidal
|
|
fit, so I blew my whistle.
|
|
|
|
The instant, however, that I did so he became calm, and said
|
|
apologetically, "Forgive me, Doctor. I forgot myself. You do not
|
|
need any help. I am so worried in my mind that I am apt to be
|
|
irritable. If you only knew the problem I have to face, and that I am
|
|
working out, you would pity, and tolerate, and pardon me. Pray do not
|
|
put me in a strait waistcoat. I want to think and I cannot think
|
|
freely when my body is confined. I am sure you will understand!"
|
|
|
|
He had evidently self-control, so when the attendants came I told them
|
|
not to mind, and they withdrew. Renfield watched them go. When the
|
|
door was closed he said with considerable dignity and sweetness, "Dr.
|
|
Seward, you have been very considerate towards me. Believe me that I
|
|
am very, very grateful to you!"
|
|
|
|
I thought it well to leave him in this mood, and so I came away.
|
|
There is certainly something to ponder over in this man's state.
|
|
Several points seem to make what the American interviewer calls "a
|
|
story," if one could only get them in proper order. Here they are:
|
|
|
|
Will not mention "drinking."
|
|
|
|
Fears the thought of being burdened with the "soul" of anything.
|
|
|
|
Has no dread of wanting "life" in the future.
|
|
|
|
Despises the meaner forms of life altogether, though he dreads
|
|
being haunted by their souls.
|
|
|
|
Logically all these things point one way! He has assurance of
|
|
some kind that he will acquire some higher life.
|
|
|
|
He dreads the consequence, the burden of a soul. Then it is a
|
|
human life he looks to!
|
|
|
|
And the assurance . . .?
|
|
|
|
Merciful God! The Count has been to him, and there is some new scheme
|
|
of terror afoot!
|
|
|
|
|
|
Later.--I went after my round to Van Helsing and told him my
|
|
suspicion. He grew very grave, and after thinking the matter over for
|
|
a while asked me to take him to Renfield. I did so. As we came to
|
|
the door we heard the lunatic within singing gaily, as he used to do
|
|
in the time which now seems so long ago.
|
|
|
|
When we entered we saw with amazement that he had spread out his sugar
|
|
as of old. The flies, lethargic with the autumn, were beginning to
|
|
buzz into the room. We tried to make him talk of the subject of our
|
|
previous conversation, but he would not attend. He went on with his
|
|
singing, just as though we had not been present. He had got a scrap
|
|
of paper and was folding it into a notebook. We had to come away as
|
|
ignorant as we went in.
|
|
|
|
His is a curious case indeed. We must watch him tonight.
|
|
|
|
|
|
|
|
|
|
|
|
LETTER, MITCHELL, SONS & CANDY TO LORD GODALMING.
|
|
|
|
"1 October.
|
|
|
|
"My Lord,
|
|
|
|
"We are at all times only too happy to meet your wishes. We beg,
|
|
with regard to the desire of your Lordship, expressed by Mr.
|
|
Harker on your behalf, to supply the following information
|
|
concerning the sale and purchase of No. 347, Piccadilly. The
|
|
original vendors are the executors of the late Mr. Archibald
|
|
Winter-Suffield. The purchaser is a foreign nobleman, Count de
|
|
Ville, who effected the purchase himself paying the purchase
|
|
money in notes 'over the counter,' if your Lordship will pardon
|
|
us using so vulgar an expression. Beyond this we know nothing
|
|
whatever of him.
|
|
|
|
"We are, my Lord,
|
|
|
|
"Your Lordship's humble servants,
|
|
|
|
"MITCHELL, SONS & CANDY."
|
|
|
|
|
|
|
|
|
|
DR. SEWARD'S DIARY
|
|
|
|
2 October.--I placed a man in the corridor last night, and told him to
|
|
make an accurate note of any sound he might hear from Renfield's room,
|
|
and gave him instructions that if there should be anything strange he
|
|
was to call me. After dinner, when we had all gathered round the fire
|
|
in the study, Mrs. Harker having gone to bed, we discussed the
|
|
attempts and discoveries of the day. Harker was the only one who had
|
|
any result, and we are in great hopes that his clue may be an
|
|
important one.
|
|
|
|
Before going to bed I went round to the patient's room and looked in
|
|
through the observation trap. He was sleeping soundly, his heart rose
|
|
and fell with regular respiration.
|
|
|
|
This morning the man on duty reported to me that a little after
|
|
midnight he was restless and kept saying his prayers somewhat loudly.
|
|
I asked him if that was all. He replied that it was all he heard.
|
|
There was something about his manner, so suspicious that I asked him
|
|
point blank if he had been asleep. He denied sleep, but admitted to
|
|
having "dozed" for a while. It is too bad that men cannot be trusted
|
|
unless they are watched.
|
|
|
|
Today Harker is out following up his clue, and Art and Quincey are
|
|
looking after horses. Godalming thinks that it will be well to have
|
|
horses always in readiness, for when we get the information which we
|
|
seek there will be no time to lose. We must sterilize all the
|
|
imported earth between sunrise and sunset. We shall thus catch the
|
|
Count at his weakest, and without a refuge to fly to. Van Helsing is
|
|
off to the British Museum looking up some authorities on ancient
|
|
medicine. The old physicians took account of things which their
|
|
followers do not accept, and the Professor is searching for witch and
|
|
demon cures which may be useful to us later.
|
|
|
|
I sometimes think we must be all mad and that we shall wake to sanity
|
|
in strait waistcoats.
|
|
|
|
Later.--We have met again. We seem at last to be on the track, and
|
|
our work of tomorrow may be the beginning of the end. I wonder if
|
|
Renfield's quiet has anything to do with this. His moods have so
|
|
followed the doings of the Count, that the coming destruction of the
|
|
monster may be carried to him some subtle way. If we could only get
|
|
some hint as to what passed in his mind, between the time of my
|
|
argument with him today and his resumption of fly-catching, it might
|
|
afford us a valuable clue. He is now seemingly quiet for a spell . . .
|
|
Is he? That wild yell seemed to come from his room . . .
|
|
|
|
The attendant came bursting into my room and told me that Renfield had
|
|
somehow met with some accident. He had heard him yell, and when he
|
|
went to him found him lying on his face on the floor, all covered with
|
|
blood. I must go at once . . .
|
|
|
|
|
|
|
|
|
|
CHAPTER 21
|
|
|
|
|
|
DR. SEWARD'S DIARY
|
|
|
|
3 October.--Let me put down with exactness all that happened, as well
|
|
as I can remember, since last I made an entry. Not a detail that I
|
|
can recall must be forgotten. In all calmness I must proceed.
|
|
|
|
When I came to Renfield's room I found him lying on the floor on his
|
|
left side in a glittering pool of blood. When I went to move him, it
|
|
became at once apparent that he had received some terrible injuries.
|
|
There seemed none of the unity of purpose between the parts of the
|
|
body which marks even lethargic sanity. As the face was exposed I
|
|
could see that it was horribly bruised, as though it had been beaten
|
|
against the floor. Indeed it was from the face wounds that the pool
|
|
of blood originated.
|
|
|
|
The attendant who was kneeling beside the body said to me as we turned
|
|
him over, "I think, sir, his back is broken. See, both his right arm
|
|
and leg and the whole side of his face are paralysed." How such a
|
|
thing could have happened puzzled the attendant beyond measure. He
|
|
seemed quite bewildered, and his brows were gathered in as he said, "I
|
|
can't understand the two things. He could mark his face like that by
|
|
beating his own head on the floor. I saw a young woman do it once at
|
|
the Eversfield Asylum before anyone could lay hands on her. And I
|
|
suppose he might have broken his neck by falling out of bed, if he got
|
|
in an awkward kink. But for the life of me I can't imagine how the
|
|
two things occurred. If his back was broke, he couldn't beat his
|
|
head, and if his face was like that before the fall out of bed, there
|
|
would be marks of it."
|
|
|
|
I said to him, "Go to Dr. Van Helsing, and ask him to kindly come here
|
|
at once. I want him without an instant's delay."
|
|
|
|
The man ran off, and within a few minutes the Professor, in his
|
|
dressing gown and slippers, appeared. When he saw Renfield on the
|
|
ground, he looked keenly at him a moment, and then turned to me. I
|
|
think he recognized my thought in my eyes, for he said very quietly,
|
|
manifestly for the ears of the attendant, "Ah, a sad accident! He
|
|
will need very careful watching, and much attention. I shall stay
|
|
with you myself, but I shall first dress myself. If you will remain I
|
|
shall in a few minutes join you."
|
|
|
|
The patient was now breathing stertorously and it was easy to see that
|
|
he had suffered some terrible injury.
|
|
|
|
Van Helsing returned with extraordinary celerity, bearing with him a
|
|
surgical case. He had evidently been thinking and had his mind made
|
|
up, for almost before he looked at the patient, he whispered to me,
|
|
"Send the attendant away. We must be alone with him when he becomes
|
|
conscious, after the operation."
|
|
|
|
I said, "I think that will do now, Simmons. We have done all that we
|
|
can at present. You had better go your round, and Dr. Van Helsing
|
|
will operate. Let me know instantly if there be anything unusual
|
|
anywhere."
|
|
|
|
The man withdrew, and we went into a strict examination of the
|
|
patient. The wounds of the face were superficial. The real injury
|
|
was a depressed fracture of the skull, extending right up through the
|
|
motor area.
|
|
|
|
The Professor thought a moment and said, "We must reduce the pressure
|
|
and get back to normal conditions, as far as can be. The rapidity of
|
|
the suffusion shows the terrible nature of his injury. The whole
|
|
motor area seems affected. The suffusion of the brain will increase
|
|
quickly, so we must trephine at once or it may be too late."
|
|
|
|
As he was speaking there was a soft tapping at the door. I went over
|
|
and opened it and found in the corridor without, Arthur and Quincey in
|
|
pajamas and slippers; the former spoke, "I heard your man call up Dr.
|
|
Van Helsing and tell him of an accident. So I woke Quincey or rather
|
|
called for him as he was not asleep. Things are moving too quickly
|
|
and too strangely for sound sleep for any of us these times. I've
|
|
been thinking that tomorrow night will not see things as they have
|
|
been. We'll have to look back, and forward a little more than we have
|
|
done. May we come in?"
|
|
|
|
I nodded, and held the door open till they had entered, then I closed
|
|
it again. When Quincey saw the attitude and state of the patient, and
|
|
noted the horrible pool on the floor, he said softly, "My God! What
|
|
has happened to him? Poor, poor devil!"
|
|
|
|
I told him briefly, and added that we expected he would recover
|
|
consciousness after the operation, for a short time, at all events.
|
|
He went at once and sat down on the edge of the bed, with Godalming
|
|
beside him. We all watched in patience.
|
|
|
|
"We shall wait," said Van Helsing, "just long enough to fix the best
|
|
spot for trephining, so that we may most quickly and perfectly remove
|
|
the blood clot, for it is evident that the haemorrhage is increasing."
|
|
|
|
The minutes during which we waited passed with fearful slowness. I
|
|
had a horrible sinking in my heart, and from Van Helsing's face I
|
|
gathered that he felt some fear or apprehension as to what was to
|
|
come. I dreaded the words Renfield might speak. I was positively
|
|
afraid to think. But the conviction of what was coming was on me, as
|
|
I have read of men who have heard the death watch. The poor man's
|
|
breathing came in uncertain gasps. Each instant he seemed as though
|
|
he would open his eyes and speak, but then would follow a prolonged
|
|
stertorous breath, and he would relapse into a more fixed
|
|
insensibility. Inured as I was to sick beds and death, this suspense
|
|
grew and grew upon me. I could almost hear the beating of my own
|
|
heart, and the blood surging through my temples sounded like blows
|
|
from a hammer. The silence finally became agonizing. I looked at my
|
|
companions, one after another, and saw from their flushed faces and
|
|
damp brows that they were enduring equal torture. There was a nervous
|
|
suspense over us all, as though overhead some dread bell would peal
|
|
out powerfully when we should least expect it.
|
|
|
|
At last there came a time when it was evident that the patient was
|
|
sinking fast. He might die at any moment. I looked up at the
|
|
Professor and caught his eyes fixed on mine. His face was sternly set
|
|
as he spoke, "There is no time to lose. His words may be worth many
|
|
lives. I have been thinking so, as I stood here. It may be there is
|
|
a soul at stake! We shall operate just above the ear."
|
|
|
|
Without another word he made the operation. For a few moments the
|
|
breathing continued to be stertorous. Then there came a breath so
|
|
prolonged that it seemed as though it would tear open his chest.
|
|
Suddenly his eyes opened, and became fixed in a wild, helpless stare.
|
|
This was continued for a few moments, then it was softened into a glad
|
|
surprise, and from his lips came a sigh of relief. He moved
|
|
convulsively, and as he did so, said, "I'll be quiet, Doctor. Tell
|
|
them to take off the strait waistcoat. I have had a terrible dream,
|
|
and it has left me so weak that I cannot move. What's wrong with my
|
|
face? It feels all swollen, and it smarts dreadfully."
|
|
|
|
He tried to turn his head, but even with the effort his eyes seemed to
|
|
grow glassy again so I gently put it back. Then Van Helsing said in a
|
|
quiet grave tone, "Tell us your dream, Mr. Renfield."
|
|
|
|
As he heard the voice his face brightened, through its mutilation, and
|
|
he said, "That is Dr. Van Helsing. How good it is of you to be here.
|
|
Give me some water, my lips are dry, and I shall try to tell you. I
|
|
dreamed . . ."
|
|
|
|
He stopped and seemed fainting. I called quietly to Quincey, "The
|
|
brandy, it is in my study, quick!" He flew and returned with a glass,
|
|
the decanter of brandy and a carafe of water. We moistened the
|
|
parched lips, and the patient quickly revived.
|
|
|
|
It seemed, however, that his poor injured brain had been working in
|
|
the interval, for when he was quite conscious, he looked at me
|
|
piercingly with an agonized confusion which I shall never forget, and
|
|
said, "I must not deceive myself. It was no dream, but all a grim
|
|
reality." Then his eyes roved round the room. As they caught sight
|
|
of the two figures sitting patiently on the edge of the bed he went
|
|
on, "If I were not sure already, I would know from them."
|
|
|
|
For an instant his eyes closed, not with pain or sleep but
|
|
voluntarily, as though he were bringing all his faculties to bear.
|
|
When he opened them he said, hurriedly, and with more energy than he
|
|
had yet displayed, "Quick, Doctor, quick, I am dying! I feel that I
|
|
have but a few minutes, and then I must go back to death, or worse!
|
|
Wet my lips with brandy again. I have something that I must say
|
|
before I die. Or before my poor crushed brain dies anyhow. Thank
|
|
you! It was that night after you left me, when I implored you to let
|
|
me go away. I couldn't speak then, for I felt my tongue was tied.
|
|
But I was as sane then, except in that way, as I am now. I was in an
|
|
agony of despair for a long time after you left me, it seemed hours.
|
|
Then there came a sudden peace to me. My brain seemed to become cool
|
|
again, and I realized where I was. I heard the dogs bark behind our
|
|
house, but not where He was!"
|
|
|
|
As he spoke, Van Helsing's eyes never blinked, but his hand came out
|
|
and met mine and gripped it hard. He did not, however, betray
|
|
himself. He nodded slightly and said, "Go on," in a low voice.
|
|
|
|
Renfield proceeded. "He came up to the window in the mist, as I had
|
|
seen him often before, but he was solid then, not a ghost, and his
|
|
eyes were fierce like a man's when angry. He was laughing with his
|
|
red mouth, the sharp white teeth glinted in the moonlight when he
|
|
turned to look back over the belt of trees, to where the dogs were
|
|
barking. I wouldn't ask him to come in at first, though I knew he
|
|
wanted to, just as he had wanted all along. Then he began promising
|
|
me things, not in words but by doing them."
|
|
|
|
He was interrupted by a word from the Professor, "How?"
|
|
|
|
"By making them happen. Just as he used to send in the flies when the
|
|
sun was shining. Great big fat ones with steel and sapphire on their
|
|
wings. And big moths, in the night, with skull and cross-bones on
|
|
their backs."
|
|
|
|
Van Helsing nodded to him as he whispered to me unconsciously, "The
|
|
Acherontia Atropos of the Sphinges, what you call the 'Death's-head
|
|
Moth'?"
|
|
|
|
The patient went on without stopping, "Then he began to whisper. 'Rats,
|
|
rats, rats! Hundreds, thousands, millions of them, and every one a
|
|
life. And dogs to eat them, and cats too. All lives! All red blood,
|
|
with years of life in it, and not merely buzzing flies!' I laughed at
|
|
him, for I wanted to see what he could do. Then the dogs howled, away
|
|
beyond the dark trees in His house. He beckoned me to the window. I
|
|
got up and looked out, and He raised his hands, and seemed to call out
|
|
without using any words. A dark mass spread over the grass, coming on
|
|
like the shape of a flame of fire. And then He moved the mist to the
|
|
right and left, and I could see that there were thousands of rats with
|
|
their eyes blazing red, like His only smaller. He held up his hand,
|
|
and they all stopped, and I thought he seemed to be saying, 'All these
|
|
lives will I give you, ay, and many more and greater, through
|
|
countless ages, if you will fall down and worship me!' And then a red
|
|
cloud, like the colour of blood, seemed to close over my eyes, and
|
|
before I knew what I was doing, I found myself opening the sash and
|
|
saying to Him, 'Come in, Lord and Master!' The rats were all gone, but
|
|
He slid into the room through the sash, though it was only open an
|
|
inch wide, just as the Moon herself has often come in through the
|
|
tiniest crack and has stood before me in all her size and splendour."
|
|
|
|
His voice was weaker, so I moistened his lips with the brandy again,
|
|
and he continued, but it seemed as though his memory had gone on
|
|
working in the interval for his story was further advanced. I was
|
|
about to call him back to the point, but Van Helsing whispered to me,
|
|
"Let him go on. Do not interrupt him. He cannot go back, and maybe
|
|
could not proceed at all if once he lost the thread of his thought."
|
|
|
|
He proceeded, "All day I waited to hear from him, but he did not send
|
|
me anything, not even a blowfly, and when the moon got up I was pretty
|
|
angry with him. When he did slide in through the window, though it
|
|
was shut, and did not even knock, I got mad with him. He sneered at
|
|
me, and his white face looked out of the mist with his red eyes
|
|
gleaming, and he went on as though he owned the whole place, and I was
|
|
no one. He didn't even smell the same as he went by me. I couldn't
|
|
hold him. I thought that, somehow, Mrs. Harker had come into the
|
|
room."
|
|
|
|
The two men sitting on the bed stood up and came over, standing behind
|
|
him so that he could not see them, but where they could hear better.
|
|
They were both silent, but the Professor started and quivered. His
|
|
face, however, grew grimmer and sterner still. Renfield went on
|
|
without noticing, "When Mrs. Harker came in to see me this afternoon
|
|
she wasn't the same. It was like tea after the teapot has been
|
|
watered." Here we all moved, but no one said a word.
|
|
|
|
He went on, "I didn't know that she was here till she spoke, and she
|
|
didn't look the same. I don't care for the pale people. I like them
|
|
with lots of blood in them, and hers all seemed to have run out. I
|
|
didn't think of it at the time, but when she went away I began to
|
|
think, and it made me mad to know that He had been taking the life out
|
|
of her." I could feel that the rest quivered, as I did; but we
|
|
remained otherwise still. "So when He came tonight I was ready for
|
|
Him. I saw the mist stealing in, and I grabbed it tight. I had heard
|
|
that madmen have unnatural strength. And as I knew I was a madman, at
|
|
times anyhow, I resolved to use my power. Ay, and He felt it too, for
|
|
He had to come out of the mist to struggle with me. I held tight, and
|
|
I thought I was going to win, for I didn't mean Him to take any more
|
|
of her life, till I saw His eyes. They burned into me, and my
|
|
strength became like water. He slipped through it, and when I tried
|
|
to cling to Him, He raised me up and flung me down. There was a red
|
|
cloud before me, and a noise like thunder, and the mist seemed to
|
|
steal away under the door."
|
|
|
|
His voice was becoming fainter and his breath more stertorous. Van
|
|
Helsing stood up instinctively.
|
|
|
|
"We know the worst now," he said. "He is here, and we know his
|
|
purpose. It may not be too late. Let us be armed, the same as we
|
|
were the other night, but lose no time, there is not an instant to
|
|
spare."
|
|
|
|
There was no need to put our fear, nay our conviction, into words, we
|
|
shared them in common. We all hurried and took from our rooms the
|
|
same things that we had when we entered the Count's house. The
|
|
Professor had his ready, and as we met in the corridor he pointed to
|
|
them significantly as he said, "They never leave me, and they shall
|
|
not till this unhappy business is over. Be wise also, my friends. It
|
|
is no common enemy that we deal with Alas! Alas! That dear Madam
|
|
Mina should suffer!" He stopped, his voice was breaking, and I do not
|
|
know if rage or terror predominated in my own heart.
|
|
|
|
Outside the Harkers' door we paused. Art and Quincey held back, and
|
|
the latter said, "Should we disturb her?"
|
|
|
|
"We must," said Van Helsing grimly. "If the door be locked, I shall
|
|
break it in."
|
|
|
|
"May it not frighten her terribly? It is unusual to break into a
|
|
lady's room!"
|
|
|
|
Van Helsing said solemnly, "You are always right. But this is life
|
|
and death. All chambers are alike to the doctor. And even were they
|
|
not they are all as one to me tonight. Friend John, when I turn the
|
|
handle, if the door does not open, do you put your shoulder down and
|
|
shove; and you too, my friends. Now!"
|
|
|
|
He turned the handle as he spoke, but the door did not yield. We
|
|
threw ourselves against it. With a crash it burst open, and we almost
|
|
fell headlong into the room. The Professor did actually fall, and I
|
|
saw across him as he gathered himself up from hands and knees. What I
|
|
saw appalled me. I felt my hair rise like bristles on the back of my
|
|
neck, and my heart seemed to stand still.
|
|
|
|
The moonlight was so bright that through the thick yellow blind the
|
|
room was light enough to see. On the bed beside the window lay
|
|
Jonathan Harker, his face flushed and breathing heavily as though in a
|
|
stupor. Kneeling on the near edge of the bed facing outwards was the
|
|
white-clad figure of his wife. By her side stood a tall, thin man,
|
|
clad in black. His face was turned from us, but the instant we saw we
|
|
all recognized the Count, in every way, even to the scar on his
|
|
forehead. With his left hand he held both Mrs. Harker's hands,
|
|
keeping them away with her arms at full tension. His right hand
|
|
gripped her by the back of the neck, forcing her face down on his
|
|
bosom. Her white nightdress was smeared with blood, and a thin stream
|
|
trickled down the man's bare chest which was shown by his torn-open
|
|
dress. The attitude of the two had a terrible resemblance to a child
|
|
forcing a kitten's nose into a saucer of milk to compel it to drink.
|
|
As we burst into the room, the Count turned his face, and the hellish
|
|
look that I had heard described seemed to leap into it. His eyes
|
|
flamed red with devilish passion. The great nostrils of the white
|
|
aquiline nose opened wide and quivered at the edge, and the white
|
|
sharp teeth, behind the full lips of the blood dripping mouth, clamped
|
|
together like those of a wild beast. With a wrench, which threw his
|
|
victim back upon the bed as though hurled from a height, he turned and
|
|
sprang at us. But by this time the Professor had gained his feet, and
|
|
was holding towards him the envelope which contained the Sacred Wafer.
|
|
The Count suddenly stopped, just as poor Lucy had done outside the
|
|
tomb, and cowered back. Further and further back he cowered, as we,
|
|
lifting our crucifixes, advanced. The moonlight suddenly failed, as a
|
|
great black cloud sailed across the sky. And when the gaslight sprang
|
|
up under Quincey's match, we saw nothing but a faint vapour. This, as
|
|
we looked, trailed under the door, which with the recoil from its
|
|
bursting open, had swung back to its old position. Van Helsing, Art,
|
|
and I moved forward to Mrs. Harker, who by this time had drawn her
|
|
breath and with it had given a scream so wild, so ear-piercing, so
|
|
despairing that it seems to me now that it will ring in my ears till
|
|
my dying day. For a few seconds she lay in her helpless attitude and
|
|
disarray. Her face was ghastly, with a pallor which was accentuated
|
|
by the blood which smeared her lips and cheeks and chin. From her
|
|
throat trickled a thin stream of blood. Her eyes were mad with
|
|
terror. Then she put before her face her poor crushed hands, which
|
|
bore on their whiteness the red mark of the Count's terrible grip, and
|
|
from behind them came a low desolate wail which made the terrible
|
|
scream seem only the quick expression of an endless grief. Van
|
|
Helsing stepped forward and drew the coverlet gently over her body,
|
|
whilst Art, after looking at her face for an instant despairingly, ran
|
|
out of the room.
|
|
|
|
Van Helsing whispered to me, "Jonathan is in a stupor such as we know
|
|
the Vampire can produce. We can do nothing with poor Madam Mina for a
|
|
few moments till she recovers herself. I must wake him!"
|
|
|
|
He dipped the end of a towel in cold water and with it began to flick
|
|
him on the face, his wife all the while holding her face between her
|
|
hands and sobbing in a way that was heart breaking to hear. I raised
|
|
the blind, and looked out of the window. There was much moonshine,
|
|
and as I looked I could see Quincey Morris run across the lawn and
|
|
hide himself in the shadow of a great yew tree. It puzzled me to
|
|
think why he was doing this. But at the instant I heard Harker's
|
|
quick exclamation as he woke to partial consciousness, and turned to
|
|
the bed. On his face, as there might well be, was a look of wild
|
|
amazement. He seemed dazed for a few seconds, and then full
|
|
consciousness seemed to burst upon him all at once, and he started up.
|
|
|
|
His wife was aroused by the quick movement, and turned to him with her
|
|
arms stretched out, as though to embrace him. Instantly, however, she
|
|
drew them in again, and putting her elbows together, held her hands
|
|
before her face, and shuddered till the bed beneath her shook.
|
|
|
|
"In God's name what does this mean?" Harker cried out. "Dr. Seward,
|
|
Dr. Van Helsing, what is it? What has happened? What is wrong? Mina,
|
|
dear what is it? What does that blood mean? My God, my God! Has it
|
|
come to this!" And, raising himself to his knees, he beat his hands
|
|
wildly together. "Good God help us! Help her! Oh, help her!"
|
|
|
|
With a quick movement he jumped from bed, and began to pull on his
|
|
clothes, all the man in him awake at the need for instant exertion.
|
|
"What has happened? Tell me all about it!" he cried without pausing.
|
|
"Dr. Van Helsing, you love Mina, I know. Oh, do something to save her.
|
|
It cannot have gone too far yet. Guard her while I look for him!"
|
|
|
|
His wife, through her terror and horror and distress, saw some sure
|
|
danger to him. Instantly forgetting her own grief, she seized hold of
|
|
him and cried out.
|
|
|
|
"No! No! Jonathan, you must not leave me. I have suffered enough
|
|
tonight, God knows, without the dread of his harming you. You must
|
|
stay with me. Stay with these friends who will watch over you!" Her
|
|
expression became frantic as she spoke. And, he yielding to her, she
|
|
pulled him down sitting on the bedside, and clung to him fiercely.
|
|
|
|
Van Helsing and I tried to calm them both. The Professor held up his
|
|
golden crucifix, and said with wonderful calmness, "Do not fear, my
|
|
dear. We are here, and whilst this is close to you no foul thing can
|
|
approach. You are safe for tonight, and we must be calm and take
|
|
counsel together."
|
|
|
|
She shuddered and was silent, holding down her head on her husband's
|
|
breast. When she raised it, his white nightrobe was stained with
|
|
blood where her lips had touched, and where the thin open wound in the
|
|
neck had sent forth drops. The instant she saw it she drew back, with
|
|
a low wail, and whispered, amidst choking sobs.
|
|
|
|
"Unclean, unclean! I must touch him or kiss him no more. Oh, that it
|
|
should be that it is I who am now his worst enemy, and whom he may
|
|
have most cause to fear."
|
|
|
|
To this he spoke out resolutely, "Nonsense, Mina. It is a shame to me
|
|
to hear such a word. I would not hear it of you. And I shall not
|
|
hear it from you. May God judge me by my deserts, and punish me with
|
|
more bitter suffering than even this hour, if by any act or will of
|
|
mine anything ever come between us!"
|
|
|
|
He put out his arms and folded her to his breast. And for a while she
|
|
lay there sobbing. He looked at us over her bowed head, with eyes
|
|
that blinked damply above his quivering nostrils. His mouth was set
|
|
as steel.
|
|
|
|
After a while her sobs became less frequent and more faint, and then
|
|
he said to me, speaking with a studied calmness which I felt tried his
|
|
nervous power to the utmost.
|
|
|
|
"And now, Dr. Seward, tell me all about it. Too well I know the broad
|
|
fact. Tell me all that has been."
|
|
|
|
I told him exactly what had happened and he listened with seeming
|
|
impassiveness, but his nostrils twitched and his eyes blazed as I told
|
|
how the ruthless hands of the Count had held his wife in that terrible
|
|
and horrid position, with her mouth to the open wound in his breast.
|
|
It interested me, even at that moment, to see that whilst the face of
|
|
white set passion worked convulsively over the bowed head, the hands
|
|
tenderly and lovingly stroked the ruffled hair. Just as I had
|
|
finished, Quincey and Godalming knocked at the door. They entered in
|
|
obedience to our summons. Van Helsing looked at me questioningly. I
|
|
understood him to mean if we were to take advantage of their coming to
|
|
divert if possible the thoughts of the unhappy husband and wife from
|
|
each other and from themselves. So on nodding acquiescence to him he
|
|
asked them what they had seen or done. To which Lord Godalming
|
|
answered.
