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1 line
1.3 KiB
Plaintext
After FOR THE BOYS flopped at the box office, Bette Midler angrily told the press she would never make another musical.<br /><br />But the trouble was she DIDN'T make a musical. She threw a few numbers into a heavy-handed "message picture" that strikes political poses which are obvious and overly-familiar.<br /><br />It starts out so well, a real old-time star vehicle, perfectly showcasing Midler's musical and comedic gifts, but less than an hour in, it transforms into something much less interesting.<br /><br />Musical numbers disappear, replaced by pious liberal sermonettes, teaching us that blacklisting, patriotism, sexism, and the Viet Nam war are all Very Bad.<br /><br />FOR THE BOYS illustrates the damage done to a story when the writers refuse to be fair to a major character. Here, James Caan is painted in such broad strokes as a two-dimensional villain (sexist! adulterous! untalented! corrupt!), the whole film becomes a cartoon.<br /><br />By the time you see them in the worst old age make-up in Hollywood history (it looks like someone stuck pie dough on Midler and Caan's faces), what little credibility remains is swept away for good.<br /><br />But the first 45 minutes reminds you how great Midler can be in the right vehicle. Will someone please cast her in another musical? A REAL one this time. |