GeronBook/Ch13/data/aclImdb/train/unsup/9537_0.txt

1 line
1.5 KiB
Plaintext
Raw Permalink Blame History

This file contains invisible Unicode characters

This file contains invisible Unicode characters that are indistinguishable to humans but may be processed differently by a computer. If you think that this is intentional, you can safely ignore this warning. Use the Escape button to reveal them.

Wow. Cynics who think that cinematic storytelling has reached a dead end should sit themselves down in front of the mind-blowing and imaginative Survive Style 5+, a Japanese crime comedy that – despite some post-Tarantino story elements – actually has more in common with the inventive American comedies of the Kaufman/Gondry/Jonze camp. Initially the five paralleling story lines seem disparate, yet watching them ultimately intersect in inspired ways is one of the film's innumerable pleasures: a husband tries to repeatedly kill and bury his wife, but she keeps returning, even more indestructible; three young burglars break into houses and get into trouble; a London hit-man travels through Japan with his interpreter/employer, continually asking people what function they serve in life; attending a hypnotist's performance with his family, a salary man becomes permanently convinced he's actually a bird; and a driven advertising director has to reexamine her life after her increasingly hysterical ideas for television commercials are rejected. First-time feature director Gen Sekiguchi actually was Japan's leading (and award-winning) director of commercials, and he brings a stunning visual style to the film as well as a completely boundless, anarchic approach to cinema's possibilities: you never have any idea where Survive Style 5+ is headed from minute to minute, and the trip is as riotously funny as it is unpredictable. Like most wholly original films, Survive is a bit difficult to summarize, so just take my word for it and see it.