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1.8 KiB
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1 line
1.8 KiB
Plaintext
Like TWO ARABIAN KNIGHTS, a couple of American soldiers attempt the daring rescue of a Middle Eastern princess from a loveless betrothal.<br /><br />Producer Howard Hughes became a Hollywood power with the very successful release of this, his third motion picture. Thought lost for decades, this wonderful silent comedy has recently been rediscovered & restored and given a splendid orchestral score by Robert Israel. Directed with verve by Lewis Milestone and greatly benefiting from William Cameron Menzies' art direction, the high jinks & high adventure of this antique buddy film are once again ready to delight the viewing audience.<br /><br />Clean-cut private William Boyd and plug-ugly sergeant Louis Wolheim battle Germans, Arabs and each other across Europe, the Mediterranean and into Palestine. They make a terrific comedy duo, constantly involved in one-upmanship and dangerous exploits whether in a POW camp, on a prisoner train, aboard a tramp steamer, or in a Moslem souk and emir's palace. Wolheim, with his hilariously expressive face, has a slight advantage in the scene stealing category, while Boyd has the upper hand in the romantics department.<br /><br />Mary Astor, as the endangered princess, is the willing recipient of Boyd's attentions. Her role doesn't give her a great deal to do except look lovely & alarmed, but these she carries off admirably.<br /><br />In the supporting cast, Michael Visaroff is the black hearted ship's captain who comes into conflict with Boyd & Wolheim; look fast for Boris Karloff as his purser. Dashing Ian Keith nicely plays the young Arab chieftain who will stop at nothing to make Astor his bride.<br /><br />At various points throughout the movie the viewer will notice the deterioration of the film stock, showing that TWO ARABIAN KNIGHTS was indeed rescued, like the princess, just in time. |