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1.7 KiB
Plaintext
1 line
1.7 KiB
Plaintext
9 is a very "Turkish" film as it is based on dialogues/monologues mostly, so it makes it difficult for a "foreigner" to get the film. The characters use proverbs and idioms a lot in their speech; this provides a beautiful expression and perfect and natural atmosphere but unluckily these talks did not translate well.<br /><br />The film is about "nothing is what it seems". It starts with a picture of perfect and happy district. A homeless young girl was raped and murdered there and some people of the district who are being interrogated in a dark room by the police insist that they are all good citizens, are loved by their neighbours, have a quiet life and have no relation with the girl and the murder. All say that such a criminal cannot be from the neighbourhood.<br /><br />But as the gilded upper layer of their lives is scratched by questions of the police and the contradictory testimonies of themselves, we face something surprising: the ugly truth. But the question is "what is the truth?" Salim, one of the main characters, says it is such a story that your interpretation of it is the "truth".<br /><br />"The film offers a critique not just of State fascism but fascism in daily life - in the lives of ordinary people..." suggests Umit Unal,the writer-director of 9 and his well-knitted script(which is a masterpiece of the Turkish script expert) tells us all murderers used to be ordinary people before.<br /><br />To me, the film was awesome; smart retorts, very good actors, lots of metaphors, amazing music of ZeN, touching Yiddish song of Spiky and the frantic editing...I specially appreciate the performance of Cezmi Baskin(Salim), i think that it is the best in his career.<br /><br /> |