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465 B
Plaintext
This avant garde piece miraculously comes off without being cliché or dismissible (as is so common with artsy avant garde film). Peggy Lynch (I'm assuming is his daughter) goes through a sequence of harrowing events that had some connection with the alphabet. I particularly liked the bed-wetting and the dirt. The person I watched this with said the dirt looked very "inviting." I strangely agreed. Only Lynch could make dirt inviting. Very interesting work. 8/10 |