|
|
|
|
"I could not see him anywhere in the passage, or in any of our rooms.
|
|
I looked in the study but, though he had been there, he had gone. He
|
|
had, however . . ." He stopped suddenly, looking at the poor drooping
|
|
figure on the bed.
|
|
|
|
Van Helsing said gravely, "Go on, friend Arthur. We want here no more
|
|
concealments. Our hope now is in knowing all. Tell freely!"
|
|
|
|
So Art went on, "He had been there, and though it could only have been
|
|
for a few seconds, he made rare hay of the place. All the manuscript
|
|
had been burned, and the blue flames were flickering amongst the white
|
|
ashes. The cylinders of your phonograph too were thrown on the fire,
|
|
and the wax had helped the flames."
|
|
|
|
Here I interrupted. "Thank God there is the other copy in the safe!"
|
|
|
|
His face lit for a moment, but fell again as he went on. "I ran
|
|
downstairs then, but could see no sign of him. I looked into
|
|
Renfield's room, but there was no trace there except . . ." Again he
|
|
paused.
|
|
|
|
"Go on," said Harker hoarsely. So he bowed his head and moistening his
|
|
lips with his tongue, added, "except that the poor fellow is dead."
|
|
|
|
Mrs. Harker raised her head, looking from one to the other of us she
|
|
said solemnly, "God's will be done!"
|
|
|
|
I could not but feel that Art was keeping back something. But, as I
|
|
took it that it was with a purpose, I said nothing.
|
|
|
|
Van Helsing turned to Morris and asked, "And you, friend Quincey, have
|
|
you any to tell?"
|
|
|
|
"A little," he answered. "It may be much eventually, but at present I
|
|
can't say. I thought it well to know if possible where the Count
|
|
would go when he left the house. I did not see him, but I saw a bat
|
|
rise from Renfield's window, and flap westward. I expected to see him
|
|
in some shape go back to Carfax, but he evidently sought some other
|
|
lair. He will not be back tonight, for the sky is reddening in the
|
|
east, and the dawn is close. We must work tomorrow!"
|
|
|
|
He said the latter words through his shut teeth. For a space of
|
|
perhaps a couple of minutes there was silence, and I could fancy that
|
|
I could hear the sound of our hearts beating.
|
|
|
|
Then Van Helsing said, placing his hand tenderly on Mrs. Harker's
|
|
head, "And now, Madam Mina, poor dear, dear, Madam Mina, tell us
|
|
exactly what happened. God knows that I do not want that you be
|
|
pained, but it is need that we know all. For now more than ever has
|
|
all work to be done quick and sharp, and in deadly earnest. The day
|
|
is close to us that must end all, if it may be so, and now is the
|
|
chance that we may live and learn."
|
|
|
|
The poor dear lady shivered, and I could see the tension of her nerves
|
|
as she clasped her husband closer to her and bent her head lower and
|
|
lower still on his breast. Then she raised her head proudly, and held
|
|
out one hand to Van Helsing who took it in his, and after stooping and
|
|
kissing it reverently, held it fast. The other hand was locked in
|
|
that of her husband, who held his other arm thrown round her
|
|
protectingly. After a pause in which she was evidently ordering her
|
|
thoughts, she began.
|
|
|
|
"I took the sleeping draught which you had so kindly given me, but for
|
|
a long time it did not act. I seemed to become more wakeful, and
|
|
myriads of horrible fancies began to crowd in upon my mind. All of
|
|
them connected with death, and vampires, with blood, and pain, and
|
|
trouble." Her husband involuntarily groaned as she turned to him and
|
|
said lovingly, "Do not fret, dear. You must be brave and strong, and
|
|
help me through the horrible task. If you only knew what an effort it
|
|
is to me to tell of this fearful thing at all, you would understand
|
|
how much I need your help. Well, I saw I must try to help the
|
|
medicine to its work with my will, if it was to do me any good, so I
|
|
resolutely set myself to sleep. Sure enough sleep must soon have come
|
|
to me, for I remember no more. Jonathan coming in had not waked me,
|
|
for he lay by my side when next I remember. There was in the room the
|
|
same thin white mist that I had before noticed. But I forget now if
|
|
you know of this. You will find it in my diary which I shall show you
|
|
later. I felt the same vague terror which had come to me before and
|
|
the same sense of some presence. I turned to wake Jonathan, but found
|
|
that he slept so soundly that it seemed as if it was he who had taken
|
|
the sleeping draught, and not I. I tried, but I could not wake him.
|
|
This caused me a great fear, and I looked around terrified. Then
|
|
indeed, my heart sank within me. Beside the bed, as if he had stepped
|
|
out of the mist, or rather as if the mist had turned into his figure,
|
|
for it had entirely disappeared, stood a tall, thin man, all in
|
|
black. I knew him at once from the description of the others. The
|
|
waxen face, the high aquiline nose, on which the light fell in a thin
|
|
white line, the parted red lips, with the sharp white teeth showing
|
|
between, and the red eyes that I had seemed to see in the sunset on
|
|
the windows of St. Mary's Church at Whitby. I knew, too, the red scar
|
|
on his forehead where Jonathan had struck him. For an instant my
|
|
heart stood still, and I would have screamed out, only that I was
|
|
paralyzed. In the pause he spoke in a sort of keen, cutting whisper,
|
|
pointing as he spoke to Jonathan.
|
|
|
|
"'Silence! If you make a sound I shall take him and dash his brains
|
|
out before your very eyes.' I was appalled and was too bewildered to
|
|
do or say anything. With a mocking smile, he placed one hand upon my
|
|
shoulder and, holding me tight, bared my throat with the other, saying
|
|
as he did so, 'First, a little refreshment to reward my exertions.
|
|
You may as well be quiet. It is not the first time, or the second,
|
|
that your veins have appeased my thirst!' I was bewildered, and
|
|
strangely enough, I did not want to hinder him. I suppose it is a
|
|
part of the horrible curse that such is, when his touch is on his
|
|
victim. And oh, my God, my God, pity me! He placed his reeking lips
|
|
upon my throat!" Her husband groaned again. She clasped his hand
|
|
harder, and looked at him pityingly, as if he were the injured one,
|
|
and went on.
|
|
|
|
"I felt my strength fading away, and I was in a half swoon. How long
|
|
this horrible thing lasted I know not, but it seemed that a long time
|
|
must have passed before he took his foul, awful, sneering mouth away.
|
|
I saw it drip with the fresh blood!" The remembrance seemed for a while
|
|
to overpower her, and she drooped and would have sunk down but for her
|
|
husband's sustaining arm. With a great effort she recovered herself
|
|
and went on.
|
|
|
|
"Then he spoke to me mockingly, 'And so you, like the others, would
|
|
play your brains against mine. You would help these men to hunt me
|
|
and frustrate me in my design! You know now, and they know in part
|
|
already, and will know in full before long, what it is to cross my
|
|
path. They should have kept their energies for use closer to home.
|
|
Whilst they played wits against me, against me who commanded nations,
|
|
and intrigued for them, and fought for them, hundreds of years before
|
|
they were born, I was countermining them. And you, their best beloved
|
|
one, are now to me, flesh of my flesh, blood of my blood, kin of my
|
|
kin, my bountiful wine-press for a while, and shall be later on my
|
|
companion and my helper. You shall be avenged in turn, for not one of
|
|
them but shall minister to your needs. But as yet you are to be
|
|
punished for what you have done. You have aided in thwarting me. Now
|
|
you shall come to my call. When my brain says "Come!" to you, you
|
|
shall cross land or sea to do my bidding. And to that end this!'
|
|
|
|
"With that he pulled open his shirt, and with his long sharp nails
|
|
opened a vein in his breast. When the blood began to spurt out, he
|
|
took my hands in one of his, holding them tight, and with the other
|
|
seized my neck and pressed my mouth to the wound, so that I must
|
|
either suffocate or swallow some to the . . . Oh, my God! My God!
|
|
What have I done? What have I done to deserve such a fate, I who have
|
|
tried to walk in meekness and righteousness all my days. God pity
|
|
me! Look down on a poor soul in worse than mortal peril. And in
|
|
mercy pity those to whom she is dear!" Then she began to rub her lips
|
|
as though to cleanse them from pollution.
|
|
|
|
As she was telling her terrible story, the eastern sky began to
|
|
quicken, and everything became more and more clear. Harker was still
|
|
and quiet; but over his face, as the awful narrative went on, came a
|
|
grey look which deepened and deepened in the morning light, till when
|
|
the first red streak of the coming dawn shot up, the flesh stood
|
|
darkly out against the whitening hair.
|
|
|
|
We have arranged that one of us is to stay within call of the unhappy
|
|
pair till we can meet together and arrange about taking action.
|
|
|
|
Of this I am sure. The sun rises today on no more miserable house in
|
|
all the great round of its daily course.
|
|
|
|
|
|
|
|
|
|
CHAPTER 22
|
|
|
|
|
|
JONATHAN HARKER'S JOURNAL
|
|
|
|
3 October.--As I must do something or go mad, I write this diary. It
|
|
is now six o'clock, and we are to meet in the study in half an hour
|
|
and take something to eat, for Dr. Van Helsing and Dr. Seward are
|
|
agreed that if we do not eat we cannot work our best. Our best will
|
|
be, God knows, required today. I must keep writing at every chance,
|
|
for I dare not stop to think. All, big and little, must go down.
|
|
Perhaps at the end the little things may teach us most. The teaching,
|
|
big or little, could not have landed Mina or me anywhere worse than we
|
|
are today. However, we must trust and hope. Poor Mina told me just
|
|
now, with the tears running down her dear cheeks, that it is in
|
|
trouble and trial that our faith is tested. That we must keep on
|
|
trusting, and that God will aid us up to the end. The end! Oh my
|
|
God! What end? . . . To work! To work!
|
|
|
|
When Dr. Van Helsing and Dr. Seward had come back from seeing poor
|
|
Renfield, we went gravely into what was to be done. First, Dr. Seward
|
|
told us that when he and Dr. Van Helsing had gone down to the room
|
|
below they had found Renfield lying on the floor, all in a heap. His
|
|
face was all bruised and crushed in, and the bones of the neck were
|
|
broken.
|
|
|
|
Dr. Seward asked the attendant who was on duty in the passage if he
|
|
had heard anything. He said that he had been sitting down, he
|
|
confessed to half dozing, when he heard loud voices in the room, and
|
|
then Renfield had called out loudly several times, "God! God! God!"
|
|
After that there was a sound of falling, and when he entered the room
|
|
he found him lying on the floor, face down, just as the doctors had
|
|
seen him. Van Helsing asked if he had heard "voices" or "a voice,"
|
|
and he said he could not say. That at first it had seemed to him as
|
|
if there were two, but as there was no one in the room it could have
|
|
been only one. He could swear to it, if required, that the word "God"
|
|
was spoken by the patient.
|
|
|
|
Dr. Seward said to us, when we were alone, that he did not wish to go
|
|
into the matter. The question of an inquest had to be considered, and
|
|
it would never do to put forward the truth, as no one would believe
|
|
it. As it was, he thought that on the attendant's evidence he could
|
|
give a certificate of death by misadventure in falling from bed. In
|
|
case the coroner should demand it, there would be a formal inquest,
|
|
necessarily to the same result.
|
|
|
|
When the question began to be discussed as to what should be our next
|
|
step, the very first thing we decided was that Mina should be in full
|
|
confidence. That nothing of any sort, no matter how painful, should
|
|
be kept from her. She herself agreed as to its wisdom, and it was
|
|
pitiful to see her so brave and yet so sorrowful, and in such a depth
|
|
of despair.
|
|
|
|
"There must be no concealment," she said. "Alas! We have had too
|
|
much already. And besides there is nothing in all the world that can
|
|
give me more pain than I have already endured, than I suffer now!
|
|
Whatever may happen, it must be of new hope or of new courage to me!"
|
|
|
|
Van Helsing was looking at her fixedly as she spoke, and said,
|
|
suddenly but quietly, "But dear Madam Mina, are you not afraid. Not
|
|
for yourself, but for others from yourself, after what has happened?"
|
|
|
|
Her face grew set in its lines, but her eyes shone with the devotion
|
|
of a martyr as she answered, "Ah no! For my mind is made up!"
|
|
|
|
"To what?" he asked gently, whilst we were all very still, for each in
|
|
our own way we had a sort of vague idea of what she meant.
|
|
|
|
Her answer came with direct simplicity, as though she was simply
|
|
stating a fact, "Because if I find in myself, and I shall watch keenly
|
|
for it, a sign of harm to any that I love, I shall die!"
|
|
|
|
"You would not kill yourself?" he asked, hoarsely.
|
|
|
|
"I would. If there were no friend who loved me, who would save me
|
|
such a pain, and so desperate an effort!" She looked at him meaningly
|
|
as she spoke.
|
|
|
|
He was sitting down, but now he rose and came close to her and put his
|
|
hand on her head as he said solemnly. "My child, there is such an one
|
|
if it were for your good. For myself I could hold it in my account
|
|
with God to find such an euthanasia for you, even at this moment if it
|
|
were best. Nay, were it safe! But my child . . ."
|
|
|
|
For a moment he seemed choked, and a great sob rose in his throat. He
|
|
gulped it down and went on, "There are here some who would stand
|
|
between you and death. You must not die. You must not die by any
|
|
hand, but least of all your own. Until the other, who has fouled your
|
|
sweet life, is true dead you must not die. For if he is still with
|
|
the quick Undead, your death would make you even as he is. No, you
|
|
must live! You must struggle and strive to live, though death would
|
|
seem a boon unspeakable. You must fight Death himself, though he come
|
|
to you in pain or in joy. By the day, or the night, in safety or in
|
|
peril! On your living soul I charge you that you do not die. Nay,
|
|
nor think of death, till this great evil be past."
|
|
|
|
The poor dear grew white as death, and shook and shivered, as I have
|
|
seen a quicksand shake and shiver at the incoming of the tide. We
|
|
were all silent. We could do nothing. At length she grew more calm
|
|
and turning to him said sweetly, but oh so sorrowfully, as she held
|
|
out her hand, "I promise you, my dear friend, that if God will let me
|
|
live, I shall strive to do so. Till, if it may be in His good time,
|
|
this horror may have passed away from me."
|
|
|
|
She was so good and brave that we all felt that our hearts were
|
|
strengthened to work and endure for her, and we began to discuss what
|
|
we were to do. I told her that she was to have all the papers in the
|
|
safe, and all the papers or diaries and phonographs we might hereafter
|
|
use, and was to keep the record as she had done before. She was
|
|
pleased with the prospect of anything to do, if "pleased" could be
|
|
used in connection with so grim an interest.
|
|
|
|
As usual Van Helsing had thought ahead of everyone else, and was
|
|
prepared with an exact ordering of our work.
|
|
|
|
"It is perhaps well," he said, "that at our meeting after our visit to
|
|
Carfax we decided not to do anything with the earth boxes that lay
|
|
there. Had we done so, the Count must have guessed our purpose, and
|
|
would doubtless have taken measures in advance to frustrate such an
|
|
effort with regard to the others. But now he does not know our
|
|
intentions. Nay, more, in all probability, he does not know that such
|
|
a power exists to us as can sterilize his lairs, so that he cannot use
|
|
them as of old.
|
|
|
|
"We are now so much further advanced in our knowledge as to their
|
|
disposition that, when we have examined the house in Piccadilly, we may
|
|
track the very last of them. Today then, is ours, and in it rests our
|
|
hope. The sun that rose on our sorrow this morning guards us in its
|
|
course. Until it sets tonight, that monster must retain whatever form
|
|
he now has. He is confined within the limitations of his earthly
|
|
envelope. He cannot melt into thin air nor disappear through cracks
|
|
or chinks or crannies. If he go through a doorway, he must open the
|
|
door like a mortal. And so we have this day to hunt out all his lairs
|
|
and sterilize them. So we shall, if we have not yet catch him and
|
|
destroy him, drive him to bay in some place where the catching and the
|
|
destroying shall be, in time, sure."
|
|
|
|
Here I started up for I could not contain myself at the thought that
|
|
the minutes and seconds so preciously laden with Mina's life and
|
|
happiness were flying from us, since whilst we talked action was
|
|
impossible. But Van Helsing held up his hand warningly.
|
|
|
|
"Nay, friend Jonathan," he said, "in this, the quickest way home is
|
|
the longest way, so your proverb say. We shall all act and act with
|
|
desperate quick, when the time has come. But think, in all probable
|
|
the key of the situation is in that house in Piccadilly. The Count
|
|
may have many houses which he has bought. Of them he will have deeds
|
|
of purchase, keys and other things. He will have paper that he write
|
|
on. He will have his book of cheques. There are many belongings that
|
|
he must have somewhere. Why not in this place so central, so quiet,
|
|
where he come and go by the front or the back at all hours, when in
|
|
the very vast of the traffic there is none to notice. We shall go
|
|
there and search that house. And when we learn what it holds, then we
|
|
do what our friend Arthur call, in his phrases of hunt 'stop the
|
|
earths' and so we run down our old fox, so? Is it not?"
|
|
|
|
"Then let us come at once," I cried, "we are wasting the precious,
|
|
precious time!"
|
|
|
|
The Professor did not move, but simply said, "And how are we to get
|
|
into that house in Piccadilly?"
|
|
|
|
"Any way!" I cried. "We shall break in if need be."
|
|
|
|
"And your police? Where will they be, and what will they say?"
|
|
|
|
I was staggered, but I knew that if he wished to delay he had a good
|
|
reason for it. So I said, as quietly as I could, "Don't wait more
|
|
than need be. You know, I am sure, what torture I am in."
|
|
|
|
"Ah, my child, that I do. And indeed there is no wish of me to add to
|
|
your anguish. But just think, what can we do, until all the world be
|
|
at movement. Then will come our time. I have thought and thought,
|
|
and it seems to me that the simplest way is the best of all. Now we
|
|
wish to get into the house, but we have no key. Is it not so?" I
|
|
nodded.
|
|
|
|
"Now suppose that you were, in truth, the owner of that house, and
|
|
could not still get in. And think there was to you no conscience of
|
|
the housebreaker, what would you do?"
|
|
|
|
"I should get a respectable locksmith, and set him to work to pick the
|
|
lock for me."
|
|
|
|
"And your police, they would interfere, would they not?"
|
|
|
|
"Oh no! Not if they knew the man was properly employed."
|
|
|
|
"Then," he looked at me as keenly as he spoke, "all that is in doubt
|
|
is the conscience of the employer, and the belief of your policemen as
|
|
to whether or not that employer has a good conscience or a bad one.
|
|
Your police must indeed be zealous men and clever, oh so clever, in
|
|
reading the heart, that they trouble themselves in such matter. No,
|
|
no, my friend Jonathan, you go take the lock off a hundred empty
|
|
houses in this your London, or of any city in the world, and if you do
|
|
it as such things are rightly done, and at the time such things are
|
|
rightly done, no one will interfere. I have read of a gentleman who
|
|
owned a so fine house in London, and when he went for months of summer
|
|
to Switzerland and lock up his house, some burglar come and broke
|
|
window at back and got in. Then he went and made open the shutters in
|
|
front and walk out and in through the door, before the very eyes of
|
|
the police. Then he have an auction in that house, and advertise it,
|
|
and put up big notice. And when the day come he sell off by a great
|
|
auctioneer all the goods of that other man who own them. Then he go
|
|
to a builder, and he sell him that house, making an agreement that he
|
|
pull it down and take all away within a certain time. And your police
|
|
and other authority help him all they can. And when that owner come
|
|
back from his holiday in Switzerland he find only an empty hole where
|
|
his house had been. This was all done en regle, and in our work we
|
|
shall be en regle too. We shall not go so early that the policemen
|
|
who have then little to think of, shall deem it strange. But we shall
|
|
go after ten o'clock, when there are many about, and such things would
|
|
be done were we indeed owners of the house."
|
|
|
|
I could not but see how right he was and the terrible despair of
|
|
Mina's face became relaxed in thought. There was hope in such good
|
|
counsel.
|
|
|
|
Van Helsing went on, "When once within that house we may find more
|
|
clues. At any rate some of us can remain there whilst the rest find
|
|
the other places where there be more earth boxes, at Bermondsey and
|
|
Mile End."
|
|
|
|
Lord Godalming stood up. "I can be of some use here," he said. "I
|
|
shall wire to my people to have horses and carriages where they will
|
|
be most convenient."
|
|
|
|
"Look here, old fellow," said Morris, "it is a capital idea to have
|
|
all ready in case we want to go horse backing, but don't you think
|
|
that one of your snappy carriages with its heraldic adornments in a
|
|
byway of Walworth or Mile End would attract too much attention for our
|
|
purpose? It seems to me that we ought to take cabs when we go south
|
|
or east. And even leave them somewhere near the neighbourhood we are
|
|
going to."
|
|
|
|
"Friend Quincey is right!" said the Professor. "His head is what you
|
|
call in plane with the horizon. It is a difficult thing that we go to
|
|
do, and we do not want no peoples to watch us if so it may."
|
|
|
|
Mina took a growing interest in everything and I was rejoiced to see
|
|
that the exigency of affairs was helping her to forget for a time the
|
|
terrible experience of the night. She was very, very pale, almost
|
|
ghastly, and so thin that her lips were drawn away, showing her teeth
|
|
in somewhat of prominence. I did not mention this last, lest it
|
|
should give her needless pain, but it made my blood run cold in my
|
|
veins to think of what had occurred with poor Lucy when the Count had
|
|
sucked her blood. As yet there was no sign of the teeth growing
|
|
sharper, but the time as yet was short, and there was time for fear.
|
|
|
|
When we came to the discussion of the sequence of our efforts and of
|
|
the disposition of our forces, there were new sources of doubt. It
|
|
was finally agreed that before starting for Piccadilly we should
|
|
destroy the Count's lair close at hand. In case he should find it out
|
|
too soon, we should thus be still ahead of him in our work of
|
|
destruction. And his presence in his purely material shape, and at
|
|
his weakest, might give us some new clue.
|
|
|
|
As to the disposal of forces, it was suggested by the Professor that,
|
|
after our visit to Carfax, we should all enter the house in
|
|
Piccadilly. That the two doctors and I should remain there, whilst
|
|
Lord Godalming and Quincey found the lairs at Walworth and Mile End
|
|
and destroyed them. It was possible, if not likely, the Professor
|
|
urged, that the Count might appear in Piccadilly during the day, and
|
|
that if so we might be able to cope with him then and there. At any
|
|
rate, we might be able to follow him in force. To this plan I
|
|
strenuously objected, and so far as my going was concerned, for I said
|
|
that I intended to stay and protect Mina. I thought that my mind was
|
|
made up on the subject, but Mina would not listen to my objection. She
|
|
said that there might be some law matter in which I could be useful.
|
|
That amongst the Count's papers might be some clue which I could
|
|
understand out of my experience in Transylvania. And that, as it was,
|
|
all the strength we could muster was required to cope with the Count's
|
|
extraordinary power. I had to give in, for Mina's resolution was
|
|
fixed. She said that it was the last hope for her that we should all
|
|
work together.
|
|
|
|
"As for me," she said, "I have no fear. Things have been as bad as
|
|
they can be. And whatever may happen must have in it some element of
|
|
hope or comfort. Go, my husband! God can, if He wishes it, guard me
|
|
as well alone as with any one present."
|
|
|
|
So I started up crying out, "Then in God's name let us come at once,
|
|
for we are losing time. The Count may come to Piccadilly earlier than
|
|
we think."
|
|
|
|
"Not so!" said Van Helsing, holding up his hand.
|
|
|
|
"But why?" I asked.
|
|
|
|
"Do you forget," he said, with actually a smile, "that last night he
|
|
banqueted heavily, and will sleep late?"
|
|
|
|
Did I forget! Shall I ever . . . can I ever! Can any of us ever
|
|
forget that terrible scene! Mina struggled hard to keep her brave
|
|
countenance, but the pain overmastered her and she put her hands
|
|
before her face, and shuddered whilst she moaned. Van Helsing had not
|
|
intended to recall her frightful experience. He had simply lost sight
|
|
of her and her part in the affair in his intellectual effort.
|
|
|
|
When it struck him what he said, he was horrified at his
|
|
thoughtlessness and tried to comfort her.
|
|
|
|
"Oh, Madam Mina," he said, "dear, dear, Madam Mina, alas! That I of
|
|
all who so reverence you should have said anything so forgetful. These
|
|
stupid old lips of mine and this stupid old head do not deserve so,
|
|
but you will forget it, will you not?" He bent low beside her as he
|
|
spoke.
|
|
|
|
She took his hand, and looking at him through her tears, said
|
|
hoarsely, "No, I shall not forget, for it is well that I remember.
|
|
And with it I have so much in memory of you that is sweet, that I take
|
|
it all together. Now, you must all be going soon. Breakfast is
|
|
ready, and we must all eat that we may be strong."
|
|
|
|
Breakfast was a strange meal to us all. We tried to be cheerful and
|
|
encourage each other, and Mina was the brightest and most cheerful of
|
|
us. When it was over, Van Helsing stood up and said, "Now, my dear
|
|
friends, we go forth to our terrible enterprise. Are we all armed, as
|
|
we were on that night when first we visited our enemy's lair. Armed
|
|
against ghostly as well as carnal attack?"
|
|
|
|
We all assured him.
|
|
|
|
"Then it is well. Now, Madam Mina, you are in any case quite safe
|
|
here until the sunset. And before then we shall return . . . if . . .
|
|
We shall return! But before we go let me see you armed against personal
|
|
attack. I have myself, since you came down, prepared your chamber by
|
|
the placing of things of which we know, so that He may not enter. Now
|
|
let me guard yourself. On your forehead I touch this piece of Sacred
|
|
Wafer in the name of the Father, the Son, and . . ."
|
|
|
|
There was a fearful scream which almost froze our hearts to hear. As
|
|
he had placed the Wafer on Mina's forehead, it had seared it . . . had
|
|
burned into the flesh as though it had been a piece of white-hot metal.
|
|
My poor darling's brain had told her the significance of the fact as
|
|
quickly as her nerves received the pain of it, and the two so
|
|
overwhelmed her that her overwrought nature had its voice in that
|
|
dreadful scream.
|
|
|
|
But the words to her thought came quickly. The echo of the scream had
|
|
not ceased to ring on the air when there came the reaction, and she
|
|
sank on her knees on the floor in an agony of abasement. Pulling her
|
|
beautiful hair over her face, as the leper of old his mantle, she
|
|
wailed out.
|
|
|
|
"Unclean! Unclean! Even the Almighty shuns my polluted flesh! I
|
|
must bear this mark of shame upon my forehead until the Judgement
|
|
Day."
|
|
|
|
They all paused. I had thrown myself beside her in an agony of
|
|
helpless grief, and putting my arms around held her tight. For a few
|
|
minutes our sorrowful hearts beat together, whilst the friends around
|
|
us turned away their eyes that ran tears silently. Then Van Helsing
|
|
turned and said gravely. So gravely that I could not help feeling
|
|
that he was in some way inspired, and was stating things outside
|
|
himself.
|
|
|
|
"It may be that you may have to bear that mark till God himself see
|
|
fit, as He most surely shall, on the Judgement Day, to redress all
|
|
wrongs of the earth and of His children that He has placed thereon.
|
|
And oh, Madam Mina, my dear, my dear, may we who love you be there to
|
|
see, when that red scar, the sign of God's knowledge of what has been,
|
|
shall pass away, and leave your forehead as pure as the heart we know.
|
|
For so surely as we live, that scar shall pass away when God sees
|
|
right to lift the burden that is hard upon us. Till then we bear our
|
|
Cross, as His Son did in obedience to His Will. It may be that we are
|
|
chosen instruments of His good pleasure, and that we ascend to His
|
|
bidding as that other through stripes and shame. Through tears and
|
|
blood. Through doubts and fear, and all that makes the difference
|
|
between God and man."
|
|
|
|
There was hope in his words, and comfort. And they made for
|
|
resignation. Mina and I both felt so, and simultaneously we each took
|
|
one of the old man's hands and bent over and kissed it. Then without
|
|
a word we all knelt down together, and all holding hands, swore to be
|
|
true to each other. We men pledged ourselves to raise the veil of
|
|
sorrow from the head of her whom, each in his own way, we loved. And
|
|
we prayed for help and guidance in the terrible task which lay before
|
|
us. It was then time to start. So I said farewell to Mina, a parting
|
|
which neither of us shall forget to our dying day, and we set out.
|
|
|
|
To one thing I have made up my mind. If we find out that Mina must be
|
|
a vampire in the end, then she shall not go into that unknown and
|
|
terrible land alone. I suppose it is thus that in old times one
|
|
vampire meant many. Just as their hideous bodies could only rest in
|
|
sacred earth, so the holiest love was the recruiting sergeant for
|
|
their ghastly ranks.
|
|
|
|
We entered Carfax without trouble and found all things the same as on
|
|
the first occasion. It was hard to believe that amongst so prosaic
|
|
surroundings of neglect and dust and decay there was any ground for
|
|
such fear as already we knew. Had not our minds been made up, and had
|
|
there not been terrible memories to spur us on, we could hardly have
|
|
proceeded with our task. We found no papers, or any sign of use in
|
|
the house. And in the old chapel the great boxes looked just as we
|
|
had seen them last.
