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1.7 KiB
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1 line
1.7 KiB
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At a risk of sounding slightly sacrilegious, on first viewing I'm kind of inclined to put this right up on a par with 'Shaun of the Dead'. Now, given I view Simon Pegg as an unquestionable comedy genius, I realise this is a rather big claim. And to what extent you agree with that last statement may be a good preliminary gauge of whether 'Fido' will appeal to you.<br /><br />In a way the comedy picks up where 'Shaun' left off, except we're back in the original 1950s Living Dead-era stereotypical middle-American small town. The Zombie Wars are over and zombies themselves are becoming more well-adjusted, useful members of the community. This, so we're informed at the outset, is largely thanks to the scientific advances made by the good people at Zomcom - a nice play on romantic comedy perhaps? <br /><br />The beauty of the film lies in its dead-pan depiction of a respectable neighbourhood maintaining core values while making a place for zombies and the special hazards they pose. The charm and balance with which it does this is near enough perfect. Themes you might expect from a more mainstream kitsch comedy come through - the veneer of good clean living, keeping up appearances, repressed emotion, muddled parental values, social decorum and the plight of the alienated individual.<br /><br />It's a story told with happy heart and wide appeal that is brought to life vividly by the film's all-round strong cast. It's one of those works where it really shows through that everyone involved got a kick out of taking part. It's also fun imagining what Billy Connelly learning his script must have been like...<br /><br />So in conclusion, it is probable you will appreciate the humour of this film unless your father tried to eat you. |