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Plaintext
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484 B
Plaintext
In Landscape after the Battle, Andrzej Wajda in the second era of his filmmaking career, depicts emotional and psychological confusion in a former Nazi-prison in Poland, freed immediately after the WWII.<br /><br />A hand-held camera explores a lot of extreme close-ups and vivid colors. The end credit as graffiti on flanks of freight train cars symbolically concludes the film. The soundtrack is great, except Vivaldi, which sounds tacky in pop-art fashion, in the opening sequence. |