|
|
|
|
Dr. Van Helsing said to us solemnly as we stood before him, "And now,
|
|
my friends, we have a duty here to do. We must sterilize this earth,
|
|
so sacred of holy memories, that he has brought from a far distant
|
|
land for such fell use. He has chosen this earth because it has been
|
|
holy. Thus we defeat him with his own weapon, for we make it more
|
|
holy still. It was sanctified to such use of man, now we sanctify it
|
|
to God."
|
|
|
|
As he spoke he took from his bag a screwdriver and a wrench, and very
|
|
soon the top of one of the cases was thrown open. The earth smelled
|
|
musty and close, but we did not somehow seem to mind, for our
|
|
attention was concentrated on the Professor. Taking from his box a
|
|
piece of the Sacred Wafer he laid it reverently on the earth, and then
|
|
shutting down the lid began to screw it home, we aiding him as he
|
|
worked.
|
|
|
|
One by one we treated in the same way each of the great boxes, and
|
|
left them as we had found them to all appearance. But in each was a
|
|
portion of the Host. When we closed the door behind us, the Professor
|
|
said solemnly, "So much is already done. It may be that with all the
|
|
others we can be so successful, then the sunset of this evening may
|
|
shine of Madam Mina's forehead all white as ivory and with no stain!"
|
|
|
|
As we passed across the lawn on our way to the station to catch our
|
|
train we could see the front of the asylum. I looked eagerly, and in
|
|
the window of my own room saw Mina. I waved my hand to her, and
|
|
nodded to tell that our work there was successfully accomplished. She
|
|
nodded in reply to show that she understood. The last I saw, she was
|
|
waving her hand in farewell. It was with a heavy heart that we sought
|
|
the station and just caught the train, which was steaming in as we
|
|
reached the platform. I have written this in the train.
|
|
|
|
|
|
Piccadilly, 12:30 o'clock.--Just before we reached Fenchurch Street
|
|
Lord Godalming said to me, "Quincey and I will find a locksmith. You
|
|
had better not come with us in case there should be any difficulty.
|
|
For under the circumstances it wouldn't seem so bad for us to break
|
|
into an empty house. But you are a solicitor and the Incorporated Law
|
|
Society might tell you that you should have known better."
|
|
|
|
I demurred as to my not sharing any danger even of odium, but he went
|
|
on, "Besides, it will attract less attention if there are not too many
|
|
of us. My title will make it all right with the locksmith, and with
|
|
any policeman that may come along. You had better go with Jack and
|
|
the Professor and stay in the Green Park. Somewhere in sight of the
|
|
house, and when you see the door opened and the smith has gone away,
|
|
do you all come across. We shall be on the lookout for you, and shall
|
|
let you in."
|
|
|
|
"The advice is good!" said Van Helsing, so we said no more. Godalming
|
|
and Morris hurried off in a cab, we following in another. At the
|
|
corner of Arlington Street our contingent got out and strolled into
|
|
the Green Park. My heart beat as I saw the house on which so much of
|
|
our hope was centred, looming up grim and silent in its deserted
|
|
condition amongst its more lively and spruce-looking neighbours. We
|
|
sat down on a bench within good view, and began to smoke cigars so as
|
|
to attract as little attention as possible. The minutes seemed to
|
|
pass with leaden feet as we waited for the coming of the others.
|
|
|
|
At length we saw a four-wheeler drive up. Out of it, in leisurely
|
|
fashion, got Lord Godalming and Morris. And down from the box
|
|
descended a thick-set working man with his rush-woven basket of tools.
|
|
Morris paid the cabman, who touched his hat and drove away. Together
|
|
the two ascended the steps, and Lord Godalming pointed out what he
|
|
wanted done. The workman took off his coat leisurely and hung it on
|
|
one of the spikes of the rail, saying something to a policeman who
|
|
just then sauntered along. The policeman nodded acquiescence, and the
|
|
man kneeling down placed his bag beside him. After searching through
|
|
it, he took out a selection of tools which he proceeded to lay beside
|
|
him in orderly fashion. Then he stood up, looked in the keyhole, blew
|
|
into it, and turning to his employers, made some remark. Lord
|
|
Godalming smiled, and the man lifted a good sized bunch of keys.
|
|
Selecting one of them, he began to probe the lock, as if feeling his
|
|
way with it. After fumbling about for a bit he tried a second, and
|
|
then a third. All at once the door opened under a slight push from
|
|
him, and he and the two others entered the hall. We sat still. My
|
|
own cigar burnt furiously, but Van Helsing's went cold altogether. We
|
|
waited patiently as we saw the workman come out and bring his bag.
|
|
Then he held the door partly open, steadying it with his knees, whilst
|
|
he fitted a key to the lock. This he finally handed to Lord
|
|
Godalming, who took out his purse and gave him something. The man
|
|
touched his hat, took his bag, put on his coat and departed. Not a
|
|
soul took the slightest notice of the whole transaction.
|
|
|
|
When the man had fairly gone, we three crossed the street and knocked
|
|
at the door. It was immediately opened by Quincey Morris, beside whom
|
|
stood Lord Godalming lighting a cigar.
|
|
|
|
"The place smells so vilely," said the latter as we came in. It did
|
|
indeed smell vilely. Like the old chapel at Carfax. And with our
|
|
previous experience it was plain to us that the Count had been using
|
|
the place pretty freely. We moved to explore the house, all keeping
|
|
together in case of attack, for we knew we had a strong and wily enemy
|
|
to deal with, and as yet we did not know whether the Count might not
|
|
be in the house.
|
|
|
|
In the dining room, which lay at the back of the hall, we found eight
|
|
boxes of earth. Eight boxes only out of the nine which we sought!
|
|
Our work was not over, and would never be until we should have found
|
|
the missing box.
|
|
|
|
First we opened the shutters of the window which looked out across a
|
|
narrow stone flagged yard at the blank face of a stable, pointed to
|
|
look like the front of a miniature house. There were no windows in
|
|
it, so we were not afraid of being overlooked. We did not lose any
|
|
time in examining the chests. With the tools which we had brought
|
|
with us we opened them, one by one, and treated them as we had treated
|
|
those others in the old chapel. It was evident to us that the Count
|
|
was not at present in the house, and we proceeded to search for any of
|
|
his effects.
|
|
|
|
After a cursory glance at the rest of the rooms, from basement to
|
|
attic, we came to the conclusion that the dining room contained any
|
|
effects which might belong to the Count. And so we proceeded to
|
|
minutely examine them. They lay in a sort of orderly disorder on the
|
|
great dining room table.
|
|
|
|
There were title deeds of the Piccadilly house in a great bundle,
|
|
deeds of the purchase of the houses at Mile End and Bermondsey,
|
|
notepaper, envelopes, and pens and ink. All were covered up in thin
|
|
wrapping paper to keep them from the dust. There were also a clothes
|
|
brush, a brush and comb, and a jug and basin. The latter containing
|
|
dirty water which was reddened as if with blood. Last of all was a
|
|
little heap of keys of all sorts and sizes, probably those belonging
|
|
to the other houses.
|
|
|
|
When we had examined this last find, Lord Godalming and Quincey Morris
|
|
taking accurate notes of the various addresses of the houses in the
|
|
East and the South, took with them the keys in a great bunch, and set
|
|
out to destroy the boxes in these places. The rest of us are, with
|
|
what patience we can, waiting their return, or the coming of the
|
|
Count.
|
|
|
|
|
|
|
|
|
|
CHAPTER 23
|
|
|
|
|
|
DR. SEWARD'S DIARY
|
|
|
|
3 October.--The time seemed terribly long whilst we were waiting for
|
|
the coming of Godalming and Quincey Morris. The Professor tried to
|
|
keep our minds active by using them all the time. I could see his
|
|
beneficent purpose, by the side glances which he threw from time to
|
|
time at Harker. The poor fellow is overwhelmed in a misery that is
|
|
appalling to see. Last night he was a frank, happy-looking man, with
|
|
strong, youthful face, full of energy, and with dark brown hair.
|
|
Today he is a drawn, haggard old man, whose white hair matches well
|
|
with the hollow burning eyes and grief-written lines of his face. His
|
|
energy is still intact. In fact, he is like a living flame. This may
|
|
yet be his salvation, for if all go well, it will tide him over the
|
|
despairing period. He will then, in a kind of way, wake again to the
|
|
realities of life. Poor fellow, I thought my own trouble was bad
|
|
enough, but his . . . !
|
|
|
|
The Professor knows this well enough, and is doing his best to keep
|
|
his mind active. What he has been saying was, under the
|
|
circumstances, of absorbing interest. So well as I can remember, here
|
|
it is:
|
|
|
|
"I have studied, over and over again since they came into my hands,
|
|
all the papers relating to this monster, and the more I have studied,
|
|
the greater seems the necessity to utterly stamp him out. All through
|
|
there are signs of his advance. Not only of his power, but of his
|
|
knowledge of it. As I learned from the researches of my friend
|
|
Arminius of Buda-Pesth, he was in life a most wonderful man. Soldier,
|
|
statesman, and alchemist--which latter was the highest development of
|
|
the science knowledge of his time. He had a mighty brain, a learning
|
|
beyond compare, and a heart that knew no fear and no remorse. He
|
|
dared even to attend the Scholomance, and there was no branch of
|
|
knowledge of his time that he did not essay.
|
|
|
|
"Well, in him the brain powers survived the physical death. Though it
|
|
would seem that memory was not all complete. In some faculties of
|
|
mind he has been, and is, only a child. But he is growing, and some
|
|
things that were childish at the first are now of man's stature. He
|
|
is experimenting, and doing it well. And if it had not been that we
|
|
have crossed his path he would be yet, he may be yet if we fail, the
|
|
father or furtherer of a new order of beings, whose road must lead
|
|
through Death, not Life."
|
|
|
|
Harker groaned and said, "And this is all arrayed against my darling!
|
|
But how is he experimenting? The knowledge may help us to defeat
|
|
him!"
|
|
|
|
"He has all along, since his coming, been trying his power, slowly but
|
|
surely. That big child-brain of his is working. Well for us, it is
|
|
as yet a child-brain. For had he dared, at the first, to attempt
|
|
certain things he would long ago have been beyond our power. However,
|
|
he means to succeed, and a man who has centuries before him can afford
|
|
to wait and to go slow. Festina lente may well be his motto."
|
|
|
|
"I fail to understand," said Harker wearily. "Oh, do be more plain to
|
|
me! Perhaps grief and trouble are dulling my brain."
|
|
|
|
The Professor laid his hand tenderly on his shoulder as he spoke, "Ah,
|
|
my child, I will be plain. Do you not see how, of late, this monster
|
|
has been creeping into knowledge experimentally. How he has been
|
|
making use of the zoophagous patient to effect his entry into friend
|
|
John's home. For your Vampire, though in all afterwards he can come
|
|
when and how he will, must at the first make entry only when asked
|
|
thereto by an inmate. But these are not his most important
|
|
experiments. Do we not see how at the first all these so great boxes
|
|
were moved by others. He knew not then but that must be so. But all
|
|
the time that so great child-brain of his was growing, and he began to
|
|
consider whether he might not himself move the box. So he began to
|
|
help. And then, when he found that this be all right, he try to move
|
|
them all alone. And so he progress, and he scatter these graves of
|
|
him. And none but he know where they are hidden.
|
|
|
|
"He may have intend to bury them deep in the ground. So that only he
|
|
use them in the night, or at such time as he can change his form, they
|
|
do him equal well, and none may know these are his hiding place! But,
|
|
my child, do not despair, this knowledge came to him just too late!
|
|
Already all of his lairs but one be sterilize as for him. And before
|
|
the sunset this shall be so. Then he have no place where he can move
|
|
and hide. I delayed this morning that so we might be sure. Is there
|
|
not more at stake for us than for him? Then why not be more careful
|
|
than him? By my clock it is one hour and already, if all be well,
|
|
friend Arthur and Quincey are on their way to us. Today is our day,
|
|
and we must go sure, if slow, and lose no chance. See! There are
|
|
five of us when those absent ones return."
|
|
|
|
Whilst we were speaking we were startled by a knock at the hall door,
|
|
the double postman's knock of the telegraph boy. We all moved out to
|
|
the hall with one impulse, and Van Helsing, holding up his hand to us
|
|
to keep silence, stepped to the door and opened it. The boy handed in
|
|
a dispatch. The Professor closed the door again, and after looking at
|
|
the direction, opened it and read aloud.
|
|
|
|
"Look out for D. He has just now, 12:45, come from Carfax
|
|
hurriedly and hastened towards the South. He seems to be
|
|
going the round and may want to see you: Mina."
|
|
|
|
There was a pause, broken by Jonathan Harker's voice, "Now, God be
|
|
thanked, we shall soon meet!"
|
|
|
|
Van Helsing turned to him quickly and said, "God will act in His own
|
|
way and time. Do not fear, and do not rejoice as yet. For what we
|
|
wish for at the moment may be our own undoings."
|
|
|
|
"I care for nothing now," he answered hotly, "except to wipe out this
|
|
brute from the face of creation. I would sell my soul to do it!"
|
|
|
|
"Oh, hush, hush, my child!" said Van Helsing. "God does not purchase
|
|
souls in this wise, and the Devil, though he may purchase, does not
|
|
keep faith. But God is merciful and just, and knows your pain and
|
|
your devotion to that dear Madam Mina. Think you, how her pain would
|
|
be doubled, did she but hear your wild words. Do not fear any of us,
|
|
we are all devoted to this cause, and today shall see the end. The
|
|
time is coming for action. Today this Vampire is limit to the powers
|
|
of man, and till sunset he may not change. It will take him time to
|
|
arrive here, see it is twenty minutes past one, and there are yet some
|
|
times before he can hither come, be he never so quick. What we must
|
|
hope for is that my Lord Arthur and Quincey arrive first."
|
|
|
|
About half an hour after we had received Mrs. Harker's telegram, there
|
|
came a quiet, resolute knock at the hall door. It was just an
|
|
ordinary knock, such as is given hourly by thousands of gentlemen, but
|
|
it made the Professor's heart and mine beat loudly. We looked at each
|
|
other, and together moved out into the hall. We each held ready to
|
|
use our various armaments, the spiritual in the left hand, the mortal
|
|
in the right. Van Helsing pulled back the latch, and holding the door
|
|
half open, stood back, having both hands ready for action. The
|
|
gladness of our hearts must have shown upon our faces when on the
|
|
step, close to the door, we saw Lord Godalming and Quincey Morris.
|
|
They came quickly in and closed the door behind them, the former
|
|
saying, as they moved along the hall:
|
|
|
|
"It is all right. We found both places. Six boxes in each and we
|
|
destroyed them all."
|
|
|
|
"Destroyed?" asked the Professor.
|
|
|
|
"For him!" We were silent for a minute, and then Quincey said,
|
|
"There's nothing to do but to wait here. If, however, he doesn't turn
|
|
up by five o'clock, we must start off. For it won't do to leave Mrs.
|
|
Harker alone after sunset."
|
|
|
|
"He will be here before long now," said Van Helsing, who had been
|
|
consulting his pocketbook. "Nota bene, in Madam's telegram he went
|
|
south from Carfax. That means he went to cross the river, and he
|
|
could only do so at slack of tide, which should be something before
|
|
one o'clock. That he went south has a meaning for us. He is as yet
|
|
only suspicious, and he went from Carfax first to the place where he
|
|
would suspect interference least. You must have been at Bermondsey
|
|
only a short time before him. That he is not here already shows that
|
|
he went to Mile End next. This took him some time, for he would then
|
|
have to be carried over the river in some way. Believe me, my
|
|
friends, we shall not have long to wait now. We should have ready
|
|
some plan of attack, so that we may throw away no chance. Hush, there
|
|
is no time now. Have all your arms! Be ready!" He held up a warning
|
|
hand as he spoke, for we all could hear a key softly inserted in the
|
|
lock of the hall door.
|
|
|
|
I could not but admire, even at such a moment, the way in which a
|
|
dominant spirit asserted itself. In all our hunting parties and
|
|
adventures in different parts of the world, Quincey Morris had always
|
|
been the one to arrange the plan of action, and Arthur and I had been
|
|
accustomed to obey him implicitly. Now, the old habit seemed to be
|
|
renewed instinctively. With a swift glance around the room, he at
|
|
once laid out our plan of attack, and without speaking a word, with a
|
|
gesture, placed us each in position. Van Helsing, Harker, and I were
|
|
just behind the door, so that when it was opened the Professor could
|
|
guard it whilst we two stepped between the incomer and the door.
|
|
Godalming behind and Quincey in front stood just out of sight ready to
|
|
move in front of the window. We waited in a suspense that made the
|
|
seconds pass with nightmare slowness. The slow, careful steps came
|
|
along the hall. The Count was evidently prepared for some surprise,
|
|
at least he feared it.
|
|
|
|
Suddenly with a single bound he leaped into the room. Winning a way
|
|
past us before any of us could raise a hand to stay him. There was
|
|
something so pantherlike in the movement, something so unhuman, that
|
|
it seemed to sober us all from the shock of his coming. The first to
|
|
act was Harker, who with a quick movement, threw himself before the
|
|
door leading into the room in the front of the house. As the Count
|
|
saw us, a horrible sort of snarl passed over his face, showing the
|
|
eyeteeth long and pointed. But the evil smile as quickly passed into
|
|
a cold stare of lion-like disdain. His expression again changed as,
|
|
with a single impulse, we all advanced upon him. It was a pity that
|
|
we had not some better organized plan of attack, for even at the
|
|
moment I wondered what we were to do. I did not myself know whether
|
|
our lethal weapons would avail us anything.
|
|
|
|
Harker evidently meant to try the matter, for he had ready his great
|
|
Kukri knife and made a fierce and sudden cut at him. The blow was a
|
|
powerful one; only the diabolical quickness of the Count's leap back
|
|
saved him. A second less and the trenchant blade had shorn through
|
|
his heart. As it was, the point just cut the cloth of his coat,
|
|
making a wide gap whence a bundle of bank notes and a stream
|
|
of gold fell out. The expression of the Count's face was so hellish,
|
|
that for a moment I feared for Harker, though I saw him throw the
|
|
terrible knife aloft again for another stroke. Instinctively I moved
|
|
forward with a protective impulse, holding the Crucifix and Wafer in
|
|
my left hand. I felt a mighty power fly along my arm, and it was
|
|
without surprise that I saw the monster cower back before a similar
|
|
movement made spontaneously by each one of us. It would be impossible
|
|
to describe the expression of hate and baffled malignity, of anger and
|
|
hellish rage, which came over the Count's face. His waxen hue became
|
|
greenish-yellow by the contrast of his burning eyes, and the red scar
|
|
on the forehead showed on the pallid skin like a palpitating wound.
|
|
The next instant, with a sinuous dive he swept under Harker's arm, ere
|
|
his blow could fall, and grasping a handful of the money from the
|
|
floor, dashed across the room, threw himself at the window. Amid the
|
|
crash and glitter of the falling glass, he tumbled into the flagged
|
|
area below. Through the sound of the shivering glass I could hear the
|
|
"ting" of the gold, as some of the sovereigns fell on the flagging.
|
|
|
|
We ran over and saw him spring unhurt from the ground. He, rushing up
|
|
the steps, crossed the flagged yard, and pushed open the stable door.
|
|
There he turned and spoke to us.
|
|
|
|
"You think to baffle me, you with your pale faces all in a row, like
|
|
sheep in a butcher's. You shall be sorry yet, each one of you! You
|
|
think you have left me without a place to rest, but I have more. My
|
|
revenge is just begun! I spread it over centuries, and time is on my
|
|
side. Your girls that you all love are mine already. And through
|
|
them you and others shall yet be mine, my creatures, to do my bidding
|
|
and to be my jackals when I want to feed. Bah!"
|
|
|
|
With a contemptuous sneer, he passed quickly through the door, and we
|
|
heard the rusty bolt creak as he fastened it behind him. A door
|
|
beyond opened and shut. The first of us to speak was the Professor.
|
|
Realizing the difficulty of following him through the stable, we moved
|
|
toward the hall.
|
|
|
|
"We have learnt something . . . much! Notwithstanding his brave words,
|
|
he fears us. He fears time, he fears want! For if not, why he hurry
|
|
so? His very tone betray him, or my ears deceive. Why take that
|
|
money? You follow quick. You are hunters of the wild beast, and
|
|
understand it so. For me, I make sure that nothing here may be of use
|
|
to him, if so that he returns."
|
|
|
|
As he spoke he put the money remaining in his pocket, took the title
|
|
deeds in the bundle as Harker had left them, and swept the remaining
|
|
things into the open fireplace, where he set fire to them with a
|
|
match.
|
|
|
|
Godalming and Morris had rushed out into the yard, and Harker had
|
|
lowered himself from the window to follow the Count. He had, however,
|
|
bolted the stable door, and by the time they had forced it open there
|
|
was no sign of him. Van Helsing and I tried to make inquiry at the
|
|
back of the house. But the mews was deserted and no one had seen him
|
|
depart.
|
|
|
|
It was now late in the afternoon, and sunset was not far off. We had
|
|
to recognize that our game was up. With heavy hearts we agreed with
|
|
the Professor when he said, "Let us go back to Madam Mina. Poor, poor
|
|
dear Madam Mina. All we can do just now is done, and we can there, at
|
|
least, protect her. But we need not despair. There is but one more
|
|
earth box, and we must try to find it. When that is done all may yet
|
|
be well."
|
|
|
|
I could see that he spoke as bravely as he could to comfort Harker.
|
|
The poor fellow was quite broken down, now and again he gave a low
|
|
groan which he could not suppress. He was thinking of his wife.
|
|
|
|
With sad hearts we came back to my house, where we found Mrs. Harker
|
|
waiting us, with an appearance of cheerfulness which did honour to her
|
|
bravery and unselfishness. When she saw our faces, her own became as
|
|
pale as death. For a second or two her eyes were closed as if she
|
|
were in secret prayer.
|
|
|
|
And then she said cheerfully, "I can never thank you all enough. Oh,
|
|
my poor darling!"
|
|
|
|
As she spoke, she took her husband's grey head in her hands and kissed
|
|
it.
|
|
|
|
"Lay your poor head here and rest it. All will yet be well, dear! God
|
|
will protect us if He so will it in His good intent." The poor fellow
|
|
groaned. There was no place for words in his sublime misery.
|
|
|
|
We had a sort of perfunctory supper together, and I think it cheered
|
|
us all up somewhat. It was, perhaps, the mere animal heat of food to
|
|
hungry people, for none of us had eaten anything since breakfast, or
|
|
the sense of companionship may have helped us, but anyhow we were all
|
|
less miserable, and saw the morrow as not altogether without hope.
|
|
|
|
True to our promise, we told Mrs. Harker everything which had passed.
|
|
And although she grew snowy white at times when danger had seemed to
|
|
threaten her husband, and red at others when his devotion to her was
|
|
manifested, she listened bravely and with calmness. When we came to
|
|
the part where Harker had rushed at the Count so recklessly, she clung
|
|
to her husband's arm, and held it tight as though her clinging could
|
|
protect him from any harm that might come. She said nothing, however,
|
|
till the narration was all done, and matters had been brought up to
|
|
the present time.
|
|
|
|
Then without letting go her husband's hand she stood up amongst us and
|
|
spoke. Oh, that I could give any idea of the scene. Of that sweet,
|
|
sweet, good, good woman in all the radiant beauty of her youth and
|
|
animation, with the red scar on her forehead, of which she was
|
|
conscious, and which we saw with grinding of our teeth, remembering
|
|
whence and how it came. Her loving kindness against our grim hate.
|
|
Her tender faith against all our fears and doubting. And we, knowing
|
|
that so far as symbols went, she with all her goodness and purity and
|
|
faith, was outcast from God.
|
|
|
|
"Jonathan," she said, and the word sounded like music on her lips it
|
|
was so full of love and tenderness, "Jonathan dear, and you all my
|
|
true, true friends, I want you to bear something in mind through all
|
|
this dreadful time. I know that you must fight. That you must
|
|
destroy even as you destroyed the false Lucy so that the true Lucy
|
|
might live hereafter. But it is not a work of hate. That poor soul
|
|
who has wrought all this misery is the saddest case of all. Just
|
|
think what will be his joy when he, too, is destroyed in his worser
|
|
part that his better part may have spiritual immortality. You must be
|
|
pitiful to him, too, though it may not hold your hands from his
|
|
destruction."
|
|
|
|
As she spoke I could see her husband's face darken and draw together,
|
|
as though the passion in him were shriveling his being to its core.
|
|
Instinctively the clasp on his wife's hand grew closer, till his
|
|
knuckles looked white. She did not flinch from the pain which I knew
|
|
she must have suffered, but looked at him with eyes that were more
|
|
appealing than ever.
|
|
|
|
As she stopped speaking he leaped to his feet, almost tearing his hand
|
|
from hers as he spoke.
|
|
|
|
"May God give him into my hand just for long enough to destroy that
|
|
earthly life of him which we are aiming at. If beyond it I could send
|
|
his soul forever and ever to burning hell I would do it!"
|
|
|
|
"Oh, hush! Oh, hush in the name of the good God. Don't say such
|
|
things, Jonathan, my husband, or you will crush me with fear and
|
|
horror. Just think, my dear . . . I have been thinking all this long,
|
|
long day of it . . . that . . . perhaps . . . some day . . . I, too, may
|
|
need such pity, and that some other like you, and with equal cause for
|
|
anger, may deny it to me! Oh, my husband! My husband, indeed I would
|
|
have spared you such a thought had there been another way. But I pray
|
|
that God may not have treasured your wild words, except as the
|
|
heart-broken wail of a very loving and sorely stricken man. Oh, God,
|
|
let these poor white hairs go in evidence of what he has suffered, who
|
|
all his life has done no wrong, and on whom so many sorrows have
|
|
come."
|
|
|
|
We men were all in tears now. There was no resisting them, and we
|
|
wept openly. She wept, too, to see that her sweeter counsels had
|
|
prevailed. Her husband flung himself on his knees beside her, and
|
|
putting his arms round her, hid his face in the folds of her dress.
|
|
Van Helsing beckoned to us and we stole out of the room, leaving the
|
|
two loving hearts alone with their God.
|
|
|
|
Before they retired the Professor fixed up the room against any coming
|
|
of the Vampire, and assured Mrs. Harker that she might rest in peace.
|
|
She tried to school herself to the belief, and manifestly for her
|
|
husband's sake, tried to seem content. It was a brave struggle, and
|
|
was, I think and believe, not without its reward. Van Helsing had
|
|
placed at hand a bell which either of them was to sound in case of any
|
|
emergency. When they had retired, Quincey, Godalming, and I arranged
|
|
that we should sit up, dividing the night between us, and watch over
|
|
the safety of the poor stricken lady. The first watch falls to
|
|
Quincey, so the rest of us shall be off to bed as soon as we can.
|
|
|
|
Godalming has already turned in, for his is the second watch. Now
|
|
that my work is done I, too, shall go to bed.
|
|
|
|
|
|
|
|
JONATHAN HARKER'S JOURNAL
|
|
|
|
3-4 October, close to midnight.--I thought yesterday would never end.
|
|
There was over me a yearning for sleep, in some sort of blind belief
|
|
that to wake would be to find things changed, and that any change must
|
|
now be for the better. Before we parted, we discussed what our next
|
|
step was to be, but we could arrive at no result. All we knew was
|
|
that one earth box remained, and that the Count alone knew where it
|
|
was. If he chooses to lie hidden, he may baffle us for years. And in
|
|
the meantime, the thought is too horrible, I dare not think of it even
|
|
now. This I know, that if ever there was a woman who was all
|
|
perfection, that one is my poor wronged darling. I loved her a
|
|
thousand times more for her sweet pity of last night, a pity that made
|
|
my own hate of the monster seem despicable. Surely God will not
|
|
permit the world to be the poorer by the loss of such a creature. This
|
|
is hope to me. We are all drifting reefwards now, and faith is our
|
|
only anchor. Thank God! Mina is sleeping, and sleeping without
|
|
dreams. I fear what her dreams might be like, with such terrible
|
|
memories to ground them in. She has not been so calm, within my
|
|
seeing, since the sunset. Then, for a while, there came over her face
|
|
a repose which was like spring after the blasts of March. I thought
|
|
at the time that it was the softness of the red sunset on her face,
|
|
but somehow now I think it has a deeper meaning. I am not sleepy
|
|
myself, though I am weary . . . weary to death. However, I must try
|
|
to sleep. For there is tomorrow to think of, and there is no rest for
|
|
me until . . .
|
|
|
|
|
|
Later--I must have fallen asleep, for I was awakened by Mina, who was
|
|
sitting up in bed, with a startled look on her face. I could see
|
|
easily, for we did not leave the room in darkness. She had placed a
|
|
warning hand over my mouth, and now she whispered in my ear, "Hush!
|
|
There is someone in the corridor!" I got up softly, and crossing the
|
|
room, gently opened the door.
|
|
|
|
Just outside, stretched on a mattress, lay Mr. Morris, wide awake. He
|
|
raised a warning hand for silence as he whispered to me, "Hush! Go
|
|
back to bed. It is all right. One of us will be here all night. We
|
|
don't mean to take any chances!"
|
|
|
|
His look and gesture forbade discussion, so I came back and told Mina.
|
|
She sighed and positively a shadow of a smile stole over her poor,
|
|
pale face as she put her arms round me and said softly, "Oh, thank God
|
|
for good brave men!" With a sigh she sank back again to sleep. I
|
|
write this now as I am not sleepy, though I must try again.
|
|
|
|
|
|
4 October, morning.--Once again during the night I was wakened by
|
|
Mina. This time we had all had a good sleep, for the grey of the
|
|
coming dawn was making the windows into sharp oblongs, and the gas
|
|
flame was like a speck rather than a disc of light.
