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1.3 KiB
Plaintext
1 line
1.3 KiB
Plaintext
I'm a jaded horror-movie fan, hence approximately once in a blue moon do I get to watch a film from this genre that has me glued to the screen rather than bored or sneering/almost laughing at the gore when I'm not supposed to. But perhaps that was the key here, the essential ingredient - or rather the lack of it: the fact that there is no gore. Just like in the Japanese "Ringu", the eeriness comes out of what is insinuated rather than catchup-stained limbs flying through rooms as if they had wings. "Kairo" remains interesting in spite of its 2-hour length, although a little editing snip here or there might have made it a little more compact. The dialogue is mostly standard, i.e. not that interesting (with some exceptions), so it's the ghost scenes that elevate this movie above 98% of the usual horror crap. The story is slightly muddled (or were my subtitles bad?) but it matters not. "Kairo" shows once again why the Japanese (or Orientals in general) have an upper hand in the genre in recent years.<br /><br />And even if you disliked it: it still beats watching a Stephen King or Wes Craven film, doesn't it? Plus, Japanese actresses are so much better-looking than the increasingly ugly, masculine blonds Hollywood serves us lately...<br /><br />"Printo screenki": this is how one male character referred to a certain computer-keyboard feature... |