|
|
|
|
She said to me hurriedly, "Go, call the Professor. I want to see him
|
|
at once."
|
|
|
|
"Why?" I asked.
|
|
|
|
"I have an idea. I suppose it must have come in the night, and
|
|
matured without my knowing it. He must hypnotize me before the dawn,
|
|
and then I shall be able to speak. Go quick, dearest, the time is
|
|
getting close."
|
|
|
|
I went to the door. Dr. Seward was resting on the mattress, and
|
|
seeing me, he sprang to his feet.
|
|
|
|
"Is anything wrong?" he asked, in alarm.
|
|
|
|
"No," I replied. "But Mina wants to see Dr. Van Helsing at once."
|
|
|
|
"I will go," he said, and hurried into the Professor's room.
|
|
|
|
Two or three minutes later Van Helsing was in the room in his dressing
|
|
gown, and Mr. Morris and Lord Godalming were with Dr. Seward at the
|
|
door asking questions. When the Professor saw Mina a smile, a
|
|
positive smile ousted the anxiety of his face.
|
|
|
|
He rubbed his hands as he said, "Oh, my dear Madam Mina, this is
|
|
indeed a change. See! Friend Jonathan, we have got our dear Madam
|
|
Mina, as of old, back to us today!" Then turning to her, he said
|
|
cheerfully, "And what am I to do for you? For at this hour you do not
|
|
want me for nothing."
|
|
|
|
"I want you to hypnotize me!" she said. "Do it before the dawn, for I
|
|
feel that then I can speak, and speak freely. Be quick, for the time
|
|
is short!" Without a word he motioned her to sit up in bed.
|
|
|
|
Looking fixedly at her, he commenced to make passes in front of her,
|
|
from over the top of her head downward, with each hand in turn. Mina
|
|
gazed at him fixedly for a few minutes, during which my own heart beat
|
|
like a trip hammer, for I felt that some crisis was at hand.
|
|
Gradually her eyes closed, and she sat, stock still. Only by the
|
|
gentle heaving of her bosom could one know that she was alive. The
|
|
Professor made a few more passes and then stopped, and I could see
|
|
that his forehead was covered with great beads of perspiration. Mina
|
|
opened her eyes, but she did not seem the same woman. There was a
|
|
far-away look in her eyes, and her voice had a sad dreaminess which
|
|
was new to me. Raising his hand to impose silence, the Professor
|
|
motioned to me to bring the others in. They came on tiptoe, closing
|
|
the door behind them, and stood at the foot of the bed, looking on.
|
|
Mina appeared not to see them. The stillness was broken by Van
|
|
Helsing's voice speaking in a low level tone which would not break the
|
|
current of her thoughts.
|
|
|
|
"Where are you?" The answer came in a neutral way.
|
|
|
|
"I do not know. Sleep has no place it can call its own." For several
|
|
minutes there was silence. Mina sat rigid, and the Professor stood
|
|
staring at her fixedly.
|
|
|
|
The rest of us hardly dared to breathe. The room was growing lighter.
|
|
Without taking his eyes from Mina's face, Dr. Van Helsing motioned me
|
|
to pull up the blind. I did so, and the day seemed just upon us. A
|
|
red streak shot up, and a rosy light seemed to diffuse itself through
|
|
the room. On the instant the Professor spoke again.
|
|
|
|
"Where are you now?"
|
|
|
|
The answer came dreamily, but with intention. It were as though she
|
|
were interpreting something. I have heard her use the same tone when
|
|
reading her shorthand notes.
|
|
|
|
"I do not know. It is all strange to me!"
|
|
|
|
"What do you see?"
|
|
|
|
"I can see nothing. It is all dark."
|
|
|
|
"What do you hear?" I could detect the strain in the Professor's
|
|
patient voice.
|
|
|
|
"The lapping of water. It is gurgling by, and little waves leap. I
|
|
can hear them on the outside."
|
|
|
|
"Then you are on a ship?'"
|
|
|
|
We all looked at each other, trying to glean something each from the
|
|
other. We were afraid to think.
|
|
|
|
The answer came quick, "Oh, yes!"
|
|
|
|
"What else do you hear?"
|
|
|
|
"The sound of men stamping overhead as they run about. There is the
|
|
creaking of a chain, and the loud tinkle as the check of the capstan
|
|
falls into the ratchet."
|
|
|
|
"What are you doing?"
|
|
|
|
"I am still, oh so still. It is like death!" The voice faded away
|
|
into a deep breath as of one sleeping, and the open eyes closed again.
|
|
|
|
By this time the sun had risen, and we were all in the full light of
|
|
day. Dr. Van Helsing placed his hands on Mina's shoulders, and laid
|
|
her head down softly on her pillow. She lay like a sleeping child for
|
|
a few moments, and then, with a long sigh, awoke and stared in wonder
|
|
to see us all around her.
|
|
|
|
"Have I been talking in my sleep?" was all she said. She seemed,
|
|
however, to know the situation without telling, though she was eager
|
|
to know what she had told. The Professor repeated the conversation,
|
|
and she said, "Then there is not a moment to lose. It may not be yet
|
|
too late!"
|
|
|
|
Mr. Morris and Lord Godalming started for the door but the Professor's
|
|
calm voice called them back.
|
|
|
|
"Stay, my friends. That ship, wherever it was, was weighing anchor at
|
|
the moment in your so great Port of London. Which of them is it that
|
|
you seek? God be thanked that we have once again a clue, though
|
|
whither it may lead us we know not. We have been blind somewhat.
|
|
Blind after the manner of men, since we can look back we see what we
|
|
might have seen looking forward if we had been able to see what we
|
|
might have seen! Alas, but that sentence is a puddle, is it not? We
|
|
can know now what was in the Count's mind, when he seize that money,
|
|
though Jonathan's so fierce knife put him in the danger that even he
|
|
dread. He meant escape. Hear me, ESCAPE! He saw that with but one
|
|
earth box left, and a pack of men following like dogs after a fox,
|
|
this London was no place for him. He have take his last earth box on
|
|
board a ship, and he leave the land. He think to escape, but no! We
|
|
follow him. Tally Ho! As friend Arthur would say when he put on his
|
|
red frock! Our old fox is wily. Oh! So wily, and we must follow
|
|
with wile. I, too, am wily and I think his mind in a little while.
|
|
In meantime we may rest and in peace, for there are between us which
|
|
he do not want to pass, and which he could not if he would. Unless
|
|
the ship were to touch the land, and then only at full or slack tide.
|
|
See, and the sun is just rose, and all day to sunset is us. Let us
|
|
take bath, and dress, and have breakfast which we all need, and which
|
|
we can eat comfortably since he be not in the same land with us."
|
|
|
|
Mina looked at him appealingly as she asked, "But why need we seek him
|
|
further, when he is gone away from us?"
|
|
|
|
He took her hand and patted it as he replied, "Ask me nothing as yet.
|
|
When we have breakfast, then I answer all questions." He would say no
|
|
more, and we separated to dress.
|
|
|
|
After breakfast Mina repeated her question. He looked at her gravely
|
|
for a minute and then said sorrowfully, "Because my dear, dear Madam
|
|
Mina, now more than ever must we find him even if we have to follow
|
|
him to the jaws of Hell!"
|
|
|
|
She grew paler as she asked faintly, "Why?"
|
|
|
|
"Because," he answered solemnly, "he can live for centuries, and you
|
|
are but mortal woman. Time is now to be dreaded, since once he put
|
|
that mark upon your throat."
|
|
|
|
I was just in time to catch her as she fell forward in a faint.
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CHAPTER 24
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DR. SEWARD'S PHONOGRAPH DIARY
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|
SPOKEN BY VAN HELSING
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|
This to Jonathan Harker.
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|
|
|
You are to stay with your dear Madam Mina. We shall go to make our
|
|
search, if I can call it so, for it is not search but knowing, and we
|
|
seek confirmation only. But do you stay and take care of her today.
|
|
This is your best and most holiest office. This day nothing can find
|
|
him here.
|
|
|
|
Let me tell you that so you will know what we four know already, for I
|
|
have tell them. He, our enemy, have gone away. He have gone back to
|
|
his Castle in Transylvania. I know it so well, as if a great hand of
|
|
fire wrote it on the wall. He have prepare for this in some way, and
|
|
that last earth box was ready to ship somewheres. For this he took
|
|
the money. For this he hurry at the last, lest we catch him before
|
|
the sun go down. It was his last hope, save that he might hide in the
|
|
tomb that he think poor Miss Lucy, being as he thought like him, keep
|
|
open to him. But there was not of time. When that fail he make
|
|
straight for his last resource, his last earth-work I might say did I
|
|
wish double entente. He is clever, oh so clever! He know that his
|
|
game here was finish. And so he decide he go back home. He find ship
|
|
going by the route he came, and he go in it.
|
|
|
|
We go off now to find what ship, and whither bound. When we have
|
|
discover that, we come back and tell you all. Then we will comfort
|
|
you and poor Madam Mina with new hope. For it will be hope when you
|
|
think it over, that all is not lost. This very creature that we
|
|
pursue, he take hundreds of years to get so far as London. And yet in
|
|
one day, when we know of the disposal of him we drive him out. He is
|
|
finite, though he is powerful to do much harm and suffers not as we
|
|
do. But we are strong, each in our purpose, and we are all more
|
|
strong together. Take heart afresh, dear husband of Madam Mina. This
|
|
battle is but begun and in the end we shall win. So sure as that God
|
|
sits on high to watch over His children. Therefore be of much comfort
|
|
till we return.
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|
|
VAN HELSING.
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JONATHAN HARKER'S JOURNAL
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|
4 October.--When I read to Mina, Van Helsing's message in the
|
|
phonograph, the poor girl brightened up considerably. Already the
|
|
certainty that the Count is out of the country has given her comfort.
|
|
And comfort is strength to her. For my own part, now that his
|
|
horrible danger is not face to face with us, it seems almost
|
|
impossible to believe in it. Even my own terrible experiences in
|
|
Castle Dracula seem like a long forgotten dream. Here in the crisp
|
|
autumn air in the bright sunlight.
|
|
|
|
Alas! How can I disbelieve! In the midst of my thought my eye fell
|
|
on the red scar on my poor darling's white forehead. Whilst that
|
|
lasts, there can be no disbelief. Mina and I fear to be idle, so we
|
|
have been over all the diaries again and again. Somehow, although the
|
|
reality seem greater each time, the pain and the fear seem less. There
|
|
is something of a guiding purpose manifest throughout, which is
|
|
comforting. Mina says that perhaps we are the instruments of ultimate
|
|
good. It may be! I shall try to think as she does. We have never
|
|
spoken to each other yet of the future. It is better to wait till we
|
|
see the Professor and the others after their investigations.
|
|
|
|
The day is running by more quickly than I ever thought a day could run
|
|
for me again. It is now three o'clock.
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MINA HARKER'S JOURNAL
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|
5 October, 5 P.M.--Our meeting for report. Present: Professor Van
|
|
Helsing, Lord Godalming, Dr. Seward, Mr. Quincey Morris, Jonathan
|
|
Harker, Mina Harker.
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|
|
|
Dr. Van Helsing described what steps were taken during the day to
|
|
discover on what boat and whither bound Count Dracula made his escape.
|
|
|
|
"As I knew that he wanted to get back to Transylvania, I felt sure
|
|
that he must go by the Danube mouth, or by somewhere in the Black Sea,
|
|
since by that way he come. It was a dreary blank that was before us.
|
|
Omme ignotum pro magnifico, and so with heavy hearts we start to find
|
|
what ships leave for the Black Sea last night. He was in sailing
|
|
ship, since Madam Mina tell of sails being set. These not so
|
|
important as to go in your list of the shipping in the Times, and so
|
|
we go, by suggestion of Lord Godalming, to your Lloyd's, where are
|
|
note of all ships that sail, however so small. There we find that
|
|
only one Black Sea bound ship go out with the tide. She is the
|
|
Czarina Catherine, and she sail from Doolittle's Wharf for Varna, and
|
|
thence to other ports and up the Danube. 'So!' said I, 'this is the
|
|
ship whereon is the Count.' So off we go to Doolittle's Wharf, and
|
|
there we find a man in an office. From him we inquire of the goings
|
|
of the Czarina Catherine. He swear much, and he red face and loud of
|
|
voice, but he good fellow all the same. And when Quincey give him
|
|
something from his pocket which crackle as he roll it up, and put it
|
|
in a so small bag which he have hid deep in his clothing, he still
|
|
better fellow and humble servant to us. He come with us, and ask many
|
|
men who are rough and hot. These be better fellows too when they have
|
|
been no more thirsty. They say much of blood and bloom, and of others
|
|
which I comprehend not, though I guess what they mean. But
|
|
nevertheless they tell us all things which we want to know.
|
|
|
|
"They make known to us among them, how last afternoon at about five
|
|
o'clock comes a man so hurry. A tall man, thin and pale, with high
|
|
nose and teeth so white, and eyes that seem to be burning. That he be
|
|
all in black, except that he have a hat of straw which suit not him or
|
|
the time. That he scatter his money in making quick inquiry as to
|
|
what ship sails for the Black Sea and for where. Some took him to the
|
|
office and then to the ship, where he will not go aboard but halt at
|
|
shore end of gangplank, and ask that the captain come to him. The
|
|
captain come, when told that he will be pay well, and though he swear
|
|
much at the first he agree to term. Then the thin man go and some one
|
|
tell him where horse and cart can be hired. He go there and soon he
|
|
come again, himself driving cart on which a great box. This he
|
|
himself lift down, though it take several to put it on truck for the
|
|
ship. He give much talk to captain as to how and where his box is to
|
|
be place. But the captain like it not and swear at him in many
|
|
tongues, and tell him that if he like he can come and see where it
|
|
shall be. But he say 'no,' that he come not yet, for that he have
|
|
much to do. Whereupon the captain tell him that he had better be
|
|
quick, with blood, for that his ship will leave the place, of blood,
|
|
before the turn of the tide, with blood. Then the thin man smile and
|
|
say that of course he must go when he think fit, but he will be
|
|
surprise if he go quite so soon. The captain swear again, polyglot,
|
|
and the thin man make him bow, and thank him, and say that he will so
|
|
far intrude on his kindness as to come aboard before the sailing.
|
|
Final the captain, more red than ever, and in more tongues, tell him
|
|
that he doesn't want no Frenchmen, with bloom upon them and also with
|
|
blood, in his ship, with blood on her also. And so, after asking
|
|
where he might purchase ship forms, he departed.
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|
|
|
"No one knew where he went 'or bloomin' well cared' as they said, for
|
|
they had something else to think of, well with blood again. For it
|
|
soon became apparent to all that the Czarina Catherine would not sail
|
|
as was expected. A thin mist began to creep up from the river, and it
|
|
grew, and grew. Till soon a dense fog enveloped the ship and all
|
|
around her. The captain swore polyglot, very polyglot, polyglot with
|
|
bloom and blood, but he could do nothing. The water rose and rose,
|
|
and he began to fear that he would lose the tide altogether. He was
|
|
in no friendly mood, when just at full tide, the thin man came up the
|
|
gangplank again and asked to see where his box had been stowed. Then
|
|
the captain replied that he wished that he and his box, old and with
|
|
much bloom and blood, were in hell. But the thin man did not be
|
|
offend, and went down with the mate and saw where it was place, and
|
|
came up and stood awhile on deck in fog. He must have come off by
|
|
himself, for none notice him. Indeed they thought not of him, for
|
|
soon the fog begin to melt away, and all was clear again. My friends
|
|
of the thirst and the language that was of bloom and blood laughed, as
|
|
they told how the captain's swears exceeded even his usual polyglot,
|
|
and was more than ever full of picturesque, when on questioning other
|
|
mariners who were on movement up and down the river that hour, he
|
|
found that few of them had seen any of fog at all, except where it lay
|
|
round the wharf. However, the ship went out on the ebb tide, and was
|
|
doubtless by morning far down the river mouth. She was then, when
|
|
they told us, well out to sea.
|
|
|
|
"And so, my dear Madam Mina, it is that we have to rest for a time,
|
|
for our enemy is on the sea, with the fog at his command, on his way
|
|
to the Danube mouth. To sail a ship takes time, go she never so
|
|
quick. And when we start to go on land more quick, and we meet him
|
|
there. Our best hope is to come on him when in the box between
|
|
sunrise and sunset. For then he can make no struggle, and we may deal
|
|
with him as we should. There are days for us, in which we can make
|
|
ready our plan. We know all about where he go. For we have seen the
|
|
owner of the ship, who have shown us invoices and all papers that can
|
|
be. The box we seek is to be landed in Varna, and to be given to an
|
|
agent, one Ristics who will there present his credentials. And so our
|
|
merchant friend will have done his part. When he ask if there be any
|
|
wrong, for that so, he can telegraph and have inquiry made at Varna,
|
|
we say 'no,' for what is to be done is not for police or of the
|
|
customs. It must be done by us alone and in our own way."
|
|
|
|
When Dr. Van Helsing had done speaking, I asked him if he were certain
|
|
that the Count had remained on board the ship. He replied, "We have
|
|
the best proof of that, your own evidence, when in the hypnotic trance
|
|
this morning."
|
|
|
|
I asked him again if it were really necessary that they should pursue
|
|
the Count, for oh! I dread Jonathan leaving me, and I know that he
|
|
would surely go if the others went. He answered in growing passion,
|
|
at first quietly. As he went on, however, he grew more angry and more
|
|
forceful, till in the end we could not but see wherein was at least
|
|
some of that personal dominance which made him so long a master
|
|
amongst men.
|
|
|
|
"Yes, it is necessary, necessary, necessary! For your sake in the
|
|
first, and then for the sake of humanity. This monster has done much
|
|
harm already, in the narrow scope where he find himself, and in the
|
|
short time when as yet he was only as a body groping his so small
|
|
measure in darkness and not knowing. All this have I told these
|
|
others. You, my dear Madam Mina, will learn it in the phonograph of
|
|
my friend John, or in that of your husband. I have told them how the
|
|
measure of leaving his own barren land, barren of peoples, and coming
|
|
to a new land where life of man teems till they are like the multitude
|
|
of standing corn, was the work of centuries. Were another of the
|
|
Undead, like him, to try to do what he has done, perhaps not all the
|
|
centuries of the world that have been, or that will be, could aid him.
|
|
With this one, all the forces of nature that are occult and deep and
|
|
strong must have worked together in some wonderous way. The very
|
|
place, where he have been alive, Undead for all these centuries, is
|
|
full of strangeness of the geologic and chemical world. There are
|
|
deep caverns and fissures that reach none know whither. There have
|
|
been volcanoes, some of whose openings still send out waters of
|
|
strange properties, and gases that kill or make to vivify. Doubtless,
|
|
there is something magnetic or electric in some of these combinations
|
|
of occult forces which work for physical life in strange way, and in
|
|
himself were from the first some great qualities. In a hard and
|
|
warlike time he was celebrate that he have more iron nerve, more
|
|
subtle brain, more braver heart, than any man. In him some vital
|
|
principle have in strange way found their utmost. And as his body
|
|
keep strong and grow and thrive, so his brain grow too. All this
|
|
without that diabolic aid which is surely to him. For it have to
|
|
yield to the powers that come from, and are, symbolic of good. And
|
|
now this is what he is to us. He have infect you, oh forgive me, my
|
|
dear, that I must say such, but it is for good of you that I speak. He
|
|
infect you in such wise, that even if he do no more, you have only to
|
|
live, to live in your own old, sweet way, and so in time, death, which
|
|
is of man's common lot and with God's sanction, shall make you like to
|
|
him. This must not be! We have sworn together that it must not.
|
|
Thus are we ministers of God's own wish. That the world, and men for
|
|
whom His Son die, will not be given over to monsters, whose very
|
|
existence would defame Him. He have allowed us to redeem one soul
|
|
already, and we go out as the old knights of the Cross to redeem
|
|
more. Like them we shall travel towards the sunrise. And like them,
|
|
if we fall, we fall in good cause."
|
|
|
|
He paused and I said, "But will not the Count take his rebuff wisely?
|
|
Since he has been driven from England, will he not avoid it, as a
|
|
tiger does the village from which he has been hunted?"
|
|
|
|
"Aha!" he said, "your simile of the tiger good, for me, and I shall
|
|
adopt him. Your maneater, as they of India call the tiger who has
|
|
once tasted blood of the human, care no more for the other prey, but
|
|
prowl unceasing till he get him. This that we hunt from our village
|
|
is a tiger, too, a maneater, and he never cease to prowl. Nay, in
|
|
himself he is not one to retire and stay afar. In his life, his
|
|
living life, he go over the Turkey frontier and attack his enemy on
|
|
his own ground. He be beaten back, but did he stay? No! He come
|
|
again, and again, and again. Look at his persistence and endurance.
|
|
With the child-brain that was to him he have long since conceive the
|
|
idea of coming to a great city. What does he do? He find out the
|
|
place of all the world most of promise for him. Then he deliberately
|
|
set himself down to prepare for the task. He find in patience just
|
|
how is his strength, and what are his powers. He study new tongues.
|
|
He learn new social life, new environment of old ways, the politics,
|
|
the law, the finance, the science, the habit of a new land and a new
|
|
people who have come to be since he was. His glimpse that he have
|
|
had, whet his appetite only and enkeen his desire. Nay, it help him
|
|
to grow as to his brain. For it all prove to him how right he was at
|
|
the first in his surmises. He have done this alone, all alone! From
|
|
a ruin tomb in a forgotten land. What more may he not do when the
|
|
greater world of thought is open to him. He that can smile at death,
|
|
as we know him. Who can flourish in the midst of diseases that kill
|
|
off whole peoples. Oh! If such an one was to come from God, and not
|
|
the Devil, what a force for good might he not be in this old world of
|
|
ours. But we are pledged to set the world free. Our toil must be in
|
|
silence, and our efforts all in secret. For in this enlightened age,
|
|
when men believe not even what they see, the doubting of wise men
|
|
would be his greatest strength. It would be at once his sheath and
|
|
his armor, and his weapons to destroy us, his enemies, who are willing
|
|
to peril even our own souls for the safety of one we love. For the
|
|
good of mankind, and for the honour and glory of God."
|
|
|
|
After a general discussion it was determined that for tonight nothing
|
|
be definitely settled. That we should all sleep on the facts, and try
|
|
to think out the proper conclusions. Tomorrow, at breakfast, we are
|
|
to meet again, and after making our conclusions known to one another,
|
|
we shall decide on some definite cause of action . . .
|
|
|
|
I feel a wonderful peace and rest tonight. It is as if some haunting
|
|
presence were removed from me. Perhaps . . .
|
|
|
|
My surmise was not finished, could not be, for I caught sight in the
|
|
mirror of the red mark upon my forehead, and I knew that I was still
|
|
unclean.
|
|
|
|
|
|
|
|
|
|
DR. SEWARD'S DIARY
|
|
|
|
5 October.--We all arose early, and I think that sleep did much for
|
|
each and all of us. When we met at early breakfast there was more
|
|
general cheerfulness than any of us had ever expected to experience
|
|
again.
|
|
|
|
It is really wonderful how much resilience there is in human nature.
|
|
Let any obstructing cause, no matter what, be removed in any way, even
|
|
by death, and we fly back to first principles of hope and enjoyment.
|
|
More than once as we sat around the table, my eyes opened in wonder
|
|
whether the whole of the past days had not been a dream. It was only
|
|
when I caught sight of the red blotch on Mrs. Harker's forehead that I
|
|
was brought back to reality. Even now, when I am gravely revolving
|
|
the matter, it is almost impossible to realize that the cause of all
|
|
our trouble is still existent. Even Mrs. Harker seems to lose sight
|
|
of her trouble for whole spells. It is only now and again, when
|
|
something recalls it to her mind, that she thinks of her terrible
|
|
scar. We are to meet here in my study in half an hour and decide on
|
|
our course of action. I see only one immediate difficulty, I know it
|
|
by instinct rather than reason. We shall all have to speak frankly.
|
|
And yet I fear that in some mysterious way poor Mrs. Harker's tongue
|
|
is tied. I know that she forms conclusions of her own, and from all
|
|
that has been I can guess how brilliant and how true they must be.
|
|
But she will not, or cannot, give them utterance. I have mentioned
|
|
this to Van Helsing, and he and I are to talk it over when we are
|
|
alone. I suppose it is some of that horrid poison which has got into
|
|
her veins beginning to work. The Count had his own purposes when he
|
|
gave her what Van Helsing called "the Vampire's baptism of blood."
|
|
Well, there may be a poison that distills itself out of good things.
|
|
In an age when the existence of ptomaines is a mystery we should not
|
|
wonder at anything! One thing I know, that if my instinct be true
|
|
regarding poor Mrs. Harker's silences, then there is a terrible
|
|
difficulty, an unknown danger, in the work before us. The same power
|
|
that compels her silence may compel her speech. I dare not think
|
|
further, for so I should in my thoughts dishonour a noble woman!
|
|
|
|
|
|
Later.--When the Professor came in, we talked over the state of
|
|
things. I could see that he had something on his mind, which he
|
|
wanted to say, but felt some hesitancy about broaching the subject.
|
|
After beating about the bush a little, he said, "Friend John, there is
|
|
something that you and I must talk of alone, just at the first at any
|
|
rate. Later, we may have to take the others into our confidence."
|
|
|
|
Then he stopped, so I waited. He went on, "Madam Mina, our poor, dear
|
|
Madam Mina is changing."
|
|
|
|
A cold shiver ran through me to find my worst fears thus endorsed.
|
|
Van Helsing continued.
|
|
|
|
"With the sad experience of Miss Lucy, we must this time be warned
|
|
before things go too far. Our task is now in reality more difficult
|
|
than ever, and this new trouble makes every hour of the direst
|
|
importance. I can see the characteristics of the vampire coming in
|
|
her face. It is now but very, very slight. But it is to be seen if
|
|
we have eyes to notice without prejudge. Her teeth are sharper, and
|
|
at times her eyes are more hard. But these are not all, there is to
|
|
her the silence now often, as so it was with Miss Lucy. She did not
|
|
speak, even when she wrote that which she wished to be known later.
|
|
Now my fear is this. If it be that she can, by our hypnotic trance,
|
|
tell what the Count see and hear, is it not more true that he who have
|
|
hypnotize her first, and who have drink of her very blood and make her
|
|
drink of his, should if he will, compel her mind to disclose to him
|
|
that which she know?"
|
|
|
|
I nodded acquiescence. He went on, "Then, what we must do is to
|
|
prevent this. We must keep her ignorant of our intent, and so she
|
|
cannot tell what she know not. This is a painful task! Oh, so
|
|
painful that it heartbreak me to think of it, but it must be. When
|
|
today we meet, I must tell her that for reason which we will not to
|
|
speak she must not more be of our council, but be simply guarded by
|
|
us."
|
|
|
|
He wiped his forehead, which had broken out in profuse perspiration at
|
|
the thought of the pain which he might have to inflict upon the poor
|
|
soul already so tortured. I knew that it would be some sort of
|
|
comfort to him if I told him that I also had come to the same
|
|
conclusion. For at any rate it would take away the pain of doubt. I
|
|
told him, and the effect was as I expected.
|
|
|
|
It is now close to the time of our general gathering. Van Helsing has
|
|
gone away to prepare for the meeting, and his painful part of it. I
|
|
really believe his purpose is to be able to pray alone.
|
|
|
|
|
|
Later.--At the very outset of our meeting a great personal relief was
|
|
experienced by both Van Helsing and myself. Mrs. Harker had sent a
|
|
message by her husband to say that she would not join us at present,
|
|
as she thought it better that we should be free to discuss our
|
|
movements without her presence to embarrass us. The Professor and I
|
|
looked at each other for an instant, and somehow we both seemed
|
|
relieved. For my own part, I thought that if Mrs. Harker realized the
|
|
danger herself, it was much pain as well as much danger averted.
|
|
Under the circumstances we agreed, by a questioning look and answer,
|
|
with finger on lip, to preserve silence in our suspicions, until we
|
|
should have been able to confer alone again. We went at once into our
|
|
Plan of Campaign.
|
|
|
|
Van Helsing roughly put the facts before us first, "The Czarina
|
|
Catherine left the Thames yesterday morning. It will take her at the
|
|
quickest speed she has ever made at least three weeks to reach Varna.
|
|
But we can travel overland to the same place in three days. Now, if
|
|
we allow for two days less for the ship's voyage, owing to such
|
|
weather influences as we know that the Count can bring to bear, and if
|
|
we allow a whole day and night for any delays which may occur to us,
|
|
then we have a margin of nearly two weeks.
|
|
|
|
"Thus, in order to be quite safe, we must leave here on 17th at
|
|
latest. Then we shall at any rate be in Varna a day before the ship
|
|
arrives, and able to make such preparations as may be necessary. Of
|
|
course we shall all go armed, armed against evil things, spiritual as
|
|
well as physical."
|
|
|
|
Here Quincey Morris added, "I understand that the Count comes from a
|
|
wolf country, and it may be that he shall get there before us. I
|
|
propose that we add Winchesters to our armament. I have a kind of
|
|
belief in a Winchester when there is any trouble of that sort around.
|
|
Do you remember, Art, when we had the pack after us at Tobolsk? What
|
|
wouldn't we have given then for a repeater apiece!"
|
|
|
|
"Good!" said Van Helsing, "Winchesters it shall be. Quincey's head is
|
|
level at times, but most so when there is to hunt, metaphor be more
|
|
dishonour to science than wolves be of danger to man. In the meantime
|
|
we can do nothing here. And as I think that Varna is not familiar to
|
|
any of us, why not go there more soon? It is as long to wait here as
|
|
there. Tonight and tomorrow we can get ready, and then if all be
|
|
well, we four can set out on our journey."
|
|
|
|
"We four?" said Harker interrogatively, looking from one to another of
|
|
us.
|
|
|
|
"Of course!" answered the Professor quickly. "You must remain to take
|
|
care of your so sweet wife!"
|
|
|
|
Harker was silent for awhile and then said in a hollow voice, "Let us
|
|
talk of that part of it in the morning. I want to consult with Mina."
|
|
|
|
I thought that now was the time for Van Helsing to warn him not to
|
|
disclose our plan to her, but he took no notice. I looked at him
|
|
significantly and coughed. For answer he put his finger to his lips
|
|
and turned away.
|
|
|
|
|
|
|
|
JONATHAN HARKER'S JOURNAL
|
|
|
|
5 October, afternoon.--For some time after our meeting this morning I
|
|
could not think. The new phases of things leave my mind in a state of
|
|
wonder which allows no room for active thought. Mina's determination
|
|
not to take any part in the discussion set me thinking. And as I
|
|
could not argue the matter with her, I could only guess. I am as far
|
|
as ever from a solution now. The way the others received it, too
|
|
puzzled me. The last time we talked of the subject we agreed that
|
|
there was to be no more concealment of anything amongst us. Mina is
|
|
sleeping now, calmly and sweetly like a little child. Her lips are
|
|
curved and her face beams with happiness. Thank God, there are such
|
|
moments still for her.
|
|
|
|
|
|
Later.--How strange it all is. I sat watching Mina's happy sleep, and
|
|
I came as near to being happy myself as I suppose I shall ever be. As
|
|
the evening drew on, and the earth took its shadows from the sun
|
|
sinking lower, the silence of the room grew more and more solemn to
|
|
me.
|
|
|
|
All at once Mina opened her eyes, and looking at me tenderly said,
|
|
"Jonathan, I want you to promise me something on your word of honour.
|
|
A promise made to me, but made holily in God's hearing, and not to be
|
|
broken though I should go down on my knees and implore you with bitter
|
|
tears. Quick, you must make it to me at once."
|
|
|
|
"Mina," I said, "a promise like that, I cannot make at once. I may
|
|
have no right to make it."
|
|
|
|
"But, dear one," she said, with such spiritual intensity that her eyes
|
|
were like pole stars, "it is I who wish it. And it is not for myself.
|
|
You can ask Dr. Van Helsing if I am not right. If he disagrees you
|
|
may do as you will. Nay, more if you all agree, later you are
|
|
absolved from the promise."
|
|
|
|
"I promise!" I said, and for a moment she looked supremely happy.
|
|
Though to me all happiness for her was denied by the red scar on her
|
|
forehead.
|
|
|
|
She said, "Promise me that you will not tell me anything of the plans
|
|
formed for the campaign against the Count. Not by word, or inference,
|
|
or implication, not at any time whilst this remains to me!" And she
|
|
solemnly pointed to the scar. I saw that she was in earnest, and said
|
|
solemnly, "I promise!" and as I said it I felt that from that instant
|
|
a door had been shut between us.
|
|
|
|
|
|
Later, midnight.--Mina has been bright and cheerful all the evening.
|
|
So much so that all the rest seemed to take courage, as if infected
|
|
somewhat with her gaiety. As a result even I myself felt as if the
|
|
pall of gloom which weighs us down were somewhat lifted. We all
|
|
retired early. Mina is now sleeping like a little child. It is
|
|
wonderful thing that her faculty of sleep remains to her in the midst
|
|
of her terrible trouble. Thank God for it, for then at least she can
|
|
forget her care. Perhaps her example may affect me as her gaiety did
|
|
tonight. I shall try it. Oh! For a dreamless sleep.
|
|
|
|
6 October, morning.--Another surprise. Mina woke me early, about the
|
|
same time as yesterday, and asked me to bring Dr. Van Helsing. I
|
|
thought that it was another occasion for hypnotism, and without
|
|
question went for the Professor. He had evidently expected some such
|
|
call, for I found him dressed in his room. His door was ajar, so that
|
|
he could hear the opening of the door of our room. He came at once.
|
|
As he passed into the room, he asked Mina if the others might come,
|
|
too.
|
|
|
|
"No," she said quite simply, "it will not be necessary. You can tell
|
|
them just as well. I must go with you on your journey."
|
|
|
|
Dr. Van Helsing was as startled as I was. After a moment's pause he
|
|
asked, "But why?"
|
|
|
|
"You must take me with you. I am safer with you, and you shall be
|
|
safer, too."
|
|
|
|
"But why, dear Madam Mina? You know that your safety is our solemnest
|
|
duty. We go into danger, to which you are, or may be, more liable
|
|
than any of us from . . . from circumstances . . . things that have
|
|
been." He paused embarrassed.
|
|
|
|
As she replied, she raised her finger and pointed to her forehead. "I
|
|
know. That is why I must go. I can tell you now, whilst the sun is
|
|
coming up. I may not be able again. I know that when the Count wills
|
|
me I must go. I know that if he tells me to come in secret, I must by
|
|
wile. By any device to hoodwink, even Jonathan." God saw the look
|
|
that she turned on me as she spoke, and if there be indeed a Recording
|
|
Angel that look is noted to her ever-lasting honour. I could only
|
|
clasp her hand. I could not speak. My emotion was too great for even
|
|
the relief of tears.
|
|
|
|
She went on. "You men are brave and strong. You are strong in your
|
|
numbers, for you can defy that which would break down the human
|
|
endurance of one who had to guard alone. Besides, I may be of
|
|
service, since you can hypnotize me and so learn that which even I
|
|
myself do not know."
|
|
|
|
Dr. Van Helsing said gravely, "Madam Mina, you are, as always, most
|
|
wise. You shall with us come. And together we shall do that which we
|
|
go forth to achieve."
|
|
|
|
When he had spoken, Mina's long spell of silence made me look at her.
|
|
She had fallen back on her pillow asleep. She did not even wake when
|
|
I had pulled up the blind and let in the sunlight which flooded the
|
|
room. Van Helsing motioned to me to come with him quietly. We went
|
|
to his room, and within a minute Lord Godalming, Dr. Seward, and Mr.
|
|
Morris were with us also.
|
|
|
|
He told them what Mina had said, and went on. "In the morning we
|
|
shall leave for Varna. We have now to deal with a new factor, Madam
|
|
Mina. Oh, but her soul is true. It is to her an agony to tell us so
|
|
much as she has done. But it is most right, and we are warned in
|
|
time. There must be no chance lost, and in Varna we must be ready to
|
|
act the instant when that ship arrives."
|
|
|
|
"What shall we do exactly?" asked Mr. Morris laconically.
|
|
|
|
The Professor paused before replying, "We shall at the first board
|
|
that ship. Then, when we have identified the box, we shall place a
|
|
branch of the wild rose on it. This we shall fasten, for when it is
|
|
there none can emerge, so that at least says the superstition. And to
|
|
superstition must we trust at the first. It was man's faith in the
|
|
early, and it have its root in faith still. Then, when we get the
|
|
opportunity that we seek, when none are near to see, we shall open the
|
|
box, and . . . and all will be well."
|
|
|
|
"I shall not wait for any opportunity," said Morris. "When I see the
|
|
box I shall open it and destroy the monster, though there were a
|
|
thousand men looking on, and if I am to be wiped out for it the next
|
|
moment!" I grasped his hand instinctively and found it as firm as a
|
|
piece of steel. I think he understood my look. I hope he did.
|
|
|
|
"Good boy," said Dr. Van Helsing. "Brave boy. Quincey is all man.
|
|
God bless him for it. My child, believe me none of us shall lag
|
|
behind or pause from any fear. I do but say what we may do . . . what
|
|
we must do. But, indeed, indeed we cannot say what we may do. There
|
|
are so many things which may happen, and their ways and their ends are
|
|
so various that until the moment we may not say. We shall all be
|
|
armed, in all ways. And when the time for the end has come, our
|
|
effort shall not be lack. Now let us today put all our affairs in
|
|
order. Let all things which touch on others dear to us, and who on us
|
|
depend, be complete. For none of us can tell what, or when, or how,
|
|
the end may be. As for me, my own affairs are regulate, and as I have
|
|
nothing else to do, I shall go make arrangements for the travel. I
|
|
shall have all tickets and so forth for our journey."
|
|
|
|
There was nothing further to be said, and we parted. I shall now
|
|
settle up all my affairs of earth, and be ready for whatever may come.
|
|
|
|
|
|
Later.--It is done. My will is made, and all complete. Mina if she
|
|
survive is my sole heir. If it should not be so, then the others who
|
|
have been so good to us shall have remainder.
|
|
|
|
It is now drawing towards the sunset. Mina's uneasiness calls my
|
|
attention to it. I am sure that there is something on her mind which
|
|
the time of exact sunset will reveal. These occasions are becoming
|
|
harrowing times for us all. For each sunrise and sunset opens up some
|
|
new danger, some new pain, which however, may in God's will be means
|
|
to a good end. I write all these things in the diary since my darling
|
|
must not hear them now. But if it may be that she can see them again,
|
|
they shall be ready. She is calling to me.
|
|
|
|
|
|
|
|
|
|
CHAPTER 25
|
|
|
|
|
|
DR. SEWARD'S DIARY
|
|
|
|
11 October, Evening.--Jonathan Harker has asked me to note this, as he
|
|
says he is hardly equal to the task, and he wants an exact record
|
|
kept.
|
|
|
|
I think that none of us were surprised when we were asked to see Mrs.
|
|
Harker a little before the time of sunset. We have of late come to
|
|
understand that sunrise and sunset are to her times of peculiar
|
|
freedom. When her old self can be manifest without any controlling
|
|
force subduing or restraining her, or inciting her to action. This
|
|
mood or condition begins some half hour or more before actual sunrise
|
|
or sunset, and lasts till either the sun is high, or whilst the clouds
|
|
are still aglow with the rays streaming above the horizon. At first
|
|
there is a sort of negative condition, as if some tie were loosened,
|
|
and then the absolute freedom quickly follows. When, however, the
|
|
freedom ceases the change back or relapse comes quickly, preceded
|
|
only by a spell of warning silence.
|
|
|
|
Tonight, when we met, she was somewhat constrained, and bore all the
|
|
signs of an internal struggle. I put it down myself to her making a
|
|
violent effort at the earliest instant she could do so.
|
|
|
|
A very few minutes, however, gave her complete control of herself.
|
|
Then, motioning her husband to sit beside her on the sofa where she
|
|
was half reclining, she made the rest of us bring chairs up close.
|
|
|
|
Taking her husband's hand in hers, she began, "We are all here
|
|
together in freedom, for perhaps the last time! I know that you will
|
|
always be with me to the end." This was to her husband whose hand had,
|
|
as we could see, tightened upon her. "In the morning we go out upon
|
|
our task, and God alone knows what may be in store for any of us. You
|
|
are going to be so good to me to take me with you. I know that all
|
|
that brave earnest men can do for a poor weak woman, whose soul
|
|
perhaps is lost, no, no, not yet, but is at any rate at stake, you
|
|
will do. But you must remember that I am not as you are. There is a
|
|
poison in my blood, in my soul, which may destroy me, which must
|
|
destroy me, unless some relief comes to us. Oh, my friends, you know
|
|
as well as I do, that my soul is at stake. And though I know there is
|
|
one way out for me, you must not and I must not take it!" She looked
|
|
appealingly to us all in turn, beginning and ending with her husband.
|
|
|
|
"What is that way?" asked Van Helsing in a hoarse voice. "What is
|
|
that way, which we must not, may not, take?"
|
|
|
|
"That I may die now, either by my own hand or that of another, before
|
|
the greater evil is entirely wrought. I know, and you know, that were
|
|
I once dead you could and would set free my immortal spirit, even as
|
|
you did my poor Lucy's. Were death, or the fear of death, the only
|
|
thing that stood in the way I would not shrink to die here now, amidst
|
|
the friends who love me. But death is not all. I cannot believe that
|
|
to die in such a case, when there is hope before us and a bitter task
|
|
to be done, is God's will. Therefore, I on my part, give up here the
|
|
certainty of eternal rest, and go out into the dark where may be the
|
|
blackest things that the world or the nether world holds!"
|
|
|
|
We were all silent, for we knew instinctively that this was only a
|
|
prelude. The faces of the others were set, and Harker's grew ashen
|
|
grey. Perhaps, he guessed better than any of us what was coming.
|
|
|
|
She continued, "This is what I can give into the hotch-pot." I could
|
|
not but note the quaint legal phrase which she used in such a place,
|
|
and with all seriousness. "What will each of you give? Your lives I
|
|
know," she went on quickly, "that is easy for brave men. Your lives
|
|
are God's, and you can give them back to Him, but what will you give
|
|
to me?" She looked again questioningly, but this time avoided her
|
|
husband's face. Quincey seemed to understand, he nodded, and her face
|
|
lit up. "Then I shall tell you plainly what I want, for there must be
|
|
no doubtful matter in this connection between us now. You must
|
|
promise me, one and all, even you, my beloved husband, that should the
|
|
time come, you will kill me."
|
|
|
|
"What is that time?" The voice was Quincey's, but it was low and
|
|
strained.
|
|
|
|
"When you shall be convinced that I am so changed that it is better
|
|
that I die that I may live. When I am thus dead in the flesh, then
|
|
you will, without a moment's delay, drive a stake through me and cut
|
|
off my head, or do whatever else may be wanting to give me rest!"
|
|
|
|
Quincey was the first to rise after the pause. He knelt down before
|
|
her and taking her hand in his said solemnly, "I'm only a rough
|
|
fellow, who hasn't, perhaps, lived as a man should to win such a
|
|
distinction, but I swear to you by all that I hold sacred and dear
|
|
that, should the time ever come, I shall not flinch from the duty that
|
|
you have set us. And I promise you, too, that I shall make all
|
|
certain, for if I am only doubtful I shall take it that the time has
|
|
come!"
|
|
|
|
"My true friend!" was all she could say amid her fast-falling tears,
|
|
as bending over, she kissed his hand.
|
|
|
|
"I swear the same, my dear Madam Mina!" said Van Helsing. "And I!"
|
|
said Lord Godalming, each of them in turn kneeling to her to take the
|
|
oath. I followed, myself.
|
|
|
|
Then her husband turned to her wan-eyed and with a greenish pallor
|
|
which subdued the snowy whiteness of his hair, and asked, "And must I,
|
|
too, make such a promise, oh, my wife?"
|
|
|
|
"You too, my dearest," she said, with infinite yearning of pity in her
|
|
voice and eyes. "You must not shrink. You are nearest and dearest
|
|
and all the world to me. Our souls are knit into one, for all life
|
|
and all time. Think, dear, that there have been times when brave men
|
|
have killed their wives and their womenkind, to keep them from falling
|
|
into the hands of the enemy. Their hands did not falter any the more
|
|
because those that they loved implored them to slay them. It is men's
|
|
duty towards those whom they love, in such times of sore trial! And
|
|
oh, my dear, if it is to be that I must meet death at any hand, let it
|
|
be at the hand of him that loves me best. Dr. Van Helsing, I have not
|
|
forgotten your mercy in poor Lucy's case to him who loved." She
|
|
stopped with a flying blush, and changed her phrase, "to him who had
|
|
best right to give her peace. If that time shall come again, I look
|
|
to you to make it a happy memory of my husband's life that it was his
|
|
loving hand which set me free from the awful thrall upon me."
|
|
|
|
"Again I swear!" came the Professor's resonant voice.
|
|
|
|
Mrs. Harker smiled, positively smiled, as with a sigh of relief she
|
|
leaned back and said, "And now one word of warning, a warning which
|
|
you must never forget. This time, if it ever come, may come quickly
|
|
and unexpectedly, and in such case you must lose no time in using your
|
|
opportunity. At such a time I myself might be . . . nay! If the time
|
|
ever come, shall be, leagued with your enemy against you.
|
|
|
|
"One more request," she became very solemn as she said this, "it is
|
|
not vital and necessary like the other, but I want you to do one thing
|
|
for me, if you will."
|
|
|
|
We all acquiesced, but no one spoke. There was no need to speak.
|
|
|
|
"I want you to read the Burial Service." She was interrupted by a
|
|
deep groan from her husband. Taking his hand in hers, she held it
|
|
over her heart, and continued. "You must read it over me some day.
|
|
Whatever may be the issue of all this fearful state of things, it will
|
|
be a sweet thought to all or some of us. You, my dearest, will I hope
|
|
read it, for then it will be in your voice in my memory forever, come
|
|
what may!"
|
|
|
|
"But oh, my dear one," he pleaded, "death is afar off from you."
|
|
|
|
"Nay," she said, holding up a warning hand. "I am deeper in death at
|
|
this moment than if the weight of an earthly grave lay heavy upon me!"
|
|
|
|
"Oh, my wife, must I read it?" he said, before he began.
|
|
|
|
"It would comfort me, my husband!" was all she said, and he began to
|
|
read when she had got the book ready.
|
|
|
|
How can I, how could anyone, tell of that strange scene, its
|
|
solemnity, its gloom, its sadness, its horror, and withal, its
|
|
sweetness. Even a sceptic, who can see nothing but a travesty of
|
|
bitter truth in anything holy or emotional, would have been melted to
|
|
the heart had he seen that little group of loving and devoted friends
|
|
kneeling round that stricken and sorrowing lady; or heard the tender
|
|
passion of her husband's voice, as in tones so broken and emotional
|
|
that often he had to pause, he read the simple and beautiful service
|
|
from the Burial of the Dead. I cannot go on . . . words . . . and
|
|
v-voices . . . f-fail m-me!
|
|
|
|
She was right in her instinct. Strange as it was, bizarre as it may
|
|
hereafter seem even to us who felt its potent influence at the time,
|
|
it comforted us much. And the silence, which showed Mrs. Harker's
|
|
coming relapse from her freedom of soul, did not seem so full of
|
|
despair to any of us as we had dreaded.
|
|
|
|
|
|
|
|
|
|
|
|
JONATHAN HARKER'S JOURNAL
|
|
|
|
15 October, Varna.--We left Charing Cross on the morning of the 12th,
|
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got to Paris the same night, and took the places secured for us in the
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Orient Express. We traveled night and day, arriving here at about
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five o'clock. Lord Godalming went to the Consulate to see if any
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telegram had arrived for him, whilst the rest of us came on to this
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hotel, "the Odessus." The journey may have had incidents. I was,
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however, too eager to get on, to care for them. Until the Czarina
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Catherine comes into port there will be no interest for me in anything
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in the wide world. Thank God! Mina is well, and looks to be getting
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stronger. Her colour is coming back. She sleeps a great deal.
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Throughout the journey she slept nearly all the time. Before sunrise
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and sunset, however, she is very wakeful and alert. And it has become
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a habit for Van Helsing to hypnotize her at such times. At first,
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some effort was needed, and he had to make many passes. But now, she
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seems to yield at once, as if by habit, and scarcely any action is
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needed. He seems to have power at these particular moments to simply
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will, and her thoughts obey him. He always asks her what she can see
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and hear.
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She answers to the first, "Nothing, all is dark."
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And to the second, "I can hear the waves lapping against the ship, and
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the water rushing by. Canvas and cordage strain and masts and yards
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creak. The wind is high . . . I can hear it in the shrouds, and the
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bow throws back the foam."
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It is evident that the Czarina Catherine is still at sea, hastening on
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her way to Varna. Lord Godalming has just returned. He had four
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telegrams, one each day since we started, and all to the same effect.
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That the Czarina Catherine had not been reported to Lloyd's from
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anywhere. He had arranged before leaving London that his agent should
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send him every day a telegram saying if the ship had been reported.
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He was to have a message even if she were not reported, so that he
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might be sure that there was a watch being kept at the other end of
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the wire.
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We had dinner and went to bed early. Tomorrow we are to see the Vice
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Consul, and to arrange, if we can, about getting on board the ship as
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soon as she arrives. Van Helsing says that our chance will be to get
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on the boat between sunrise and sunset. The Count, even if he takes
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the form of a bat, cannot cross the running water of his own volition,
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and so cannot leave the ship. As he dare not change to man's form
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without suspicion, which he evidently wishes to avoid, he must remain
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in the box. If, then, we can come on board after sunrise, he is at
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our mercy, for we can open the box and make sure of him, as we did of
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poor Lucy, before he wakes. What mercy he shall get from us all will
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not count for much. We think that we shall not have much trouble with
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officials or the seamen. Thank God! This is the country where
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bribery can do anything, and we are well supplied with money. We have
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only to make sure that the ship cannot come into port between sunset
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and sunrise without our being warned, and we shall be safe. Judge
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Moneybag will settle this case, I think!
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16 October.--Mina's report still the same. Lapping waves and rushing
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water, darkness and favouring winds. We are evidently in good time,
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and when we hear of the Czarina Catherine we shall be ready. As she
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must pass the Dardanelles we are sure to have some report.
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17 October.--Everything is pretty well fixed now, I think, to welcome
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the Count on his return from his tour. Godalming told the shippers
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that he fancied that the box sent aboard might contain something
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stolen from a friend of his, and got a half consent that he might open
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it at his own risk. The owner gave him a paper telling the Captain to
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give him every facility in doing whatever he chose on board the ship,
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and also a similar authorization to his agent at Varna. We have seen
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the agent, who was much impressed with Godalming's kindly manner to
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him, and we are all satisfied that whatever he can do to aid our
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wishes will be done.
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We have already arranged what to do in case we get the box open. If
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the Count is there, Van Helsing and Seward will cut off his head at
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once and drive a stake through his heart. Morris and Godalming and I
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shall prevent interference, even if we have to use the arms which we
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shall have ready. The Professor says that if we can so treat the
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Count's body, it will soon after fall into dust. In such case there
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would be no evidence against us, in case any suspicion of murder were
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aroused. But even if it were not, we should stand or fall by our act,
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and perhaps some day this very script may be evidence to come between
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some of us and a rope. For myself, I should take the chance only too
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thankfully if it were to come. We mean to leave no stone unturned to
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carry out our intent. We have arranged with certain officials that
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the instant the Czarina Catherine is seen, we are to be informed by a
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special messenger.
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24 October.--A whole week of waiting. Daily telegrams to Godalming,
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but only the same story. "Not yet reported." Mina's morning and
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evening hypnotic answer is unvaried. Lapping waves, rushing water,
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and creaking masts.
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TELEGRAM, OCTOBER 24TH RUFUS SMITH, LLOYD'S, LONDON,
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TO LORD GODALMING, CARE OF H. B. M. VICE CONSUL, VARNA
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"Czarina Catherine reported this morning from Dardanelles."
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DR. SEWARD'S DIARY
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25 October.--How I miss my phonograph! To write a diary with a pen is
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irksome to me! But Van Helsing says I must. We were all wild with
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excitement yesterday when Godalming got his telegram from Lloyd's. I
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know now what men feel in battle when the call to action is heard.
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Mrs. Harker, alone of our party, did not show any signs of emotion.
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After all, it is not strange that she did not, for we took special
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care not to let her know anything about it, and we all tried not to
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show any excitement when we were in her presence. In old days she
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would, I am sure, have noticed, no matter how we might have tried to
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conceal it. But in this way she is greatly changed during the past
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three weeks. The lethargy grows upon her, and though she seems strong
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and well, and is getting back some of her colour, Van Helsing and I are
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not satisfied. We talk of her often. We have not, however, said a
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word to the others. It would break poor Harker's heart, certainly his
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nerve, if he knew that we had even a suspicion on the subject. Van
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Helsing examines, he tells me, her teeth very carefully, whilst she is
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in the hypnotic condition, for he says that so long as they do not
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begin to sharpen there is no active danger of a change in her. If
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this change should come, it would be necessary to take steps! We both
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know what those steps would have to be, though we do not mention our
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thoughts to each other. We should neither of us shrink from the task,
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awful though it be to contemplate. "Euthanasia" is an excellent and a
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comforting word! I am grateful to whoever invented it.
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It is only about 24 hours' sail from the Dardanelles to here, at the
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rate the Czarina Catherine has come from London. She should therefore
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arrive some time in the morning, but as she cannot possibly get in
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before noon, we are all about to retire early. We shall get up at one
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o'clock, so as to be ready.
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25 October, Noon.--No news yet of the ship's arrival. Mrs. Harker's
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hypnotic report this morning was the same as usual, so it is possible
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that we may get news at any moment. We men are all in a fever of
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excitement, except Harker, who is calm. His hands are cold as ice,
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and an hour ago I found him whetting the edge of the great Ghoorka
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knife which he now always carries with him. It will be a bad lookout
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for the Count if the edge of that "Kukri" ever touches his throat,
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driven by that stern, ice-cold hand!
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Van Helsing and I were a little alarmed about Mrs. Harker today.
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About noon she got into a sort of lethargy which we did not like.
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Although we kept silence to the others, we were neither of us happy
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about it. She had been restless all the morning, so that we were at
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first glad to know that she was sleeping. When, however, her husband
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mentioned casually that she was sleeping so soundly that he could not
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wake her, we went to her room to see for ourselves. She was breathing
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naturally and looked so well and peaceful that we agreed that the
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sleep was better for her than anything else. Poor girl, she has so
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much to forget that it is no wonder that sleep, if it brings oblivion
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to her, does her good.
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Later.--Our opinion was justified, for when after a refreshing sleep
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of some hours she woke up, she seemed brighter and better than she had
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been for days. At sunset she made the usual hypnotic report.
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Wherever he may be in the Black Sea, the Count is hurrying to his
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destination. To his doom, I trust!
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26 October.--Another day and no tidings of the Czarina Catherine. She
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ought to be here by now. That she is still journeying somewhere is
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apparent, for Mrs. Harker's hypnotic report at sunrise was still the
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same. It is possible that the vessel may be lying by, at times, for
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fog. Some of the steamers which came in last evening reported patches
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of fog both to north and south of the port. We must continue our
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watching, as the ship may now be signalled any moment.
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27 October, Noon.--Most strange. No news yet of the ship we wait for.
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Mrs. Harker reported last night and this morning as usual. "Lapping
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waves and rushing water," though she added that "the waves were very
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faint." The telegrams from London have been the same, "no further
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report." Van Helsing is terribly anxious, and told me just now that he
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fears the Count is escaping us.
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He added significantly, "I did not like that lethargy of Madam Mina's.
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Souls and memories can do strange things during trance." I was about
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to ask him more, but Harker just then came in, and he held up a
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warning hand. We must try tonight at sunset to make her speak more
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fully when in her hypnotic state.
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28 October.--Telegram. Rufus Smith, London, to Lord Godalming, care
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H. B. M. Vice Consul, Varna
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"Czarina Catherine reported entering Galatz at one o'clock today."
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DR. SEWARD'S DIARY
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28 October.--When the telegram came announcing the arrival in Galatz I
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do not think it was such a shock to any of us as might have been
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expected. True, we did not know whence, or how, or when, the bolt
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would come. But I think we all expected that something strange would
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happen. The day of arrival at Varna made us individually satisfied
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that things would not be just as we had expected. We only waited to
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learn where the change would occur. None the less, however, it was a
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surprise. I suppose that nature works on such a hopeful basis that we
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believe against ourselves that things will be as they ought to be, not
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as we should know that they will be. Transcendentalism is a beacon to
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the angels, even if it be a will-o'-the-wisp to man. Van Helsing
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raised his hand over his head for a moment, as though in remonstrance
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with the Almighty. But he said not a word, and in a few seconds stood
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up with his face sternly set.
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Lord Godalming grew very pale, and sat breathing heavily. I was
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myself half stunned and looked in wonder at one after another.
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Quincey Morris tightened his belt with that quick movement which I
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knew so well. In our old wandering days it meant "action." Mrs.
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Harker grew ghastly white, so that the scar on her forehead seemed to
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burn, but she folded her hands meekly and looked up in prayer. Harker
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smiled, actually smiled, the dark, bitter smile of one who is without
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hope, but at the same time his action belied his words, for his hands
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instinctively sought the hilt of the great Kukri knife and rested
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there.
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"When does the next train start for Galatz?" said Van Helsing to us
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generally.
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"At 6:30 tomorrow morning!" We all started, for the answer came from
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Mrs. Harker.
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"How on earth do you know?" said Art.
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"You forget, or perhaps you do not know, though Jonathan does and so
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does Dr. Van Helsing, that I am the train fiend. At home in Exeter I
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always used to make up the time tables, so as to be helpful to my
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husband. I found it so useful sometimes, that I always make a study
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of the time tables now. I knew that if anything were to take us to
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Castle Dracula we should go by Galatz, or at any rate through
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Bucharest, so I learned the times very carefully. Unhappily there are
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not many to learn, as the only train tomorrow leaves as I say."
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"Wonderful woman!" murmured the Professor.
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"Can't we get a special?" asked Lord Godalming.
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Van Helsing shook his head, "I fear not. This land is very different
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from yours or mine. Even if we did have a special, it would probably
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not arrive as soon as our regular train. Moreover, we have something
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to prepare. We must think. Now let us organize. You, friend Arthur,
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go to the train and get the tickets and arrange that all be ready for
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us to go in the morning. Do you, friend Jonathan, go to the agent of
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the ship and get from him letters to the agent in Galatz, with
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authority to make a search of the ship just as it was here. Quincey
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Morris, you see the Vice Consul, and get his aid with his fellow in
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Galatz and all he can do to make our way smooth, so that no times be
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lost when over the Danube. John will stay with Madam Mina and me, and
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we shall consult. For so if time be long you may be delayed. And it
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will not matter when the sun set, since I am here with Madam to make
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report."
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"And I," said Mrs. Harker brightly, and more like her old self than
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she had been for many a long day, "shall try to be of use in all ways,
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and shall think and write for you as I used to do. Something is
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shifting from me in some strange way, and I feel freer than I have
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been of late!"
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The three younger men looked happier at the moment as they seemed to
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realize the significance of her words. But Van Helsing and I, turning
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to each other, met each a grave and troubled glance. We said nothing
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at the time, however.
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When the three men had gone out to their tasks Van Helsing asked Mrs.
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Harker to look up the copy of the diaries and find him the part of
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Harker's journal at the Castle. She went away to get it.
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When the door was shut upon her he said to me, "We mean the same!
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Speak out!"
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"Here is some change. It is a hope that makes me sick, for it may
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deceive us."
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"Quite so. Do you know why I asked her to get the manuscript?"
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"No!" said I, "unless it was to get an opportunity of seeing me
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alone."
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"You are in part right, friend John, but only in part. I want to tell
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you something. And oh, my friend, I am taking a great, a terrible,
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risk. But I believe it is right. In the moment when Madam Mina said
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those words that arrest both our understanding, an inspiration came to
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me. In the trance of three days ago the Count sent her his spirit to
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read her mind. Or more like he took her to see him in his earth box
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in the ship with water rushing, just as it go free at rise and set of
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sun. He learn then that we are here, for she have more to tell in her
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open life with eyes to see ears to hear than he, shut as he is, in his
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coffin box. Now he make his most effort to escape us. At present he
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want her not.
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"He is sure with his so great knowledge that she will come at his
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call. But he cut her off, take her, as he can do, out of his own
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|
power, that so she come not to him. Ah! There I have hope that our
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|
man brains that have been of man so long and that have not lost the
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|
grace of God, will come higher than his child-brain that lie in his
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|
tomb for centuries, that grow not yet to our stature, and that do only
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|
work selfish and therefore small. Here comes Madam Mina. Not a word
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to her of her trance! She knows it not, and it would overwhelm her
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|
and make despair just when we want all her hope, all her courage, when
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|
most we want all her great brain which is trained like man's brain,
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|
but is of sweet woman and have a special power which the Count give
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her, and which he may not take away altogether, though he think not
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|
so. Hush! Let me speak, and you shall learn. Oh, John, my friend,
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|
we are in awful straits. I fear, as I never feared before. We can
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|
only trust the good God. Silence! Here she comes!"
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I thought that the Professor was going to break down and have
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|
hysterics, just as he had when Lucy died, but with a great effort he
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|
controlled himself and was at perfect nervous poise when Mrs. Harker
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|
tripped into the room, bright and happy looking and, in the doing of
|
|
work, seemingly forgetful of her misery. As she came in, she handed a
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|
number of sheets of typewriting to Van Helsing. He looked over them
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|
gravely, his face brightening up as he read.
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Then holding the pages between his finger and thumb he said, "Friend
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John, to you with so much experience already, and you too, dear Madam
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|
Mina, that are young, here is a lesson. Do not fear ever to think. A
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|
half thought has been buzzing often in my brain, but I fear to let him
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|
loose his wings. Here now, with more knowledge, I go back to where
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|
that half thought come from and I find that he be no half thought at
|
|
all. That be a whole thought, though so young that he is not yet
|
|
strong to use his little wings. Nay, like the 'Ugly Duck' of my
|
|
friend Hans Andersen, he be no duck thought at all, but a big swan
|
|
thought that sail nobly on big wings, when the time come for him to
|
|
try them. See I read here what Jonathan have written.
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|
"That other of his race who, in a later age, again and again, brought
|
|
his forces over The Great River into Turkey Land, who when he was
|
|
beaten back, came again, and again, and again, though he had to come
|
|
alone from the bloody field where his troops were being slaughtered,
|
|
since he knew that he alone could ultimately triumph.
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"What does this tell us? Not much? No! The Count's child thought
|
|
see nothing, therefore he speak so free. Your man thought see
|
|
nothing. My man thought see nothing, till just now. No! But there
|
|
comes another word from some one who speak without thought because
|
|
she, too, know not what it mean, what it might mean. Just as there
|
|
are elements which rest, yet when in nature's course they move on
|
|
their way and they touch, the pouf! And there comes a flash of light,
|
|
heaven wide, that blind and kill and destroy some. But that show up
|
|
all earth below for leagues and leagues. Is it not so? Well, I shall
|
|
explain. To begin, have you ever study the philosophy of crime?
|
|
'Yes' and 'No.' You, John, yes, for it is a study of insanity. You,
|
|
no, Madam Mina, for crime touch you not, not but once. Still, your
|
|
mind works true, and argues not a particulari ad universale. There is
|
|
this peculiarity in criminals. It is so constant, in all countries
|
|
and at all times, that even police, who know not much from philosophy,
|
|
come to know it empirically, that it is. That is to be empiric. The
|
|
criminal always work at one crime, that is the true criminal who seems
|
|
predestinate to crime, and who will of none other. This criminal has
|
|
not full man brain. He is clever and cunning and resourceful, but he
|
|
be not of man stature as to brain. He be of child brain in much. Now
|
|
this criminal of ours is predestinate to crime also. He, too, have
|
|
child brain, and it is of the child to do what he have done. The
|
|
little bird, the little fish, the little animal learn not by
|
|
principle, but empirically. And when he learn to do, then there is to
|
|
him the ground to start from to do more. 'Dos pou sto,' said
|
|
Archimedes. 'Give me a fulcrum, and I shall move the world!' To do
|
|
once, is the fulcrum whereby child brain become man brain. And until
|
|
he have the purpose to do more, he continue to do the same again every
|
|
time, just as he have done before! Oh, my dear, I see that your eyes
|
|
are opened, and that to you the lightning flash show all the leagues,"
|
|
for Mrs. Harker began to clap her hands and her eyes sparkled.
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|
He went on, "Now you shall speak. Tell us two dry men of science what
|
|
you see with those so bright eyes." He took her hand and held it
|
|
whilst he spoke. His finger and thumb closed on her pulse, as I
|
|
thought instinctively and unconsciously, as she spoke.
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|
"The Count is a criminal and of criminal type. Nordau and Lombroso
|
|
would so classify him, and qua criminal he is of an imperfectly formed
|
|
mind. Thus, in a difficulty he has to seek resource in habit. His
|
|
past is a clue, and the one page of it that we know, and that from his
|
|
own lips, tells that once before, when in what Mr. Morris would call
|
|
a 'tight place,' he went back to his own country from the land he had
|
|
tried to invade, and thence, without losing purpose, prepared himself
|
|
for a new effort. He came again better equipped for his work, and
|
|
won. So he came to London to invade a new land. He was beaten, and
|
|
when all hope of success was lost, and his existence in danger, he
|
|
fled back over the sea to his home. Just as formerly he had fled back
|
|
over the Danube from Turkey Land."
|
|
|
|
"Good, good! Oh, you so clever lady!" said Van Helsing,
|
|
enthusiastically, as he stooped and kissed her hand. A moment later
|
|
he said to me, as calmly as though we had been having a sick room
|
|
consultation, "Seventy-two only, and in all this excitement. I have
|
|
hope."
|
|
|
|
Turning to her again, he said with keen expectation, "But go on. Go
|
|
on! There is more to tell if you will. Be not afraid. John and I
|
|
know. I do in any case, and shall tell you if you are right. Speak,
|
|
without fear!"
|
|
|
|
"I will try to. But you will forgive me if I seem too egotistical."
|
|
|
|
"Nay! Fear not, you must be egotist, for it is of you that we think."
|
|
|
|
"Then, as he is criminal he is selfish. And as his intellect is small
|
|
and his action is based on selfishness, he confines himself to one
|
|
purpose. That purpose is remorseless. As he fled back over the
|
|
Danube, leaving his forces to be cut to pieces, so now he is intent on
|
|
being safe, careless of all. So his own selfishness frees my soul
|
|
somewhat from the terrible power which he acquired over me on that
|
|
dreadful night. I felt it! Oh, I felt it! Thank God, for His great
|
|
mercy! My soul is freer than it has been since that awful hour. And
|
|
all that haunts me is a fear lest in some trance or dream he may have
|
|
used my knowledge for his ends."
|
|
|
|
The Professor stood up, "He has so used your mind, and by it he has
|
|
left us here in Varna, whilst the ship that carried him rushed through
|
|
enveloping fog up to Galatz, where, doubtless, he had made preparation
|
|
for escaping from us. But his child mind only saw so far. And it may
|
|
be that as ever is in God's Providence, the very thing that the evil
|
|
doer most reckoned on for his selfish good, turns out to be his
|
|
chiefest harm. The hunter is taken in his own snare, as the great
|
|
Psalmist says. For now that he think he is free from every trace of
|
|
us all, and that he has escaped us with so many hours to him, then his
|
|
selfish child brain will whisper him to sleep. He think, too, that as
|
|
he cut himself off from knowing your mind, there can be no knowledge
|
|
of him to you. There is where he fail! That terrible baptism of
|
|
blood which he give you makes you free to go to him in spirit, as you
|
|
have as yet done in your times of freedom, when the sun rise and set.
|
|
At such times you go by my volition and not by his. And this power to
|
|
good of you and others, you have won from your suffering at his hands.
|
|
This is now all more precious that he know it not, and to guard
|
|
himself have even cut himself off from his knowledge of our where.
|
|
We, however, are not selfish, and we believe that God is with us
|
|
through all this blackness, and these many dark hours. We shall
|
|
follow him, and we shall not flinch, even if we peril ourselves that
|
|
we become like him. Friend John, this has been a great hour, and it
|
|
have done much to advance us on our way. You must be scribe and write
|
|
him all down, so that when the others return from their work you can
|
|
give it to them, then they shall know as we do."
|
|
|
|
And so I have written it whilst we wait their return, and Mrs. Harker
|
|
has written with the typewriter all since she brought the MS to us.
|
|
|
|
|
|
|
|
|
|
CHAPTER 26
|
|
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|
|
|
DR. SEWARD'S DIARY
|
|
|
|
29 October.--This is written in the train from Varna to Galatz. Last
|
|
night we all assembled a little before the time of sunset. Each of us
|
|
had done his work as well as he could, so far as thought, and
|
|
endeavour, and opportunity go, we are prepared for the whole of our
|
|
journey, and for our work when we get to Galatz. When the usual time
|
|
came round Mrs. Harker prepared herself for her hypnotic effort, and
|
|
after a longer and more serious effort on the part of Van Helsing than
|
|
has been usually necessary, she sank into the trance. Usually she
|
|
speaks on a hint, but this time the Professor had to ask her
|
|
questions, and to ask them pretty resolutely, before we could learn
|
|
anything. At last her answer came.
|
|
|
|
"I can see nothing. We are still. There are no waves lapping, but
|
|
only a steady swirl of water softly running against the hawser. I can
|
|
hear men's voices calling, near and far, and the roll and creak of
|
|
oars in the rowlocks. A gun is fired somewhere, the echo of it seems
|
|
far away. There is tramping of feet overhead, and ropes and chains
|
|
are dragged along. What is this? There is a gleam of light. I can
|
|
feel the air blowing upon me."
|
|
|
|
Here she stopped. She had risen, as if impulsively, from where she
|
|
lay on the sofa, and raised both her hands, palms upwards, as if
|
|
lifting a weight. Van Helsing and I looked at each other with
|
|
understanding. Quincey raised his eyebrows slightly and looked at her
|
|
intently, whilst Harker's hand instinctively closed round the hilt of
|
|
his Kukri. There was a long pause. We all knew that the time when
|
|
she could speak was passing, but we felt that it was useless to say
|
|
anything.
|
|
|
|
Suddenly she sat up, and as she opened her eyes said sweetly, "Would
|
|
none of you like a cup of tea? You must all be so tired!"
|
|
|
|
We could only make her happy, and so acqueisced. She bustled off to
|
|
get tea. When she had gone Van Helsing said, "You see, my friends. He
|
|
is close to land. He has left his earth chest. But he has yet to get
|
|
on shore. In the night he may lie hidden somewhere, but if he be not
|
|
carried on shore, or if the ship do not touch it, he cannot achieve
|
|
the land. In such case he can, if it be in the night, change his form
|
|
and jump or fly on shore, then, unless he be carried he cannot escape.
|
|
And if he be carried, then the customs men may discover what the box
|
|
contain. Thus, in fine, if he escape not on shore tonight, or before
|
|
dawn, there will be the whole day lost to him. We may then arrive in
|
|
time. For if he escape not at night we shall come on him in daytime,
|
|
boxed up and at our mercy. For he dare not be his true self, awake
|
|
and visible, lest he be discovered."
|
|
|
|
There was no more to be said, so we waited in patience until the dawn,
|
|
at which time we might learn more from Mrs. Harker.
|
|
|
|
Early this morning we listened, with breathless anxiety, for her
|
|
response in her trance. The hypnotic stage was even longer in coming
|
|
than before, and when it came the time remaining until full sunrise
|
|
was so short that we began to despair. Van Helsing seemed to throw
|
|
his whole soul into the effort. At last, in obedience to his will she
|
|
made reply.
|
|
|
|
"All is dark. I hear lapping water, level with me, and some creaking
|
|
as of wood on wood." She paused, and the red sun shot up. We must
|
|
wait till tonight.
|
|
|
|
And so it is that we are travelling towards Galatz in an agony of
|
|
expectation. We are due to arrive between two and three in the
|
|
morning. But already, at Bucharest, we are three hours late, so we
|
|
cannot possibly get in till well after sunup. Thus we shall have two
|
|
more hypnotic messages from Mrs. Harker! Either or both may possibly
|
|
throw more light on what is happening.
|
|
|
|
|
|
Later.--Sunset has come and gone. Fortunately it came at a time when
|
|
there was no distraction. For had it occurred whilst we were at a
|
|
station, we might not have secured the necessary calm and isolation.
|
|
Mrs. Harker yielded to the hypnotic influence even less readily than
|
|
this morning. I am in fear that her power of reading the Count's
|
|
sensations may die away, just when we want it most. It seems to me
|
|
that her imagination is beginning to work. Whilst she has been in the
|
|
trance hitherto she has confined herself to the simplest of facts. If
|
|
this goes on it may ultimately mislead us. If I thought that the
|
|
Count's power over her would die away equally with her power of
|
|
knowledge it would be a happy thought. But I am afraid that it may
|
|
not be so.
|
|
|
|
When she did speak, her words were enigmatical, "Something is going
|
|
out. I can feel it pass me like a cold wind. I can hear, far off,
|
|
confused sounds, as of men talking in strange tongues, fierce falling
|
|
water, and the howling of wolves." She stopped and a shudder ran
|
|
through her, increasing in intensity for a few seconds, till at the
|
|
end, she shook as though in a palsy. She said no more, even in answer
|
|
to the Professor's imperative questioning. When she woke from the
|
|
trance, she was cold, and exhausted, and languid, but her mind was all
|
|
alert. She could not remember anything, but asked what she had said.
|
|
When she was told, she pondered over it deeply for a long time and in
|
|
silence.
|
|
|
|
|
|
30 October, 7 A.M.--We are near Galatz now, and I may not have time to
|
|
write later. Sunrise this morning was anxiously looked for by us all.
|
|
Knowing of the increasing difficulty of procuring the hypnotic trance,
|
|
Van Helsing began his passes earlier than usual. They produced no
|
|
effect, however, until the regular time, when she yielded with a still
|
|
greater difficulty, only a minute before the sun rose. The Professor
|
|
lost no time in his questioning.
|
|
|
|
Her answer came with equal quickness, "All is dark. I hear water
|
|
swirling by, level with my ears, and the creaking of wood on wood.
|
|
Cattle low far off. There is another sound, a queer one like . . ."
|
|
She stopped and grew white, and whiter still.
|
|
|
|
"Go on, go on! Speak, I command you!" said Van Helsing in an agonized
|
|
voice. At the same time there was despair in his eyes, for the risen
|
|
sun was reddening even Mrs. Harker's pale face. She opened her eyes,
|
|
and we all started as she said, sweetly and seemingly with the utmost
|
|
unconcern.
|
|
|
|
"Oh, Professor, why ask me to do what you know I can't? I don't
|
|
remember anything." Then, seeing the look of amazement on our faces,
|
|
she said, turning from one to the other with a troubled look, "What
|
|
have I said? What have I done? I know nothing, only that I was lying
|
|
here, half asleep, and heard you say 'go on! speak, I command you!' It
|
|
seemed so funny to hear you order me about, as if I were a bad child!"
|
|
|
|
"Oh, Madam Mina," he said, sadly, "it is proof, if proof be needed, of
|
|
how I love and honour you, when a word for your good, spoken more
|
|
earnest than ever, can seem so strange because it is to order her whom
|
|
I am proud to obey!"
|
|
|
|
The whistles are sounding. We are nearing Galatz. We are on fire
|
|
with anxiety and eagerness.
|
|
|
|
|
|
|
|
MINA HARKER'S JOURNAL
|
|
|
|
30 October.--Mr. Morris took me to the hotel where our rooms had been
|
|
ordered by telegraph, he being the one who could best be spared, since
|
|
he does not speak any foreign language. The forces were distributed
|
|
much as they had been at Varna, except that Lord Godalming went to the
|
|
Vice Consul, as his rank might serve as an immediate guarantee of some
|
|
sort to the official, we being in extreme hurry. Jonathan and the two
|
|
doctors went to the shipping agent to learn particulars of the arrival
|
|
of the Czarina Catherine.
|
|
|
|
|
|
Later.--Lord Godalming has returned. The Consul is away, and the Vice
|
|
Consul sick. So the routine work has been attended to by a clerk. He
|
|
was very obliging, and offered to do anything in his power.
|
|
|
|
|
|
|
|
JONATHAN HARKER'S JOURNAL
|
|
|
|
30 October.--At nine o'clock Dr. Van Helsing, Dr. Seward, and I called
|
|
on Messrs. Mackenzie & Steinkoff, the agents of the London firm of
|
|
Hapgood. They had received a wire from London, in answer to Lord
|
|
Godalming's telegraphed request, asking them to show us any civility
|
|
in their power. They were more than kind and courteous, and took us
|
|
at once on board the Czarina Catherine, which lay at anchor out in the
|
|
river harbor. There we saw the Captain, Donelson by name, who told us
|
|
of his voyage. He said that in all his life he had never had so
|
|
favourable a run.
|
|
|
|
"Man!" he said, "but it made us afeard, for we expect it that we
|
|
should have to pay for it wi' some rare piece o' ill luck, so as to
|
|
keep up the average. It's no canny to run frae London to the Black
|
|
Sea wi' a wind ahint ye, as though the Deil himself were blawin' on
|
|
yer sail for his ain purpose. An' a' the time we could no speer a
|
|
thing. Gin we were nigh a ship, or a port, or a headland, a fog fell
|
|
on us and travelled wi' us, till when after it had lifted and we
|
|
looked out, the deil a thing could we see. We ran by Gibraltar wi'
|
|
oot bein' able to signal. An' til we came to the Dardanelles and had
|
|
to wait to get our permit to pass, we never were within hail o'
|
|
aught. At first I inclined to slack off sail and beat about till the
|
|
fog was lifted. But whiles, I thocht that if the Deil was minded to
|
|
get us into the Black Sea quick, he was like to do it whether we would
|
|
or no. If we had a quick voyage it would be no to our miscredit
|
|
wi' the owners, or no hurt to our traffic, an' the Old Mon who had
|
|
served his ain purpose wad be decently grateful to us for no hinderin'
|
|
him."
|
|
|
|
This mixture of simplicity and cunning, of superstition and commercial
|
|
reasoning, aroused Van Helsing, who said, "Mine friend, that Devil is
|
|
more clever than he is thought by some, and he know when he meet his
|
|
match!"
|
|
|
|
The skipper was not displeased with the compliment, and went on, "When
|
|
we got past the Bosphorus the men began to grumble. Some o' them, the
|
|
Roumanians, came and asked me to heave overboard a big box which had
|
|
been put on board by a queer lookin' old man just before we had
|
|
started frae London. I had seen them speer at the fellow, and put out
|
|
their twa fingers when they saw him, to guard them against the evil
|
|
eye. Man! but the supersteetion of foreigners is pairfectly
|
|
rideeculous! I sent them aboot their business pretty quick, but as
|
|
just after a fog closed in on us I felt a wee bit as they did anent
|
|
something, though I wouldn't say it was again the big box. Well, on
|
|
we went, and as the fog didn't let up for five days I joost let the
|
|
wind carry us, for if the Deil wanted to get somewheres, well, he
|
|
would fetch it up a'reet. An' if he didn't, well, we'd keep a sharp
|
|
lookout anyhow. Sure eneuch, we had a fair way and deep water all the
|
|
time. And two days ago, when the mornin' sun came through the fog, we
|
|
found ourselves just in the river opposite Galatz. The Roumanians
|
|
were wild, and wanted me right or wrong to take out the box and fling
|
|
it in the river. I had to argy wi' them aboot it wi' a handspike. An'
|
|
when the last o' them rose off the deck wi' his head in his hand, I
|
|
had convinced them that, evil eye or no evil eye, the property and the
|
|
trust of my owners were better in my hands than in the river Danube.
|
|
They had, mind ye, taken the box on the deck ready to fling in, and as
|
|
it was marked Galatz via Varna, I thocht I'd let it lie till we
|
|
discharged in the port an' get rid o't althegither. We didn't do much
|
|
clearin' that day, an' had to remain the nicht at anchor. But in the
|
|
mornin', braw an' airly, an hour before sunup, a man came aboard wi'
|
|
an order, written to him from England, to receive a box marked for one
|
|
Count Dracula. Sure eneuch the matter was one ready to his hand. He
|
|
had his papers a' reet, an' glad I was to be rid o' the dam' thing,
|
|
for I was beginnin' masel' to feel uneasy at it. If the Deil did have
|
|
any luggage aboord the ship, I'm thinkin' it was nane ither than that
|
|
same!"
|
|
|
|
"What was the name of the man who took it?" asked Dr. Van Helsing with
|
|
restrained eagerness.
|
|
|
|
"I'll be tellin' ye quick!" he answered, and stepping down to his
|
|
cabin, produced a receipt signed "Immanuel Hildesheim." Burgen-strasse
|
|
16 was the address. We found out that this was all the Captain knew,
|
|
so with thanks we came away.
|
|
|
|
We found Hildesheim in his office, a Hebrew of rather the Adelphi
|
|
Theatre type, with a nose like a sheep, and a fez. His arguments were
|
|
pointed with specie, we doing the punctuation, and with a little
|
|
bargaining he told us what he knew. This turned out to be simple but
|
|
important. He had received a letter from Mr. de Ville of London,
|
|
telling him to receive, if possible before sunrise so as to avoid
|
|
customs, a box which would arrive at Galatz in the Czarina Catherine.
|
|
This he was to give in charge to a certain Petrof Skinsky, who dealt
|
|
with the Slovaks who traded down the river to the port. He had been
|
|
paid for his work by an English bank note, which had been duly cashed
|
|
for gold at the Danube International Bank. When Skinsky had come to
|
|
him, he had taken him to the ship and handed over the box, so as to
|
|
save porterage. That was all he knew.
|
|
|
|
We then sought for Skinsky, but were unable to find him. One of his
|
|
neighbors, who did not seem to bear him any affection, said that he
|
|
had gone away two days before, no one knew whither. This was
|
|
corroborated by his landlord, who had received by messenger the key of
|
|
the house together with the rent due, in English money. This had been
|
|
between ten and eleven o'clock last night. We were at a standstill
|
|
again.
|
|
|
|
Whilst we were talking one came running and breathlessly gasped out
|
|
that the body of Skinsky had been found inside the wall of the
|
|
churchyard of St. Peter, and that the throat had been torn open as if
|
|
by some wild animal. Those we had been speaking with ran off to see
|
|
the horror, the women crying out. "This is the work of a Slovak!" We
|
|
hurried away lest we should have been in some way drawn into the
|
|
affair, and so detained.
|
|
|
|
As we came home we could arrive at no definite conclusion. We were
|
|
all convinced that the box was on its way, by water, to somewhere, but
|
|
where that might be we would have to discover. With heavy hearts we
|
|
came home to the hotel to Mina.
|
|
|
|
When we met together, the first thing was to consult as to taking Mina
|
|
again into our confidence. Things are getting desperate, and it is at
|
|
least a chance, though a hazardous one. As a preliminary step, I was
|
|
released from my promise to her.
|
|
|
|
|
|
|
|
|
|
|
|
MINA HARKER'S JOURNAL
|
|
|
|
30 October, evening.--They were so tired and worn out and dispirited
|
|
that there was nothing to be done till they had some rest, so I asked
|
|
them all to lie down for half an hour whilst I should enter everything
|
|
up to the moment. I feel so grateful to the man who invented the
|
|
"Traveller's" typewriter, and to Mr. Morris for getting this one for
|
|
me. I should have felt quite astray doing the work if I had to write
|
|
with a pen . . .
|
|
|
|
It is all done. Poor dear, dear Jonathan, what he must have suffered,
|
|
what he must be suffering now. He lies on the sofa hardly seeming to
|
|
breathe, and his whole body appears in collapse. His brows are knit.
|
|
His face is drawn with pain. Poor fellow, maybe he is thinking, and I
|
|
can see his face all wrinkled up with the concentration of his
|
|
thoughts. Oh! if I could only help at all. I shall do what I can.
|
|
|
|
I have asked Dr. Van Helsing, and he has got me all the papers that I
|
|
have not yet seen. Whilst they are resting, I shall go over all
|
|
carefully, and perhaps I may arrive at some conclusion. I shall try
|
|
to follow the Professor's example, and think without prejudice on the
|
|
facts before me . . .
|
|
|
|
I do believe that under God's providence I have made a discovery. I
|
|
shall get the maps and look over them.
|
|
|
|
I am more than ever sure that I am right. My new conclusion is ready,
|
|
so I shall get our party together and read it. They can judge it. It
|
|
is well to be accurate, and every minute is precious.
|
|
|
|
|
|
|
|
MINA HARKER'S MEMORANDUM
|
|
|
|
(ENTERED IN HER JOURNAL)
|
|
|
|
|
|
Ground of inquiry.--Count Dracula's problem is to get back
|
|
to his own place.
|
|
|
|
(a) He must be brought back by some one. This is evident;
|
|
for had he power to move himself as he wished he could go
|
|
either as man, or wolf, or bat, or in some other way. He
|
|
evidently fears discovery or interference, in the state of
|
|
helplessness in which he must be, confined as he is between
|
|
dawn and sunset in his wooden box.
|
|
|
|
(b) How is he to be taken?--Here a process of exclusions may
|
|
help us. By road, by rail, by water?
|
|
|
|
1. By Road.--There are endless difficulties, especially in
|
|
leaving the city.
|
|
|
|
(x) There are people. And people are curious, and
|
|
investigate. A hint, a surmise, a doubt as to what might
|
|
be in the box, would destroy him.
|
|
|
|
(y) There are, or there may be, customs and octroi officers
|
|
to pass.
|
|
|
|
(z) His pursuers might follow. This is his highest fear.
|
|
And in order to prevent his being betrayed he has repelled,
|
|
so far as he can, even his victim, me!
|
|
|
|
2. By Rail.--There is no one in charge of the box. It
|
|
would have to take its chance of being delayed, and delay
|
|
would be fatal, with enemies on the track. True, he might
|
|
escape at night. But what would he be, if left in a strange
|
|
place with no refuge that he could fly to? This is not what he
|
|
intends, and he does not mean to risk it.
|
|
|
|
3. By Water.--Here is the safest way, in one respect, but
|
|
with most danger in another. On the water he is powerless
|
|
except at night. Even then he can only summon fog and storm and
|
|
snow and his wolves. But were he wrecked, the living water would
|
|
engulf him, helpless, and he would indeed be lost. He could have
|
|
the vessel drive to land, but if it were unfriendly land, wherein
|
|
he was not free to move, his position would still be desperate.
|
|
|
|
We know from the record that he was on the water, so what
|
|
we have to do is to ascertain what water.
|
|
|
|
The first thing is to realize exactly what he has done as
|
|
yet. We may, then, get a light on what his task is to be.
|
|
|
|
Firstly.--We must differentiate between what he did in
|
|
London as part of his general plan of action, when he was
|
|
pressed for moments and had to arrange as best he could.
|
|
|
|
Secondly.--We must see, as well as we can surmise it from the
|
|
facts we know of, what he has done here.
|
|
|
|
As to the first, he evidently intended to arrive at Galatz,
|
|
and sent invoice to Varna to deceive us lest we should ascertain
|
|
his means of exit from England. His immediate and sole purpose
|
|
then was to escape. The proof of this, is the letter of
|
|
instructions sent to Immanuel Hildesheim to clear and take away
|
|
the box before sunrise. There is also the instruction to Petrof
|
|
Skinsky. These we must only guess at, but there must have been
|
|
some letter or message, since Skinsky came to Hildesheim.
|
|
|
|
That, so far, his plans were successful we know. The Czarina
|
|
Catherine made a phenomenally quick journey. So much so that
|
|
Captain Donelson's suspicions were aroused. But his superstition
|
|
united with his canniness played the Count's game for him, and he
|
|
ran with his favouring wind through fogs and all till he brought
|
|
up blindfold at Galatz. That the Count's arrangements were well
|
|
made, has been proved. Hildesheim cleared the box, took it off,
|
|
and gave it to Skinsky. Skinsky took it, and here we lose the
|
|
trail. We only know that the box is somewhere on the water,
|
|
moving along. The customs and the octroi, if there be any, have
|
|
been avoided.
|
|
|
|
Now we come to what the Count must have done after his
|
|
arrival, on land, at Galatz.
|
|
|
|
The box was given to Skinsky before sunrise. At sunrise
|
|
the Count could appear in his own form. Here, we ask why
|
|
Skinsky was chosen at all to aid in the work? In my husband's
|
|
diary, Skinsky is mentioned as dealing with the Slovaks who trade
|
|
down the river to the port. And the man's remark, that the
|
|
murder was the work of a Slovak, showed the general feeling
|
|
against his class. The Count wanted isolation.
|
|
|
|
My surmise is this, that in London the Count decided to get
|
|
back to his castle by water, as the most safe and secret
|
|
way. He was brought from the castle by Szgany, and probably they
|
|
delivered their cargo to Slovaks who took the boxes to Varna, for
|
|
there they were shipped to London. Thus the Count had knowledge
|
|
of the persons who could arrange this service. When the box was
|
|
on land, before sunrise or after sunset, he came out from his
|
|
box, met Skinsky and instructed him what to do as to arranging
|
|
the carriage of the box up some river. When this was done, and
|
|
he knew that all was in train, he blotted out his traces, as he
|
|
thought, by murdering his agent.
|
|
|
|
I have examined the map and find that the river most
|
|
suitable for the Slovaks to have ascended is either the
|
|
Pruth or the Sereth. I read in the typescript that in my
|
|
trance I heard cows low and water swirling level with my
|
|
ears and the creaking of wood. The Count in his box, then,
|
|
was on a river in an open boat, propelled probably either
|
|
by oars or poles, for the banks are near and it is working
|
|
against stream. There would be no such if floating down
|
|
stream.
|
|
|
|
Of course it may not be either the Sereth or the Pruth, but
|
|
we may possibly investigate further. Now of these two, the
|
|
Pruth is the more easily navigated, but the Sereth is, at
|
|
Fundu, joined by the Bistritza which runs up round the Borgo
|
|
Pass. The loop it makes is manifestly as close to Dracula's
|
|
castle as can be got by water.
|
|
|
|
|
|
|
|
MINA HARKER'S JOURNAL--CONTINUED
|
|
|
|
When I had done reading, Jonathan took me in his arms and kissed me.
|
|
The others kept shaking me by both hands, and Dr. Van Helsing said,
|
|
"Our dear Madam Mina is once more our teacher. Her eyes have been
|
|
where we were blinded. Now we are on the track once again, and this
|
|
time we may succeed. Our enemy is at his most helpless. And if we
|
|
can come on him by day, on the water, our task will be over. He has a
|
|
start, but he is powerless to hasten, as he may not leave this box
|
|
lest those who carry him may suspect. For them to suspect would be to
|
|
prompt them to throw him in the stream where he perish. This he
|
|
knows, and will not. Now men, to our Council of War, for here and
|
|
now, we must plan what each and all shall do."
|
|
|
|
"I shall get a steam launch and follow him," said Lord Godalming.
|
|
|
|
"And I, horses to follow on the bank lest by chance he land," said Mr.
|
|
Morris.
|
|
|
|
"Good!" said the Professor, "both good. But neither must go alone.
|
|
There must be force to overcome force if need be. The Slovak is
|
|
strong and rough, and he carries rude arms." All the men smiled, for
|
|
amongst them they carried a small arsenal.
|
|
|
|
Said Mr. Morris, "I have brought some Winchesters. They are pretty
|
|
handy in a crowd, and there may be wolves. The Count, if you
|
|
remember, took some other precautions. He made some requisitions on
|
|
others that Mrs. Harker could not quite hear or understand. We must
|
|
be ready at all points."
|
|
|
|
Dr. Seward said, "I think I had better go with Quincey. We have been
|
|
accustomed to hunt together, and we two, well armed, will be a match
|
|
for whatever may come along. You must not be alone, Art. It may be
|
|
necessary to fight the Slovaks, and a chance thrust, for I don't
|
|
suppose these fellows carry guns, would undo all our plans. There
|
|
must be no chances, this time. We shall not rest until the Count's
|
|
head and body have been separated, and we are sure that he cannot
|
|
reincarnate."
|
|
|
|
He looked at Jonathan as he spoke, and Jonathan looked at me. I could
|
|
see that the poor dear was torn about in his mind. Of course he
|
|
wanted to be with me. But then the boat service would, most likely,
|
|
be the one which would destroy the . . . the . . . Vampire. (Why did
|
|
I hesitate to write the word?)
|
|
|
|
He was silent awhile, and during his silence Dr. Van Helsing spoke,
|
|
"Friend Jonathan, this is to you for twice reasons. First, because
|
|
you are young and brave and can fight, and all energies may be needed
|
|
at the last. And again that it is your right to destroy him. That,
|
|
which has wrought such woe to you and yours. Be not afraid for Madam
|
|
Mina. She will be my care, if I may. I am old. My legs are not so
|
|
quick to run as once. And I am not used to ride so long or to pursue
|
|
as need be, or to fight with lethal weapons. But I can be of other
|
|
service. I can fight in other way. And I can die, if need be, as
|
|
well as younger men. Now let me say that what I would is this. While
|
|
you, my Lord Godalming and friend Jonathan go in your so swift little
|
|
steamboat up the river, and whilst John and Quincey guard the bank
|
|
where perchance he might be landed, I will take Madam Mina right into
|
|
the heart of the enemy's country. Whilst the old fox is tied in his
|
|
box, floating on the running stream whence he cannot escape to land,
|
|
where he dares not raise the lid of his coffin box lest his Slovak
|
|
carriers should in fear leave him to perish, we shall go in the track
|
|
where Jonathan went, from Bistritz over the Borgo, and find our way to
|
|
the Castle of Dracula. Here, Madam Mina's hypnotic power will surely
|
|
help, and we shall find our way, all dark and unknown otherwise, after
|
|
the first sunrise when we are near that fateful place. There is much
|
|
to be done, and other places to be made sanctify, so that that nest of
|
|
vipers be obliterated."
|
|
|
|
Here Jonathan interrupted him hotly, "Do you mean to say, Professor
|
|
Van Helsing, that you would bring Mina, in her sad case and tainted as
|
|
she is with that devil's illness, right into the jaws of his
|
|
deathtrap? Not for the world! Not for Heaven or Hell!"
|
|
|
|
He became almost speechless for a minute, and then went on, "Do you
|
|
know what the place is? Have you seen that awful den of hellish
|
|
infamy, with the very moonlight alive with grisly shapes, and every
|
|
speck of dust that whirls in the wind a devouring monster in embryo?
|
|
Have you felt the Vampire's lips upon your throat?"
|
|
|
|
Here he turned to me, and as his eyes lit on my forehead he threw up
|
|
his arms with a cry, "Oh, my God, what have we done to have this
|
|
terror upon us?" and he sank down on the sofa in a collapse of misery.
|
|
|
|
The Professor's voice, as he spoke in clear, sweet tones, which seemed
|
|
to vibrate in the air, calmed us all.
|
|
|
|
"Oh, my friend, it is because I would save Madam Mina from that awful
|
|
place that I would go. God forbid that I should take her into that
|
|
place. There is work, wild work, to be done before that place can be
|
|
purify. Remember that we are in terrible straits. If the Count
|
|
escape us this time, and he is strong and subtle and cunning, he may
|
|
choose to sleep him for a century, and then in time our dear one," he
|
|
took my hand, "would come to him to keep him company, and would be as
|
|
those others that you, Jonathan, saw. You have told us of their
|
|
gloating lips. You heard their ribald laugh as they clutched the
|
|
moving bag that the Count threw to them. You shudder, and well may it
|
|
be. Forgive me that I make you so much pain, but it is necessary. My
|
|
friend, is it not a dire need for that which I am giving, possibly my
|
|
life? If it were that any one went into that place to stay, it is I
|
|
who would have to go to keep them company."
|
|
|
|
"Do as you will," said Jonathan, with a sob that shook him all over,
|
|
"we are in the hands of God!"
|
|
|
|
|
|
Later.--Oh, it did me good to see the way that these brave men worked.
|
|
How can women help loving men when they are so earnest, and so true,
|
|
and so brave! And, too, it made me think of the wonderful power of
|
|
money! What can it not do when basely used. I felt so thankful that
|
|
Lord Godalming is rich, and both he and Mr. Morris, who also has
|
|
plenty of money, are willing to spend it so freely. For if they did
|
|
not, our little expedition could not start, either so promptly or so
|
|
well equipped, as it will within another hour. It is not three hours
|
|
since it was arranged what part each of us was to do. And now Lord
|
|
Godalming and Jonathan have a lovely steam launch, with steam up ready
|
|
to start at a moment's notice. Dr. Seward and Mr. Morris have half a
|
|
dozen good horses, well appointed. We have all the maps and
|
|
appliances of various kinds that can be had. Professor Van Helsing
|
|
and I are to leave by the 11:40 train tonight for Veresti, where we
|
|
are to get a carriage to drive to the Borgo Pass. We are bringing a
|
|
good deal of ready money, as we are to buy a carriage and horses. We
|
|
shall drive ourselves, for we have no one whom we can trust in the
|
|
matter. The Professor knows something of a great many languages, so
|
|
we shall get on all right. We have all got arms, even for me a large
|
|
bore revolver. Jonathan would not be happy unless I was armed like
|
|
the rest. Alas! I cannot carry one arm that the rest do, the scar on
|
|
my forehead forbids that. Dear Dr. Van Helsing comforts me by telling
|
|
me that I am fully armed as there may be wolves. The weather is
|
|
getting colder every hour, and there are snow flurries which come and
|
|
go as warnings.
|
|
|
|
|
|
Later.--It took all my courage to say goodbye to my darling. We may
|
|
never meet again. Courage, Mina! The Professor is looking at you
|
|
keenly. His look is a warning. There must be no tears now, unless it
|
|
may be that God will let them fall in gladness.
|
|
|
|
|
|
|
|
JONATHAN HARKER'S JOURNAL
|
|
|
|
30 October, night.--I am writing this in the light from the furnace
|
|
door of the steam launch. Lord Godalming is firing up. He is an
|
|
experienced hand at the work, as he has had for years a launch of his
|
|
own on the Thames, and another on the Norfolk Broads. Regarding our
|
|
plans, we finally decided that Mina's guess was correct, and that if
|
|
any waterway was chosen for the Count's escape back to his Castle, the
|
|
Sereth and then the Bistritza at its junction, would be the one. We
|
|
took it, that somewhere about the 47th degree, north latitude, would
|
|
be the place chosen for crossing the country between the river and the
|
|
Carpathians. We have no fear in running at good speed up the river at
|
|
night. There is plenty of water, and the banks are wide enough apart
|
|
to make steaming, even in the dark, easy enough. Lord Godalming tells
|
|
me to sleep for a while, as it is enough for the present for one to be
|
|
on watch. But I cannot sleep, how can I with the terrible danger
|
|
hanging over my darling, and her going out into that awful place . . .
|
|
|
|
My only comfort is that we are in the hands of God. Only for that
|
|
faith it would be easier to die than to live, and so be quit of all
|
|
the trouble. Mr. Morris and Dr. Seward were off on their long ride
|
|
before we started. They are to keep up the right bank, far enough off
|
|
to get on higher lands where they can see a good stretch of river and
|
|
avoid the following of its curves. They have, for the first stages,
|
|
two men to ride and lead their spare horses, four in all, so as not to
|
|
excite curiosity. When they dismiss the men, which shall be shortly,
|
|
they shall themselves look after the horses. It may be necessary for
|
|
us to join forces. If so they can mount our whole party. One of the
|
|
saddles has a moveable horn, and can be easily adapted for Mina, if
|
|
required.
|
|
|
|
It is a wild adventure we are on. Here, as we are rushing along
|
|
through the darkness, with the cold from the river seeming to rise up
|
|
and strike us, with all the mysterious voices of the night around us,
|
|
it all comes home. We seem to be drifting into unknown places and
|
|
unknown ways. Into a whole world of dark and dreadful things.
|
|
Godalming is shutting the furnace door . . .
|
|
|
|
|
|
31 October.--Still hurrying along. The day has come, and Godalming is
|
|
sleeping. I am on watch. The morning is bitterly cold, the furnace
|
|
heat is grateful, though we have heavy fur coats. As yet we have
|
|
passed only a few open boats, but none of them had on board any box or
|
|
package of anything like the size of the one we seek. The men were
|
|
scared every time we turned our electric lamp on them, and fell on
|
|
their knees and prayed.
|
|
|
|
|
|
1 November, evening.--No news all day. We have found nothing of the
|
|
kind we seek. We have now passed into the Bistritza, and if we are
|
|
wrong in our surmise our chance is gone. We have overhauled every
|
|
boat, big and little. Early this morning, one crew took us for a
|
|
Government boat, and treated us accordingly. We saw in this a way of
|
|
smoothing matters, so at Fundu, where the Bistritza runs into the
|
|
Sereth, we got a Roumanian flag which we now fly conspicuously. With
|
|
every boat which we have overhauled since then this trick has
|
|
succeeded. We have had every deference shown to us, and not once any
|
|
objection to whatever we chose to ask or do. Some of the Slovaks tell
|
|
us that a big boat passed them, going at more than usual speed as she
|
|
had a double crew on board. This was before they came to Fundu, so
|
|
they could not tell us whether the boat turned into the Bistritza or
|
|
continued on up the Sereth. At Fundu we could not hear of any such
|
|
boat, so she must have passed there in the night. I am feeling very
|
|
sleepy. The cold is perhaps beginning to tell upon me, and nature
|
|
must have rest some time. Godalming insists that he shall keep the
|
|
first watch. God bless him for all his goodness to poor dear Mina and
|
|
me.
|
|
|
|
|
|
2 November, morning.--It is broad daylight. That good fellow would
|
|
not wake me. He says it would have been a sin to, for I slept
|
|
peacefully and was forgetting my trouble. It seems brutally selfish
|
|
to me to have slept so long, and let him watch all night, but he was
|
|
quite right. I am a new man this morning. And, as I sit here and
|
|
watch him sleeping, I can do all that is necessary both as to minding
|
|
the engine, steering, and keeping watch. I can feel that my strength
|
|
and energy are coming back to me. I wonder where Mina is now, and Van
|
|
Helsing. They should have got to Veresti about noon on Wednesday. It
|
|
would take them some time to get the carriage and horses. So if they
|
|
had started and travelled hard, they would be about now at the Borgo
|
|
Pass. God guide and help them! I am afraid to think what may
|
|
happen. If we could only go faster. But we cannot. The engines are
|
|
throbbing and doing their utmost. I wonder how Dr. Seward and Mr.
|
|
Morris are getting on. There seem to be endless streams running down
|
|
the mountains into this river, but as none of them are very large, at
|
|
present, at all events, though they are doubtless terrible in winter
|
|
and when the snow melts, the horsemen may not have met much
|
|
obstruction. I hope that before we get to Strasba we may see them.
|
|
For if by that time we have not overtaken the Count, it may be
|
|
necessary to take counsel together what to do next.
|
|
|
|
|
|
|
|
|
|
|
|
DR. SEWARD'S DIARY
|
|
|
|
2 November.--Three days on the road. No news, and no time to write it
|
|
if there had been, for every moment is precious. We have had only the
|
|
rest needful for the horses. But we are both bearing it wonderfully.
|
|
Those adventurous days of ours are turning up useful. We must push
|
|
on. We shall never feel happy till we get the launch in sight again.
|
|
|
|
|
|
3 November.--We heard at Fundu that the launch had gone up the
|
|
Bistritza. I wish it wasn't so cold. There are signs of snow coming.
|
|
And if it falls heavy it will stop us. In such case we must get a
|
|
sledge and go on, Russian fashion.
|
|
|
|
4 November.--Today we heard of the launch having been detained by an
|
|
accident when trying to force a way up the rapids. The Slovak boats
|
|
get up all right, by aid of a rope and steering with knowledge. Some
|
|
went up only a few hours before. Godalming is an amateur fitter
|
|
himself, and evidently it was he who put the launch in trim again.
|
|
|
|
Finally, they got up the rapids all right, with local help, and are off
|
|
on the chase afresh. I fear that the boat is not any better for the
|
|
accident, the peasantry tell us that after she got upon smooth water
|
|
again, she kept stopping every now and again so long as she was in
|
|
sight. We must push on harder than ever. Our help may be wanted
|
|
soon.
|
|
|
|
|
|
|
|
|
|
|
|
MINA HARKER'S JOURNAL
|
|
|
|
31 October.--Arrived at Veresti at noon. The Professor tells me that
|
|
this morning at dawn he could hardly hypnotize me at all, and that all
|
|
I could say was, "dark and quiet." He is off now buying a carriage
|
|
and horses. He says that he will later on try to buy additional
|
|
horses, so that we may be able to change them on the way. We have
|
|
something more than 70 miles before us. The country is lovely, and
|
|
most interesting. If only we were under different conditions, how
|
|
delightful it would be to see it all. If Jonathan and I were driving
|
|
through it alone what a pleasure it would be. To stop and see people,
|
|
and learn something of their life, and to fill our minds and memories
|
|
with all the colour and picturesqueness of the whole wild, beautiful
|
|
country and the quaint people! But, alas!
|
|
|
|
|
|
Later.--Dr. Van Helsing has returned. He has got the carriage and
|
|
horses. We are to have some dinner, and to start in an hour. The
|
|
landlady is putting us up a huge basket of provisions. It seems
|
|
enough for a company of soldiers. The Professor encourages her, and
|
|
whispers to me that it may be a week before we can get any food again.
|
|
He has been shopping too, and has sent home such a wonderful lot of
|
|
fur coats and wraps, and all sorts of warm things. There will not be
|
|
any chance of our being cold.
|
|
|
|
We shall soon be off. I am afraid to think what may happen to us. We
|
|
are truly in the hands of God. He alone knows what may be, and I pray
|
|
Him, with all the strength of my sad and humble soul, that He will
|
|
watch over my beloved husband. That whatever may happen, Jonathan may
|
|
know that I loved him and honoured him more than I can say, and that my
|
|
latest and truest thought will be always for him.
|
|
|
|
|
|
|
|
|
|
CHAPTER 27
|
|
|
|
|
|
MINA HARKER'S JOURNAL
|
|
|
|
1 November.--All day long we have travelled, and at a good speed. The
|
|
horses seem to know that they are being kindly treated, for they go
|
|
willingly their full stage at best speed. We have now had so many
|
|
changes and find the same thing so constantly that we are encouraged
|
|
to think that the journey will be an easy one. Dr. Van Helsing is
|
|
laconic, he tells the farmers that he is hurrying to Bistritz, and
|
|
pays them well to make the exchange of horses. We get hot soup, or
|
|
coffee, or tea, and off we go. It is a lovely country. Full of
|
|
beauties of all imaginable kinds, and the people are brave, and
|
|
strong, and simple, and seem full of nice qualities. They are very,
|
|
very superstitious. In the first house where we stopped, when the
|
|
woman who served us saw the scar on my forehead, she crossed herself
|
|
and put out two fingers towards me, to keep off the evil eye. I
|
|
believe they went to the trouble of putting an extra amount of garlic
|
|
into our food, and I can't abide garlic. Ever since then I have taken
|
|
care not to take off my hat or veil, and so have escaped their
|
|
suspicions. We are travelling fast, and as we have no driver with us
|
|
to carry tales, we go ahead of scandal. But I daresay that fear of
|
|
the evil eye will follow hard behind us all the way. The Professor
|
|
seems tireless. All day he would not take any rest, though he made me
|
|
sleep for a long spell. At sunset time he hypnotized me, and he says
|
|
I answered as usual, "darkness, lapping water and creaking wood." So
|
|
our enemy is still on the river. I am afraid to think of Jonathan,
|
|
but somehow I have now no fear for him, or for myself. I write this
|
|
whilst we wait in a farmhouse for the horses to be ready. Dr. Van
|
|
Helsing is sleeping. Poor dear, he looks very tired and old and grey,
|
|
but his mouth is set as firmly as a conqueror's. Even in his sleep he
|
|
is intense with resolution. When we have well started I must make him
|
|
rest whilst I drive. I shall tell him that we have days before us,
|
|
and he must not break down when most of all his strength will be
|
|
needed . . . All is ready. We are off shortly.
|
|
|
|
|
|
2 November, morning.--I was successful, and we took turns driving all
|
|
night. Now the day is on us, bright though cold. There is a strange
|
|
heaviness in the air. I say heaviness for want of a better word. I
|
|
mean that it oppresses us both. It is very cold, and only our warm
|
|
furs keep us comfortable. At dawn Van Helsing hypnotized me. He says
|
|
I answered "darkness, creaking wood and roaring water," so the river
|
|
is changing as they ascend. I do hope that my darling will not run
|
|
any chance of danger, more than need be, but we are in God's hands.
|
|
|
|
|
|
2 November, night.--All day long driving. The country gets wilder as
|
|
we go, and the great spurs of the Carpathians, which at Veresti seemed
|
|
so far from us and so low on the horizon, now seem to gather round us
|
|
and tower in front. We both seem in good spirits. I think we make an
|
|
effort each to cheer the other, in the doing so we cheer ourselves.
|
|
Dr. Van Helsing says that by morning we shall reach the Borgo Pass.
|
|
The houses are very few here now, and the Professor says that the last
|
|
horse we got will have to go on with us, as we may not be able to
|
|
change. He got two in addition to the two we changed, so that now we
|
|
have a rude four-in-hand. The dear horses are patient and good, and
|
|
they give us no trouble. We are not worried with other travellers,
|
|
and so even I can drive. We shall get to the Pass in daylight. We do
|
|
not want to arrive before. So we take it easy, and have each a long
|
|
rest in turn. Oh, what will tomorrow bring to us? We go to seek the
|
|
place where my poor darling suffered so much. God grant that we may
|
|
be guided aright, and that He will deign to watch over my husband and
|
|
those dear to us both, and who are in such deadly peril. As for me, I
|
|
am not worthy in His sight. Alas! I am unclean to His eyes, and
|
|
shall be until He may deign to let me stand forth in His sight as one
|
|
of those who have not incurred His wrath.
|
|
|
|
|
|
|
|
|
|
|
|
MEMORANDUM BY ABRAHAM VAN HELSING
|
|
|
|
4 November.--This to my old and true friend John Seward, M.D.,
|
|
of Purfleet, London, in case I may not see him. It may
|
|
explain. It is morning, and I write by a fire which all
|
|
the night I have kept alive, Madam Mina aiding me. It is
|
|
cold, cold. So cold that the grey heavy sky is full of
|
|
snow, which when it falls will settle for all winter as the
|
|
ground is hardening to receive it. It seems to have affected
|
|
Madam Mina. She has been so heavy of head all day that she was
|
|
not like herself. She sleeps, and sleeps, and sleeps! She who
|
|
is usual so alert, have done literally nothing all the day. She
|
|
even have lost her appetite. She make no entry into her little
|
|
diary, she who write so faithful at every pause. Something
|
|
whisper to me that all is not well. However, tonight she is more
|
|
_vif_. Her long sleep all day have refresh and restore her, for
|
|
now she is all sweet and bright as ever. At sunset I try to
|
|
hypnotize her, but alas! with no effect. The power has grown
|
|
less and less with each day, and tonight it fail me altogether.
|
|
Well, God's will be done, whatever it may be, and whithersoever
|
|
it may lead!
|
|
|
|
Now to the historical, for as Madam Mina write not in her
|
|
stenography, I must, in my cumbrous old fashion, that so
|
|
each day of us may not go unrecorded.
|
|
|
|
We got to the Borgo Pass just after sunrise yesterday
|
|
morning. When I saw the signs of the dawn I got ready for
|
|
the hypnotism. We stopped our carriage, and got down so
|
|
that there might be no disturbance. I made a couch with
|
|
furs, and Madam Mina, lying down, yield herself as usual,
|
|
but more slow and more short time than ever, to the hypnotic
|
|
sleep. As before, came the answer, "darkness and the swirling of
|
|
water." Then she woke, bright and radiant and we go on our way
|
|
and soon reach the Pass. At this time and place, she become all
|
|
on fire with zeal. Some new guiding power be in her manifested,
|
|
for she point to a road and say, "This is the way."
|
|
|
|
"How know you it?" I ask.
|
|
|
|
"Of course I know it," she answer, and with a pause, add,
|
|
"Have not my Jonathan travelled it and wrote of his travel?"
|
|
|
|
At first I think somewhat strange, but soon I see that there be
|
|
only one such byroad. It is used but little, and very different
|
|
from the coach road from the Bukovina to Bistritz, which is more
|
|
wide and hard, and more of use.
|
|
|
|
So we came down this road. When we meet other ways, not
|
|
always were we sure that they were roads at all, for they
|
|
be neglect and light snow have fallen, the horses know and
|
|
they only. I give rein to them, and they go on so patient. By
|
|
and by we find all the things which Jonathan have note in that
|
|
wonderful diary of him. Then we go on for long, long hours and
|
|
hours. At the first, I tell Madam Mina to sleep. She try, and
|
|
she succeed. She sleep all the time, till at the last, I feel
|
|
myself to suspicious grow, and attempt to wake her. But she
|
|
sleep on, and I may not wake her though I try. I do not wish to
|
|
try too hard lest I harm her. For I know that she have suffer
|
|
much, and sleep at times be all-in-all to her. I think I drowse
|
|
myself, for all of sudden I feel guilt, as though I have done
|
|
something. I find myself bolt up, with the reins in my hand, and
|
|
the good horses go along jog, jog, just as ever. I look down and
|
|
find Madam Mina still asleep. It is now not far off sunset time,
|
|
and over the snow the light of the sun flow in big yellow flood,
|
|
so that we throw great long shadow on where the mountain rise so
|
|
steep. For we are going up, and up, and all is oh so wild and
|
|
rocky, as though it were the end of the world.
|
|
|
|
Then I arouse Madam Mina. This time she wake with not much
|
|
trouble, and then I try to put her to hypnotic sleep. But
|
|
she sleep not, being as though I were not. Still I try and
|
|
try, till all at once I find her and myself in dark, so I
|
|
look round, and find that the sun have gone down. Madam
|
|
Mina laugh, and I turn and look at her. She is now quite
|
|
awake, and look so well as I never saw her since that night
|
|
at Carfax when we first enter the Count's house. I am amaze, and
|
|
not at ease then. But she is so bright and tender and thoughtful
|
|
for me that I forget all fear. I light a fire, for we have
|
|
brought supply of wood with us, and she prepare food while I undo
|
|
the horses and set them, tethered in shelter, to feed. Then when
|
|
I return to the fire she have my supper ready. I go to help her,
|
|
but she smile, and tell me that she have eat already. That she
|
|
was so hungry that she would not wait. I like it not, and I have
|
|
grave doubts. But I fear to affright her, and so I am silent of
|
|
it. She help me and I eat alone, and then we wrap in fur and lie
|
|
beside the fire, and I tell her to sleep while I watch. But
|
|
presently I forget all of watching. And when I sudden remember
|
|
that I watch, I find her lying quiet, but awake, and looking at
|
|
me with so bright eyes. Once, twice more the same occur, and I
|
|
get much sleep till before morning. When I wake I try to
|
|
hypnotize her, but alas! though she shut her eyes obedient, she
|
|
may not sleep. The sun rise up, and up, and up, and then sleep
|
|
come to her too late, but so heavy that she will not wake. I
|
|
have to lift her up, and place her sleeping in the carriage when
|
|
I have harnessed the horses and made all ready. Madam still
|
|
sleep, and she look in her sleep more healthy and more redder
|
|
than before. And I like it not. And I am afraid, afraid,
|
|
afraid! I am afraid of all things, even to think but I must go
|
|
on my way. The stake we play for is life and death, or more than
|
|
these, and we must not flinch.
|
|
|
|
|
|
5 November, morning.--Let me be accurate in everything, for
|
|
though you and I have seen some strange things together,
|
|
you may at the first think that I, Van Helsing, am mad.
|
|
That the many horrors and the so long strain on nerves has
|
|
at the last turn my brain.
|
|
|
|
All yesterday we travel, always getting closer to the
|
|
mountains, and moving into a more and more wild and desert
|
|
land. There are great, frowning precipices and much falling
|
|
water, and Nature seem to have held sometime her carnival. Madam
|
|
Mina still sleep and sleep. And though I did have hunger and
|
|
appeased it, I could not waken her, even for food. I began to
|
|
fear that the fatal spell of the place was upon her, tainted as
|
|
she is with that Vampire baptism. "Well," said I to myself, "if
|
|
it be that she sleep all the day, it shall also be that I do not
|
|
sleep at night." As we travel on the rough road, for a road of
|
|
an ancient and imperfect kind there was, I held down my head and
|
|
slept.
|
|
|
|
Again I waked with a sense of guilt and of time passed, and
|
|
found Madam Mina still sleeping, and the sun low down. But
|
|
all was indeed changed. The frowning mountains seemed further
|
|
away, and we were near the top of a steep rising hill, on summit
|
|
of which was such a castle as Jonathan tell of in his diary. At
|
|
once I exulted and feared. For now, for good or ill, the end was
|
|
near.
|
|
|
|
I woke Madam Mina, and again tried to hypnotize her, but
|
|
alas! unavailing till too late. Then, ere the great dark
|
|
came upon us, for even after down sun the heavens reflected
|
|
the gone sun on the snow, and all was for a time in a great
|
|
twilight. I took out the horses and fed them in what shelter I
|
|
could. Then I make a fire, and near it I make Madam Mina, now
|
|
awake and more charming than ever, sit comfortable amid her rugs.
|
|
I got ready food, but she would not eat, simply saying that she
|
|
had not hunger. I did not press her, knowing her unavailingness.
|
|
But I myself eat, for I must needs now be strong for all. Then,
|
|
with the fear on me of what might be, I drew a ring so big for
|
|
her comfort, round where Madam Mina sat. And over the ring I
|
|
passed some of the wafer, and I broke it fine so that all was
|
|
well guarded. She sat still all the time, so still as one dead.
|
|
And she grew whiter and even whiter till the snow was not more
|
|
pale, and no word she said. But when I drew near, she clung to
|
|
me, and I could know that the poor soul shook her from head to
|
|
feet with a tremor that was pain to feel.
|
|
|
|
I said to her presently, when she had grown more quiet,
|
|
"Will you not come over to the fire?" for I wished to make
|
|
a test of what she could. She rose obedient, but when she
|
|
have made a step she stopped, and stood as one stricken.
|
|
|
|
"Why not go on?" I asked. She shook her head, and coming
|
|
back, sat down in her place. Then, looking at me with open
|
|
eyes, as of one waked from sleep, she said simply, "I cannot!"
|
|
and remained silent. I rejoiced, for I knew that what she could
|
|
not, none of those that we dreaded could. Though there might be
|
|
danger to her body, yet her soul was safe!
|
|
|
|
Presently the horses began to scream, and tore at their
|
|
tethers till I came to them and quieted them. When they
|
|
did feel my hands on them, they whinnied low as in joy, and
|
|
licked at my hands and were quiet for a time. Many times
|
|
through the night did I come to them, till it arrive to the
|
|
cold hour when all nature is at lowest, and every time my
|
|
coming was with quiet of them. In the cold hour the fire
|
|
began to die, and I was about stepping forth to replenish
|
|
it, for now the snow came in flying sweeps and with it a
|
|
chill mist. Even in the dark there was a light of some
|
|
kind, as there ever is over snow, and it seemed as though
|
|
the snow flurries and the wreaths of mist took shape as of
|
|
women with trailing garments. All was in dead, grim silence only
|
|
that the horses whinnied and cowered, as if in terror of the
|
|
worst. I began to fear, horrible fears. But then came to me the
|
|
sense of safety in that ring wherein I stood. I began too, to
|
|
think that my imaginings were of the night, and the gloom, and
|
|
the unrest that I have gone through, and all the terrible
|
|
anxiety. It was as though my memories of all Jonathan's horrid
|
|
experience were befooling me. For the snow flakes and the mist
|
|
began to wheel and circle round, till I could get as though a
|
|
shadowy glimpse of those women that would have kissed him. And
|
|
then the horses cowered lower and lower, and moaned in terror as
|
|
men do in pain. Even the madness of fright was not to them, so
|
|
that they could break away. I feared for my dear Madam Mina when
|
|
these weird figures drew near and circled round. I looked at her,
|
|
but she sat calm, and smiled at me. When I would have stepped to
|
|
the fire to replenish it, she caught me and held me back, and
|
|
whispered, like a voice that one hears in a dream, so low it was.
|
|
|
|
"No! No! Do not go without. Here you are safe!"
|
|
|
|
I turned to her, and looking in her eyes said, "But you?
|
|
It is for you that I fear!"
|
|
|
|
Whereat she laughed, a laugh low and unreal, and said, "Fear
|
|
for me! Why fear for me? None safer in all the world from
|
|
them than I am," and as I wondered at the meaning of her
|
|
words, a puff of wind made the flame leap up, and I see the
|
|
red scar on her forehead. Then, alas! I knew. Did I not,
|
|
I would soon have learned, for the wheeling figures of mist
|
|
and snow came closer, but keeping ever without the Holy
|
|
circle. Then they began to materialize till, if God have
|
|
not taken away my reason, for I saw it through my eyes.
|
|
There were before me in actual flesh the same three women
|
|
that Jonathan saw in the room, when they would have kissed
|
|
his throat. I knew the swaying round forms, the bright
|
|
hard eyes, the white teeth, the ruddy colour, the voluptuous
|
|
lips. They smiled ever at poor dear Madam Mina. And as
|
|
their laugh came through the silence of the night, they
|
|
twined their arms and pointed to her, and said in those so
|
|
sweet tingling tones that Jonathan said were of the intolerable
|
|
sweetness of the water glasses, "Come, sister. Come to us.
|
|
Come!"
|
|
|
|
In fear I turned to my poor Madam Mina, and my heart with
|
|
gladness leapt like flame. For oh! the terror in her sweet
|
|
eyes, the repulsion, the horror, told a story to my heart
|
|
that was all of hope. God be thanked she was not, yet, of
|
|
them. I seized some of the firewood which was by me, and
|
|
holding out some of the Wafer, advanced on them towards the
|
|
fire. They drew back before me, and laughed their low horrid
|
|
laugh. I fed the fire, and feared them not. For I knew that we
|
|
were safe within the ring, which she could not leave no more than
|
|
they could enter. The horses had ceased to moan, and lay still
|
|
on the ground. The snow fell on them softly, and they grew
|
|
whiter. I knew that there was for the poor beasts no more of
|
|
terror.
|
|
|
|
And so we remained till the red of the dawn began to fall
|
|
through the snow gloom. I was desolate and afraid, and
|
|
full of woe and terror. But when that beautiful sun began
|
|
to climb the horizon life was to me again. At the first
|
|
coming of the dawn the horrid figures melted in the whirling
|
|
mist and snow. The wreaths of transparent gloom moved away
|
|
towards the castle, and were lost.
|
|
|
|
Instinctively, with the dawn coming, I turned to Madam Mina,
|
|
intending to hypnotize her. But she lay in a deep and sudden
|
|
sleep, from which I could not wake her. I tried to hypnotize
|
|
through her sleep, but she made no response, none at all, and the
|
|
day broke. I fear yet to stir. I have made my fire and have
|
|
seen the horses, they are all dead. Today I have much to do here,
|
|
and I keep waiting till the sun is up high. For there may be
|
|
places where I must go, where that sunlight, though snow and mist
|
|
obscure it, will be to me a safety.
|
|
|
|
I will strengthen me with breakfast, and then I will do my
|
|
terrible work. Madam Mina still sleeps, and God be thanked! She
|
|
is calm in her sleep . . .
|
|
|
|
|
|
|
|
JONATHAN HARKER'S JOURNAL
|
|
|
|
4 November, evening.--The accident to the launch has been a terrible
|
|
thing for us. Only for it we should have overtaken the boat long ago,
|
|
and by now my dear Mina would have been free. I fear to think of her,
|
|
off on the wolds near that horrid place. We have got horses, and we
|
|
follow on the track. I note this whilst Godalming is getting ready.
|
|
We have our arms. The Szgany must look out if they mean to fight. Oh,
|
|
if only Morris and Seward were with us. We must only hope! If I
|
|
write no more Goodby Mina! God bless and keep you.
|
|
|
|
|
|
|
|
DR. SEWARD'S DIARY
|
|
|
|
5 November.--With the dawn we saw the body of Szgany before us dashing
|
|
away from the river with their leiter wagon. They surrounded it in a
|
|
cluster, and hurried along as though beset. The snow is falling
|
|
lightly and there is a strange excitement in the air. It may be our
|
|
own feelings, but the depression is strange. Far off I hear the
|
|
howling of wolves. The snow brings them down from the mountains, and
|
|
there are dangers to all of us, and from all sides. The horses are
|
|
nearly ready, and we are soon off. We ride to death of some one. God
|
|
alone knows who, or where, or what, or when, or how it may be . . .
|
|
|
|
|
|
|
|
|
|
|
|
DR. VAN HELSING'S MEMORANDUM
|
|
|
|
5 November, afternoon.--I am at least sane. Thank God for
|
|
that mercy at all events, though the proving it has been
|
|
dreadful. When I left Madam Mina sleeping within the Holy
|
|
circle, I took my way to the castle. The blacksmith hammer
|
|
which I took in the carriage from Veresti was useful, though the
|
|
doors were all open I broke them off the rusty hinges, lest some
|
|
ill intent or ill chance should close them, so that being entered
|
|
I might not get out. Jonathan's bitter experience served me
|
|
here. By memory of his diary I found my way to the old chapel,
|
|
for I knew that here my work lay. The air was oppressive. It
|
|
seemed as if there was some sulphurous fume, which at times made
|
|
me dizzy. Either there was a roaring in my ears or I heard afar
|
|
off the howl of wolves. Then I bethought me of my dear Madam
|
|
Mina, and I was in terrible plight. The dilemma had me between
|
|
his horns.
|
|
|
|
Her, I had not dare to take into this place, but left safe
|
|
from the Vampire in that Holy circle. And yet even there
|
|
would be the wolf! I resolve me that my work lay here, and
|
|
that as to the wolves we must submit, if it were God's will. At
|
|
any rate it was only death and freedom beyond. So did I choose
|
|
for her. Had it but been for myself the choice had been easy,
|
|
the maw of the wolf were better to rest in than the grave of the
|
|
Vampire! So I make my choice to go on with my work.
|
|
|
|
I knew that there were at least three graves to find, graves
|
|
that are inhabit. So I search, and search, and I find one
|
|
of them. She lay in her Vampire sleep, so full of life and
|
|
voluptuous beauty that I shudder as though I have come to
|
|
do murder. Ah, I doubt not that in the old time, when such
|
|
things were, many a man who set forth to do such a task as
|
|
mine, found at the last his heart fail him, and then his
|
|
nerve. So he delay, and delay, and delay, till the mere
|
|
beauty and the fascination of the wanton Undead have hypnotize
|
|
him. And he remain on and on, till sunset come, and the Vampire
|
|
sleep be over. Then the beautiful eyes of the fair woman open
|
|
and look love, and the voluptuous mouth present to a kiss, and
|
|
the man is weak. And there remain one more victim in the
|
|
Vampire fold. One more to swell the grim and grisly ranks
|
|
of the Undead! . . .
|
|
|
|
There is some fascination, surely, when I am moved by the
|
|
mere presence of such an one, even lying as she lay in a
|
|
tomb fretted with age and heavy with the dust of centuries,
|
|
though there be that horrid odour such as the lairs of the
|
|
Count have had. Yes, I was moved. I, Van Helsing, with
|
|
all my purpose and with my motive for hate. I was moved to
|
|
a yearning for delay which seemed to paralyze my faculties
|
|
and to clog my very soul. It may have been that the need
|
|
of natural sleep, and the strange oppression of the air
|
|
were beginning to overcome me. Certain it was that I was
|
|
lapsing into sleep, the open eyed sleep of one who yields
|
|
to a sweet fascination, when there came through the snow-stilled
|
|
air a long, low wail, so full of woe and pity that it woke me
|
|
like the sound of a clarion. For it was the voice of my dear
|
|
Madam Mina that I heard.
|
|
|
|
Then I braced myself again to my horrid task, and found by
|
|
wrenching away tomb tops one other of the sisters, the other dark
|
|
one. I dared not pause to look on her as I had on her sister,
|
|
lest once more I should begin to be enthrall. But I go on
|
|
searching until, presently, I find in a high great tomb as if
|
|
made to one much beloved that other fair sister which, like
|
|
Jonathan I had seen to gather herself out of the atoms of the
|
|
mist. She was so fair to look on, so radiantly beautiful, so
|
|
exquisitely voluptuous, that the very instinct of man in me,
|
|
which calls some of my sex to love and to protect one of hers,
|
|
made my head whirl with new emotion. But God be thanked, that
|
|
soul wail of my dear Madam Mina had not died out of my ears.
|
|
And, before the spell could be wrought further upon me, I had
|
|
nerved myself to my wild work. By this time I had searched all
|
|
the tombs in the chapel, so far as I could tell. And as there
|
|
had been only three of these Undead phantoms around us in the
|
|
night, I took it that there were no more of active Undead
|
|
existent. There was one great tomb more lordly than all the
|
|
rest. Huge it was, and nobly proportioned. On it was but one
|
|
word.
|
|
|
|
|
|
DRACULA
|
|
|
|
|
|
This then was the Undead home of the King Vampire, to whom
|
|
so many more were due. Its emptiness spoke eloquent to
|
|
make certain what I knew. Before I began to restore these
|
|
women to their dead selves through my awful work, I laid in
|
|
Dracula's tomb some of the Wafer, and so banished him from
|
|
it, Undead, for ever.
|
|
|
|
Then began my terrible task, and I dreaded it. Had it been
|
|
but one, it had been easy, comparative. But three! To
|
|
begin twice more after I had been through a deed of horror.
|
|
For it was terrible with the sweet Miss Lucy, what would it
|
|
not be with these strange ones who had survived through
|
|
centuries, and who had been strengthened by the passing of
|
|
the years. Who would, if they could, have fought for their
|
|
foul lives . . .
|
|
|
|
Oh, my friend John, but it was butcher work. Had I not
|
|
been nerved by thoughts of other dead, and of the living
|
|
over whom hung such a pall of fear, I could not have gone
|
|
on. I tremble and tremble even yet, though till all was
|
|
over, God be thanked, my nerve did stand. Had I not seen
|
|
the repose in the first place, and the gladness that stole
|
|
over it just ere the final dissolution came, as realization
|
|
that the soul had been won, I could not have gone further
|
|
with my butchery. I could not have endured the horrid screeching
|
|
as the stake drove home, the plunging of writhing form, and lips
|
|
of bloody foam. I should have fled in terror and left my work
|
|
undone. But it is over! And the poor souls, I can pity them now
|
|
and weep, as I think of them placid each in her full sleep of
|
|
death for a short moment ere fading. For, friend John, hardly
|
|
had my knife severed the head of each, before the whole body
|
|
began to melt away and crumble into its native dust, as though
|
|
the death that should have come centuries ago had at last assert
|
|
himself and say at once and loud, "I am here!"
|
|
|
|
Before I left the castle I so fixed its entrances that never
|
|
more can the Count enter there Undead.
|
|
|
|
When I stepped into the circle where Madam Mina slept, she
|
|
woke from her sleep and, seeing me, cried out in pain that
|
|
I had endured too much.
|
|
|
|
"Come!" she said, "come away from this awful place! Let us
|
|
go to meet my husband who is, I know, coming towards us."
|
|
She was looking thin and pale and weak. But her eyes were
|
|
pure and glowed with fervour. I was glad to see her paleness and
|
|
her illness, for my mind was full of the fresh horror of that
|
|
ruddy vampire sleep.
|
|
|
|
And so with trust and hope, and yet full of fear, we go
|
|
eastward to meet our friends, and him, whom Madam Mina tell
|
|
me that she know are coming to meet us.
|
|
|
|
|
|
|
|
|
|
|
|
MINA HARKER'S JOURNAL
|
|
|
|
6 November.--It was late in the afternoon when the Professor and I
|
|
took our way towards the east whence I knew Jonathan was coming. We
|
|
did not go fast, though the way was steeply downhill, for we had to
|
|
take heavy rugs and wraps with us. We dared not face the possibility
|
|
of being left without warmth in the cold and the snow. We had to take
|
|
some of our provisions too, for we were in a perfect desolation, and
|
|
so far as we could see through the snowfall, there was not even the
|
|
sign of habitation. When we had gone about a mile, I was tired with
|
|
the heavy walking and sat down to rest. Then we looked back and saw
|
|
where the clear line of Dracula's castle cut the sky. For we were so
|
|
deep under the hill whereon it was set that the angle of perspective
|
|
of the Carpathian mountains was far below it. We saw it in all its
|
|
grandeur, perched a thousand feet on the summit of a sheer precipice,
|
|
and with seemingly a great gap between it and the steep of the
|
|
adjacent mountain on any side. There was something wild and uncanny
|
|
about the place. We could hear the distant howling of wolves. They
|
|
were far off, but the sound, even though coming muffled through the
|
|
deadening snowfall, was full of terror. I knew from the way Dr. Van
|
|
Helsing was searching about that he was trying to seek some strategic
|
|
point, where we would be less exposed in case of attack. The rough
|
|
roadway still led downwards. We could trace it through the drifted
|
|
snow.
|
|
|
|
In a little while the Professor signalled to me, so I got up and
|
|
joined him. He had found a wonderful spot, a sort of natural hollow
|
|
in a rock, with an entrance like a doorway between two boulders. He
|
|
took me by the hand and drew me in.
|
|
|
|
"See!" he said, "here you will be in shelter. And if the wolves do
|
|
come I can meet them one by one."
|
|
|
|
He brought in our furs, and made a snug nest for me, and got out some
|
|
provisions and forced them upon me. But I could not eat, to even try
|
|
to do so was repulsive to me, and much as I would have liked to please
|
|
him, I could not bring myself to the attempt. He looked very sad, but
|
|
did not reproach me. Taking his field glasses from the case, he stood
|
|
on the top of the rock, and began to search the horizon.
|
|
|
|
Suddenly he called out, "Look! Madam Mina, look! Look!"
|
|
|
|
I sprang up and stood beside him on the rock. He handed me his
|
|
glasses and pointed. The snow was now falling more heavily, and
|
|
swirled about fiercely, for a high wind was beginning to blow.
|
|
However, there were times when there were pauses between the snow
|
|
flurries and I could see a long way round. From the height where we
|
|
were it was possible to see a great distance. And far off, beyond the
|
|
white waste of snow, I could see the river lying like a black ribbon
|
|
in kinks and curls as it wound its way. Straight in front of us and
|
|
not far off, in fact so near that I wondered we had not noticed
|
|
before, came a group of mounted men hurrying along. In the midst of
|
|
them was a cart, a long leiter wagon which swept from side to side,
|
|
like a dog's tail wagging, with each stern inequality of the road.
|
|
Outlined against the snow as they were, I could see from the men's
|
|
clothes that they were peasants or gypsies of some kind.
|
|
|
|
On the cart was a great square chest. My heart leaped as I saw it, for
|
|
I felt that the end was coming. The evening was now drawing close,
|
|
and well I knew that at sunset the Thing, which was till then
|
|
imprisoned there, would take new freedom and could in any of many
|
|
forms elude pursuit. In fear I turned to the Professor. To my
|
|
consternation, however, he was not there. An instant later, I saw him
|
|
below me. Round the rock he had drawn a circle, such as we had found
|
|
shelter in last night.
|
|
|
|
When he had completed it he stood beside me again saying, "At least
|
|
you shall be safe here from him!" He took the glasses from me, and at
|
|
the next lull of the snow swept the whole space below us. "See," he
|
|
said, "they come quickly. They are flogging the horses, and galloping
|
|
as hard as they can."
|
|
|
|
He paused and went on in a hollow voice, "They are racing for the
|
|
sunset. We may be too late. God's will be done!" Down came another
|
|
blinding rush of driving snow, and the whole landscape was blotted
|
|
out. It soon passed, however, and once more his glasses were fixed on
|
|
the plain.
|
|
|
|
Then came a sudden cry, "Look! Look! Look! See, two horsemen follow
|
|
fast, coming up from the south. It must be Quincey and John. Take
|
|
the glass. Look before the snow blots it all out!" I took it and
|
|
looked. The two men might be Dr. Seward and Mr. Morris. I knew at
|
|
all events that neither of them was Jonathan. At the same time I knew
|
|
that Jonathan was not far off. Looking around I saw on the north side
|
|
of the coming party two other men, riding at breakneck speed. One of
|
|
them I knew was Jonathan, and the other I took, of course, to be Lord
|
|
Godalming. They too, were pursuing the party with the cart. When I
|
|
told the Professor he shouted in glee like a schoolboy, and after
|
|
looking intently till a snow fall made sight impossible, he laid his
|
|
Winchester rifle ready for use against the boulder at the opening of
|
|
our shelter.
|
|
|
|
"They are all converging," he said. "When the time comes we shall have
|
|
gypsies on all sides." I got out my revolver ready to hand, for
|
|
whilst we were speaking the howling of wolves came louder and closer.
|
|
When the snow storm abated a moment we looked again. It was strange
|
|
to see the snow falling in such heavy flakes close to us, and beyond,
|
|
the sun shining more and more brightly as it sank down towards the far
|
|
mountain tops. Sweeping the glass all around us I could see here and
|
|
there dots moving singly and in twos and threes and larger numbers.
|
|
The wolves were gathering for their prey.
|
|
|
|
Every instant seemed an age whilst we waited. The wind came now in
|
|
fierce bursts, and the snow was driven with fury as it swept upon us
|
|
in circling eddies. At times we could not see an arm's length before
|
|
us. But at others, as the hollow sounding wind swept by us, it seemed
|
|
to clear the air space around us so that we could see afar off. We
|
|
had of late been so accustomed to watch for sunrise and sunset, that
|
|
we knew with fair accuracy when it would be. And we knew that before
|
|
long the sun would set. It was hard to believe that by our watches it
|
|
was less than an hour that we waited in that rocky shelter before the
|
|
various bodies began to converge close upon us. The wind came now
|
|
with fiercer and more bitter sweeps, and more steadily from the
|
|
north. It seemingly had driven the snow clouds from us, for with only
|
|
occasional bursts, the snow fell. We could distinguish clearly the
|
|
individuals of each party, the pursued and the pursuers. Strangely
|
|
enough those pursued did not seem to realize, or at least to care,
|
|
that they were pursued. They seemed, however, to hasten with
|
|
redoubled speed as the sun dropped lower and lower on the mountain
|
|
tops.
|
|
|
|
Closer and closer they drew. The Professor and I crouched down behind
|
|
our rock, and held our weapons ready. I could see that he was
|
|
determined that they should not pass. One and all were quite unaware
|
|
of our presence.
|
|
|
|
All at once two voices shouted out to "Halt!" One was my Jonathan's,
|
|
raised in a high key of passion. The other Mr. Morris' strong
|
|
resolute tone of quiet command. The gypsies may not have known the
|
|
language, but there was no mistaking the tone, in whatever tongue the
|
|
words were spoken. Instinctively they reined in, and at the instant
|
|
Lord Godalming and Jonathan dashed up at one side and Dr. Seward and
|
|
Mr. Morris on the other. The leader of the gypsies, a splendid
|
|
looking fellow who sat his horse like a centaur, waved them back, and
|
|
in a fierce voice gave to his companions some word to proceed. They
|
|
lashed the horses which sprang forward. But the four men raised their
|
|
Winchester rifles, and in an unmistakable way commanded them to stop.
|
|
At the same moment Dr. Van Helsing and I rose behind the rock and
|
|
pointed our weapons at them. Seeing that they were surrounded the men
|
|
tightened their reins and drew up. The leader turned to them and gave
|
|
a word at which every man of the gypsy party drew what weapon he
|
|
carried, knife or pistol, and held himself in readiness to attack.
|
|
Issue was joined in an instant.
|
|
|
|
The leader, with a quick movement of his rein, threw his horse out in
|
|
front, and pointed first to the sun, now close down on the hill tops,
|
|
and then to the castle, said something which I did not understand.
|
|
For answer, all four men of our party threw themselves from their
|
|
horses and dashed towards the cart. I should have felt terrible fear
|
|
at seeing Jonathan in such danger, but that the ardor of battle must
|
|
have been upon me as well as the rest of them. I felt no fear, but
|
|
only a wild, surging desire to do something. Seeing the quick
|
|
movement of our parties, the leader of the gypsies gave a command. His
|
|
men instantly formed round the cart in a sort of undisciplined
|
|
endeavour, each one shouldering and pushing the other in his eagerness
|
|
to carry out the order.
|
|
|
|
In the midst of this I could see that Jonathan on one side of the ring
|
|
of men, and Quincey on the other, were forcing a way to the cart. It
|
|
was evident that they were bent on finishing their task before the sun
|
|
should set. Nothing seemed to stop or even to hinder them. Neither
|
|
the levelled weapons nor the flashing knives of the gypsies in front,
|
|
nor the howling of the wolves behind, appeared to even attract their
|
|
attention. Jonathan's impetuosity, and the manifest singleness of his
|
|
purpose, seemed to overawe those in front of him. Instinctively they
|
|
cowered aside and let him pass. In an instant he had jumped upon the
|
|
cart, and with a strength which seemed incredible, raised the great
|
|
box, and flung it over the wheel to the ground. In the meantime, Mr.
|
|
Morris had had to use force to pass through his side of the ring of
|
|
Szgany. All the time I had been breathlessly watching Jonathan I had,
|
|
with the tail of my eye, seen him pressing desperately forward, and
|
|
had seen the knives of the gypsies flash as he won a way through them,
|
|
and they cut at him. He had parried with his great bowie knife, and
|
|
at first I thought that he too had come through in safety. But as he
|
|
sprang beside Jonathan, who had by now jumped from the cart, I could
|
|
see that with his left hand he was clutching at his side, and that the
|
|
blood was spurting through his fingers. He did not delay
|
|
notwithstanding this, for as Jonathan, with desperate energy, attacked
|
|
one end of the chest, attempting to prize off the lid with his great
|
|
Kukri knife, he attacked the other frantically with his bowie. Under
|
|
the efforts of both men the lid began to yield. The nails drew with a
|
|
screeching sound, and the top of the box was thrown back.
|
|
|
|
By this time the gypsies, seeing themselves covered by the
|
|
Winchesters, and at the mercy of Lord Godalming and Dr. Seward, had
|
|
given in and made no further resistance. The sun was almost down on
|
|
the mountain tops, and the shadows of the whole group fell upon the
|
|
snow. I saw the Count lying within the box upon the earth, some of
|
|
which the rude falling from the cart had scattered over him. He was
|
|
deathly pale, just like a waxen image, and the red eyes glared with
|
|
the horrible vindictive look which I knew so well.
|
|
|
|
As I looked, the eyes saw the sinking sun, and the look of hate in
|
|
them turned to triumph.
|
|
|
|
But, on the instant, came the sweep and flash of Jonathan's great
|
|
knife. I shrieked as I saw it shear through the throat. Whilst at
|
|
the same moment Mr. Morris's bowie knife plunged into the heart.
|
|
|
|
It was like a miracle, but before our very eyes, and almost in the
|
|
drawing of a breath, the whole body crumbled into dust and passed from
|
|
our sight.
|
|
|
|
I shall be glad as long as I live that even in that moment of final
|
|
dissolution, there was in the face a look of peace, such as I never
|
|
could have imagined might have rested there.
|
|
|
|
The Castle of Dracula now stood out against the red sky, and every
|
|
stone of its broken battlements was articulated against the light of
|
|
the setting sun.
|
|
|
|
The gypsies, taking us as in some way the cause of the extraordinary
|
|
disappearance of the dead man, turned, without a word, and rode away
|
|
as if for their lives. Those who were unmounted jumped upon the
|
|
leiter wagon and shouted to the horsemen not to desert them. The
|
|
wolves, which had withdrawn to a safe distance, followed in their
|
|
wake, leaving us alone.
|
|
|
|
Mr. Morris, who had sunk to the ground, leaned on his elbow, holding
|
|
his hand pressed to his side. The blood still gushed through his
|
|
fingers. I flew to him, for the Holy circle did not now keep me back;
|
|
so did the two doctors. Jonathan knelt behind him and the wounded man
|
|
laid back his head on his shoulder. With a sigh he took, with a
|
|
feeble effort, my hand in that of his own which was unstained.
|
|
|
|
He must have seen the anguish of my heart in my face, for he smiled at
|
|
me and said, "I am only too happy to have been of service! Oh, God!"
|
|
he cried suddenly, struggling to a sitting posture and pointing to me.
|
|
"It was worth for this to die! Look! Look!"
|
|
|
|
The sun was now right down upon the mountain top, and the red gleams
|
|
fell upon my face, so that it was bathed in rosy light. With one
|
|
impulse the men sank on their knees and a deep and earnest "Amen"
|
|
broke from all as their eyes followed the pointing of his finger.
|
|
|
|
The dying man spoke, "Now God be thanked that all has not been in
|
|
vain! See! The snow is not more stainless than her forehead! The
|
|
curse has passed away!"
|
|
|
|
And, to our bitter grief, with a smile and in silence, he died, a
|
|
gallant gentleman.
|
|
|
|
|
|
|
|
|
|
|
|
NOTE
|
|
|
|
|
|
Seven years ago we all went through the flames. And the happiness of
|
|
some of us since then is, we think, well worth the pain we endured.
|
|
It is an added joy to Mina and to me that our boy's birthday is the
|
|
same day as that on which Quincey Morris died. His mother holds, I
|
|
know, the secret belief that some of our brave friend's spirit has
|
|
passed into him. His bundle of names links all our little band of men
|
|
together. But we call him Quincey.
|
|
|
|
In the summer of this year we made a journey to Transylvania, and went
|
|
over the old ground which was, and is, to us so full of vivid and
|
|
terrible memories. It was almost impossible to believe that the
|
|
things which we had seen with our own eyes and heard with our own ears
|
|
were living truths. Every trace of all that had been was blotted
|
|
out. The castle stood as before, reared high above a waste of
|
|
desolation.
|
|
|
|
When we got home we were talking of the old time, which we could all
|
|
look back on without despair, for Godalming and Seward are both
|
|
happily married. I took the papers from the safe where they had been
|
|
ever since our return so long ago. We were struck with the fact, that
|
|
in all the mass of material of which the record is composed, there is
|
|
hardly one authentic document. Nothing but a mass of typewriting,
|
|
except the later notebooks of Mina and Seward and myself, and Van
|
|
Helsing's memorandum. We could hardly ask any one, even did we wish
|
|
to, to accept these as proofs of so wild a story. Van Helsing summed
|
|
it all up as he said, with our boy on his knee.
|
|
|
|
"We want no proofs. We ask none to believe us! This boy will some
|
|
day know what a brave and gallant woman his mother is. Already he
|
|
knows her sweetness and loving care. Later on he will understand how
|
|
some men so loved her, that they did dare much for her sake."
|
|
|
|
JONATHAN HARKER
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
End of the Project Gutenberg EBook of Dracula, by Bram Stoker
|
|
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